Santa Maria da Feira - Devendra Banhart
"Santa Maria da Feira" is a track by folk singer-songwriter Devendra Banhart, featured on his album "Cripple Crow" released in 2005. The song is named after a town in Portugal, known for its annual fair which dates back to the 14th century. The composition of the song is a mix of folk and psychedelic elements, with Banhart's distinctive vocals leading the way. The track features acoustic guitar, subtle percussion, and dreamy instrumentals that create a whimsical and ethereal atmosphere. Thematically, "Santa Maria da Feira" reflects on themes of love, longing, and nostalgia. Banhart's lyrics are poetic and introspective, painting a vivid picture of a distant memory or dream-like experience. The song's gentle melody and haunting harmonies add to its melancholic and introspective mood. Notable for its unique blend of folk, psychedelia, and world music influences, "Santa Maria da Feira" showcases Devendra Banhart's eclectic musical style and storytelling abilities. The track stands out as a highlight on the "Cripple Crow" album, capturing the listener's attention with its haunting beauty and emotional depth.
Devendra Banhart
Devendra Banhart is a Venezuelan-American singer-songwriter and visual artist known for his unique blend of folk, psychedelic, and indie rock music. He was born on May 30, 1981, in Houston, Texas, but spent his childhood traveling between Venezuela, California, and Texas due to his parents' divorce. This diverse upbringing greatly influenced his eclectic musical style and lyrical content. Banhart first gained recognition in the early 2000s with the release of his debut album, "Oh Me Oh My...The Way the Day Goes By the Sun Is Setting Dogs Are Dreaming Lovesongs of the Christmas Spirit" in 2002. His distinctive voice, poetic lyrics, and unconventional song structures quickly caught the attention of music critics and fans alike. Throughout his career, Banhart has released several critically acclaimed albums, including "Rejoicing in the Hands" (2004), "Cripple Crow" (2005), and "Smokey Rolls Down Thunder Canyon" (2007). His music often incorporates elements of various genres, such as folk, psychedelic rock, and world music, creating a sound that is both nostalgic and contemporary. Banhart's impact on music extends beyond his own recordings. He has collaborated with a diverse range of artists, including Vetiver, Vashti Bunyan, and Joanna Newsom, further solidifying his influence on the indie music scene. His music has been described as dreamy, whimsical, and introspective, with themes ranging from love and nature to spirituality and social issues. In addition to his music, Banhart is also an accomplished visual artist, known for his intricate drawings and paintings that often accompany his albums and live performances. His artwork reflects the same imaginative and surreal aesthetic as his music, creating a cohesive artistic vision that spans multiple mediums. Overall, Devendra Banhart's experimental approach to music, combined with his poetic lyricism and artistic vision, has solidified his place as a unique and influential figure in the indie music world. His ability to blend genres and push creative boundaries has inspired a new generation of musicians and continues to captivate audiences around the world.