
Baby
"Baby" by Devendra Banhart is a dreamy and gentle track that showcases his unique blend of folk, indie, and psychedelic influences. The song features Banhart's signature soft vocals and intricate guitar picking, creating a soothing and introspective atmosphere. Thematically, "Baby" explores themes of love, longing, and vulnerability. The lyrics speak to a deep emotional connection with a partner, expressing a sense of devotion and affection. Banhart's poetic and abstract lyrics add a sense of mystery and ambiguity to the song, allowing listeners to interpret the meaning in their own way. The composition of "Baby" is characterized by its delicate melodies and subtle instrumentation. Banhart's fingerstyle guitar playing adds a sense of intimacy to the track, while the subtle use of percussion and backing vocals enhance the ethereal quality of the music. The song's gentle pace and soothing harmonies create a tranquil and contemplative mood, inviting listeners to get lost in its hypnotic beauty. One notable fact about "Baby" is that it is one of the standout tracks from Banhart's critically acclaimed album "Cripple Crow," which was released in 2005. The song received praise for its poetic lyrics, intricate guitar work, and evocative atmosphere, further solidifying Banhart's reputation as a talented and innovative musician in the indie folk scene. Overall, "Baby" is a captivating and emotionally resonant track that showcases Banhart's unique style and artistic vision.

Für Hildegard Von Bingen
"Für Hildegard Von Bingen" is a track by folk singer-songwriter Devendra Banhart from his album "Cripple Crow," released in 2005. The song is a tribute to the German composer, writer, philosopher, and mystic Hildegard Von Bingen, who lived in the 12th century. The composition of the song is ethereal and dreamy, featuring Banhart's signature delicate vocals and intricate fingerpicking on the acoustic guitar. The lyrics pay homage to Hildegard's spiritual and artistic legacy, with references to her visions, writings, and music. The song captures a sense of reverence and awe towards Hildegard's profound impact on art and spirituality. Notable facts about "Für Hildegard Von Bingen" include its inclusion of elements from Hildegard's own compositions, such as medieval-inspired melodies and harmonies. The song showcases Banhart's eclectic musical influences and his ability to blend traditional folk with avant-garde elements. Overall, "Für Hildegard Von Bingen" is a beautifully crafted and hauntingly poetic tribute to a historical figure who continues to inspire artists and thinkers to this day.

Mi Negrita
"Mi Negrita" is a track by Venezuelan-American singer-songwriter Devendra Banhart, released in 2013 as part of his album "Mala". The song's theme revolves around love and longing, with Banhart singing about his affection for his "negrita", a term of endearment in Spanish that translates to "little black woman". The composition of the song is characterized by its dreamy, psychedelic folk sound, featuring Banhart's signature falsetto vocals and intricate guitar picking. The arrangement incorporates elements of Latin music, with a rhythmic acoustic guitar driving the melody and subtle percussion adding a sense of groove to the track. One notable aspect of "Mi Negrita" is its bilingual lyrics, with Banhart seamlessly switching between Spanish and English throughout the song. This reflects his multicultural background and adds to the song's universal appeal. Overall, "Mi Negrita" is a beautiful and heartfelt ode to love, showcasing Banhart's unique musical style and poetic lyricism. It has been praised by critics for its lush instrumentation, evocative storytelling, and emotional depth, making it a standout track on the album "Mala".

Now That I Know
"Now That I Know" is a song by Venezuelan-American singer-songwriter Devendra Banhart. It is a track from his album "Cripple Crow", released in 2005. The song has a mellow and dreamy vibe, with Banhart's signature whimsical vocals and intricate guitar picking. The lyrics of "Now That I Know" explore themes of love, loss, and self-discovery. Banhart sings about coming to terms with a relationship that has ended, and finding strength and wisdom in the process. The composition of the song is lush and layered, with a mix of acoustic guitars, delicate percussion, and atmospheric sound effects. Banhart's unique voice floats effortlessly over the instrumentation, creating a haunting and introspective mood. "Not That I Know" showcases Banhart's poetic lyricism and musical versatility, blending elements of folk, psychedelic rock, and indie pop. The song has been praised for its emotional depth and introspective lyrics, making it a standout track on the album. Overall, "Now That I Know" is a beautiful and introspective song that showcases Devendra Banhart's talent as a songwriter and musician. It is a poignant exploration of love, loss, and personal growth, set to a captivating and atmospheric musical backdrop.

I Feel Just Like a Child
"I Feel Just Like a Child" is a track by folk singer-songwriter Devendra Banhart, featured on his album "Cripple Crow" released in 2005. The song has a dreamy and whimsical quality, with Banhart's signature soft vocals and intricate guitar fingerpicking. The theme of the song revolves around innocence, nostalgia, and the feeling of being carefree like a child. Banhart sings about the simplicity and wonder of childhood, longing to return to a time when life was easier and more magical. The lyrics paint a vivid picture of a childlike perspective on the world, filled with curiosity and imagination. The composition of the track is folky and acoustic, with Banhart's unique vocal style adding a sense of intimacy and vulnerability. The instrumentation includes gentle guitar strumming and subtle percussion, creating a mellow and introspective atmosphere. One notable fact about "I Feel Just Like a Child" is that it showcases Banhart's talent for storytelling and creating evocative imagery through his lyrics. The song's nostalgic tone and wistful melodies make it a standout track on the album, resonating with listeners who appreciate Banhart's introspective and poetic songwriting.

Heard Somebody Say
"Heard Somebody Say" is a track by folk musician Devendra Banhart, released in 2005 on his album "Cripple Crow." The song features Banhart's signature whimsical and ethereal vocals, accompanied by gentle acoustic guitar and a laid-back, dreamy melody. Thematically, "Heard Somebody Say" explores themes of love, loss, and the passage of time. The lyrics are poetic and introspective, with Banhart's unique storytelling style shining through. The song's wistful and melancholic tone is enhanced by its sparse instrumentation and haunting harmonies. Musically, "Heard Somebody Say" showcases Banhart's intricate guitar work and ability to create a lush, atmospheric sound. The song's arrangement is simple yet effective, allowing the emotion and sentiment of the lyrics to take center stage. One notable fact about "Heard Somebody Say" is its inclusion in the soundtrack of the hit television series "Grey's Anatomy," which helped introduce Banhart's music to a wider audience. The song has since become a fan favorite and a staple in Banhart's live performances. Overall, "Heard Somebody Say" is a beautiful and introspective track that showcases Devendra Banhart's unique talent as a singer-songwriter. Its haunting melody and heartfelt lyrics make it a standout song in Banhart's discography.

Never Seen Such Good Things
"Never Seen Such Good Things" is a track by Venezuelan-American singer-songwriter Devendra Banhart from his album "Mala" released in 2013. The song features Banhart's signature folk sound, blending elements of indie rock and psychedelic music. The track explores themes of love, longing, and nostalgia. Banhart's poetic lyrics paint a vivid picture of a relationship filled with joy and pain, capturing the bittersweet emotions that come with loving someone deeply. The title "Never Seen Such Good Things" suggests a sense of amazement and wonder at the beauty and complexity of human connection. Musically, the song is characterized by Banhart's delicate vocals and intricate guitar work. The arrangement is sparse yet rich, with layers of acoustic and electric instruments creating a dreamy, ethereal atmosphere. The track's hypnotic melody and gentle rhythm draw the listener in, creating a sense of intimacy and introspection. One notable fact about "Never Seen Such Good Things" is its hauntingly beautiful chorus, where Banhart's voice soars over a lush instrumental backdrop. The song's evocative lyrics and heartfelt delivery make it a standout track on the album, showcasing Banhart's talent for crafting emotionally resonant music. Overall, "Never Seen Such Good Things" is a captivating and soulful track that showcases Devendra Banhart's unique blend of folk, indie, and psychedelic influences. With its introspective lyrics and mesmerizing melody, the song invites listeners to reflect on the complexities of love and human connection.

Quedate Luna
"Quedate Luna" is a beautiful and ethereal track by Venezuelan-American singer-songwriter Devendra Banhart. The song is sung entirely in Spanish, adding to its dreamy and mysterious atmosphere. The theme of the song revolves around longing and desire, with Banhart pleading with the moon to stay and keep him company through the night. The lyrics are poetic and romantic, reflecting a sense of yearning and melancholy. Musically, "Quedate Luna" features a soothing acoustic guitar melody, gentle percussion, and Banhart's soft, emotive vocals. The instrumentation creates a sense of intimacy and warmth, drawing the listener in and allowing them to fully immerse themselves in the song's emotional landscape. Notable for its dreamy atmosphere and heartfelt lyrics, "Quedate Luna" is a standout track in Devendra Banhart's discography, showcasing his unique blend of folk, indie, and Latin influences. It is a song that transports the listener to another world, inviting them to reflect on love, longing, and the beauty of the night.

Carmensita
"Carmensita" is a track by Venezuelan-American singer-songwriter Devendra Banhart, released on his 2007 album "Smokey Rolls Down Thunder Canyon." The song features a unique fusion of psychedelic folk and Latin music influences, showcasing Banhart's distinctive vocal style and poetic lyrics. The theme of "Carmensita" revolves around a mystical and enchanting love story, with Banhart singing about a woman named Carmensita who captivates him with her beauty and charm. The lyrics are whimsical and dreamlike, painting a vivid picture of a whimsical romance. Musically, the song is characterized by its intricate guitar work, lush orchestration, and infectious rhythm. The instrumentation includes a mix of acoustic and electric guitars, percussion, and other eclectic elements that create a rich and textured sound. The song's composition is both intricate and catchy, with unexpected twists and turns that keep listeners engaged from start to finish. Notable facts about "Carmensita" include its music video, which features Banhart and actress Natalie Portman in a Bollywood-inspired visual feast. The video further enhances the song's playful and exotic atmosphere, adding a visual dimension to its already vivid storytelling. Overall, "Carmensita" is a standout track in Devendra Banhart's discography, showcasing his unique blend of folk, rock, and world music influences. Its enchanting lyrics, infectious melody, and lush instrumentation make it a memorable and captivating listening experience.

Golden Girls
"Golden Girls" by Devendra Banhart is a dreamy and nostalgic track that pays homage to the innocence and beauty of youth. The song features Banhart's signature whimsical and poetic lyrics, which evoke images of carefree summer days and the fleeting nature of time. Musically, "Golden Girls" is characterized by its laid-back acoustic guitar melodies, gentle percussion, and Banhart's haunting vocals. The song's composition is simple yet mesmerizing, creating a dreamlike atmosphere that transports listeners to a world of nostalgia and longing. One notable fact about "Golden Girls" is that it was released on Banhart's critically acclaimed album "Cripple Crow" in 2005. The album was praised for its unique blend of folk, psychedelic, and indie rock influences, and "Golden Girls" stands out as one of the standout tracks on the record. Overall, "Golden Girls" is a beautiful and introspective song that captures the bittersweet essence of youth and the passage of time. Its poetic lyrics and ethereal melodies make it a standout track in Devendra Banhart's discography.

Lover
"Lover" by Devendra Banhart is a beautiful and intimate folk song that showcases Banhart's unique vocal style and poetic lyrics. The track is a love letter to a romantic partner, with Banhart expressing his deep affection and admiration for them. The composition of the song is stripped-down and minimalist, featuring acoustic guitar and Banhart's delicate vocals. The simplicity of the arrangement allows the emotion and sincerity of the lyrics to shine through, creating a heartfelt and poignant atmosphere. One notable aspect of "Lover" is Banhart's emotive delivery, which conveys a sense of vulnerability and longing. His voice is raw and unfiltered, adding to the authenticity of the song and making it feel like a deeply personal confession. Overall, "Lover" is a beautifully crafted ballad that captures the essence of love and devotion. Its heartfelt lyrics, gentle melody, and soulful vocals make it a standout track in Devendra Banhart's discography.

Long Haired Child
"Long Haired Child" by Devendra Banhart is a folk-inspired track that showcases his unique vocal style and intricate guitar playing. The song's theme revolves around innocence, youth, and the passage of time. Banhart's haunting vocals and poetic lyrics create a dreamlike atmosphere that draws the listener in. The composition of the song is simple yet captivating, with Banhart's fingerpicking guitar style providing a gentle backdrop for his emotive vocals. The melody is delicate and ethereal, evoking a sense of nostalgia and longing. The use of layered harmonies adds depth to the track, creating a rich and immersive listening experience. One notable fact about "Long Haired Child" is that it was included on Banhart's critically acclaimed album "Cripple Crow," which was released in 2005. The album received widespread praise for its experimental and genre-defying sound, and "Long Haired Child" is often cited as one of the standout tracks on the record. Overall, "Long Haired Child" is a beautiful and introspective song that showcases Devendra Banhart's talent as a songwriter and musician. Its haunting melody and evocative lyrics make it a standout track in his discography, and a favorite among fans of folk and indie music.

Little Yellow Spider
"Little Yellow Spider" by Devendra Banhart is a whimsical and enchanting track that captures the listener's attention with its unique blend of folk and psychedelic elements. The song's theme revolves around a little yellow spider who is searching for a place to call home, weaving a web of wonder and curiosity. The composition of the song is intricate and intricate, with Banhart's signature fingerpicking style on acoustic guitar creating a dreamy atmosphere. His soft, ethereal vocals float effortlessly over the melody, adding a sense of mystery and magic to the song. One notable fact about "Little Yellow Spider" is the use of unconventional instrumentation, such as banjo and flute, which adds to the song's otherworldly vibe. The lyrics are poetic and whimsical, painting a vivid picture of the spider's journey through the world. Overall, "Little Yellow Spider" is a captivating and enchanting track that showcases Devendra Banhart's unique musical style and storytelling ability. It is a song that transports the listener to a magical realm, where anything is possible and dreams come to life.

Lazy Butterfly
"Lazy Butterfly" is a track by Venezuelan-American singer-songwriter Devendra Banhart, featured on his album "Rejoicing in the Hands". The song is a whimsical and dreamy composition that captures the essence of Banhart's unique folk style. The theme of "Lazy Butterfly" revolves around introspection, freedom, and the beauty of nature. Banhart's poetic lyrics paint a vivid picture of a lazy butterfly drifting through the air, embodying a sense of carefree wonder and contemplation. Musically, the track is characterized by Banhart's intricate fingerpicking guitar style, accompanied by gentle melodies and his distinctive falsetto vocals. The instrumentation is minimalistic yet rich in texture, creating a serene and ethereal atmosphere that perfectly complements the song's lyrical content. Notable for its intimate and heartfelt delivery, "Lazy Butterfly" showcases Banhart's talent for crafting evocative and emotionally resonant music. The song's delicate beauty and introspective lyrics make it a standout track on the album, inviting listeners to immerse themselves in its serene and enchanting soundscape.

Dragonflys
"Dragonflys" by Devendra Banhart is a track from his album "Cripple Crow" released in 2005. The song is a whimsical and dreamy folk tune that captures the essence of Banhart's unique musical style. The theme of the song revolves around nature imagery, with references to dragonflies, butterflies, and other creatures of the natural world. The lyrics are poetic and abstract, painting a vivid picture of a serene and mystical landscape. Banhart's distinctive falsetto vocals add to the ethereal and otherworldly quality of the track. The composition of "Dragonflys" is characterized by intricate fingerpicking guitar patterns, layered with lush strings and subtle percussion. The instrumentation creates a lush and atmospheric sound that complements the dreamy lyrics of the song. One notable fact about "Dragonflys" is that it showcases Banhart's talent for creating intimate and introspective music that is both whimsical and profound. The song is a standout track on "Cripple Crow" and has been praised for its haunting beauty and evocative lyrics. Overall, "Dragonflys" is a captivating and enchanting song that showcases Banhart's unique musical vision.

The Body Breaks
"The Body Breaks" by Devendra Banhart is a hauntingly beautiful track that evokes a sense of melancholy and introspection. The song explores themes of loss, heartbreak, and the fragility of the human body. Banhart's ethereal vocals, accompanied by gentle acoustic guitar melodies, create a dream-like atmosphere that draws the listener in. The composition of the song is sparse yet powerful, with subtle layers of instrumentation adding depth to the overall sound. The lyrics are poetic and introspective, painting vivid images of love and loss. Banhart's unique vocal delivery adds a sense of vulnerability to the song, making it feel deeply personal and emotive. One notable fact about "The Body Breaks" is that it is the opening track on Banhart's critically acclaimed album, "Rejoicing in the Hands". The song sets the tone for the rest of the album, showcasing Banhart's talent for storytelling and creating evocative music. Overall, "The Body Breaks" is a captivating and emotionally resonant track that leaves a lasting impression on the listener.

Hey Mama Wolf
"Hey Mama Wolf" is a track by Venezuelan-American singer-songwriter Devendra Banhart, featured on his album "Cripple Crow" released in 2005. The song is a whimsical and dreamy folk ballad that showcases Banhart's unique blend of psychedelic and acoustic influences. Thematically, "Hey Mama Wolf" tells a story of longing and desire, with Banhart's ethereal vocals painting a vivid picture of a mystical and enchanted world. The lyrics speak of a yearning for connection and understanding, set against a backdrop of nature and the wild. The composition of the song features intricate fingerpicking guitar work, layered with lush harmonies and subtle instrumentation. Banhart's signature falsetto vocals soar over the melody, creating a haunting and hypnotic atmosphere. The arrangement is both intricate and free-flowing, drawing the listener in with its hypnotic rhythm and dynamic shifts. Notable for its poetic lyrics and otherworldly sound, "Hey Mama Wolf" stands out as a standout track in Banhart's discography. It showcases his ability to craft intricate and emotionally resonant songs that transport the listener to a world of magic and mystery. With its enchanting melody and evocative storytelling, "Hey Mama Wolf" is a captivating and immersive listening experience that lingers long after the song has ended.

At the Hop
"At the Hop" is a track by folk singer-songwriter Devendra Banhart, featured on his album "Mala" released in 2013. The song has a whimsical and playful vibe, with Banhart's signature quirky lyrics and unique vocal style. The theme of the song revolves around nostalgia and youthful innocence, as Banhart sings about going to a dance party and feeling carefree and alive. The lyrics are filled with vivid imagery and poetic language, creating a dreamlike atmosphere that transports the listener to a simpler time. Musically, "At the Hop" features a catchy melody with a laid-back groove. The instrumentation includes acoustic guitar, subtle percussion, and Banhart's distinct falsetto vocals. The production has a lo-fi quality, adding to the song's charm and intimacy. One notable fact about "At the Hop" is that it showcases Banhart's ability to blend folk, indie rock, and psychedelic influences into a cohesive sound. The song is a testament to his unique artistry and creative vision, making it a standout track on the album "Mala" and in his discography as a whole.

Won't You Come Over
"Won't You Come Over" is a track by Venezuelan-American singer-songwriter Devendra Banhart, featured on his album "Ape in Pink Marble" released in 2016. The song showcases Banhart's signature folk sound with its delicate acoustic guitar picking, soft vocal delivery, and dreamy atmosphere. Thematically, "Won't You Come Over" explores themes of longing, loneliness, and yearning for connection. The lyrics convey a sense of vulnerability and a desire for intimacy, as Banhart sings about wanting someone to come over and keep him company. The composition of the song is minimalist yet emotive, with Banhart's gentle vocals carrying the emotional weight of the track. The haunting melody and mellow instrumentation create a melancholic and introspective mood, drawing the listener in with its intimate and personal tone. Notable for its poetic lyrics and heartfelt delivery, "Won't You Come Over" is a standout track on "Ape in Pink Marble" that showcases Banhart's talent for crafting beautiful and introspective folk music.

Chinese Children
"Chinese Children" by Devendra Banhart is a track that captures the essence of childhood innocence and wonder. The song features Banhart's signature whimsical and dreamy vocals, accompanied by a gentle acoustic guitar melody. The lyrics of the song reflect on the beauty and simplicity of childhood, with references to playing in the sun, dancing in the rain, and running through fields of flowers. The imagery created by the lyrics evokes a sense of nostalgia and longing for the carefree days of youth. Musically, "Chinese Children" is characterized by its delicate fingerpicking guitar style and Banhart's unique vocal delivery. The song has a soothing and calming quality, with a melody that flows effortlessly and creates a sense of tranquility. Notable facts about the track include its inclusion on Banhart's critically acclaimed album "Cripple Crow," released in 2005. The album received widespread praise for its experimental folk sound and poetic lyrics, with "Chinese Children" standing out as a standout track that showcases Banhart's talent as a songwriter and musician. Overall, "Chinese Children" is a beautiful and introspective song that captures the innocence and wonder of childhood in a heartfelt and nostalgic way. It is a standout track in Devendra Banhart's discography and continues to resonate with listeners for its emotional depth and evocative imagery.

The Beatles
"The Beatles" by Devendra Banhart is a whimsical and dreamy folk rock track that pays homage to the legendary band of the same name. The song features Banhart's signature quirky and poetic lyrics, as well as his unique vocal delivery that is both soothing and haunting. The composition of the song is simple yet captivating, with gentle acoustic guitar strumming and subtle percussion creating a laid-back and introspective vibe. Banhart's vocals float effortlessly over the music, conveying a sense of nostalgia and longing. The theme of the song revolves around the influence and impact of The Beatles on music and culture, as well as the idea of finding inspiration and solace in their timeless music. Banhart's admiration for the band is evident in the lyrics, which reference various Beatles songs and lyrics throughout the track. One notable fact about "The Beatles" is that it was released on Banhart's album Mala in 2013, and has since become a fan favorite. The song showcases Banhart's ability to blend folk, rock, and psychedelic influences into a cohesive and enchanting sound that is uniquely his own. Overall, "The Beatles" is a beautiful and heartfelt tribute to a band that has left an indelible mark on the music world.

Shabop Shalom
"Shabop Shalom" by Devendra Banhart is a whimsical and dreamy track that combines elements of folk, indie, and psychedelic music. The song features Banhart's signature ethereal vocals and intricate guitar work, creating a hypnotic and otherworldly atmosphere. The theme of the song revolves around love, spirituality, and the search for inner peace. The title "Shabop Shalom" is a combination of Hebrew and Yiddish phrases, with "Shabop" being a playful reference to the Jewish Sabbath and "Shalom" meaning peace. The lyrics are poetic and abstract, touching on themes of longing, connection, and longing for transcendence. The composition of the track is lush and layered, with Banhart's gentle vocals floating over a backdrop of delicate guitar picking and subtle instrumentation. The song has a meditative quality, inviting listeners to get lost in its enchanting soundscape. "Shabop Shalom" showcases Banhart's unique musical style and his ability to create music that is both introspective and uplifting. The song is a standout track on his album "Smokey Rolls Down Thunder Canyon" and has become a fan favorite for its haunting melodies and evocative lyrics.

This is the Way
"This is the Way" is a track by Venezuelan-American singer-songwriter Devendra Banhart, featured on his album "What Will We Be" released in 2009. The song showcases Banhart's unique blend of folk, psychedelic, and indie rock influences. The theme of the song revolves around self-acceptance and finding one's own path in life. The lyrics touch on the idea of embracing one's quirks and imperfections, and not conforming to societal norms or expectations. Banhart's soothing vocals and poetic lyrics create a dreamy and introspective atmosphere, inviting listeners to reflect on their own journey of self-discovery. Musically, "This is the Way" features a laid-back groove with gentle acoustic guitar strumming, subtle percussion, and ethereal background vocals. The instrumentation is complemented by Banhart's distinctive vocal delivery, which conveys both vulnerability and confidence. Notable for its introspective lyrics and dreamy musical arrangement, "This is the Way" is a standout track in Devendra Banhart's discography that showcases his unique songwriting style and artistic vision.

Santa Maria De Feira
"Santa Maria De Feira" is a track by Venezuelan-American singer-songwriter Devendra Banhart, featured on his album "Cripple Crow" released in 2005. The song's title refers to a town in Portugal, known for its annual fair that celebrates the feast day of Saint Mary. The composition of "Santa Maria De Feira" is a fusion of folk, psychedelic rock, and world music influences, characteristic of Banhart's signature style. The song features intricate acoustic guitar picking, dreamy melodies, and ethereal vocals that create a mystical and enchanting atmosphere. Thematically, the song explores themes of love, nostalgia, and longing. Banhart's poetic lyrics evoke a sense of yearning and romanticism, as he sings about a place of beauty and mystery that holds sentimental significance. One notable fact about "Santa Maria De Feira" is that it showcases Banhart's unique vocal delivery, which has been compared to artists like Nick Drake and Vashti Bunyan. The song's intricate instrumentation and haunting melodies make it a standout track on the album, beloved by fans for its evocative storytelling and emotional depth.

Daniel
"Daniel" is a track by Venezuelan-American singer-songwriter Devendra Banhart, featured on his album "Rejoicing in the Hands" released in 2004. The song is a heartfelt tribute to Banhart's friend Daniel, who passed away tragically. The composition of "Daniel" is characterized by Banhart's signature folk sound, with gentle acoustic guitar picking and his unique, emotive vocals. The song has a melancholic yet uplifting melody that perfectly captures the bittersweet emotions of loss and remembrance. One notable fact about "Daniel" is the raw emotion that Banhart brings to the song, with his heartfelt lyrics and soulful delivery. The song resonates with listeners on a deep emotional level, evoking feelings of nostalgia and longing. Overall, "Daniel" is a beautiful and poignant song that showcases Banhart's talent as a songwriter and musician. Its heartfelt lyrics and haunting melody make it a standout track on the album and a fan favorite among Devendra Banhart's discography.

Some People Ride the Wave
"Some People Ride the Wave" is a track by American singer-songwriter Devendra Banhart. Known for his unique blend of folk, psychedelic, and indie rock music, Banhart delivers a dreamy and ethereal experience with this song. The theme of "Some People Ride the Wave" revolves around the idea of embracing the unpredictability of life and going with the flow. The lyrics speak of surrendering to the currents of existence and finding peace in the ebb and flow of the universe. Musically, the track features Banhart's signature delicate guitar picking and soft, soothing vocals. The instrumentation is sparse yet effective, creating a sense of intimacy and introspection. The gentle melodies and ethereal atmosphere evoke a feeling of floating on a tranquil sea, carried by the waves of sound. Notable for its hypnotic and mesmerizing quality, "Some People Ride the Wave" showcases Banhart's skill as a songwriter and musician. The song invites listeners to let go of control and surrender to the beauty of the present moment, making it a truly immersive and transcendent listening experience.

Bad Girl
"Bad Girl" by Devendra Banhart is a track that showcases the artist's unique blend of folk, psych-folk, and indie rock influences. The song features Banhart's signature whimsical and poetic lyrics, which tell the story of a rebellious and free-spirited woman who marches to the beat of her own drum. The composition of "Bad Girl" is characterized by Banhart's intricate fingerpicking guitar style, layered with dreamy and ethereal instrumentation. The song's melody is haunting and hypnotic, drawing the listener in with its mesmerizing quality. One notable aspect of "Bad Girl" is Banhart's evocative vocal delivery, which ranges from delicate whispers to soaring falsetto. His voice adds depth and emotion to the song, enhancing the overall impact of the lyrics. Thematically, "Bad Girl" explores themes of independence, defiance, and self-expression. The protagonist of the song is portrayed as a fearless and enigmatic figure who challenges societal norms and embraces her own unique identity. The lyrics are filled with vivid imagery and metaphors, painting a vivid picture of this mysterious and alluring character. Overall, "Bad Girl" is a captivating and enchanting track that showcases Devendra Banhart's talent as a songwriter and musician. The song's intricate composition, poetic lyrics, and emotive vocals come together to create a mesmerizing listening experience that leaves a lasting impression on the listener.

Inaniel
"Inaniel" is a track by Venezuelan-American singer-songwriter Devendra Banhart, included in his album "Ma." The song features Banhart's signature blend of folk, psychedelic, and indie rock influences, creating a dreamy and ethereal sound. Thematically, "Inaniel" is a haunting and introspective song that explores themes of love, loss, and longing. The lyrics convey a sense of vulnerability and yearning, as Banhart sings about heartache and the search for connection. Musically, the track is characterized by Banhart's delicate fingerpicking guitar style and soft, whispered vocals. The instrumentation is minimal, with subtle layers of acoustic guitar, gentle percussion, and atmospheric effects that create a sense of intimacy and introspection. Notable for its poetic lyrics and emotive delivery, "Inaniel" showcases Banhart's unique songwriting style and his ability to evoke complex emotions through his music. The track stands out as a standout moment on "Ma," offering a deeply personal and captivating listening experience for fans of Banhart's work.

The Charles C. Leary
"The Charles C. Leary" is a track by the Venezuelan-American singer-songwriter Devendra Banhart. The song is featured on his album "Mala" released in 2013. The theme of the song revolves around a character named Charles C. Leary, who is described as a mysterious and enigmatic figure. The lyrics depict Leary as someone who is constantly on the move and living a life full of adventures and experiences. The song captures a sense of wanderlust and a yearning for exploration. Musically, "The Charles C. Leary" is a blend of folk and psychedelic influences, with Banhart's signature quirky lyrics and unique vocal style shining through. The instrumentation includes acoustic guitar, percussion, and subtle electronic elements that create a dreamy and ethereal atmosphere. One notable fact about the song is that it showcases Banhart's ability to create vivid and imaginative storytelling through his music. The lyrics are filled with poetic imagery and metaphors that invite the listener to delve into the world of Charles C. Leary and his escapades. Overall, "The Charles C. Leary" is a captivating and whimsical track that showcases Devendra Banhart's songwriting prowess and experimental approach to music. It is a standout piece on the album "Mala" and a must-listen for fans of folk and indie music.

Santa Maria da Feira
"Santa Maria da Feira" is a track by folk singer-songwriter Devendra Banhart, featured on his album "Cripple Crow" released in 2005. The song is named after a town in Portugal, known for its annual fair which dates back to the 14th century. The composition of the song is a mix of folk and psychedelic elements, with Banhart's distinctive vocals leading the way. The track features acoustic guitar, subtle percussion, and dreamy instrumentals that create a whimsical and ethereal atmosphere. Thematically, "Santa Maria da Feira" reflects on themes of love, longing, and nostalgia. Banhart's lyrics are poetic and introspective, painting a vivid picture of a distant memory or dream-like experience. The song's gentle melody and haunting harmonies add to its melancholic and introspective mood. Notable for its unique blend of folk, psychedelia, and world music influences, "Santa Maria da Feira" showcases Devendra Banhart's eclectic musical style and storytelling abilities. The track stands out as a highlight on the "Cripple Crow" album, capturing the listener's attention with its haunting beauty and emotional depth.

Cristobal
"Cristobal" is a track by the Venezuelan-American singer-songwriter Devendra Banhart, featured on his album "Cripple Crow" released in 2005. The song is a dreamy and ethereal piece that showcases Banhart's unique blend of folk, psychedelic, and indie rock influences. The theme of "Cristobal" revolves around love, longing, and nostalgia. Banhart's poetic lyrics evoke a sense of yearning and melancholy as he sings about lost love and the passage of time. The song's gentle melody and intricate guitar work create a haunting and introspective atmosphere that draws the listener in. The composition of "Cristobal" is characterized by its intricate fingerpicking guitar style, layered harmonies, and Banhart's emotive vocal delivery. The song features a mix of acoustic and electric instruments, as well as subtle percussion and backing vocals that add depth and texture to the arrangement. One notable fact about "Cristobal" is that it showcases Banhart's ability to blend different musical genres and styles seamlessly. The song seamlessly combines elements of folk, rock, and world music, creating a unique and captivating sound that sets it apart from traditional singer-songwriter fare. Overall, "Cristobal" is a beautifully crafted and emotionally resonant track that highlights Devendra Banhart's talent as a songwriter and musician. Its introspective lyrics and haunting melody make it a standout piece on the album "Cripple Crow" and a fan favorite among Banhart's discography.

Your Fine Petting Duck
"Your Fine Petting Duck" is a track by folk musician Devendra Banhart, featured on his album "Smokey Rolls Down Thunder Canyon". The song is characterized by Banhart's signature whimsical and poetic lyrics, accompanied by a laid-back acoustic guitar melody. The theme of "Your Fine Petting Duck" is open to interpretation, with Banhart's abstract lyrics leaving room for listeners to create their own meaning. The title itself is quirky and intriguing, adding to the song's mysterious and dreamlike atmosphere. The lyrics touch on themes of love, nature, and introspection, creating a sense of nostalgia and longing. Musically, the track features Banhart's distinctive fingerpicking style and soft, intimate vocals. The instrumentation is minimal, allowing the focus to remain on Banhart's emotive delivery and evocative lyrics. The overall mood of the song is introspective and melancholic, with a sense of longing and introspection. Notable facts about "Your Fine Petting Duck" include its inclusion on "Smokey Rolls Down Thunder Canyon", one of Banhart's most acclaimed albums. The track showcases Banhart's unique songwriting and storytelling abilities, solidifying his reputation as a talented and innovative folk musician. With its haunting melody and poetic lyrics, "Your Fine Petting Duck" is a standout track that showcases Banhart's creativity and artistry.

Seahorse
"Seahorse" by Devendra Banhart is a dreamy and whimsical track that showcases his unique blend of folk, psychedelic, and indie rock influences. The song opens with a gentle acoustic guitar melody that sets the tone for the rest of the track. Banhart's soft, ethereal vocals float over the music, creating a soothing and hypnotic atmosphere. The lyrics of "Seahorse" are poetic and abstract, exploring themes of love, nature, and spirituality. Banhart's imagery-rich storytelling invites listeners to immerse themselves in a world of magical realism, where seahorses symbolize grace and vulnerability. The composition of the song is intricate and layered, with subtle instrumentation that includes delicate fingerpicking, soft percussion, and occasional bursts of electric guitar. The arrangement builds gradually, adding layers of sound and texture to create a lush and immersive sonic landscape. Notable facts about "Seahorse" include its inclusion on Devendra Banhart's critically acclaimed album "What Will We Be" released in 2009. The song has been praised for its dreamy and atmospheric sound, as well as Banhart's evocative lyrics and soulful vocals. Overall, "Seahorse" is a standout track that captures the essence of Banhart's unique musical style and storytelling prowess.

Korean Dogwood
"Korean Dogwood" by Devendra Banhart is a dreamy and ethereal track that showcases Banhart's signature folk-inspired sound. The song features gentle acoustic guitar picking, soft vocals, and delicate instrumentation that creates a serene and introspective atmosphere. Thematically, "Korean Dogwood" explores themes of nature, love, and longing. The lyrics evoke images of blooming flowers, winding rivers, and the passage of time, painting a vivid picture of a quiet and contemplative moment in nature. The composition of the song is intricate and layered, with Banhart's intricate fingerpicking style adding depth and richness to the track. The melody is haunting and melancholic, with subtle shifts in dynamics and tempo that add to the overall sense of beauty and nostalgia. One notable fact about "Korean Dogwood" is that it is a standout track from Banhart's acclaimed album "Smokey Rolls Down Thunder Canyon", released in 2007. The song has been praised for its poetic lyrics, evocative imagery, and Banhart's soulful vocal delivery. Overall, "Korean Dogwood" is a captivating and enchanting piece of music that showcases Banhart's unique talent as a songwriter and musician.

I Love That Man
"I Love That Man" is a track by Devendra Banhart from his album "What Will We Be" released in 2009. The song is a soulful and heartfelt declaration of love for a significant other. The composition of the song features Banhart's signature folk-inspired sound with a mix of acoustic guitar, gentle percussion, and his distinctive vocals. The track has a dreamy and romantic vibe, with Banhart's tender lyrics expressing admiration and affection for the person he loves. One notable aspect of "I Love That Man" is the way Banhart's voice effortlessly glides over the melody, creating a sense of intimacy and connection with the listener. The song showcases his poetic songwriting skills and his ability to convey genuine emotion through his music. Overall, "I Love That Man" is a beautiful and heartfelt love song that captures the essence of devotion and admiration for a loved one. It is a standout track on the album and a fan favorite among Devendra Banhart's discography.

Luna de Margarita
"Luna de Margarita" is a track by Venezuelan-American singer-songwriter Devendra Banhart, released in 2005 on his album "Cripple Crow". The song is sung in Spanish and has a dreamy, folk-inspired sound that is characteristic of Banhart's music. The theme of "Luna de Margarita" revolves around love, longing, and nature. The lyrics speak of a beautiful moonlit night in Margarita, a reference to Isla Margarita, an island off the coast of Venezuela. The song evokes a sense of nostalgia and romanticism, with Banhart's gentle vocals accompanied by acoustic guitar and subtle percussion. The composition of the song is intricate and layered, with lush harmonies and intricate guitar work. Banhart's unique vocal delivery adds to the ethereal quality of the track, creating a hypnotic and enchanting atmosphere. Notable facts about "Luna de Margarita" include its inclusion on several of Banhart's compilation albums and its popularity among fans of his music. The song showcases Banhart's ability to blend different musical styles and languages, creating a truly captivating and timeless piece of music.

Will Is My Friend
"Will Is My Friend" by Devendra Banhart is a soothing and introspective track that showcases the artist's unique blend of folk, indie, and psychedelic influences. The song begins with delicate acoustic guitar picking and Banhart's soft, dreamy vocals, creating a sense of intimacy and vulnerability. Thematically, the song explores the complexities of friendship and the ways in which our relationships with others can shape our identities. Banhart's poetic lyrics touch on themes of loyalty, trust, and emotional support, as he muses on the importance of having a close confidant to rely on during challenging times. The composition of "Will Is My Friend" is characterized by its gentle melodies, intricate guitar work, and ethereal vocal harmonies. Banhart's trademark falsetto vocals float effortlessly over the intricate instrumentation, creating a sense of transcendence and emotional depth. One notable fact about the track is that it features subtle elements of Latin American music, reflecting Banhart's Venezuelan and American heritage. This fusion of cultural influences adds an additional layer of richness and complexity to the song, highlighting Banhart's eclectic musical sensibilities. Overall, "Will Is My Friend" is a beautifully crafted and introspective track that showcases Devendra Banhart's talent for blending diverse musical influences with poignant lyrics and emotive vocals.

Sawkill River
"Sawkill River" is a hauntingly beautiful track by Devendra Banhart, featured on his album "Cripple Crow". The song is named after the Saw Kill River, a tributary of the Hudson River in upstate New York. The composition of the track is characterized by Banhart's signature fingerstyle guitar playing, accompanied by delicate percussion and ethereal vocal harmonies. The melody flows gently like a meandering river, creating a sense of tranquility and introspection. Thematically, "Sawkill River" reflects on nature, love, and the passage of time. Banhart's poetic lyrics evoke images of the river flowing through the seasons, carrying memories and emotions along its currents. The song's melancholic tone is underscored by a sense of nostalgia and longing, as Banhart sings of lost love and the inevitability of change. One notable aspect of "Sawkill River" is its dreamy, otherworldly atmosphere, which is enhanced by the use of lush instrumentation and layered vocal arrangements. The song's evocative lyrics and haunting melody create a sense of emotional depth and resonance, drawing listeners into its introspective mood. Overall, "Sawkill River" is a captivating and introspective track that showcases Devendra Banhart's unique blend of folk, indie, and psychedelic influences. Its poetic lyrics, ethereal composition, and emotive performance make it a standout piece in Banhart's discography.

Can't Help But Smiling
"Can't Help But Smiling" is a track by Venezuelan-American singer-songwriter Devendra Banhart. The song is featured on his sixth studio album, "What Will We Be", which was released in 2009. The theme of "Can't Help But Smiling" revolves around the feeling of joy and contentment that comes from being in love. Banhart's gentle and soothing vocals combined with the upbeat instrumentation create a light and uplifting atmosphere. The lyrics express gratitude and appreciation for the positive impact that love has on one's life. Musically, the track features a blend of folk, indie, and psychedelic elements. The instrumentation includes acoustic guitars, subtle percussion, and dreamy melodies. The arrangement is intricate yet accessible, with a catchy chorus that is sure to get listeners singing along. One notable fact about "Can't Help But Smiling" is that it showcases Banhart's unique songwriting style and ability to create heartfelt and intimate music. The song's warm and inviting sound invites listeners to embrace the message of love and positivity that it conveys. Overall, "Can't Help But Smiling" is a delightful and charming track that captures the essence of love and happiness. It is a standout song on Devendra Banhart's discography and a must-listen for fans of indie folk music.

Little Boys
"Little Boys" is a track by Devendra Banhart from his album "Mala", released in 2013. The song has a dreamy, folk-inspired sound that is characteristic of Banhart's music. The theme of "Little Boys" is somewhat ambiguous, with Banhart's cryptic lyrics leaving room for interpretation. The song seems to touch on themes of innocence, youth, and vulnerability, with references to childhood and the passage of time. Banhart's ethereal vocals and gentle guitar strumming create a melancholic atmosphere that is both haunting and beautiful. The composition of "Little Boys" is minimalistic, with Banhart's voice taking center stage accompanied by simple guitar chords. The song has a raw and intimate quality, drawing the listener in with its heartfelt emotion and poetic lyrics. Notable facts about "Little Boys" include its inclusion on Banhart's critically acclaimed album "Mala", which received positive reviews from music critics. The song showcases Banhart's unique songwriting style and his ability to create evocative, introspective music that resonates with listeners.

A Sight to Behold
"A Sight to Behold" by Devendra Banhart is a mesmerizing and ethereal track that showcases his unique blend of folk and psychedelic music. The song features Banhart's signature high-pitched vocals and intricate fingerpicking guitar style. Thematically, "A Sight to Behold" explores the idea of beauty and wonder in the world around us. The lyrics paint vivid images of nature and the cosmos, with Banhart singing about stars, rivers, and mountains. The song's poetic lyrics evoke a sense of awe and reverence for the natural world. The composition of "A Sight to Behold" is lush and dreamy, with layers of acoustic guitar, subtle percussion, and atmospheric effects creating a mesmerizing sonic landscape. Banhart's vocals float effortlessly over the music, adding a sense of intimacy and vulnerability to the song. One notable fact about "A Sight to Behold" is that it was featured on Banhart's critically acclaimed album "Cripple Crow," which was released in 2005. The album received widespread praise for its experimental sound and eclectic mix of musical styles. Overall, "A Sight to Behold" is a hauntingly beautiful track that showcases Devendra Banhart's talent as a songwriter and musician. Its dreamy atmosphere and thought-provoking lyrics make it a standout song in Banhart's discography.

Samba Vexillographica
"Samba Vexillographica" is a track by Venezuelan-American singer-songwriter Devendra Banhart from his album "Cripple Crow," released in 2005. The song blends elements of samba music with Banhart's signature folk style, creating a unique and vibrant sound. The theme of the song is somewhat abstract, with Banhart's lyrics touching on themes of love, longing, and introspection. The title "Samba Vexillographica" itself is a combination of "samba," a Brazilian dance style, and "vexillographica," a term related to the study of flags - showcasing Banhart's eclectic and whimsical approach to songwriting. The composition of the track features a lively samba rhythm, accompanied by Banhart's soft vocals and intricate guitar work. The instrumentation includes a mix of acoustic and electric guitars, percussion, and subtle background vocals, creating a rich and layered sound. One notable fact about the song is Banhart's use of Portuguese lyrics, adding an exotic and mysterious element to the track. The combination of different musical influences and languages in "Samba Vexillographica" reflects Banhart's eclectic and globally-inspired musical style.

Poughkeepsie
"Poughkeepsie" is a track by Devendra Banhart, an American singer-songwriter known for his unique blend of folk, psychedelic rock, and indie music. The song is featured on his album "Mala," released in 2013. The theme of "Poughkeepsie" revolves around love, longing, and nostalgia. Banhart's haunting vocals and poetic lyrics create a melancholic atmosphere that captures the listener's emotions. The song reflects on a past relationship and the bittersweet memories associated with it. Musically, "Poughkeepsie" features Banhart's signature fingerpicking style on an acoustic guitar, accompanied by dreamy, ethereal instrumentation. The haunting melodies and gentle harmonies enhance the emotional depth of the song, drawing the listener into its intimate and introspective world. Notable facts about "Poughkeepsie" include its evocative storytelling and Banhart's emotive vocal delivery. The song showcases his talent for creating atmospheric and emotionally resonant music that resonates with audiences on a deep level. Overall, "Poughkeepsie" is a captivating and introspective track that showcases Devendra Banhart's unique musical style and lyrical prowess. It is a standout song on the "Mala" album and a must-listen for fans of indie folk music.

So Long Old Bean
"So Long Old Bean" is a track by Venezuelan-American musician Devendra Banhart. The song is a whimsical and nostalgic piece that showcases Banhart's unique blend of folk, psychedelic, and indie rock influences. Thematically, "So Long Old Bean" explores themes of love, loss, and the passage of time. The lyrics are poetic and introspective, with Banhart's signature surreal and dreamy imagery. The song's title, "So Long Old Bean," evokes a sense of farewell or goodbye, adding to the wistful and melancholic tone of the track. Musically, "So Long Old Bean" features Banhart's delicate fingerpicking guitar style, accompanied by ethereal vocals and subtle instrumentation. The track has a laid-back and meditative quality, with its gentle melodies and soothing harmonies creating a dreamlike atmosphere. Notable for its introspective lyrics and dreamy composition, "So Long Old Bean" is a standout track in Devendra Banhart's discography, showcasing his talent for creating intimate and emotionally resonant music.

Rejoicing in the Hands
"Rejoicing in the Hands" is a track by folk singer-songwriter Devendra Banhart, featured on his album of the same name released in 2004. The song is a beautiful acoustic ballad that showcases Banhart's unique vocal style and intricate guitar playing. Thematically, "Rejoicing in the Hands" is a reflective and introspective piece that explores themes of love, loss, and the beauty of everyday moments. Banhart's poetic lyrics paint vivid imagery and evoke a sense of nostalgia and melancholy. The composition of the track is simple yet captivating, with Banhart's fingerpicked guitar melodies providing a gentle backdrop for his soulful vocals. The song's melody is haunting and emotive, drawing listeners in with its raw and intimate sound. One notable fact about "Rejoicing in the Hands" is that it has been praised by critics and fans alike for its emotional depth and authenticity. The song showcases Banhart's talent as a songwriter and musician, and has solidified his reputation as a leading figure in the modern folk music scene. Overall, "Rejoicing in the Hands" is a heartfelt and poignant track that showcases Devendra Banhart's raw talent and emotional vulnerability. It is a standout piece on an album filled with beautiful, introspective songs that linger in the listener's mind long after the music has stopped.

Dogs They Make Up the Dark
"Dogs They Make Up the Dark" is a hauntingly beautiful track by the acclaimed singer-songwriter Devendra Banhart. The song, featured on his album "What Will We Be," showcases Banhart's signature poetic lyrics and unique musical style. Thematically, the song explores the idea of finding solace and companionship in dogs, who serve as a source of light and comfort in times of darkness. Banhart's emotive vocals and introspective lyrics paint a vivid picture of the deep bond between humans and their canine companions. Musically, "Dogs They Make Up the Dark" features a dreamy, atmospheric sound with delicate acoustic guitar melodies and ethereal background vocals. The song's arrangement is sparse yet captivating, allowing Banhart's evocative storytelling to take center stage. One notable fact about the track is that it showcases Banhart's versatility as a musician, blending elements of folk, indie, and psychedelic rock to create a truly unique and captivating sound. "Dogs They Make Up the Dark" is a standout track on the album and a must-listen for fans of Banhart's introspective and heartfelt songwriting.

The Ballad of Keenan Milton
"The Ballad of Keenan Milton" is a haunting and melancholic track by Devendra Banhart, paying tribute to the late professional skateboarder Keenan Milton. The song's theme revolves around loss, remembrance, and the passage of time. The composition of the track is minimalistic, with Banhart's delicate vocals accompanied by a simple acoustic guitar melody. The stripped-down instrumentation allows the emotional weight of the lyrics to take center stage, creating a poignant and introspective atmosphere. Notable facts about the song include its inclusion on Banhart's 2004 album "Rejoicing in the Hands," which received critical acclaim for its raw and intimate songwriting. The track showcases Banhart's ability to capture complex emotions with poetic lyricism and evocative melodies, cementing his reputation as a skilled storyteller and musician. Overall, "The Ballad of Keenan Milton" is a moving and heartfelt tribute to a lost friend, showcasing Banhart's talent for crafting emotionally resonant music that resonates with listeners on a deep level.

Insect Eyes
"Insect Eyes" is a song by Venezuelan-American singer-songwriter Devendra Banhart, featured on his album "Rejoicing in the Hands" released in 2004. The track showcases Banhart's unique blend of folk, psychedelic, and avant-garde influences. Thematically, "Insect Eyes" explores the concept of seeing the world through the perspective of insects, with Banhart singing about the tiny creatures and their perception of the world around them. The lyrics are poetic and abstract, drawing the listener into a dream-like state where reality and imagination blur together. Musically, the song features Banhart's signature finger-picking guitar style, accompanied by delicate melodies and ethereal vocals. The instrumentation is sparse yet intricate, creating a haunting atmosphere that perfectly complements the lyrical content. One notable aspect of "Insect Eyes" is Banhart's use of vocal layering and harmonies, which add depth and texture to the song. The track also incorporates elements of Eastern music, with subtle hints of sitar and tabla woven throughout. Overall, "Insect Eyes" is a mesmerizing and introspective track that showcases Banhart's unique songwriting and musical style. It is a standout song on the album and a fan favorite for its experimental and otherworldly sound.

Todo Los Dolores
"Todo Los Dolores" is a track by Devendra Banhart, a Venezuelan-American singer-songwriter known for his unique blend of folk, psychedelic, and indie rock music. The song is featured on his album "Ma" released in 2019. The theme of "Todo Los Dolores" revolves around love and heartbreak, with Banhart singing in Spanish about the pain and struggles that come with romantic relationships. The lyrics are poetic and introspective, reflecting on the complexity of human emotions. Musically, the song is characterized by its dreamy acoustic guitar melodies, ethereal vocals, and subtle percussion. Banhart's distinctive voice adds a haunting quality to the track, drawing listeners in with its emotive delivery. One notable aspect of "Todo Los Dolores" is its production, which incorporates elements of traditional Latin American music with a modern indie twist. The song seamlessly blends influences from various genres, creating a unique and captivating sound that sets it apart from Banhart's other work. Overall, "Todo Los Dolores" is a beautiful and poignant track that showcases Devendra Banhart's talent as a songwriter and musician. Its evocative lyrics and mesmerizing instrumentation make it a standout on the album "Ma" and a must-listen for fans of indie folk music.

See Saw
"See Saw" by Devendra Banhart is a whimsical and dreamy track that showcases Banhart's unique blend of folk, psychedelic, and indie rock influences. The song features Banhart's signature falsetto vocals over a gentle acoustic guitar melody, creating a soothing and introspective atmosphere. Thematically, "See Saw" explores themes of love, longing, and uncertainty. The lyrics describe a relationship that is constantly shifting and uncertain, much like a see-saw going up and down. Banhart's poetic lyrics and ethereal vocals add a sense of mystery and nostalgia to the song, inviting listeners to reflect on the complexities of human emotions and relationships. The composition of "See Saw" is characterized by its intricate fingerpicking guitar work, layered harmonies, and subtle percussion, creating a lush and textured sound. The song builds slowly and organically, with each instrument adding depth and richness to the overall arrangement. Banhart's emotive delivery and heartfelt lyrics imbue the song with a sense of intimacy and vulnerability, drawing listeners in and captivating them from start to finish. Overall, "See Saw" is a standout track that showcases Devendra Banhart's songwriting prowess and musical artistry. With its dreamy atmosphere, poetic lyrics, and intricate instrumentation, the song is a captivating and enchanting listen that will resonate with fans of indie folk and singer-songwriter music.