Turn Out The Stars - Bill Evans
"Turn Out the Stars" is a beautiful and haunting jazz ballad composed by the legendary pianist Bill Evans. The song is featured on his album "Bill Evans at the Montreux Jazz Festival" recorded in 1968. The track opens with a delicate piano solo by Evans, setting a melancholic and introspective mood. The melody is rich with emotion and evokes a sense of longing and nostalgia. The composition showcases Evans' signature harmonic sophistication and lyrical improvisation, with intricate chord voicings and subtle shifts in dynamics. One of the notable aspects of "Turn Out the Stars" is its lyrical quality, with the melody flowing seamlessly and effortlessly. The song captures a sense of introspection and reflection, inviting the listener to immerse themselves in its contemplative atmosphere. Overall, "Turn Out the Stars" is a masterpiece of jazz composition that showcases Bill Evans' unparalleled talent as a pianist and composer. The song is a timeless piece of music that continues to captivate audiences with its beauty and emotional depth.
Bill Evans
Bill Evans was an American jazz pianist and composer who was born on August 16, 1929, in Plainfield, New Jersey. He is widely regarded as one of the most influential and innovative jazz musicians of his time. Evans started playing piano at the age of six and quickly developed a passion for music. He studied classical piano at Southeastern Louisiana University and later moved to New York City to pursue a career in jazz. Evans gained recognition in the late 1950s when he joined Miles Davis's sextet, where he played a key role in the development of modal jazz. Throughout his career, Evans recorded over 50 albums as a bandleader and collaborated with some of the most prominent jazz musicians of his time, including John Coltrane, Cannonball Adderley, and Stan Getz. His lyrical and introspective style of playing, characterized by his use of impressionistic harmonies and inventive improvisation, set him apart from his contemporaries and earned him a devoted following. One of Evans's most notable achievements was his groundbreaking trio recordings, particularly the albums Sunday at the Village Vanguard and Waltz for Debby, which are considered classics of the jazz genre. His innovative approach to trio playing, which emphasized interplay and communication between the members of the group, had a lasting impact on the development of jazz piano trio music. In addition to his technical mastery and creative genius, Evans was also known for his introspective and sensitive demeanor, both on and off the stage. His music often reflected his deep emotional sensitivity and introspective nature, engaging listeners on a profound level. Sadly, Bill Evans passed away on September 15, 1980, at the age of 51. Despite his untimely death, his legacy continues to resonate in the world of jazz and beyond. His influence can be heard in the work of countless contemporary jazz pianists, and his music remains a source of inspiration for musicians and music lovers around the world. Bill Evans will always be remembered as a true innovator and master of his craft, whose contributions to the world of music will never be forgotten.