Someday My Prince Will Come - Bill Evans
"Someday My Prince Will Come" is a jazz standard that was composed by Frank Churchill for the soundtrack of the Disney film Snow White and the Seven Dwarfs in 1937. Over the years, the song has been covered by numerous artists, including jazz pianist Bill Evans. Bill Evans' rendition of "Someday My Prince Will Come" is a beautiful and melancholic interpretation of the classic tune. The track showcases Evans' signature lyrical piano playing and his ability to convey emotion through his music. The song features a slow tempo, with Evans playing delicate melodies and lush harmonies that create a dreamy and romantic atmosphere. The composition of the song is relatively simple, with a memorable melody and a traditional AABA form. Evans' improvisational skills shine through in his solo sections, where he adds his own unique touch to the familiar tune. One notable fact about Bill Evans' version of "Someday My Prince Will Come" is that it was included on his iconic album of the same name, which was released in 1961. The album features Evans' trio, with Scott LaFaro on bass and Paul Motian on drums, and is considered one of the greatest jazz albums of all time. Overall, Bill Evans' interpretation of "Someday My Prince Will Come" is a timeless and captivating piece of music that showcases his incredible talent as a pianist and improviser.
Bill Evans
Bill Evans was an American jazz pianist and composer who was born on August 16, 1929, in Plainfield, New Jersey. He is widely regarded as one of the most influential and innovative jazz musicians of his time. Evans started playing piano at the age of six and quickly developed a passion for music. He studied classical piano at Southeastern Louisiana University and later moved to New York City to pursue a career in jazz. Evans gained recognition in the late 1950s when he joined Miles Davis's sextet, where he played a key role in the development of modal jazz. Throughout his career, Evans recorded over 50 albums as a bandleader and collaborated with some of the most prominent jazz musicians of his time, including John Coltrane, Cannonball Adderley, and Stan Getz. His lyrical and introspective style of playing, characterized by his use of impressionistic harmonies and inventive improvisation, set him apart from his contemporaries and earned him a devoted following. One of Evans's most notable achievements was his groundbreaking trio recordings, particularly the albums Sunday at the Village Vanguard and Waltz for Debby, which are considered classics of the jazz genre. His innovative approach to trio playing, which emphasized interplay and communication between the members of the group, had a lasting impact on the development of jazz piano trio music. In addition to his technical mastery and creative genius, Evans was also known for his introspective and sensitive demeanor, both on and off the stage. His music often reflected his deep emotional sensitivity and introspective nature, engaging listeners on a profound level. Sadly, Bill Evans passed away on September 15, 1980, at the age of 51. Despite his untimely death, his legacy continues to resonate in the world of jazz and beyond. His influence can be heard in the work of countless contemporary jazz pianists, and his music remains a source of inspiration for musicians and music lovers around the world. Bill Evans will always be remembered as a true innovator and master of his craft, whose contributions to the world of music will never be forgotten.