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Death

"Death" by White Lies is a haunting and atmospheric track that delves into the theme of mortality and the inevitability of death. The song is characterized by its brooding lyrics and melancholic melodies, creating a sense of foreboding and introspection. The composition of "Death" features a driving bassline, ethereal guitar riffs, and lead singer Harry McVeigh's distinctive vocals, which convey a sense of urgency and longing. The track builds to a climactic chorus, where McVeigh passionately declares, "Let's grow old together, and die at the same time." One notable fact about "Death" is that it was the lead single from White Lies' debut album, To Lose My Life..., released in 2009. The song received critical acclaim for its emotive lyrics and powerful instrumentation, establishing White Lies as a force to be reckoned with in the indie rock scene. Overall, "Death" is a powerful and introspective track that explores the darker aspects of the human experience, making it a standout song in White Lies' discography.

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To Lose My Life

"To Lose My Life" is a haunting and melancholic track by the British indie rock band White Lies. Released in 2009 as the lead single from their debut album of the same name, the song explores themes of mortality, love, and the fear of losing oneself in the pursuit of happiness. The composition of the song features driving drums, atmospheric synths, and soaring guitar riffs that create a sense of urgency and intensity. Lead singer Harry McVeigh's deep, emotive vocals add to the overall sense of despair and longing in the lyrics. The chorus of "To Lose My Life" is particularly powerful, with McVeigh repeating the haunting refrain, "Let's grow old together and die at the same time." This line captures the bittersweet nature of the song, as it juxtaposes the desire for eternal love with the inevitability of death. One notable fact about "To Lose My Life" is that it was a commercial success, reaching the top 10 of the UK Singles Chart and receiving critical acclaim for its powerful lyrics and atmospheric sound. The song has since become a fan favorite and a staple of White Lies' live performances.

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Farewell to the Fairground

"Farewell to the Fairground" is a song by the British indie rock band White Lies, released as a single in 2009. The song is from their debut album "To Lose My Life..." and was a commercial success, reaching the top 40 in the UK charts. The theme of the song revolves around the nostalgia and bittersweet emotions of saying goodbye to a place or time that holds significance. The lyrics tell a story of leaving behind a fairground, symbolizing the end of an era or a chapter in one's life. Musically, "Farewell to the Fairground" is characterized by its anthemic and atmospheric sound, with driving drums, soaring guitars, and haunting vocals. The song builds in intensity, creating a sense of urgency and emotion that matches the lyrical content. One notable fact about the track is that it showcases White Lies' ability to create powerful and emotive music that resonates with listeners. The band's unique blend of post-punk and indie rock influences shines through in "Farewell to the Fairground", making it a standout track in their discography. Overall, the song is a poignant and powerful ode to the passage of time and the inevitability of change.

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Unfinished Business

"Unfinished Business" by White Lies is a track from their debut album, "To Lose My Life..." released in 2009. The song is a powerful and emotive ballad that delves into themes of regret, longing, and unfulfilled desires. The composition of the song is characterized by its haunting melodies, driving percussion, and frontman Harry McVeigh's distinctive baritone vocals. The instrumentation builds gradually throughout the track, creating a sense of tension and urgency that mirrors the song's lyrical content. One notable aspect of "Unfinished Business" is its anthemic chorus, which is both catchy and cathartic. The lyrics speak to the pain of unresolved relationships and the lingering feelings of love and loss that accompany them. McVeigh's vocals are filled with raw emotion, adding depth and sincerity to the song's message. Overall, "Unfinished Business" is a standout track that showcases White Lies' talent for crafting dark, brooding anthems that resonate with listeners. It's a song that captures the complexities of human emotion and the bittersweet nature of unfinished business in relationships.

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E.S.T.

"E.S.T." by White Lies is a dark and brooding track that delves into themes of mental health and inner turmoil. The song showcases the band's signature blend of post-punk and alternative rock, with haunting vocals and atmospheric instrumentation. The composition of "E.S.T." is characterized by driving guitar riffs, pulsating bass lines, and steady drum beats that create a sense of tension and urgency. The lyrics paint a vivid picture of a person struggling with their own thoughts and emotions, grappling with feelings of isolation and despair. One notable fact about the song is that the title "E.S.T." stands for Electroconvulsive Therapy, a controversial treatment used for severe mental illnesses. This adds a layer of depth to the song's lyrics, as it explores the complexities of mental health and the lengths some may go to in order to find peace or relief. Overall, "E.S.T." is a powerful and emotive track that showcases White Lies' ability to tackle deep and introspective subject matter while delivering a compelling and sonically rich listening experience.

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A Place to Hide

"A Place to Hide" by White Lies is a haunting and introspective track that delves into themes of loneliness, escapism, and the desire for a sanctuary from the harsh realities of the world. The song's lyrics paint a picture of someone who is struggling to find solace and peace amidst the chaos and turmoil of life. Musically, the song features a brooding and atmospheric sound with lush layers of synths, driving drums, and frontman Harry McVeigh's emotive vocals. The track builds slowly, creating a sense of tension and urgency that perfectly complements the introspective lyrics. Notable for its powerful and emotive delivery, "A Place to Hide" showcases White Lies' ability to create deeply evocative and immersive music that resonates with listeners on a visceral level. The track is a standout on the band's discography, showcasing their talent for crafting dark and atmospheric indie rock anthems that leave a lasting impact on the listener.

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From the Stars

"From the Stars" by White Lies is a hauntingly beautiful track that showcases the band's signature dark and moody sound. The song's theme revolves around longing and nostalgia, with lyrics that speak of a yearning for a lost love or a sense of longing for something beyond reach. The composition of the song features lush, atmospheric instrumentation, with soaring guitar melodies, driving drums, and frontman Harry McVeigh's emotive vocals. The track builds to a powerful crescendo, creating a sense of urgency and longing that is palpable throughout. Notable facts about "From the Stars" include its inclusion on White Lies' critically acclaimed debut album, "To Lose My Life...", which was released in 2009. The song received positive reviews from music critics and was praised for its evocative lyrics and dynamic instrumentation. Overall, "From the Stars" is a standout track in White Lies' discography, showcasing the band's talent for crafting emotionally resonant and atmospheric music that leaves a lasting impact on listeners.

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Fifty on Our Foreheads

"Fifty on Our Foreheads" is a track by the British indie rock band White Lies, featured on their third studio album, "Big TV", released in 2013. The song explores themes of aging, mortality, and the passing of time. The composition of the track is characterized by its haunting and atmospheric sound, with moody synthesizers and driving drums creating a sense of urgency and introspection. Lead singer Harry McVeigh's emotive vocals add to the melancholic tone of the song, as he sings about the inevitability of getting older and the fear of losing touch with the past. One notable aspect of the song is its powerful chorus, where McVeigh repeats the line "fifty on our foreheads" over a pulsating beat, driving home the sense of time slipping away and the pressure to make the most of the present moment. Overall, "Fifty on Our Foreheads" is a poignant and introspective track that captures the bittersweet reality of growing older and the desire to hold onto youth while facing the passage of time. With its evocative lyrics and atmospheric instrumentation, the song showcases White Lies' ability to create thought-provoking and emotionally resonant music.

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Bigger Than Us

"Bigger Than Us" by White Lies is a powerful and anthemic track that explores themes of love, unity, and the interconnectedness of humanity. The song conveys a message of hope and resilience, emphasizing the idea that together, we can overcome any obstacle. Musically, "Bigger Than Us" is characterized by its soaring guitar riffs, driving drums, and frontman Harry McVeigh's emotive vocals. The song builds to a climactic chorus that is both uplifting and cathartic, inviting listeners to join in and sing along. One notable fact about "Bigger Than Us" is that it was released as the lead single from White Lies' third studio album, "Big TV." The song received critical acclaim upon its release, with many praising its catchy melody and heartfelt lyrics. Overall, "Bigger Than Us" is a standout track that showcases White Lies' ability to craft emotive and anthemic music that resonates with listeners on a deep level. With its universal themes and infectious energy, the song is sure to leave a lasting impression on anyone who hears it.

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The Price of Love

"The Price of Love" by White Lies is a track from their fourth studio album, "Friends", released in 2016. The song explores the complexities of relationships and the sacrifices one may have to make for love. Through its lyrics, the band delves into the emotional toll that love can take and the sometimes painful consequences that come with it. The composition of the track is characterized by its atmospheric instrumentation, featuring haunting synths, pulsating drums, and frontman Harry McVeigh's emotive vocals. The driving rhythm and ethereal melodies create a sense of urgency and intensity, capturing the raw emotions conveyed in the lyrics. One notable fact about "The Price of Love" is that it showcases White Lies' ability to blend dark, brooding themes with catchy hooks and anthemic choruses. The band's signature sound, which draws inspiration from post-punk and new wave influences, is evident in this track as they deliver a powerful and emotive performance. Overall, "The Price of Love" is a compelling and introspective track that delves into the complexities of love and relationships, showcasing White Lies' talent for crafting emotive and atmospheric music.

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Nothing to Give

"Nothing to Give" by White Lies is a powerful track that delves into themes of emptiness and despair. The song explores the feeling of being drained emotionally and spiritually, with lyrics that convey a sense of hopelessness and resignation. Musically, "Nothing to Give" features haunting vocals from lead singer Harry McVeigh, backed by a driving drumbeat and atmospheric guitar riffs. The song builds to a crescendo, with a sense of urgency and intensity that mirrors the emotional turmoil expressed in the lyrics. One notable fact about "Nothing to Give" is that it was released as a single from White Lies' fourth studio album, "Friends," in 2016. The song received critical acclaim for its raw emotion and powerful sound, solidifying White Lies' reputation as one of the most talented indie rock bands in the music scene. Overall, "Nothing to Give" is a gripping and introspective track that showcases White Lies' ability to create music that is both sonically engaging and emotionally resonant.

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Strangers

"Strangers" by White Lies is a synth-pop track that showcases the band's signature dark and moody sound. The song explores the theme of loneliness and alienation, with lyrics that delve into the feeling of being disconnected from the world and those around you. The pulsating synthesizers and driving drum beats create a sense of urgency and tension, adding to the overall atmospheric vibe of the song. Lead singer Harry McVeigh's haunting vocals bring an emotional depth to the track, as he sings about the struggles of feeling like a stranger in your own life. The chorus is anthemic and catchy, with a memorable hook that sticks in your head long after the song has ended. "Strangers" is a standout track on White Lies' album "Big TV," which was released in 2013. The song received critical acclaim for its powerful lyrics and infectious melodies, solidifying the band's reputation as masters of the indie rock genre. Overall, "Strangers" is a captivating and introspective song that leaves a lasting impression on listeners.

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Is Love

"Is Love" by White Lies is a track that explores the complexities of love and relationships. The song delves into the doubts, insecurities, and struggles that can arise within a romantic connection. The lyrics touch on themes of uncertainty, longing, and the fear of losing someone you care about. Musically, "Is Love" is characterized by its haunting melody, atmospheric instrumentation, and emotive vocals. The track features a blend of dark, brooding guitars, pulsating drums, and intricate synth layers that create a sense of tension and urgency. One notable aspect of "Is Love" is its introspective and introspective lyrics, which invite listeners to reflect on their own experiences with love and relationships. The song's raw and vulnerable delivery adds to its emotional impact, making it a poignant and relatable piece of music. Overall, "Is Love" by White Lies is a compelling and thought-provoking track that captures the complexities of love in all its forms. With its evocative lyrics and atmospheric soundscapes, the song is sure to resonate with listeners who have grappled with the highs and lows of romantic connections.

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There Goes Our Love Again

"There Goes Our Love Again" by White Lies is a melancholic and introspective track that explores the pain and sadness of a failing relationship. The song's lyrics depict the feeling of heartbreak and loss as the protagonist watches their love slip away. The theme of longing and regret is prevalent throughout the song, with the singer lamenting the end of a once passionate romance. Musically, "There Goes Our Love Again" features a driving drum beat, haunting guitar riffs, and emotive vocals. The instrumentation builds in intensity as the song progresses, adding to the emotional weight of the lyrics. The production is polished and atmospheric, creating a moody and atmospheric vibe that perfectly complements the song's theme. One notable fact about "There Goes Our Love Again" is that it was released as the lead single from White Lies' third studio album, "Big TV". The song received critical acclaim upon its release, with many praising its evocative lyrics and powerful musical arrangement. It has since become a fan favorite and a staple in the band's live performances. Overall, "There Goes Our Love Again" is a poignant and moving track that captures the pain and heartache of a relationship coming to an end. Its emotive lyrics, powerful instrumentation, and haunting melody make it a standout song in White Lies' discography.

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Holy Ghost

"Holy Ghost" by White Lies is a haunting and atmospheric track that explores themes of love, loss, and redemption. The song opens with a brooding synth melody that sets the tone for the melancholic lyrics delivered by lead singer Harry McVeigh. The lyrics speak of longing for a lost love and grappling with feelings of guilt and regret. The composition of "Holy Ghost" is characterized by its dark and moody sound, with layers of atmospheric synths, driving drums, and McVeigh's emotive vocals. The song builds to a powerful crescendo, with a cathartic release of emotion that is both haunting and cathartic. Notable facts about "Holy Ghost" include its inclusion on White Lies' fourth studio album, "Friends," released in 2016. The song received critical acclaim for its emotive lyrics and atmospheric production, showcasing the band's ability to create immersive and evocative music. "Holy Ghost" has become a fan favorite and a staple in White Lies' live performances, resonating with audiences around the world.

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Big TV

"Big TV" is a track by the British indie rock band White Lies, released in 2013 as the lead single from their third studio album of the same name. The song's theme revolves around a sense of disillusionment with the superficiality and emptiness of modern media and consumer culture. The composition of "Big TV" is characterized by its brooding, atmospheric sound with pulsating synths, driving drums, and soaring vocals by lead singer Harry McVeigh. The lyrics paint a vivid picture of a protagonist who feels disconnected and alienated from the world around them, seeking solace in the glow of a big television screen. One notable aspect of the song is its anthemic chorus, which builds to a cathartic climax that captures the emotional intensity of the lyrics. The production of "Big TV" is sleek and polished, with a cinematic quality that adds to the song's sense of grandeur and drama. Overall, "Big TV" is a powerful and introspective track that showcases White Lies' ability to craft dark and atmospheric music with a deep emotional resonance. It has become a fan favorite and a staple of the band's live performances.

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Peace & Quiet

"Peace & Quiet" by White Lies is a track from their third studio album, "Big TV," released in 2013. The song is a haunting and introspective ballad that explores themes of loneliness, isolation, and the desire for solace in a chaotic world. The composition of the track features moody, atmospheric instrumentation with somber piano chords, ethereal synths, and driving drums that build to a powerful crescendo. Lead singer Harry McVeigh's evocative vocals add a sense of urgency and emotional depth to the song, as he sings about the struggle to find peace and quiet amidst the noise and distractions of modern life. Notable for its melancholic lyrics and melancholic melody, "Peace & Quiet" showcases White Lies' ability to create compelling and introspective music that resonates with listeners on a deep emotional level. The track has been praised for its haunting beauty and poignant storytelling, making it a standout song in the band's discography.

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Bad Love

"Bad Love" by White Lies is a powerful and emotive track that delves into the complexities of a toxic relationship. The song explores themes of love gone wrong, betrayal, and heartache. Musically, "Bad Love" features a dark and brooding atmosphere, with haunting vocals from lead singer Harry McVeigh. The track is driven by a driving bassline and pulsating drum beats, creating a sense of urgency and intensity. The chorus is anthemic and catchy, with a memorable hook that will have listeners singing along. One notable fact about "Bad Love" is that it was released as a single in 2016 as part of White Lies' fourth studio album, "Friends". The song received critical acclaim for its raw emotion and infectious energy, and has since become a fan favorite at the band's live shows. Overall, "Bad Love" is a standout track that showcases White Lies' talent for crafting compelling and emotional songs. Its dark lyrics and powerful instrumentation make it a must-listen for fans of indie rock and alternative music.

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Streetlights

"Streetlights" by White Lies is a haunting and atmospheric track that combines elements of alternative rock and post-punk. The song's theme revolves around feelings of solitude and longing, as the lyrics describe a sense of being lost and searching for connection in the darkness of the night. The composition of the track is characterized by its driving bassline, shimmering guitar melodies, and frontman Harry McVeigh's emotive vocals. The pulsating rhythm and moody synths create a sense of urgency and tension, perfectly complementing the introspective lyrics. Notable facts about "Streetlights" include its inclusion on White Lies' debut album, "To Lose My Life..." released in 2009. The song received critical acclaim for its brooding atmosphere and evocative storytelling, establishing White Lies as a band to watch in the indie rock scene. "Streetlights" has since become a fan favorite and a staple in the band's live performances, showcasing their ability to create dark and captivating music that resonates with listeners.

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Getting Even

"Getting Even" by White Lies is a track from their fourth studio album, "Friends", released in 2016. The song is a powerful and anthemic track that explores themes of revenge, betrayal, and redemption. The composition of the song features driving drums, pulsating basslines, and soaring guitars, creating a dark and moody atmosphere that perfectly complements the lyrical content. Lead singer Harry McVeigh's haunting vocals add an emotional depth to the song, as he delivers powerful and introspective lyrics about seeking justice and getting even with those who have wronged him. One notable fact about "Getting Even" is the intense energy and emotion that White Lies bring to the track. The band's ability to blend catchy melodies with meaningful lyrics makes this song a standout on the album and a fan favorite during their live performances. Overall, "Getting Even" is a standout track that showcases White Lies' ability to create powerful and memorable music that resonates with listeners on a deep level.

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The Power & the Glory

"The Power & the Glory" by White Lies is a powerful and atmospheric track that showcases the band's signature blend of indie rock and post-punk influences. The song's theme revolves around the struggles and complexities of power and fame, exploring how they can both elevate and corrupt individuals. The track opens with haunting synths and driving drums, creating a sense of urgency and tension. Lead singer Harry McVeigh's vocals soar over the dark, brooding instrumentation, adding an emotional intensity to the song. The chorus is anthemic and catchy, with a memorable hook that sticks in the listener's mind. Lyrically, "The Power & the Glory" delves into themes of ambition, desire, and the darker side of success. The lyrics paint a vivid picture of a protagonist grappling with the trappings of power and the sacrifices that come with it. The song's dynamic shifts and intense crescendos mirror the emotional turmoil of the protagonist, creating a sense of drama and catharsis. Overall, "The Power & the Glory" is a standout track from White Lies, showcasing their ability to create evocative and impactful music that resonates with listeners. Its atmospheric soundscapes, powerful vocals, and thought-provoking lyrics make it a standout in the band's discography.

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Hold Back Your Love

"Hold Back Your Love" by White Lies is a track from their fourth studio album, "Friends," released in 2016. The song is a blend of indie rock and post-punk influences, characterized by its driving bassline, catchy guitar riffs, and anthemic chorus. The theme of the song revolves around the complexities of love and relationships, with the lyrics exploring the struggle of holding back emotions and desires. Lead singer Harry McVeigh's haunting vocals convey a sense of longing and vulnerability, adding depth to the track's emotional resonance. The composition of "Hold Back Your Love" is dynamic and energetic, building up to a powerful climax in the chorus. The band's tight instrumentation and polished production contribute to the song's overall impact, creating a memorable listening experience for fans of alternative rock. One notable fact about the song is its commercial success, reaching the top 10 on the UK Rock & Metal Chart upon its release. It has since become a fan favorite at White Lies' live performances, with its infectious melody and relatable lyrics resonating with audiences around the world. Overall, "Hold Back Your Love" is a standout track that showcases White Lies' ability to create compelling and emotionally resonant music.

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Turn the Bells

"Turn the Bells" is a track by the British indie rock band White Lies. The song is a part of their fifth studio album titled "Five", which was released in 2019. The theme of "Turn the Bells" revolves around the idea of reflection and self-discovery. The lyrics talk about facing one's inner demons and finding the strength to overcome them. The band creates a sense of urgency and intensity in the song, with driving drums and powerful guitar riffs. The composition of the track features a catchy melody and a strong vocal performance by lead singer Harry McVeigh. The chorus is particularly memorable, with its anthemic quality and soaring vocals. The instrumentation is layered and dynamic, with a mix of electronic and rock elements that give the song a modern edge. "Turn the Bells" showcases White Lies' ability to combine introspective lyrics with energetic music, creating a powerful and emotional listening experience. The song has been well-received by fans and critics alike, and has become a standout track in the band's discography.

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Come Down

"Come Down" is a track by the British indie rock band White Lies, featured on their fourth studio album "Friends" released in 2016. The song explores themes of disillusionment and self-reflection, with lead vocalist Harry McVeigh delivering emotive lyrics about feeling lost and disconnected. The composition of "Come Down" is characterized by its driving bassline, atmospheric synths, and anthemic chorus. The band's signature post-punk sound is evident throughout the track, with a sense of urgency and intensity that builds as the song progresses. The haunting melodies and powerful instrumentation create a sense of tension and emotion that resonates with listeners. One notable aspect of "Come Down" is its introspective lyrics, which delve into themes of identity and personal struggle. McVeigh's introspective storytelling combined with the band's dynamic instrumentation creates a compelling listening experience that stays with the listener long after the song has ended. Overall, "Come Down" is a standout track that showcases White Lies' ability to craft impactful and emotionally charged music. With its powerful vocals, poignant lyrics, and atmospheric soundscapes, the song is a testament to the band's talent and creativity.

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Is My Love Enough?

"Is My Love Enough?" by White Lies is a track from their fifth studio album, "Five," released in 2019. The song explores the theme of love and questioning whether one's love is sufficient to satisfy the needs of a partner. The lyrics delve into feelings of insecurity and doubt surrounding the intensity and depth of one's affection. Musically, "Is My Love Enough?" features White Lies' signature blend of dark, atmospheric synth-pop sound with catchy melodies and anthemic choruses. The track is driven by pulsating electronic beats and haunting guitar riffs, creating a sense of urgency and intensity that mirrors the emotional turmoil expressed in the lyrics. One notable fact about the song is its compelling vocal performance by lead singer Harry McVeigh, whose emotive delivery adds a raw and vulnerable quality to the lyrics. The song showcases White Lies' ability to create introspective and introspective music that resonates with listeners on a deep emotional level.

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Mother Tongue

"Mother Tongue" by White Lies is a track that explores the theme of communication and connection. The song delves into the idea of how language can shape our relationships and interactions with others. Through its lyrics, the band expresses the importance of understanding and being understood in one's mother tongue, which is seen as a source of comfort and familiarity. Musically, "Mother Tongue" is a blend of indie rock and synth-pop elements. The track features catchy melodies, driving rhythms, and atmospheric production that create a sense of urgency and emotion. The band's lead singer, Harry McVeigh, delivers powerful vocals that add depth and intensity to the song. One notable fact about "Mother Tongue" is that it was released as a single in 2019 and received positive reviews from critics and fans alike. The song's infectious energy and relatable lyrics have made it a standout track in White Lies' discography. Overall, "Mother Tongue" is a captivating and thought-provoking song that showcases the band's musical prowess and lyrical depth.

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First Time Caller

"First Time Caller" by White Lies is a haunting and melancholic track that explores themes of loneliness, longing, and unrequited love. The song tells the story of a person who is desperately trying to reach out to someone they care about, but their calls go unanswered. The composition of the track is atmospheric and moody, with lush layers of synths, driving basslines, and ethereal guitar lines creating a sense of tension and urgency. Lead singer Harry McVeigh's emotive vocals soar over the music, conveying a sense of desperation and vulnerability. Notable facts about "First Time Caller" include its inclusion on White Lies' third studio album, "Big TV," released in 2013. The song received critical acclaim for its evocative lyrics and powerful instrumentation, cementing White Lies' reputation as masters of dark, brooding indie rock. Overall, "First Time Caller" is a captivating and emotionally charged track that resonates with listeners who have experienced the pain of unrequited love or the ache of longing for connection.

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Tricky to Love

"Tricky to Love" by White Lies is a captivating track that explores the complexities of love and relationships. The song delves into the challenges and uncertainties that can arise when navigating the intricacies of romantic connections. Musically, "Tricky to Love" features a haunting melody with pulsating synths and driving drums that create a sense of urgency and intensity. The band's signature dark and brooding sound is prevalent throughout the track, adding to the emotional depth of the lyrics. The lyrics of the song touch on themes of vulnerability, desire, and the struggle to maintain a connection with someone who may be difficult to love. The singer's emotive vocals convey a sense of longing and introspection, drawing listeners into the emotional landscape of the song. "Tricky to Love" showcases White Lies' ability to craft poignant and atmospheric music that resonates with audiences. The track is a standout on the band's discography, offering a compelling exploration of the complexities of human relationships.

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Take It Out On Me

"Take It Out On Me" by White Lies is a melancholic yet uplifting track that explores themes of support, empathy, and understanding in the face of emotional turmoil. The song's composition features brooding synths, driving percussion, and haunting vocals that create a sense of urgency and intensity throughout. The lyrics tell the story of someone offering themselves as a source of solace and comfort for a loved one who is struggling with their inner demons. The narrator reassures the listener that they can lean on them and share their burdens, promising to be a safe haven in times of need. One notable aspect of the song is its powerful chorus, where the band's lead singer Harry McVeigh passionately belts out the lines "Take it out on me, I'll be your punching bag." This refrain serves as a powerful reminder of the importance of being there for one another and offering unconditional support in times of hardship. Overall, "Take It Out On Me" is a poignant and emotionally charged track that showcases White Lies' ability to blend dark, atmospheric soundscapes with heartfelt lyrics that resonate with listeners on a deep emotional level.

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Tokyo

"Tokyo" by White Lies is a track from their debut album "To Lose My Life..." released in 2009. The song is a synth-pop anthem that captures the band's signature dark and atmospheric sound. The lyrics tell the story of a troubled relationship set against the backdrop of the bustling city of Tokyo. The theme of the song revolves around feelings of isolation, longing, and desperation. The composition of "Tokyo" features driving drums, shimmering guitars, and haunting vocals that create a sense of urgency and intensity. The chorus is catchy and anthemic, with lead singer Harry McVeigh's emotive vocals soaring over the pulsating instrumentation. One notable fact about "Tokyo" is that it was one of White Lies' breakthrough singles, receiving critical acclaim and gaining the band a larger following. The song's dark and brooding atmosphere, combined with its infectious melodies, helped establish White Lies as a prominent force in the indie music scene. Overall, "Tokyo" is a powerful and emotive track that showcases White Lies' ability to create compelling and atmospheric music that resonates with listeners.

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Death (Crystal Castles Remix)

"Death (Crystal Castles Remix)" by White Lies is a dynamic electronic remix of the original track by the British indie rock band. The remix was created by Crystal Castles, a Canadian electronic music duo known for their unique and experimental sound. The theme of the song revolves around the concept of mortality and the inevitability of death. The lyrics explore feelings of fear, acceptance, and resignation towards the idea of dying. The haunting vocals combined with the pulsating beats create a dark and atmospheric mood that captures the listener's attention from start to finish. The composition of the remix features heavy synths, distorted vocals, and glitchy electronic elements that give the track a futuristic and edgy vibe. The production quality is top-notch, showcasing Crystal Castles' talent for creating intricate and immersive soundscapes. One notable fact about this remix is that it brings a fresh perspective to White Lies' original track, giving it a new life and energy. The collaboration between the two bands resulted in a captivating and captivating remix that is sure to appeal to fans of both electronic and indie rock music. Overall, "Death (Crystal Castles Remix)" is a powerful and thought-provoking song that leaves a lasting impression on the listener.

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Change

"Change" by White Lies is a powerful track that explores the theme of personal growth and transformation. The song delves into the idea of leaving behind old habits and embracing change in order to move forward in life. The lyrics speak to the challenges and uncertainties that come with making big life decisions, but also convey a sense of hope and optimism for the future. Musically, "Change" features a driving drum beat, soaring guitar riffs, and frontman Harry McVeigh's emotive vocals. The song builds to a cathartic climax, with intense instrumentation and heartfelt lyrics that resonate with listeners. Notable facts about "Change" include its inclusion on White Lies' debut album, "To Lose My Life..." released in 2009. The song received critical acclaim and has become a fan favorite at the band's live performances. Its anthemic sound and relatable lyrics have made it a standout track in White Lies' discography. Overall, "Change" is a dynamic and emotionally charged song that captures the essence of personal growth and the courage it takes to embrace change.

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Space I

"Space I" is a track by the British indie rock band White Lies. Released in 2019 as part of their album "Five", the song explores the theme of distance and detachment in relationships. The lyrics speak of feeling like there is a vast emptiness between two people, creating a sense of loneliness and longing for connection. Musically, "Space I" features a hauntingly atmospheric sound with moody synths, pulsating basslines, and driving drum beats. The band's signature dark and brooding vocals add to the melancholic feel of the track, creating a sense of emotional intensity. Notable for its introspective lyrics and captivating instrumentation, "Space I" showcases White Lies' ability to create powerful and evocative music that resonates with listeners. The song's deep, introspective nature invites listeners to reflect on their own relationships and the space that can sometimes exist between ourselves and others. Overall, "Space I" is a compelling and thought-provoking track that captures the band's unique sound and emotional depth.

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Nothing Is For Ever

"Nothing Is For Ever" is a track by the English indie rock band White Lies. The song is featured on their third studio album, "Big TV," released in 2013. The theme of the song revolves around the passage of time and the transient nature of life. The lyrics speak about the inevitability of change and how nothing lasts forever. The melancholic tone of the song is reflected in its haunting melody and atmospheric production. Musically, "Nothing Is For Ever" features the band's signature blend of post-punk and new wave influences. The driving bassline, shimmering guitars, and atmospheric synths create a sense of urgency and nostalgia. Lead vocalist Harry McVeigh's emotive vocals add to the overall mood of the track. One notable fact about the song is its introspective lyrics, which have resonated with fans for their relatable themes of impermanence and the passage of time. "Nothing Is For Ever" showcases White Lies' ability to create powerful and emotive music that leaves a lasting impact on listeners.

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Be Your Man

"Be Your Man" by White Lies is a track from their album "To Lose My Life..." released in 2009. The song is a synth-pop anthem that showcases the band's signature dark and brooding sound. The theme of the song revolves around a sense of longing and desire, with the lyrics expressing a yearning to be someone's partner and protector. The protagonist of the song promises to be there for their loved one no matter what challenges may come their way. Musically, "Be Your Man" features a driving bassline, pulsating synths, and anthemic choruses that build to a powerful crescendo. The instrumentation creates a sense of urgency and intensity that complements the emotional depth of the lyrics. One notable fact about the song is that it was one of the standout tracks from White Lies' debut album, receiving critical acclaim for its infectious melody and emotional resonance. The song has since become a fan favorite and a staple in the band's live performances. Overall, "Be Your Man" is a powerful and emotive track that showcases White Lies' talent for crafting compelling and atmospheric music.

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Time to Give

"Time to Give" by White Lies is a captivating track that combines elements of synth-pop and indie rock. The song explores themes of love, loss, and self-discovery, with poignant lyrics that evoke a sense of longing and reflection. The composition of the song is dynamic and atmospheric, featuring lush synth textures, driving basslines, and soaring guitar melodies. Lead singer Harry McVeigh's emotive vocals add depth and intensity to the track, drawing listeners in with his heartfelt delivery. One notable fact about "Time to Give" is that it was the lead single from White Lies' fifth studio album, "Five". The song received critical acclaim upon its release, with many praising its infectious melody and introspective lyrics. Overall, "Time to Give" is a powerful and evocative track that showcases White Lies' ability to craft emotionally resonant music. It is a standout song that stays with listeners long after the final notes fade away.

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Goldmine

"Goldmine" by White Lies is a track that delves into the theme of relationships and the struggles that come with them. The song explores the complexities of love and the emotional rollercoaster that often accompanies it. The composition of the track features a driving beat and catchy guitar riffs that create a sense of urgency and passion. Lead singer Harry McVeigh's emotive vocals add depth and sincerity to the lyrics, drawing listeners in with their raw honesty. One notable aspect of "Goldmine" is its anthemic chorus, which is sure to get stuck in your head after just one listen. The song builds to a powerful crescendo, with the band's signature blend of indie rock and post-punk influences shining through. Overall, "Goldmine" is a standout track from White Lies that showcases the band's talent for crafting compelling, emotionally-charged music. It's a song that will resonate with anyone who has ever experienced the highs and lows of love, making it a must-listen for fans of alternative rock.

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Only Ones Who Know (Arctic Monkeys cover)

"Only Ones Who Know" is a cover song originally by the Arctic Monkeys, but covered by the British band White Lies. The track is featured on their EP "Big TV" released in 2013. The song's theme revolves around unrequited love and longing for someone who may not feel the same way. The lyrics depict feelings of isolation and yearning for a connection with someone who may be out of reach. Musically, the track features White Lies' signature dark, atmospheric sound with haunting vocals and melancholic melodies. The band stays true to the original Arctic Monkeys version while adding their own unique touch, creating a somber and emotional rendition. Notable facts about the cover include White Lies' ability to capture the raw emotion and vulnerability of the original song while infusing it with their own style. The band's interpretation of "Only Ones Who Know" showcases their talent for creating moody and introspective music that resonates with listeners on a deep level.

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Heaven Wait

"Heaven Wait" by White Lies is a captivating track that delves into themes of longing, desire, and the passage of time. The song is characterized by its haunting melodies, melancholic lyrics, and powerful instrumentals. The composition of the track is built around a driving drumbeat, atmospheric guitar riffs, and lead singer Harry McVeigh's emotive vocals. The brooding atmosphere created by the music perfectly complements the introspective lyrics, which explore the idea of waiting for something that may never come. One notable aspect of "Heaven Wait" is the way in which White Lies seamlessly blend elements of post-punk, new wave, and alternative rock to create a sound that is both familiar and fresh. The band's dynamic musicianship and McVeigh's soulful delivery make this track a standout on their discography. Overall, "Heaven Wait" is a powerful and evocative song that showcases White Lies' talent for crafting emotionally resonant music. With its compelling lyrics, atmospheric soundscapes, and infectious hooks, this track is sure to leave a lasting impression on listeners.

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Space II

"Space II" by White Lies is a haunting and atmospheric track that showcases the band's signature blend of dark, brooding lyrics and shimmering, anthemic melodies. The song explores themes of isolation, longing, and the vast expanse of space, both literal and metaphorical. The composition of "Space II" is characterized by its driving bassline, ethereal synth textures, and frontman Harry McVeigh's emotive vocals. The track builds to a powerful crescendo, with soaring guitar riffs and pulsating drums creating a sense of urgency and catharsis. Notable facts about "Space II" include its inclusion on White Lies' critically acclaimed album, "Friends," released in 2016. The track has been praised for its evocative lyrics and cinematic production, drawing comparisons to bands like Joy Division and Editors. Overall, "Space II" is a standout track in White Lies' discography, showcasing their knack for crafting moody, atmospheric songs that resonate with listeners on a deep emotional level.

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Don't Want To Feel It All

"Don't Want To Feel It All" is a track by the British indie rock band White Lies. The song is featured on their fifth studio album, "Five", released in 2019. The theme of the song revolves around feelings of emotional numbness and the desire to avoid facing difficult emotions. The lyrics convey a sense of detachment and a reluctance to confront painful truths, with lines such as "I don't want to feel it all, I just want to turn it off" reflecting a desire to escape from overwhelming emotions. Musically, the track features White Lies' signature atmospheric sound, with driving drums, pulsating basslines, and soaring guitar melodies. The band's frontman, Harry McVeigh, delivers a haunting vocal performance that perfectly captures the song's introspective and melancholic mood. One notable aspect of "Don't Want To Feel It All" is its dynamic arrangement, with the song building to a powerful climax that showcases White Lies' ability to create anthemic and emotionally resonant music. The track's production is polished and slick, with a modern edge that sets it apart from the band's earlier work. Overall, "Don't Want To Feel It All" is a standout track that highlights White Lies' talent for crafting introspective and atmospheric songs that resonate with listeners on a deep emotional level.

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Morning in LA

"Morning in LA" by White Lies is a reflective and atmospheric track that captures the essence of Los Angeles in the early hours of the day. The song explores themes of solitude, longing, and self-discovery, as the narrator navigates the city's streets during a quiet morning. The composition of the song is characterized by dreamy synths, haunting guitar melodies, and frontman Harry McVeigh's emotive vocals. The band creates a sense of intimacy and introspection through the music, drawing listeners into the narrator's world as they experience the fleeting beauty of a sunrise in LA. Notable facts about "Morning in LA" include its inclusion on White Lies' fourth studio album, "Friends," released in 2016. The song received critical acclaim for its evocative lyrics and ethereal sound, showcasing the band's growth and maturity as musicians. Overall, "Morning in LA" is a captivating and poignant track that captures the magic and melancholy of early mornings in the City of Angels. It is a standout moment on White Lies' discography, resonating with listeners through its introspective lyrics and lush musical arrangements.

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Am I Really Going To Die

"Am I Really Going to Die" is a track by the British indie rock band White Lies, featured on their album "Ritual". The song explores themes of mortality, fear, and existential dread, with lead singer Harry McVeigh contemplating the inevitability of death and questioning the meaning of life. The composition of the track is characterized by haunting, atmospheric instrumentals, including swirling synths, driving drums, and melodic guitar riffs. McVeigh's emotive vocals add to the sense of urgency and vulnerability in the lyrics, as he grapples with the uncertainty of what lies beyond death. One notable aspect of "Am I Really Going to Die" is the juxtaposition of dark, introspective lyrics with an infectious, anthemic chorus that is sure to get listeners singing along. The track showcases White Lies' ability to create a mood that is both introspective and uplifting, drawing listeners in with its emotional depth and memorable melodies. Overall, "Am I Really Going to Die" is a standout track that showcases White Lies' talent for crafting thought-provoking and emotionally resonant music. It is a powerful exploration of the human experience and the universal fear of mortality, presented in a way that is both musically compelling and lyrically profound.

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Swing

"Swing" by White Lies is a haunting and atmospheric track that showcases the band's signature dark and brooding sound. The song's theme revolves around the complexities of relationships and the struggles that come with love and loss. Lead singer Harry McVeigh's emotive vocals convey a sense of longing and despair, adding to the overall melancholic vibe of the track. The composition of "Swing" is characterized by its moody instrumentation, with pulsating synths, driving drums, and swirling guitars creating a sense of tension and urgency. The song builds to a powerful climax, with a soaring chorus that is both anthemic and introspective. One notable fact about "Swing" is that it was featured on White Lies' fourth studio album, "Friends," which was released in 2016. The album marked a departure from the band's earlier sound, incorporating more electronic elements and exploring new sonic territory. "Swing" stands out as a standout track on the album, showcasing White Lies' evolution as artists while staying true to their dark and introspective roots.

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I Don't Want To Go To Mars

"I Don't Want To Go To Mars" by White Lies is a haunting and introspective track that delves into themes of isolation, longing, and the fear of the unknown. The song explores the idea of leaving everything behind in search of a new start, but ultimately realizing that the grass may not always be greener on the other side. The composition of the song is characterized by its atmospheric soundscapes, melancholic melodies, and emotive vocals. The instrumentation builds gradually, with layers of synths, guitars, and drums creating a sense of tension and longing throughout the track. The chorus is particularly powerful, with lead singer Harry McVeigh's emotive vocals soaring over the driving rhythm section. One notable fact about "I Don't Want To Go To Mars" is that it was released as a single from White Lies' fifth studio album, "Five", in 2019. The song received critical acclaim for its introspective lyrics and captivating musical arrangement. It has since become a fan favorite and a staple in the band's live performances. Overall, "I Don't Want To Go To Mars" is a poignant and evocative track that showcases White Lies' talent for crafting emotionally resonant music. The song's themes of longing and uncertainty are universal, making it a relatable and powerful listening experience for fans of the band and newcomers alike.

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Hurt My Heart

"Hurt My Heart" by White Lies is a melancholic and introspective track that delves into themes of heartbreak and emotional pain. The song is a haunting ballad that showcases the band's signature brooding sound, with moody instrumentation and poignant lyrics. The composition of the track features atmospheric synths, driving drums, and frontman Harry McVeigh's emotive vocals. The music builds slowly, creating a sense of tension and longing that perfectly complements the song's lyrical content. The chorus is particularly powerful, with McVeigh lamenting the pain of a failed relationship and the emotional toll it has taken on him. Notable facts about "Hurt My Heart" include its inclusion on White Lies' fifth studio album "Five," which was released in 2019. The album received critical acclaim for its dark and introspective themes, with "Hurt My Heart" standing out as a standout track that showcases the band's evolution as musicians. Overall, "Hurt My Heart" is a moving and evocative track that resonates with listeners who have experienced the pain of lost love. White Lies' emotive performance and poignant lyrics make this song a standout in their discography and a must-listen for fans of alternative rock music.

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Come On

"Come On" by White Lies is a track from their debut album, To Lose My Life... released in 2009. The song has a dark and atmospheric feel, with pulsating synths, driving drums, and deep, brooding vocals from lead singer Harry McVeigh. The theme of the song revolves around a sense of urgency and desperation, as the lyrics plead for someone to come closer and not leave them alone. The lyrics convey a feeling of longing and a desire for connection, while also hinting at a sense of isolation and fear of abandonment. The composition of the track is dynamic and intense, with a powerful build-up leading to a soaring chorus that is both anthemic and haunting. The production is slick and polished, with a blend of electronic and rock elements that create a sense of tension and drama throughout the song. "Come On" showcases White Lies' signature sound of dark, moody melodies and emotive lyrics that have made them a standout in the indie rock scene. The track's infectious energy and raw emotion make it a standout on the album and a fan favorite at their live shows. Overall, "Come On" is a compelling and powerful track that captures the band's talent for crafting emotionally resonant songs that leave a lasting impact on listeners.

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Summer Didn't Change a Thing

"Summer Didn't Change a Thing" by White Lies is a track that captures the essence of nostalgia and longing for the past. The song revolves around the idea that no matter how much time passes, some things remain unchanged. The composition of the song features a driving beat, melodic guitar riffs, and haunting vocals that evoke a sense of melancholy. The lyrics paint a vivid picture of summers gone by and the bittersweet memories that accompany them. One notable fact about the track is that it showcases White Lies' ability to create music that is both emotive and atmospheric. The haunting quality of the song lingers long after it has ended, leaving a lasting impression on the listener. Overall, "Summer Didn't Change a Thing" is a powerful and evocative track that speaks to the universal experience of longing for the past and the passage of time. It is a testament to White Lies' talent as musicians and songwriters.

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You Still Love Him

"You Still Love Him" is a track by the British indie rock band White Lies, featured on their fourth studio album, "Friends," released in 2016. The song explores the theme of unrequited love and the pain of watching someone you care about be with someone else. The composition of the track is characterized by its hauntingly beautiful melody, driven by atmospheric synth layers, rhythmic guitar lines, and frontman Harry McVeigh's emotive vocals. The song builds gradually, creating a sense of tension and longing that perfectly matches the lyrical content. Notable for its poignant lyrics and powerful instrumentation, "You Still Love Him" showcases White Lies' ability to craft emotionally resonant music that connects with listeners on a deep level. The band's signature blend of post-punk, new wave, and alternative rock influences shines through in this track, creating a unique and captivating sound. Overall, "You Still Love Him" is a standout track on White Lies' "Friends" album, offering a compelling exploration of love and heartbreak that is sure to resonate with fans of the band and indie rock music in general.

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As I Try Not To Fall Apart

"As I Try Not To Fall Apart" is a track by the British indie rock band White Lies. The song is featured on their fourth studio album, "Friends," released in 2016. The track's theme revolves around the struggle to maintain composure and hold oneself together in the face of adversity. The lyrics speak to the internal turmoil and vulnerability that arise when facing challenges and trying to keep it together despite feeling like falling apart. Musically, the song is characterized by its moody and atmospheric sound, with haunting vocals from lead singer Harry McVeigh. The instrumentation features a driving bassline, pulsating drums, and shimmering guitar riffs that create a sense of urgency and tension throughout the track. One notable aspect of "As I Try Not To Fall Apart" is its emotive and introspective lyrics, which resonate with listeners who have experienced moments of self-doubt and inner turmoil. The song's raw emotion and introspective themes make it a standout track on the album and a fan favorite among White Lies' discography.

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