Lullaby of a Deadman
"Lullaby of a Deadman" is a haunting and atmospheric track featured in the popular video game series Call of Duty: Black Ops. Composed by Kevin Sherwood, the song serves as the main theme for the Zombies mode in the game. The song blends elements of rock, electronic, and orchestral music to create a dark and eerie atmosphere. The lyrics of the song are sung in a soft and melancholic tone, adding to the overall sense of unease and mystery. The chorus repeats the phrase "Sleep my friend and you will see, the dream is my reality," which further emphasizes the theme of death and the afterlife. One of the most notable aspects of "Lullaby of a Deadman" is its use of Gregorian chants and Latin lyrics, which give the song a sense of ancient mysticism and ritual. The combination of these elements with the modern rock and electronic influences creates a unique and memorable sound that perfectly complements the horror-themed gameplay of the Zombies mode. Overall, "Lullaby of a Deadman" stands out as a standout track in the Call of Duty: Black Ops series, capturing the eerie and unsettling atmosphere of the game's Zombies mode while also showcasing Kevin Sherwood's talent for blending different musical styles to create a truly immersive experience for players.
115 - Remastered
"115 - Remastered" is a hauntingly beautiful track composed by Kevin Sherwood for the popular video game Call of Duty: Black Ops. The song is known for its eerie and atmospheric sound that perfectly captures the dark and intense atmosphere of the game. The composition of "115 - Remastered" features a mix of orchestral elements and electronic beats, creating a unique and immersive listening experience. The track is characterized by its haunting melody, powerful vocals, and intense guitar riffs, all of which come together to create a sense of tension and suspense. One notable fact about "115 - Remastered" is that it was originally featured in the game's zombie mode, a fan-favorite game mode that pits players against hordes of undead enemies. The song has since become iconic within the Call of Duty community, with many fans praising its atmospheric and emotional qualities. Overall, "115 - Remastered" is a standout track that perfectly captures the dark and intense mood of Call of Duty: Black Ops. Its haunting melody and powerful composition make it a memorable piece of music that has resonated with fans of the game for years.
Damned
"Dammed" is a haunting track by Kevin Sherwood that is featured in the popular video game series, Call of Duty: Black Ops. The song is known for its eerie and atmospheric vibe, perfectly setting the tone for intense and suspenseful gameplay. The composition of "Damned" features a mix of electronic elements, including pulsing beats and distorted synths, along with eerie vocal chants that add to the overall creepy atmosphere of the track. The song builds gradually, creating a sense of tension and unease that fits perfectly with the game's intense and action-packed moments. One notable fact about "Damned" is that it has become a fan favorite among players of the Call of Duty series. The track is often associated with some of the most memorable and intense moments in the game, adding to the overall immersive experience for players. Overall, "Damned" by Kevin Sherwood is a standout track that perfectly captures the intense and suspenseful nature of the Call of Duty: Black Ops series, making it a memorable and iconic piece of video game music.
Abracadavre
"Abracadavre" is a haunting track composed by Kevin Sherwood for the popular video game Call of Duty: Black Ops. The song is featured in the game's zombie mode and serves as the musical backdrop for players as they battle hordes of undead enemies. The theme of "Abracadavre" is dark and mysterious, with eerie vocals and a haunting melody that sets a chilling atmosphere. The lyrics speak of betrayal and loss, adding to the overall sense of despair and hopelessness that permeates the song. The composition of "Abracadavre" is complex and layered, with a mix of electronic elements, orchestral strings, and haunting vocals. The song builds in intensity as it progresses, creating a sense of tension and unease that perfectly complements the game's intense gameplay. One notable fact about "Abracadavre" is that it was performed by the talented singer Elena Siegman, who has lent her vocals to several other tracks in the Call of Duty: Black Ops series. Her powerful voice adds an emotional depth to the song, making it a standout track in the game's soundtrack. Overall, "Abracadavre" is a chilling and atmospheric track that enhances the gameplay experience for players of Call of Duty: Black Ops. Its haunting melody and dark lyrics make it a standout piece in the game's soundtrack, earning it a place as one of the most memorable songs in the series.
Archangel
"Archangel" is a haunting and atmospheric track composed by Kevin Sherwood for the popular video game series Call of Duty: Black Ops. The song features eerie vocals and a dark, intense melody that perfectly captures the tense and suspenseful atmosphere of the game. The composition of "Archangel" is characterized by its use of ominous chanting and a driving percussion that builds to a crescendo, creating a sense of urgency and danger. The track seamlessly blends electronic elements with orchestral sounds, creating a unique and captivating sound that draws the listener in. One notable fact about "Archangel" is that it has become a fan favorite among players of the Call of Duty series, with many praising its ability to enhance the immersive experience of the game. The track has also been featured in various promotional materials for the game, further solidifying its status as a standout piece of music within the franchise. Overall, "Archangel" is a powerful and evocative track that showcases Kevin Sherwood's talent for creating atmospheric and impactful music. Its dark and intense sound perfectly complements the themes of the game, making it a memorable and iconic piece of video game music.
Undone
"Undone" by Kevin Sherwood is a haunting and atmospheric track that is featured in the popular video game series Call of Duty: Zombies. The song is known for its eerie and mysterious vibe, with heavy use of electronic elements and distorted vocals. The theme of "Undone" revolves around the feeling of being lost and trapped in a nightmarish world, reflecting the intense and chaotic gameplay of the Zombies mode in the Call of Duty series. The lyrics speak of desperation and despair, adding to the overall sense of tension and unease created by the music. The composition of the track is characterized by its pulsating beats, ominous synths, and chilling melodies. The use of minor chords and dissonant harmonies further enhance the dark and unsettling atmosphere of the song. The haunting vocals, sung by Malukah, add an extra layer of emotion and intensity to the track. One notable fact about "Undone" is that it has become a fan-favorite among Call of Duty players, with many fans praising its unique sound and powerful lyrics. The song has also been featured in various fan-made videos and montages, further solidifying its popularity within the gaming community. Overall, "Undone" is a standout track that perfectly captures the essence of the horror and chaos of the Zombies mode in Call of Duty. Its haunting sound and evocative lyrics make it a memorable and impactful piece of music that adds depth and emotion to the gaming experience.
Where Are We Going
"Where Are We Going" is a haunting track by Kevin Sherwood, known for his work on the Call of Duty Zombies series. The song features eerie vocals and a somber melody that creates a sense of mystery and suspense. The theme of the song revolves around uncertainty and introspection, as the lyrics question the direction and purpose of the characters in the game. The composition is dark and atmospheric, with a slow tempo and haunting instrumental elements that add to the sense of foreboding. Notable facts about the track include its popularity among fans of the Call of Duty Zombies series, who often cite it as one of the standout songs from the game's soundtrack. The emotional depth and haunting quality of "Where Are We Going" make it a memorable and impactful piece of music that adds to the immersive experience of playing the game.
Pareidolia (From “Call of Duty: Black Ops - Shangri-La”)
"Pareidolia" is a haunting and atmospheric track composed by Kevin Sherwood for the popular video game "Call of Duty: Black Ops - Shangri-La". The song perfectly captures the eerie and mysterious ambiance of the game's setting, which is a hidden temple in the Himalayan mountains. The composition of "Pareidolia" features a mix of orchestral elements, electronic beats, and haunting vocals. The music gradually builds in intensity, creating a sense of tension and suspense that is fitting for a game like Call of Duty. The vocals in the song are particularly striking, with a haunting quality that adds to the overall sense of unease. One notable fact about "Pareidolia" is that it is one of the most popular tracks from the Call of Duty: Black Ops series. Fans of the game often praise Kevin Sherwood's work on the soundtrack, citing his ability to create music that perfectly complements the gameplay and enhances the overall experience. Overall, "Pareidolia" is a standout track in the world of video game music, showcasing Kevin Sherwood's talent for creating atmospheric and immersive soundscapes. Whether you're a fan of the game or simply enjoy atmospheric music, "Pareidolia" is definitely worth a listen.
Dead Again (From “Call of Duty: Black Ops 3 - Der Eisendrache”)
"Dead Again" is a haunting and intense track composed by Kevin Sherwood for the video game Call of Duty: Black Ops 3 - Der Eisendrache. The song sets a dark and ominous tone, fitting perfectly with the high-stakes action and suspenseful gameplay of the game. The composition features a mix of heavy metal guitars, eerie synthesizers, and powerful vocals that create a sense of urgency and danger. The lyrics speak of betrayal, loss, and the struggle for survival in a world overrun by the undead. One notable aspect of the track is the powerful vocal performance by Malukah, whose emotive singing adds an extra layer of intensity to the already gripping music. The combination of her vocals with Sherwood's expert composition creates a truly immersive and unforgettable listening experience. Overall, "Dead Again" is a standout track that perfectly captures the atmosphere of the game it was created for. Its dark and intense energy makes it a favorite among fans of both the Call of Duty franchise and video game music in general.
Coming Home (From “Call of Duty: Black Ops - Moon”)
"Coming Home (From “Call of Duty: Black Ops - Moon)” is a haunting and atmospheric track composed by Kevin Sherwood for the popular video game Call of Duty: Black Ops. The track is featured in the Moon level of the game, adding to the eerie and suspenseful atmosphere of the gameplay. The theme of the song reflects the sense of isolation and desolation that players experience as they navigate through the Moon level, encountering alien enemies and other challenges. The haunting melodies and ethereal vocals create a sense of unease and tension, adding to the immersive experience of the game. The composition of the track features a combination of electronic elements, orchestral strings, and vocal performances, creating a unique and immersive sound that complements the futuristic setting of the Moon level. The use of layered textures and atmospheric effects adds depth and complexity to the music, drawing players further into the game world. Notable facts about "Coming Home" include its popularity among fans of the Call of Duty series, who appreciate the track for its emotional depth and atmospheric quality. Kevin Sherwood's work on the Call of Duty: Black Ops soundtrack has been praised for its innovative approach to video game music, blending traditional orchestral elements with electronic influences to create a memorable and immersive listening experience.".
Always Running (From “Call of Duty: Black Ops 2 - Buried”)
"Always Running" is a track composed by Kevin Sherwood for the video game "Call of Duty: Black Ops 2 - Buried". The song serves as the background music for the zombies map "Buried" within the game. The theme of the track is intense and fast-paced, reflecting the adrenaline-filled nature of the gameplay in "Call of Duty: Black Ops 2". The composition features a blend of electronic elements, rock guitar riffs, and haunting vocals that create a sense of urgency and tension as players navigate through the zombie-infested map. One notable aspect of "Always Running" is its dynamic structure, with build-ups and drops that mirror the ebb and flow of the gameplay. The use of eerie vocals adds a chilling atmosphere to the track, enhancing the overall sense of danger and suspense. Overall, "Always Running" is a high-energy and atmospheric track that perfectly complements the intense action of "Call of Duty: Black Ops 2 - Buried". Kevin Sherwood's composition showcases his talent for creating immersive and engaging soundscapes for video game environments.
The Gift (From “Call of Duty: Black Ops 3 - Revelations”)
"The Gift" is a hauntingly beautiful track composed by Kevin Sherwood for the video game Call of Duty: Black Ops 3 - Revelations. The song is featured in the game during significant moments, adding to the emotional impact of the storyline. The composition of "The Gift" is a mix of orchestral elements and electronic sounds, creating a sense of mystery and suspense. The track begins with a soft piano melody that gradually builds in intensity, accompanied by strings and choir vocals. The overall atmosphere of the song is dark and atmospheric, fitting perfectly with the game's apocalyptic theme. One notable aspect of "The Gift" is the use of vocals, which add an ethereal quality to the music. The choir vocals enhance the emotional depth of the track, evoking a sense of sadness and longing. The combination of the vocals with the orchestral arrangement creates a powerful and memorable listening experience. Overall, "The Gift" by Kevin Sherwood is a standout track in the Call of Duty: Black Ops 3 - Revelations soundtrack, capturing the essence of the game's narrative and enhancing the player's immersion in the storyline. With its haunting melodies and emotional depth, this song is sure to leave a lasting impression on anyone who hears it.
The One - Remastered
"The One - Remastered" by Kevin Sherwood is a haunting and atmospheric track featured in the popular video game series, Call of Duty: Zombies. The song is a remastered version of the original track from the game, now enhanced with improved sound quality and production. The main theme of the song revolves around the idea of a lone survivor facing the horrors of a zombie apocalypse. The lyrics speak of isolation, fear, and the struggle to stay alive in a world overrun by the undead. The haunting vocals, eerie melodies, and pulsating beats create a sense of tension and unease, perfectly capturing the atmosphere of the game. The composition of the track is a mix of electronic and rock elements, with heavy drums, distorted guitars, and synthesizers creating a dark and intense sound. The vocals are delivered with raw emotion, adding to the sense of desperation and despair conveyed in the lyrics. One notable fact about "The One - Remastered" is that it has become a fan-favorite among players of the Call of Duty: Zombies series. The song is often played during intense gameplay moments, adding to the immersive experience of battling hordes of zombies. Its dark and brooding atmosphere has made it a standout track in the game's soundtrack, earning it a dedicated following among fans of the series.
Where Are We Going? - 2018 Edition
"Where Are We Going? - 2018 Edition" is a haunting and atmospheric track composed by Kevin Sherwood. Originally featured in the popular video game series Call of Duty: Black Ops, this 2018 edition of the song offers a fresh take on the original piece. The theme of the track revolves around the sense of uncertainty and mystery, perfectly capturing the feeling of being lost or searching for direction. The eerie vocals combined with the melancholic melody create a sense of unease and tension, immersing the listener in a dark and enigmatic atmosphere. The composition of the song is masterfully done, with layers of instrumentation building upon each other to create a rich and immersive sound. The haunting vocals, pulsing bassline, and subtle electronic elements all come together to form a cohesive and impactful piece of music. One notable fact about "Where Are We Going? - 2018 Edition" is its popularity among fans of the Call of Duty franchise. The song has become a fan favorite for its unique and atmospheric sound, and it has been praised for its ability to evoke emotions and create a sense of tension and suspense. Overall, "Where Are We Going? - 2018 Edition" is a captivating and immersive track that showcases Kevin Sherwood's talent for creating evocative and powerful music. Its haunting melody and mysterious atmosphere make it a standout piece in the world of video game music.
Mystery
"Mystery" is a haunting and atmospheric track by Kevin Sherwood, known for his work on the Call of Duty Zombies soundtrack. The song perfectly captures the eerie and suspenseful tone of the game, creating a sense of mystery and tension. The composition of "Mystery" features a combination of electronic and orchestral elements, with pulsating beats and eerie melodies that build a sense of anticipation. The use of ominous choir vocals adds to the overall sense of unease, creating a chilling and immersive listening experience. One notable fact about "Mystery" is its popularity among fans of the Call of Duty Zombies series, who have praised the track for its atmospheric quality and ability to enhance the gameplay experience. The song has become synonymous with the intense and mysterious atmosphere of the game, making it a standout track in the series' soundtrack. Overall, "Mystery" is a captivating and immersive track that perfectly captures the sense of mystery and tension in the Call of Duty Zombies series. Kevin Sherwood's skillful composition and use of sound create a chilling and memorable listening experience that enhances the overall gameplay experience.
Abra Macabre
"Abra Macabre" is a hauntingly eerie track composed by Kevin Sherwood for the popular video game series Call of Duty: Black Ops Zombies. The song sets a chilling tone with its ominous melody and haunting vocals, creating a sense of tension and unease for players as they battle against waves of zombies. The composition of "Abra Macabre" features a combination of orchestral elements, electronic beats, and distorted vocals, which all come together to create a dark and atmospheric sound. The track's theme revolves around the idea of the supernatural and the macabre, fitting perfectly with the game's horror-filled setting. One notable fact about "Abra Macabre" is that it was specifically created for the Zombies mode of Call of Duty: Black Ops, adding an extra layer of intensity to the gameplay experience. The track has since become a fan favorite among players of the series, with its haunting melody and intense atmosphere adding to the overall immersion of the game. Overall, "Abra Macabre" is a standout track that perfectly captures the eerie and suspenseful nature of the Zombies mode in Call of Duty: Black Ops, making it a memorable and chilling addition to the game's soundtrack.
Raining Teddy Bears
"Raining Teddy Bears" is a track composed by Kevin Sherwood, known for his work on the Call of Duty Zombies series. The song is a unique blend of electronic and orchestral elements, creating a haunting and eerie atmosphere. The theme of the track revolves around a surreal and dreamlike scenario where teddy bears are falling from the sky like rain. The whimsical and slightly creepy nature of the concept is perfectly captured in the music, with haunting melodies and pulsating rhythms. The composition of the track is intricate and layered, with a mix of synthesizers, strings, and percussion creating a dynamic and engaging sound. The use of dissonant chords and unexpected shifts in tone adds to the unsettling feeling of the music, making it a memorable and impactful piece. One notable fact about "Raining Teddy Bears" is the use of vocal samples that are manipulated and distorted to create an otherworldly effect. This adds an extra layer of depth to the track, enhancing the overall atmosphere and immersing the listener in the strange and mysterious world of the song. Overall, "Raining Teddy Bears" is a captivating and unique track that showcases Kevin Sherwood's talent for creating immersive and evocative music. It is a standout piece in his discography and a favorite among fans of his work in the gaming industry.
WTF (From “Call of Duty: World at War - Nacht der Untoten”)
"WTF (From “Call of Duty: World at War - Nacht der Untoten”)” is a track composed by Kevin Sherwood for the popular video game "Call of Duty: World at War." The track is featured in the zombie map "Nacht der Untoten," which is known for its intense and suspenseful gameplay. The theme of the track revolves around the chaotic and terrifying atmosphere of the zombie-infested map. The eerie and haunting melody combined with intense drum beats creates a sense of urgency and danger as players try to survive waves of undead enemies. The composition of the track includes a mix of electronic and orchestral elements, with pulsating synths and dramatic strings adding to the overall tension of the music. The use of dissonant chords and eerie sound effects further enhance the creepy and unsettling vibe of the track. One notable fact about "WTF" is that it has become a fan favorite among players of "Call of Duty: World at War" for its immersive and adrenaline-pumping soundtrack. The track perfectly captures the horror and intensity of the zombie survival mode, making it a memorable and iconic piece of music in the game.
Destroy Something Beautiful
"Destroy Something Beautiful" is a powerful and haunting track by Kevin Sherwood, known for his work on the Call of Duty Zombies soundtrack. The song features a blend of electronic and rock elements, with a driving beat and intense vocals that create a sense of urgency and tension. The theme of the song revolves around the idea of destruction and chaos, with lyrics that speak to the darker side of human nature. The title itself suggests a sense of irony, as the idea of destroying something beautiful can be seen as both tragic and cathartic. The composition of the track is dynamic and atmospheric, with layers of synthesizers, guitar riffs, and percussion that build to a dramatic crescendo. Sherwood's vocals are raw and emotive, adding to the intensity of the song. Notable facts about "Destroy Something Beautiful" include its inclusion in the popular Call of Duty Zombies mode, where it serves as the Easter Egg song for the map Moon. The song has garnered a dedicated following among fans of the game, who appreciate its dark and immersive sound. Overall, "Destroy Something Beautiful" is a standout track that showcases Kevin Sherwood's talent for creating intense and memorable music that resonates with listeners.
Shockwave
"Shockwave" is a high-energy electronic track composed by Kevin Sherwood, known for his work on the Call of Duty Zombies game series. The song features a driving beat, pulsating synths, and intense vocals that create a sense of urgency and excitement. The theme of "Shockwave" is fittingly intense and exhilarating, reflecting the chaos and action-packed nature of the games it is featured in. The lyrics speak of destruction, power, and unleashing a force that cannot be contained. The overall tone of the song is dark and foreboding, adding to the suspenseful atmosphere of the gameplay. The composition of "Shockwave" is dynamic and layered, with intricate production that builds tension and excitement throughout. The combination of electronic elements and rock influences gives the track a modern and edgy feel, perfect for setting the mood in a high-stakes gaming environment. Notable facts about "Shockwave" include its popularity among fans of the Call of Duty Zombies series, who appreciate its intense and adrenaline-pumping sound. The track has been praised for its seamless integration into the gameplay experience, enhancing the atmosphere and immersing players in the action. Overall, "Shockwave" is a powerful and electrifying track that showcases Kevin Sherwood's talent for creating intense and memorable music for video games. Its energetic sound and thematic relevance make it a standout piece in the soundtrack of the Call of Duty Zombies series.
Dead Flowers (From “Call of Duty: Black Ops 3 - Zetsubou No Shima”)
"Dead Flowers" is a track by Kevin Sherwood, featured in the popular video game Call of Duty: Black Ops 3 in the map Zetsubou No Shima. The song is a haunting and atmospheric piece that perfectly captures the eerie and suspenseful atmosphere of the map. The composition of "Dead Flowers" is a unique blend of electronic and rock elements, with Sherwood's signature dark and brooding vocals adding to the overall sense of unease. The lyrics of the song speak of desolation and decay, mirroring the decaying landscape of Zetsubou No Shima. One notable fact about "Dead Flowers" is that it has become a fan favorite among players of Call of Duty: Black Ops 3. The song's haunting melody and evocative lyrics have resonated with many fans of the game, making it a standout track in the game's soundtrack. Overall, "Dead Flowers" is a powerful and atmospheric track that perfectly complements the dark and ominous tone of Call of Duty: Black Ops 3's Zetsubou No Shima map. Kevin Sherwood's talent for creating immersive and evocative music shines through in this haunting piece.
Dead Ended (From “Call of Duty: Black Ops 3 - Gorod Krovi”)
"Dead Ended" is a track composed by Kevin Sherwood for the popular video game "Call of Duty: Black Ops 3 - Gorod Krovi." The song is featured in the Zombies mode of the game and sets the tone for the intense and action-packed gameplay. The track has a heavy and ominous feel, with pounding drums, distorted guitars, and eerie electronic elements creating a sense of urgency and danger. The theme of the song fits perfectly with the chaotic and adrenaline-fueled atmosphere of the game, as players fight their way through hordes of zombies in a post-apocalyptic Russian city. One notable aspect of "Dead Ended" is the haunting vocals that are featured throughout the track. These vocals add an extra layer of intensity to the music, enhancing the overall atmosphere of the game and immersing players in the world of Gorod Krovi. Overall, "Dead Ended" by Kevin Sherwood is a powerful and atmospheric track that perfectly complements the gameplay of "Call of Duty: Black Ops 3 - Gorod Krovi." Its intense composition and dark themes make it a standout piece in the game's soundtrack, adding to the overall immersive experience for players.
Drowning
"Drowning" is a haunting and atmospheric track composed by Kevin Sherwood for the popular video game series, Call of Duty: Black Ops. The song is featured in the Zombies mode of the game, adding to the eerie and intense atmosphere of the gameplay. The theme of "Drowning" revolves around a sense of despair and hopelessness, with the lyrics reflecting a struggle against overwhelming odds. The music is characterized by a dark and brooding melody, punctuated by heavy percussion and eerie electronic sounds. The vocals are haunting and emotive, adding to the overall sense of unease and tension in the song. One notable aspect of "Drowning" is its use of ambient sounds and textures, which create a sense of immersion and tension for the listener. The composition is dynamic and builds in intensity as the song progresses, culminating in a powerful and emotional climax. Overall, "Drowning" is a standout track in the Call of Duty: Black Ops soundtrack, showcasing Kevin Sherwood's talent for creating atmospheric and evocative music that enhances the gaming experience.
Alone (From “Call of Duty: Black Ops Cold War - Die Maschine”)
"Alone (From “Call of Duty: Black Ops Cold War - Die Maschine”) is a haunting and atmospheric track composed by Kevin Sherwood for the popular video game Call of Duty: Black Ops Cold War. The song serves as the main theme for the Zombies mode map "Die Maschine" and sets the tone for the intense and terrifying gameplay experience. The composition of "Alone" features eerie piano melodies, chilling strings, and powerful vocals that create a sense of isolation and despair. The lyrics, sung by Elena Siegman, reflect themes of loneliness, fear, and survival in the face of overwhelming odds. The combination of these elements results in a deeply immersive and emotional listening experience that perfectly complements the dark and intense atmosphere of the game. Notable facts about "Alone" include its popularity among fans of the Call of Duty series and the Zombies mode in particular. Kevin Sherwood's work on the Zombies mode has been highly acclaimed for its unique and atmospheric soundscapes, and "Alone" is no exception. The track has been praised for its ability to enhance the player's immersion in the game world and create a sense of tension and unease. Overall, "Alone (From “Call of Duty: Black Ops Cold War - Die Maschine”) is a standout track that showcases Kevin Sherwood's talent for creating immersive and emotionally powerful music for video games. Its haunting melodies and evocative lyrics make it a memorable and impactful addition to the Call of Duty soundtrack.".
Slasher
"Slasher" is a track by Kevin Sherwood that is featured in the popular video game series Call of Duty: Black Ops. The song is known for its intense and dark atmosphere, which perfectly complements the action-packed gameplay of the series. The composition of "Slasher" is characterized by its heavy use of electronic beats, distorted guitars, and eerie synth melodies. The track builds up tension gradually, creating a sense of suspense and danger that keeps players on the edge of their seats. The haunting vocals provided by Elena Siegman add an extra layer of intensity to the overall sound of the song. Thematically, "Slasher" reflects the chaotic and intense nature of the game, with lyrics that allude to violence, death, and destruction. The dark and menacing tone of the song sets the perfect mood for the high-stakes battles and missions that players encounter in the game. One notable fact about "Slasher" is that it has become a fan-favorite among players of the Call of Duty series, who appreciate its adrenaline-pumping energy and its ability to enhance the gaming experience. The track has also been praised for its unique fusion of rock and electronic elements, making it stand out as a memorable piece of video game music. Overall, "Slasher" by Kevin Sherwood is a powerful and atmospheric track that perfectly captures the intense and action-packed gameplay of the Call of Duty series. Its dark and menacing tone, combined with its dynamic composition, makes it a standout piece of music that adds to the immersive experience of the game.
Temple
"Temple" is a haunting and atmospheric track composed by Kevin Sherwood for the popular video game series Call of Duty: Black Ops Zombies. The song features eerie vocals and a mesmerizing melody that creates a sense of mystery and tension. The theme of the song revolves around exploring an ancient temple filled with danger and secrets. The composition includes a combination of electronic elements, tribal drums, and haunting chants that perfectly capture the sense of adventure and peril. One notable fact about "Temple" is that it has become a fan favorite among players of the Call of Duty: Black Ops Zombies series. The song is often played during intense moments in the game, adding to the immersive experience for players. Overall, "Temple" by Kevin Sherwood is a captivating and atmospheric track that perfectly sets the tone for the thrilling and mysterious world of the Call of Duty: Black Ops Zombies series.
Can You Hear Me? Come In
"Can You Hear Me? Come In" is a haunting and atmospheric track by Kevin Sherwood, known for his work on the Call of Duty Zombies series. The song features eerie vocals, eerie melodies, and a hypnotic beat that creates a sense of unease and mystery. The theme of the song revolves around communication and connection, with the lyrics asking if someone can hear the speaker and urging them to come closer. This sense of urgency and longing is reflected in the music, which builds tension and suspense throughout the track. The composition of the song is dark and moody, with a blend of electronic and orchestral elements that create a sense of foreboding. The vocals are haunting and ethereal, adding to the overall eerie atmosphere of the track. One notable fact about "Can You Hear Me? Come In" is that it was featured in the video game Call of Duty: Black Ops III as part of the Zombies mode. The song has since become a fan favorite, with many players praising its atmospheric and immersive sound. Overall, "Can You Hear Me? Come In" is a captivating and chilling track that showcases Kevin Sherwood's talent for creating music that is both haunting and evocative.
Slave
"Slave" is a haunting and intense track by Kevin Sherwood, known for his work on the Call of Duty Zombies series. The song features dark and atmospheric instrumentation, including eerie synths, heavy percussion, and a chilling choir that adds to the overall sense of unease. Thematically, "Slave" explores the idea of being trapped or controlled by external forces, whether it be a literal captor or one's own inner demons. The lyrics speak to feelings of powerlessness and despair, reflecting the struggles of individuals who feel like they are being held captive in some way. The composition of the track is intricate and dynamic, with a mix of electronic and orchestral elements that build tension and create a sense of urgency. The vocals are delivered with raw emotion, adding to the intensity of the song. One notable fact about "Slave" is that it was featured in the Zombies map "Mob of the Dead" in Call of Duty: Black Ops II, adding to the immersive and eerie atmosphere of the gameplay. The track has since become a fan favorite for its dark and brooding atmosphere, making it a standout piece in Kevin Sherwood's impressive body of work.
115 (From “Call of Duty: Black Ops - Kino Der Toten”) - Instrumental
"115" is an instrumental track composed by Kevin Sherwood for the video game "Call of Duty: Black Ops" specifically for the zombie mode map "Kino Der Toten". The song features a dark and intense theme that perfectly complements the atmosphere of the game. The composition of "115" is characterized by heavy guitar riffs, haunting melodies, and a driving beat that creates a sense of urgency and tension. The track builds up gradually, adding layers of instrumentation and building to a climactic crescendo. One notable fact about "115" is that the lyrics in the song are actually in German, adding to the mysterious and eerie vibe of the track. The lyrics themselves are quite cryptic and add to the overall sense of unease that the song evokes. Overall, "115" is a standout track in the "Call of Duty: Black Ops" soundtrack, with its powerful composition and haunting melodies making it a memorable addition to the game's audio experience.
I am the Well (From “Call of Duty: Black Ops 4 - Alpha Omega”)
"I am the Well" is a track composed by Kevin Sherwood for the video game "Call of Duty: Black Ops 4 - Alpha Omega". The song is featured in the DLC map Alpha Omega, which is set in a broken and war-torn version of Nuketown. The theme of the track is dark and haunting, setting the tone for the intense and chaotic gameplay of the map. The eerie vocals and mysterious melody create a sense of unease and tension, adding to the immersive experience of the game. The composition of the track features a combination of electronic elements, heavy percussion, and atmospheric sounds. The use of distorted vocals and ominous chanting adds to the sinister atmosphere of the song, reflecting the post-apocalyptic setting of the game. "I am the Well" is a standout track in the soundtrack of "Call of Duty: Black Ops 4 - Alpha Omega", with its unique blend of electronic and orchestral elements. Kevin Sherwood's masterful composition perfectly captures the dark and intense mood of the game, making it a memorable and impactful piece of music for players to enjoy.
Stormbound (From “Call of Duty: Black Ops 4 - Ancient Evil”)
"Stormbound" is a haunting and atmospheric track composed by Kevin Sherwood for the video game "Call of Duty: Black Ops 4 - Ancient Evil". The song sets the tone for the intense and suspenseful gameplay as players navigate through ancient ruins and face off against powerful enemies. The composition of "Stormbound" features a mix of orchestral elements, electronic beats, and eerie vocal chants that create a sense of foreboding and tension. The track builds gradually, with layers of instrumentation adding to the sense of urgency and danger. One notable aspect of the song is its ability to immerse players in the game world, enhancing the overall gaming experience and adding to the emotional impact of the storyline. The combination of Sherwood's expert composition skills and the high-quality production values of the game make "Stormbound" a standout track in the "Call of Duty" series. Overall, "Stormbound" is a powerful and memorable piece of music that effectively captures the mood and atmosphere of the game, making it a key element in the overall success of "Call of Duty: Black Ops 4 - Ancient Evil".
Lost (From “Call of Duty: Black Ops Cold War - Firebase Z”)
"Lost" is a haunting and intense track composed by Kevin Sherwood for the video game "Call of Duty: Black Ops Cold War - Firebase Z." The song serves as the backdrop for a pivotal moment in the game, adding to the atmosphere of tension and suspense. The track begins with a sense of foreboding, with deep, pulsating bass and eerie electronic elements creating a sense of unease. As the song progresses, pounding drums and distorted guitars come in, adding to the intensity and urgency of the music. The composition of "Lost" is masterfully crafted, with layers of instrumentation building to a climactic crescendo. The use of electronic elements alongside traditional rock instruments gives the track a modern and dynamic sound that perfectly complements the high-stakes action of the game. One notable aspect of the song is the vocal performance, with haunting and ethereal female vocals adding an extra layer of emotion and intensity to the music. The lyrics speak of being lost and struggling to find one's way, mirroring the themes of the game and adding depth to the overall experience. Overall, "Lost" by Kevin Sherwood is a powerful and evocative track that enhances the gameplay experience of "Call of Duty: Black Ops Cold War - Firebase Z." Its combination of intense instrumentation, emotional vocals, and expert composition make it a standout piece of music in the world of video game soundtracks.
115
"115" is a track by Kevin Sherwood, featured in the popular video game Call of Duty: Black Ops. The song is known for its haunting and intense atmosphere, making it a fan-favorite among players of the game. The track features dark and brooding lyrics that talk about the struggle of survival in a post-apocalyptic world. The theme of the song reflects the chaos and desperation of war, fitting perfectly with the game's setting. Musically, "115" is characterized by its heavy guitar riffs, pounding drums, and eerie synthesizers. The composition creates a sense of tension and urgency, adding to the overall intensity of the track. One notable fact about "115" is that it was composed specifically for Call of Duty: Black Ops, making it a unique and integral part of the game's soundtrack. The song's popularity has led to it being widely recognized by fans of the franchise and has even inspired numerous covers and remixes. Overall, "115" by Kevin Sherwood is a powerful and atmospheric track that perfectly captures the mood of Call of Duty: Black Ops, making it a standout piece in the game's soundtrack.
Mask Walk (From “Call of Duty: Black Ops - Rebirth”)
"Mask Walk" is a haunting and atmospheric track composed by Kevin Sherwood for the video game "Call of Duty: Black Ops - Rebirth". The song features a blend of electronic and orchestral elements, creating a sense of tension and suspense. The track begins with eerie synths and pulsating beats, setting the stage for a dark and mysterious atmosphere. As the song progresses, the intensity builds with the addition of dramatic strings and haunting vocals. The combination of these elements creates a sense of urgency and danger, perfectly capturing the intense and immersive nature of the game. One notable aspect of "Mask Walk" is its use of vocal samples, which add a chilling and otherworldly quality to the track. These vocals, combined with the driving rhythm and intense orchestration, make for a truly immersive listening experience. Overall, "Mask Walk" is a powerful and atmospheric track that perfectly complements the intense gameplay of "Call of Duty: Black Ops - Rebirth". Kevin Sherwood's masterful composition and attention to detail make this song a standout piece in the game's soundtrack.
Boat Deck (From “Call of Duty: Black Ops -Redemption”)
"Boat Deck" is a track composed by Kevin Sherwood for the video game "Call of Duty: Black Ops - Redemption." The song is featured during a pivotal moment in the game where players find themselves on a boat deck, engaged in intense combat situations. The composition of the track is characterized by a fast-paced and intense rhythm, with a blend of electronic and orchestral elements that create a sense of urgency and tension. The song features dramatic strings, pulsating beats, and haunting vocals that enhance the overall atmosphere of the game. One notable aspect of "Boat Deck" is its ability to immerse players in the action-packed gameplay, enhancing the overall gaming experience. The track effectively captures the adrenaline-fueled nature of combat, keeping players on the edge of their seats as they navigate through the challenging level. Overall, "Boat Deck" by Kevin Sherwood is a dynamic and impactful track that serves as the perfect backdrop for intense gaming moments in "Call of Duty: Black Ops - Redemption." Its combination of electronic and orchestral elements, coupled with its high-energy composition, makes it a standout piece in the game's soundtrack.
Pareidolia
"Pareidolia" is a haunting track by Kevin Sherwood, known for his work on the Call of Duty Zombies series. The song is featured in the Zombies map "Shadows of Evil" from Call of Duty: Black Ops III. The theme of "Pareidolia" revolves around the concept of seeing recognizable shapes or patterns in random or ambiguous stimuli. This phenomenon is often associated with the human tendency to find meaning in chaos, which adds to the eerie and mysterious atmosphere of the track. The composition of "Pareidolia" is characterized by a mix of electronic beats, ambient sounds, and eerie vocals. The combination of these elements creates a sense of suspense and tension, perfectly complementing the dark and atmospheric setting of the Zombies map. One notable fact about "Pareidolia" is that it has become a fan favorite among Call of Duty Zombies players, who appreciate the song's unique sound and its ability to immerse them in the game's eerie atmosphere. The track has also been praised for its seamless integration into the gameplay, enhancing the overall experience for players as they navigate through the treacherous streets of "Shadows of Evil." Overall, "Pareidolia" is a standout track that showcases Kevin Sherwood's talent for creating atmospheric and immersive music that enhances the gaming experience for players.
Echoes of the Damned (From “Call of Duty: Black Ops Cold War”)
"Echoes of the Damned" is a haunting and intense track composed by Kevin Sherwood for the video game "Call of Duty: Black Ops Cold War." The song perfectly captures the dark and gritty atmosphere of the game, setting the tone for intense gameplay and high-stakes missions. The composition of the track is characterized by a powerful orchestral arrangement, with a driving percussion and eerie synths creating a sense of tension and urgency. The use of choir vocals adds an otherworldly element to the music, enhancing the overall sense of dread and unease. One notable aspect of "Echoes of the Damned" is its ability to immerse players in the game's narrative and atmosphere. The music perfectly complements the gameplay, heightening the sense of danger and excitement as players navigate through the game's intense missions. Overall, "Echoes of the Damned" is a standout track in the soundtrack of "Call of Duty: Black Ops Cold War," effectively capturing the essence of the game and enhancing the overall gaming experience for players.
The Gift
"The Gift" is a haunting and atmospheric track by Kevin Sherwood, known for his work on the Call of Duty: Zombies series. The song is featured in the Zombies map "Moon" from the game Call of Duty: Black Ops. The theme of "The Gift" revolves around the mysterious and eerie atmosphere of the Moon map, where players are tasked with surviving against hordes of undead creatures. The track sets the tone for the intense and suspenseful gameplay, with its haunting melodies and dark undertones. Composed primarily of electronic and orchestral elements, "The Gift" features a driving beat and chilling vocals that add to the overall sense of unease. The song's composition is layered and complex, building tension and creating a sense of urgency that fits perfectly with the gameplay experience. One notable fact about "The Gift" is that it is widely praised by fans of the Call of Duty: Zombies series for its immersive and atmospheric qualities. The track has become a fan favorite and is often cited as one of the standout pieces of music from the series. Overall, "The Gift" by Kevin Sherwood is a chilling and intense track that perfectly captures the dark and mysterious world of the Moon map in Call of Duty: Black Ops. Its haunting melodies and tense composition make it a standout piece of music in the Zombies series.
Dead Again
"Dead Again" is a haunting and intense track by Kevin Sherwood, known for his work on the Call of Duty: Black Ops Zombies soundtrack. The song features eerie vocals and a dark, brooding atmosphere that perfectly captures the zombie-infested world of the game. The theme of "Dead Again" revolves around the idea of being trapped in a never-ending cycle of death and rebirth, as implied by the title. The lyrics speak of despair, hopelessness, and the constant struggle against overwhelming odds. The composition of the track is both atmospheric and intense, with a mix of electronic elements and orchestral sounds that create a sense of dread and urgency. The driving beat and haunting melodies add to the overall feeling of tension and unease, making it a perfect fit for the intense action of the game. Notable facts about "Dead Again" include its popularity among fans of the Call of Duty: Black Ops Zombies series, as well as its inclusion in various compilations and remixes. The song has been praised for its unique and powerful sound, which perfectly complements the game's intense gameplay and dark themes. Overall, "Dead Again" is a standout track that showcases Kevin Sherwood's talent for creating atmospheric and immersive music that perfectly fits the world of Call of Duty: Black Ops Zombies.
A Light from the Shore (From “Call of Duty: Black Ops 4 - Tag der Toten”)
"A Light from the Shore" is a haunting and atmospheric track composed by Kevin Sherwood for the video game "Call of Duty: Black Ops 4 - Tag der Toten." The song serves as the background music for the final map in the Aether storyline of the game. The track begins with a somber and mysterious melody played on piano, creating a sense of foreboding and tension. As the song progresses, layers of electronic and orchestral elements are introduced, building up to a powerful and epic climax. The use of ethereal vocals and eerie sound effects adds to the overall sense of unease and darkness that permeates the track. The composition of "A Light from the Shore" is masterful, with Sherwood expertly blending different musical styles and textures to create a unique and immersive listening experience. The combination of traditional instruments with electronic elements gives the track a modern and cinematic feel, perfectly complementing the intense and dramatic gameplay of "Tag der Toten." One notable fact about the song is that it has become a fan favorite among players of "Call of Duty: Black Ops 4," with many fans praising Sherwood's ability to capture the essence of the game's story and atmosphere through his music. Overall, "A Light from the Shore" is a powerful and emotional track that enhances the gaming experience and leaves a lasting impression on listeners.
Always Running
"Always Running" is a track by Kevin Sherwood, known for his work on the Call of Duty Zombies series. The song is featured in the Zombies mode of Call of Duty: Black Ops II and serves as the Easter Egg song for the map "Mob of the Dead". The theme of "Always Running" revolves around the idea of constantly being on the move and fighting to survive in a dangerous and chaotic world. The lyrics speak to the struggles and challenges that come with this constant state of running and the determination to keep going despite the odds. Musically, the track features a haunting and atmospheric sound with a mix of rock and electronic elements. The vocals are powerful and emotional, adding to the intensity of the song. The composition builds up gradually, creating a sense of tension and urgency that fits perfectly with the theme of the Zombies mode. One notable fact about "Always Running" is that it has become a fan favorite among players of the Call of Duty Zombies series. The song's intense and gripping lyrics, combined with its powerful instrumentation, have resonated with fans of the game and have made it a standout track in the series. Overall, "Always Running" by Kevin Sherwood is a powerful and memorable track that captures the essence of the Call of Duty Zombies experience. Its intense lyrics, haunting melody, and atmospheric sound make it a standout piece in the game's soundtrack.
Coming Home
"Coming Home" is a hauntingly beautiful track by Kevin Sherwood, known for his work on the Call of Duty Zombies series. The song features a compelling mix of rock and electronic elements, creating a unique and atmospheric sound. The theme of "Coming Home" revolves around the idea of returning to a place of familiarity and comfort after a long journey or struggle. The lyrics speak of longing for home and finding solace in familiar surroundings. The emotive vocals combined with the powerful instrumentals evoke a sense of nostalgia and introspection. The composition of the track is masterfully crafted, with Sherwood's signature blend of heavy guitar riffs, pulsating drum beats, and electronic accents. The song builds gradually, starting with a soft, melancholic melody before escalating into a powerful crescendo. The dynamic shifts in tempo and intensity create a sense of tension and release, drawing the listener in and keeping them engaged throughout. One notable fact about "Coming Home" is that it was featured in the Zombies mode of Call of Duty: Black Ops 2, adding an extra layer of depth and emotion to the gameplay experience. The song has since become a fan favorite, with many players praising its evocative lyrics and powerful sound. Overall, "Coming Home" is a standout track that showcases Kevin Sherwood's talent for creating emotionally resonant music. With its poignant lyrics, captivating composition, and immersive atmosphere, this song is sure to leave a lasting impression on listeners.
Beauty of Annihilation
"Beauty of Annihilation" is a track composed by Kevin Sherwood for the popular video game Call of Duty: Black Ops Zombies. The song is featured in the game as part of the Easter Egg quest in the map "Der Riese." The theme of the song revolves around the idea of destruction and chaos, fitting in perfectly with the intense zombie survival gameplay of the Black Ops Zombies mode. The lyrics speak of a world falling apart and the beauty that can be found in the midst of annihilation. Musically, "Beauty of Annihilation" is a heavy metal song with a haunting melody and powerful vocals. The track features a driving rhythm and intense guitar riffs that create a sense of urgency and tension. The combination of Sherwood's vocals and the dark lyrics adds to the eerie atmosphere of the game. One notable fact about "Beauty of Annihilation" is that it has become a fan favorite within the Call of Duty community. Many players consider it to be one of the best songs featured in the game and appreciate the way it enhances the overall gaming experience. Overall, "Beauty of Annihilation" is a powerful and atmospheric track that perfectly captures the essence of the Black Ops Zombies mode. Its intense music and dark lyrics make it a standout piece within the game's soundtrack.
Coming Home (From “Call of Duty: Black Ops - Moon”) - Instrumental
"Coming Home (From “Call of Duty: Black Ops - Moon”) - Instrumental" by Kevin Sherwood is a haunting and atmospheric instrumental track that was featured in the popular video game "Call of Duty: Black Ops" as part of the Moon map. The song captures a sense of nostalgia and longing, as well as a feeling of returning to familiar surroundings. The composition of the track is characterized by its ethereal synthesizer sounds, pulsating beats, and eerie melodies that create a sense of tension and suspense. The use of electronic elements combined with orchestral arrangements gives the song a futuristic and otherworldly quality, perfectly fitting the sci-fi theme of the game. One notable fact about this track is that it has become a fan favorite among players of the game, with many praising its atmospheric and emotional qualities. Kevin Sherwood, the composer behind the song, is known for his work on the "Call of Duty" series, and his ability to create music that enhances the gaming experience. Overall, "Coming Home (From “Call of Duty: Black Ops - Moon”) - Instrumental" is a powerful and evocative track that perfectly captures the mood of the game and adds to the immersive experience for players.
Cuba Streets (From “Call of Duty: Black Ops - Operation 40”)
"Cuba Streets" is a track composed by Kevin Sherwood for the video game "Call of Duty: Black Ops - Operation 40." The song captures the intense and suspenseful atmosphere of navigating through the streets of Cuba during a covert operation. The composition features a blend of electronic elements and orchestral arrangements, creating a dynamic and immersive sound that complements the fast-paced action of the game. The pounding percussion and driving rhythms add to the sense of urgency and danger, while the haunting melodies evoke a sense of mystery and intrigue. One notable aspect of "Cuba Streets" is its use of Latin influences, such as rhythmic guitar lines and percussive elements, which help to transport the listener to the exotic setting of Cuba. The track effectively sets the tone for the high-stakes mission players undertake in the game, adding to the overall immersive experience. Overall, "Cuba Streets" is a captivating and adrenaline-pumping track that perfectly complements the gameplay of "Call of Duty: Black Ops - Operation 40" and showcases Kevin Sherwood's talent for creating gripping and atmospheric music for video games.
Dead Flowers
"Dead Flowers" is a haunting and atmospheric track by Kevin Sherwood, known for his work in composing music for the Call of Duty Zombies series. The song is featured in the map "Shangri-La" in the game Call of Duty: Black Ops. The theme of "Dead Flowers" revolves around the sense of despair and hopelessness that permeates the apocalyptic world of the zombies mode. The eerie and melancholic melody, combined with the haunting vocals, create a sense of unease and foreboding as players navigate through the treacherous landscape. The composition of the track is characterized by a slow tempo and dark instrumentation, including eerie synthesizers, haunting choir vocals, and a driving drumbeat. The haunting vocals add an ethereal quality to the music, enhancing the sense of desolation and dread. Notable facts about "Dead Flowers" include its popularity among fans of the Call of Duty Zombies series, who appreciate its atmospheric and immersive qualities. The track has been praised for its ability to enhance the gameplay experience and create a sense of tension and suspense. Overall, "Dead Flowers" is a standout track in Kevin Sherwood's repertoire, showcasing his talent for creating immersive and evocative music that perfectly complements the dark and foreboding world of the Call of Duty Zombies series.
Dead Ended
"Dead Ended" is a heavy metal track by Kevin Sherwood, known for his contributions to the Call of Duty Zombies soundtrack. The song features intense guitar riffs, driving drums, and Sherwood's powerful vocals. The theme of the track revolves around being trapped in a hopeless situation, feeling stuck and unable to escape. The composition of "Dead Ended" showcases Sherwood's skill as a musician and his ability to create a dark and atmospheric sound. The lyrics are haunting and introspective, reflecting on themes of despair and resignation. The instrumentation is dynamic and aggressive, with a relentless energy that builds throughout the song. One notable fact about "Dead Ended" is that it was featured in the popular video game Call of Duty: Black Ops 4 as part of the Zombies mode soundtrack. The song has gained a following among fans of the game and heavy metal music, with its intense sound and emotional lyrics resonating with listeners. Overall, "Dead Ended" is a powerful and impactful track that showcases Kevin Sherwood's talent as a musician and songwriter.
Abracadavre (From “Call of Duty: Black Ops - Ascension”) - Instrumental
"Abracadavre (From “Call of Duty: Black Ops - Ascension”) - Instrumental" is a haunting and intense instrumental track composed by Kevin Sherwood for the popular video game Call of Duty: Black Ops. The track is featured in the Ascension Zombies map and adds to the eerie and suspenseful atmosphere of the game. The composition of "Abracadavre" is characterized by its dark and ominous tones, with a blend of orchestral elements and electronic sounds. The track builds up gradually, creating a sense of tension and anticipation as players navigate through the zombie-infested map. The use of choir vocals and intense percussion adds to the overall intensity of the track, immersing players in the game's post-apocalyptic world. One notable aspect of "Abracadavre" is its inclusion of mysterious and cryptic lyrics, which further enhance the track's enigmatic and eerie vibe. The lyrics, sung in a haunting and ethereal manner, add a layer of depth to the instrumental track and contribute to the overall sense of unease that permeates the game. Overall, "Abracadavre" is a standout track in the Call of Duty: Black Ops soundtrack, capturing the essence of the game's dark and intense atmosphere. Kevin Sherwood's masterful composition and attention to detail make this instrumental track a memorable and immersive listening experience for fans of the game.
Lullaby of a Deadman (From “Call of Duty: World at War - Verrukt”) - Instrumental
"Lullaby of a Deadman" is an instrumental track composed by Kevin Sherwood for the popular video game "Call of Duty: World at War - Verrukt". The song serves as the mysterious and eerie background music for the Verrukt zombie map, setting the tone for the intense and terrifying gameplay experience. The track features a haunting melody played on a piano, accompanied by eerie synths and subtle percussion. The combination of these elements creates a chilling atmosphere that perfectly complements the dark and apocalyptic setting of the game. One notable aspect of the song is its ability to evoke a sense of dread and unease in the listener, making it a perfect fit for the intense and adrenaline-pumping gameplay of the zombie mode in "Call of Duty: World at War". The haunting melody and atmospheric soundscape contribute to the overall immersive experience of the game, adding an extra layer of tension and suspense. Overall, "Lullaby of a Deadman" is a standout track in Kevin Sherwood's impressive repertoire of video game music. Its haunting melody and eerie atmosphere make it a perfect accompaniment to the intense and terrifying gameplay of "Call of Duty: World at War - Verrukt".
Wake up Dick
"Wake up Dick" is a track by Kevin Sherwood that is featured in the popular video game series Call of Duty: Black Ops. The song is known for its intense and energetic vibe, perfect for setting the tone during intense gameplay moments. The composition of "Wake up Dick" is characterized by heavy guitar riffs, fast-paced drum beats, and electronic elements that create a sense of urgency and excitement. The song's catchy melody and driving rhythm make it a standout track in the game's soundtrack. The theme of "Wake up Dick" reflects the high-stakes, adrenaline-fueled action that players experience in the game. The lyrics speak of facing challenges head-on and pushing through obstacles with determination and courage. The title itself suggests a call to action, urging the listener to wake up and face whatever challenges may come their way. Overall, "Wake up Dick" is a dynamic and exhilarating track that perfectly captures the intense and fast-paced nature of the Call of Duty: Black Ops series. Its powerful composition and theme make it a standout addition to the game's soundtrack, adding to the overall immersive experience for players.
Kevin Sherwood