Pull Up To The Bumper
"Pull Up To The Bumper" is a funky and seductive track by Jamaican-American singer Grace Jones. Released in 1981, the song is known for its catchy bassline and suggestive lyrics. The theme of the song revolves around desire and innuendo, with Jones using car metaphors to convey her sexual appetite. The lyrics playfully urge a lover to "pull up to the bumper" and "get out of the car" in a provocative manner. The composition of the song features a mix of electronic and disco elements, with a driving beat and funky guitar riffs. Jones' deep and sultry vocals add to the seductive vibe of the track, making it a standout in her discography. "Pull Up To The Bumper" became a commercial success for Jones, reaching the top 5 on the US Billboard Hot Dance Club Play chart. The song has since become a staple in Jones' live performances and remains a fan favorite. Overall, "Pull Up To The Bumper" is a bold and infectious track that showcases Grace Jones' unique style and charisma. Its playful lyrics and irresistible groove make it a timeless classic in the realm of disco and dance music.
I've Seen That Face Before (Libertango)
"I've Seen That Face Before (Libertango)" is a song by Jamaican singer Grace Jones, released in 1981 on her album "Nightclubbing." The track is a unique blend of reggae, new wave, and tango influences, with a haunting and atmospheric quality that sets it apart from Jones' other work. The song's lyrics tell the story of a woman who encounters a mysterious man with a familiar face, but she can't quite place where she has seen him before. The theme of déjà vu and the sense of being caught in a cycle of repetition adds to the song's enigmatic and hypnotic feel. The composition of "I've Seen That Face Before (Libertango)" is driven by a pulsating bassline, jazzy saxophone riffs, and Jones' sultry vocals. The tango influence is most evident in the song's instrumentation, with its use of accordion and Latin rhythms adding a sense of drama and passion. One notable fact about the song is that it samples Astor Piazzolla's iconic tango piece "Libertango," giving it a unique and unexpected twist. Grace Jones' interpretation of the song brings a new level of sophistication and mystery, making it a standout track in her discography. Overall, "I've Seen That Face Before (Libertango)" is a captivating and atmospheric song that showcases Grace Jones' distinctive style and artistic vision. Its fusion of genres and evocative lyrics make it a timeless and unforgettable piece of music.
La Vie En Rose
"La Vie En Rose" by Grace Jones is a cover of the famous French song originally performed by Édith Piaf. Grace Jones puts her own unique twist on the classic tune, infusing it with her signature blend of reggae, new wave, and disco influences. The song's theme revolves around the idea of seeing life through rose-colored glasses, finding beauty and joy in even the simplest moments. Grace Jones' sultry vocals and hypnotic delivery add a sense of longing and passion to the lyrics, creating a mesmerizing listening experience. The composition of the track features a lush arrangement of horns, strings, and electronic beats, giving it a rich and dynamic sound. Grace Jones' commanding presence and unconventional style shine through in her performance, making this version of "La Vie En Rose" a truly unforgettable interpretation of the timeless classic. Notable facts about the song include its inclusion on Grace Jones' critically acclaimed album "Portfolio" released in 1977. The track became a hit for Jones, showcasing her versatility as an artist and solidifying her reputation as a boundary-pushing and innovative musician. "La Vie En Rose" remains a standout track in Grace Jones' extensive discography, showcasing her ability to reinvent and reinterpret classic songs in her own unique way.
Slave to the Rhythm
"Slave to the Rhythm" is a powerful track by the iconic singer and model Grace Jones. Released in 1985, the song is a fusion of new wave, reggae, and electronic music, showcasing Jones' unique and captivating vocal style. The theme of the song revolves around the idea of being enslaved to the rhythm of life, with lyrics that speak to the struggles and challenges of navigating through a fast-paced world. Jones' commanding vocals add a sense of urgency and intensity to the track, making it a standout in her discography. The composition of "Slave to the Rhythm" is complex and layered, with a driving beat and pulsating synths that create a hypnotic and captivating sound. The song builds to a crescendo, with Jones' vocals soaring over the music in a powerful and commanding manner. One notable fact about "Slave to the Rhythm" is that it was produced by Trevor Horn, known for his work with other iconic artists such as Seal and Frankie Goes to Hollywood. The song's innovative production and Jones' dynamic performance helped it become a commercial success and a fan favorite. Overall, "Slave to the Rhythm" is a standout track in Grace Jones' impressive catalog, showcasing her unique talent and ability to push boundaries in the world of music.
Walking In The Rain
"Walking In The Rain" is a song by Grace Jones, released in 1981 as part of her album "Nightclubbing." The song was written by Harry Vanda and George Young, and was originally recorded by Australian rock band Flash and the Pan in 1978. Grace Jones' version of the song is a unique blend of new wave, reggae, and disco elements, showcasing her distinctive deep voice and avant-garde style. The theme of "Walking In The Rain" revolves around the feeling of being alone and lost, with the lyrics describing the experience of walking through the rain as a metaphor for facing challenges and uncertainties in life. The song's haunting melody and atmospheric production create a sense of melancholy and introspection, while Jones' powerful vocals bring a sense of defiance and resilience to the track. The composition of the song features a driving bassline, pulsating synths, and a hypnotic drumbeat, creating a hypnotic and immersive sonic landscape. Jones' vocal delivery is both haunting and commanding, adding a sense of drama and intensity to the track. The combination of these elements results in a powerful and evocative musical experience that has made "Walking In The Rain" a standout track in Grace Jones' discography. Notable facts about the song include its inclusion in the soundtrack of the 1986 film "Out of Bounds," as well as its popularity in the underground music scene and its influence on various artists in the pop and electronic music genres. "Walking In The Rain" remains a fan favorite and a classic example of Grace Jones' unique and innovative approach to music.
My Jamaican Guy
"My Jamaican Guy" is a song by Jamaican singer Grace Jones, released in 1983 on her album "Living My Life." The track is a tribute to Jones' then-boyfriend, musician and artist Chris Blackwell, who is Jamaican. The song's composition features a blend of reggae, funk, and new wave elements, with a pulsating bassline, catchy rhythms, and Jones' distinctive deep and sultry vocals. The lyrics of the song celebrate Jones' love for her Jamaican boyfriend, describing him as a charismatic and charming individual who captivates her with his dance moves and passion. "My Jamaican Guy" became one of Grace Jones' most popular tracks and has been praised for its infectious groove and Jones' powerful vocals. The song showcases Jones' unique style and ability to blend different musical genres seamlessly. It also highlights her Jamaican roots and pays homage to the island's vibrant music scene. Overall, "My Jamaican Guy" is a standout track in Grace Jones' discography, showcasing her talent as a singer and her ability to create music that is both catchy and emotionally resonant.
Nightclubbing
"Nightclubbing" by Grace Jones is an iconic track that perfectly encapsulates the essence of nightlife and club culture. Released in 1981 as the title track of her fifth studio album, the song's dark and mysterious vibe is instantly captivating. The composition of "Nightclubbing" is a fusion of new wave, reggae, and electronic music, creating a unique and edgy sound that perfectly complements Grace Jones' distinctive vocals. The driving bassline and hypnotic rhythm create a sense of urgency and excitement, making it impossible not to dance along. The lyrics of the song speak to the thrill and allure of the nightlife scene, with Jones singing about the freedom and liberation that comes from letting loose on the dance floor. The chorus, with its repetitive chant of "nightclubbing, we're nightclubbing," only adds to the song's infectious energy. Notable facts about "Nightclubbing" include its inclusion in the soundtrack of the 1980 film "Foxes" and its popularity in the underground club scene. The song has since become a cult classic and remains a staple of Jones' live performances. Overall, "Nightclubbing" is a timeless and electrifying track that continues to captivate listeners with its irresistible groove and seductive charm.
Private Life
"Private Life" is a track by the legendary Jamaican singer Grace Jones, released in 1980 as part of her album "Warm Leatherette". The song is a cover of the hit single by English rock band The Pretenders, but Jones puts her own unique spin on it with her signature blend of reggae, new wave, and disco influences. The theme of "Private Life" revolves around the idea of maintaining privacy and keeping personal matters hidden from the public eye. Jones' vocals exude a sense of defiance and independence as she sings about the importance of holding onto one's secrets and protecting oneself from prying eyes. The composition of the song features a driving bassline, funky guitar riffs, and electronic synth elements that create a dark and mysterious atmosphere. Jones' powerful and sultry vocals soar over the music, adding a sense of drama and intensity to the track. One notable fact about "Private Life" is that it showcases Jones' ability to infuse her music with a sense of empowerment and boldness. The song's infectious groove and powerful lyrics have made it a fan favorite and a staple in Jones' live performances. Overall, "Private Life" is a captivating and dynamic track that showcases Grace Jones at the height of her musical prowess, blending genres and styles to create a truly unique and unforgettable listening experience.
Love Is The Drug
"Love Is The Drug" is a song by Jamaican singer Grace Jones, released in 1980 as the lead single from her album "Warm Leatherette." The track is a cover of the original song by Roxy Music, but Jones puts her own unique spin on it with her distinctive deep voice and avant-garde style. The theme of the song revolves around the intoxicating and addictive nature of love, likening it to a drug that can consume and control a person. Jones' vocals are haunting and seductive, perfectly capturing the dark and mysterious essence of the track. The composition of the song features a pulsating bassline, funky guitar riffs, and a driving disco beat that gives it a danceable and infectious quality. Jones' vocals are layered with electronic effects, creating an otherworldly and futuristic sound that was ahead of its time. "Love Is The Drug" became one of Grace Jones' signature songs and a staple of her live performances. It received critical acclaim for its innovative production and Jones' captivating performance. The song's influence can be heard in the work of artists across genres, solidifying its place as a classic in the music industry.
I Need A Man
"I Need A Man" is a song by Grace Jones, released in 1977 on her album "Portfolio". The track is a disco anthem that showcases Jones' powerful vocals and unique style. The song's theme revolves around a woman who is searching for a man to fulfill her desires and needs. The composition of "I Need A Man" features a catchy disco beat, funky bassline, and lush orchestration. Jones' distinctive voice adds a sense of drama and passion to the song, making it a standout track on the album. The lyrics are provocative and bold, reflecting Jones' fearless attitude and unapologetic persona. Notable facts about "I Need A Man" include its success on the dance charts, where it became a club favorite and solidified Jones' reputation as a disco diva. The song has been covered and sampled by various artists over the years, further cementing its status as a classic in the disco genre. Overall, "I Need A Man" is a bold and empowering track that showcases Grace Jones' talent and charisma. Its infectious groove and seductive lyrics make it a standout in her discography and a favorite among fans of disco music.
Warm Leatherette
"Warm Leatherette" is a song by Grace Jones from her 1980 album of the same name. The track is a cover of the 1978 song by The Normal, originally written by Daniel Miller. The theme of "Warm Leatherette" revolves around the idea of exploring the darker side of humanity, with lyrics that paint vivid, almost disturbing imagery. The song talks about a car crash and the sensation of warm leather against the skin, creating a sense of both pleasure and pain. The composition of the song is minimalist yet powerful, with a driving electronic beat and Jones's distinctive deep, sultry vocals. The use of synthesizers and drum machines gives the track a cold, industrial feel that perfectly complements the lyrics. Notable facts about "Warm Leatherette" include its influence on the electronic and new wave music scenes of the 1980s. Grace Jones's unique interpretation of the song helped solidify her reputation as a boundary-pushing artist who was unafraid to experiment with different genres and styles. The track remains a fan favorite and a staple of Jones's live performances.
Use Me
"Use Me" is a song by Grace Jones from her 1981 album "Nightclubbing." The track is a cover of the classic soul song originally performed by Bill Withers. The theme of the song revolves around a complex and tumultuous relationship, with Jones expressing her willingness to be used by her lover despite the emotional toll it may take on her. The lyrics convey a sense of vulnerability and longing, as Jones sings about being taken advantage of by someone she loves. Musically, "Use Me" features a hypnotic bassline, funky guitar riffs, and Jones' signature deep, sultry vocals. The song is a perfect showcase for Jones' unique blend of reggae, disco, and new wave influences, creating a sound that is both seductive and edgy. One notable fact about "Use Me" is that it was produced by legendary Jamaican duo Sly and Robbie, who also played on the track. Their distinctive production style helped to elevate the song to iconic status, making it one of the standout tracks on the "Nightclubbing" album. Overall, "Use Me" is a standout track in Grace Jones' discography, showcasing her powerhouse vocals and fearless approach to blending genres. The song's combination of raw emotion and infectious grooves makes it a timeless classic that continues to resonate with listeners today.
Libertango
"Libertango" by Grace Jones is a captivating track that blends elements of tango with electronic and pop music. The song, originally composed by Argentine musician Astor Piazzolla, is reimagined by Jones with her unique style and flair. The theme of the song revolves around freedom and liberation, as the title suggests. Jones' powerful vocals and commanding presence bring a sense of empowerment to the lyrics, which speak of breaking free from constraints and embracing independence. The composition of "Libertango" features a dynamic blend of traditional tango rhythms and modern electronic beats. Jones' distinctive voice soars over the pulsating music, creating a mesmerizing and energetic atmosphere. The incorporation of accordion and violin adds a touch of authenticity to the track, while the electronic elements give it a contemporary edge. One notable fact about "Libertango" is that it was included on Grace Jones' album "Island Life," which was released in 1985. The album was a commercial success and helped to solidify Jones' reputation as a groundbreaking artist in the music industry. Overall, "Libertango" is a powerful and infectious track that showcases Grace Jones' talent and creativity. With its fusion of tango, electronic, and pop influences, the song is a testament to Jones' ability to push boundaries and defy genre conventions.
Feel Up
"Feel Up" by Grace Jones is a funky and energetic track that was released on her critically acclaimed album "Nightclubbing" in 1981. The song features a pulsating bassline, catchy synthesizer riffs, and Jones' distinctive vocals. The theme of the song revolves around sensuality and desire, with Jones singing about wanting to feel up and touch her lover. The lyrics are provocative and bold, reflecting Jones' confident and daring persona. The composition of the track is a mix of electronic, disco, and new wave elements, creating a unique and infectious sound that is instantly recognizable as Grace Jones. The production is sleek and polished, with a driving beat that compels listeners to dance. One notable fact about "Feel Up" is that it was co-written by Jones herself, showcasing her talent as a songwriter in addition to her skills as a singer and performer. The song has become a fan favorite and a staple of Jones' live performances, showcasing her dynamic stage presence and captivating charisma. Overall, "Feel Up" is a standout track in Grace Jones' discography, showcasing her artistry and creativity as a musician. With its infectious groove and bold lyrics, the song remains a classic in the world of dance and electronic music.
Demolition Man
"Demolition Man" is a track by Jamaican singer Grace Jones, released in 1981 on her album "Nightclubbing." The song is a cover of a track originally written by Sting for his band The Police. The theme of "Demolition Man" revolves around rebellion and resistance against authority. Grace Jones' powerful vocals and the driving beat of the music create a sense of defiance and empowerment. The song's lyrics speak of fighting against oppressive forces and standing up for oneself. The composition of "Demolition Man" features a heavy bassline, funky guitar riffs, and a pulsating rhythm that gives the song a sense of urgency and intensity. Grace Jones' distinctive voice cuts through the music, adding a touch of drama and emotion to the track. One notable fact about "Demolition Man" is that it was featured in the 1993 action film of the same name, starring Sylvester Stallone and Wesley Snipes. The song's rebellious energy and powerful message perfectly complement the themes of the movie. Overall, "Demolition Man" is a standout track in Grace Jones' discography, showcasing her unique style and powerful vocals. Its infectious groove and empowering lyrics make it a timeless classic that continues to resonate with listeners.
I've Done It Again
"I've Done It Again" is a track by the iconic Jamaican singer Grace Jones. The song was released in 1981 as part of her album "Nightclubbing." The theme of the song revolves around regret and self-reflection. In the lyrics, Grace Jones sings about making the same mistakes over and over again and feeling like she can't break free from her destructive patterns. The haunting melody and Jones' distinctive vocals add to the emotional depth of the song. The composition of "I've Done It Again" features a slow, pulsating beat with a hypnotic bassline. The music is minimalist, with sparse instrumentation that allows Jones' vocals to take center stage. The overall mood of the song is dark and introspective, creating a sense of melancholy and longing. One notable fact about "I've Done It Again" is that it showcases Grace Jones' unique ability to blend elements of reggae, funk, and new wave music. Her genre-defying sound has made her a pioneering figure in the music industry, and this track is a perfect example of her innovative approach to music. Overall, "I've Done It Again" is a powerful and haunting song that showcases Grace Jones' raw talent and emotional depth. It remains a fan favorite and a standout track in her extensive discography.
Art Groupie
"Art Groupie" by Grace Jones is a track from her album "Portfolio" released in 1977. The song is a disco-infused track that showcases Jones' unique vocal style and eclectic musical influences. The theme of "Art Groupie" revolves around the concept of being infatuated with the art world and the glamour associated with it. Jones sings about the allure of artists and their work, capturing the essence of the vibrant and eccentric art scene of the 1970s. The composition of the song features a catchy disco beat, funky bassline, and lush orchestration, creating a dynamic and energetic sound that perfectly complements Jones' powerful vocals. The track also incorporates elements of funk and soul, adding to its infectious groove. One notable fact about "Art Groupie" is that it was co-written by Jones herself, showcasing her talent as a songwriter in addition to her skills as a performer. The song has since become a fan favorite and a staple in Jones' live performances, further solidifying its status as a classic in her discography.
Slave to the Rhythm - Hot Blooded Version
"Slave to the Rhythm - Hot Blooded Version" by Grace Jones is a high-energy dance track that captures the essence of the iconic singer's unique style and powerful presence. The song's theme revolves around the idea of being controlled by the rhythm of life, surrendering to its power and allowing it to guide your movements. The Hot Blooded Version of the song adds an extra layer of intensity and energy, with pulsating beats and hypnotic synths that drive the track forward. Grace Jones' distinctive vocals soar over the music, delivering a performance that is both fierce and captivating. One notable fact about this track is that it was produced by Trevor Horn, a renowned music producer known for his work with artists such as Frankie Goes to Hollywood and Seal. His production on "Slave to the Rhythm" elevates the song to new heights, creating a dynamic and infectious dance anthem that is sure to get listeners on their feet. Overall, "Slave to the Rhythm - Hot Blooded Version" is a standout track in Grace Jones' discography, showcasing her unparalleled talent and unique artistic vision. It is a must-listen for fans of dance music and anyone looking for a powerful and electrifying musical experience.
This Is
"This Is" is a track by iconic singer and model Grace Jones, released on her 1980 album, "Warm Leatherette." The song features a unique blend of reggae, funk, and new wave elements, characteristic of Jones' eclectic style. Lyrically, "This Is" is a bold and empowering anthem that speaks to Jones' fierce and confident persona. The song's theme revolves around self-assertion and independence, with Jones declaring her identity and refusing to conform to societal expectations. Musically, "This Is" is driven by a pulsating bassline, funky guitar riffs, and Jones' powerful vocals. The track's infectious groove and catchy chorus make it a standout on the album, showcasing Jones' versatility as an artist. Notable facts about "This Is" include its influence on the new wave and dance music scenes of the 1980s, as well as its enduring popularity as a club classic. The song's bold lyrics and infectious energy continue to resonate with audiences worldwide, solidifying Grace Jones as a groundbreaking artist in the music industry.
Corporate Cannibal
"Corporate Cannibal" is a track by the iconic singer and performer Grace Jones. The song, released in 2008, is a dark and haunting commentary on greed, capitalism, and the ruthless pursuit of power in the corporate world. The composition of the track is a mix of electronic, industrial, and avant-garde elements, creating a unique and edgy sound that perfectly complements the song's theme. The track features Jones' distinctive deep and commanding vocals, which add to the eerie and intense atmosphere of the song. One notable fact about "Corporate Cannibal" is that it was co-written by Jones herself, along with the legendary producer Ivor Guest. The song's lyrics are thought-provoking and introspective, with Jones delivering powerful lines such as "She's a man-eater, a man-eater. She's a maneater, a maneater. She's a man-eater, a maneater. She's a man-eater, a maneater." Overall, "Corporate Cannibal" is a bold and thought-provoking track that showcases Grace Jones' unique style and ability to tackle complex and challenging themes through her music.
Do Or Die
"Do or Die" by Grace Jones is a track from her iconic album "Nightclubbing," released in 1981. The song is a high-energy, pulsating track that showcases Jones' unique blend of reggae, new wave, and disco influences. The theme of "Do or Die" revolves around empowerment, resilience, and taking control of one's destiny. Jones' powerful vocals and commanding presence add to the overall message of strength and determination. The composition of the song features a driving bassline, funky guitar riffs, and a catchy synth melody that creates a sense of urgency and excitement. The infectious rhythm and energetic production make "Do or Die" a standout track on the album. One notable fact about "Do or Die" is that it was co-written by Jones herself, along with British producer Chris Blackwell and Jamaican musician Barry Reynolds. The collaboration resulted in a track that perfectly captures Jones' bold and fearless persona. Overall, "Do or Die" is a dynamic and electrifying song that showcases Grace Jones at the height of her musical prowess. Its empowering lyrics, infectious groove, and powerful vocals make it a standout track in Jones' impressive discography.
Nipple To The Bottle
"Nipple To The Bottle" is a song by iconic Jamaican singer and model Grace Jones. The track was released in 1982 as part of her album "Living My Life". The song's theme revolves around sensuality and empowerment, with Jones singing about the pleasure and satisfaction that can be found in indulging in life's pleasures. The title "Nipple To The Bottle" suggests a direct and unapologetic approach to enjoying life to the fullest. Musically, the track features a funky and upbeat rhythm with a mix of electronic and organic instrumentation. Jones' distinctive deep voice adds a layer of sophistication and mystery to the song, enhancing its overall allure. One of the notable aspects of "Nipple To The Bottle" is its fusion of genres, blending elements of disco, funk, and reggae to create a unique and infectious sound. The song showcases Jones' versatility as an artist and her ability to push boundaries and experiment with different styles. Overall, "Nipple To The Bottle" is a standout track in Grace Jones' discography, showcasing her bold and unapologetic approach to music and life. With its catchy melody and empowering lyrics, the song continues to be a fan favorite and a defining moment in Jones' career.
Williams' Blood
"Williams' Blood" is a song by Jamaican singer Grace Jones from her album "Hurricane" released in 2008. The song is a powerful and soulful anthem that pays homage to her family's heritage and roots. The track's theme revolves around Jones' family history, specifically focusing on her grandfather, Bishop Daniel Williams, who was a prominent religious figure in Jamaica. The lyrics reflect on the struggles and triumphs of her ancestors, emphasizing the importance of resilience and perseverance in the face of adversity. Musically, "Williams' Blood" combines elements of reggae, soul, and electronic music to create a haunting and atmospheric sound. The song features Jones' signature deep and sultry vocals, backed by a hypnotic beat and intricate production. One notable fact about the song is that it was co-written and produced by Ivor Guest and Wendy Melvoin, who have worked with other renowned artists such as Prince and Madonna. The track received critical acclaim upon its release, with many praising Jones' powerful performance and the song's emotional depth. Overall, "Williams' Blood" is a standout track in Grace Jones' discography, showcasing her unique blend of artistry and storytelling. It serves as a poignant tribute to her family's legacy and cultural heritage, resonating with listeners on a deeply personal level.
Williams Blood
"Williams Blood" is a track by Jamaican singer Grace Jones, released in 2008 on her album "Hurricane". The song is a powerful and soulful anthem that showcases Jones's distinctive vocals and unique style. The theme of "Williams Blood" revolves around Jones's heritage and identity, paying homage to her family lineage and roots. The lyrics speak of resilience, strength, and pride in one's heritage, with references to Jones's father and the legacy of her family. Musically, "Williams Blood" features a dynamic blend of genres, fusing elements of reggae, electronic, and pop music. The track is characterized by its driving beat, hypnotic rhythms, and haunting melodies, creating a captivating and immersive listening experience. Notable for its bold and empowering lyrics, "Williams Blood" has been praised for its message of self-empowerment and cultural pride. The track showcases Jones's vocal range and emotive delivery, cementing her status as a legendary and influential artist in the music industry. Overall, "Williams Blood" is a standout track that exemplifies Grace Jones's unique artistry and genre-defying sound. It remains a fan favorite and a powerful statement of identity and heritage in Jones's discography.
Breakdown
"Breakdown" is a track by the iconic Jamaican singer Grace Jones, known for her unique blend of reggae, pop, and new wave music. The song was released as part of her album "Nightclubbing" in 1981. The theme of "Breakdown" revolves around the breakdown of a relationship, with Jones' powerful and haunting vocals conveying feelings of heartbreak and betrayal. The lyrics paint a picture of emotional turmoil and vulnerability, as Jones sings about the pain of being left behind. The composition of the track features a hypnotic rhythm section, with a pulsating bassline and a driving beat that creates a sense of urgency and intensity. Jones' distinctive voice soars over the music, adding a sense of drama and emotion to the song. One notable fact about "Breakdown" is its innovative production, which fuses electronic elements with organic instrumentation to create a sound that is both futuristic and timeless. The song's dark and atmospheric vibe has made it a fan favorite and a standout track in Jones' extensive discography. Overall, "Breakdown" is a powerful and emotionally resonant track that showcases Grace Jones' talents as a singer and performer. Its haunting melody and evocative lyrics make it a standout song in the world of pop music.
Pull Up To The Bumper - Edit
"Pull Up To The Bumper - Edit" by Grace Jones is a classic disco track that was released in 1981. The song features a funky bassline, catchy synths, and Jones' distinctive deep, sultry vocals. The lyrics of the song are suggestive and playful, with Jones singing about pulling up to the bumper of her car and inviting someone to "drive it in between." The composition of the track is a seamless blend of disco, funk, and new wave influences, creating a unique sound that helped establish Jones as a pioneering figure in the music industry. The song's infectious groove and Jones' commanding presence make it a standout track in her discography. Notable facts about "Pull Up To The Bumper - Edit" include the song's controversial lyrics, which were initially banned by some radio stations due to their suggestive nature. However, the track went on to become a commercial success, reaching the top 5 on the US Dance Club Songs chart and solidifying Jones' reputation as a boundary-pushing artist. Overall, "Pull Up To The Bumper - Edit" is a timeless dancefloor anthem that showcases Jones' artistry and fearless approach to music. Its irresistible groove and infectious energy continue to captivate listeners and cement its status as a classic in the disco genre.
The Hunter Gets Captured By The Game
"The Hunter Gets Captured By The Game" is a song performed by the iconic Jamaican singer Grace Jones. The track was originally written by the legendary Motown songwriting team of Smokey Robinson and the Miracles, and it was released in 1979 as a part of Jones' album "Warm Leatherette". The song's theme revolves around the concept of role reversal, where the hunter becomes the hunted. In the lyrics, Jones sings about a person who was once in control and powerful, only to find themselves vulnerable and at the mercy of someone else. The haunting melody and Jones' distinctive deep voice create an eerie and captivating atmosphere that perfectly complements the lyrical content. The composition of the song is a blend of reggae and new wave influences, with a steady bassline and pulsating rhythms that drive the track forward. Jones' vocal delivery is soulful and emotive, adding depth and intensity to the already powerful lyrics. The song's production is minimalistic yet effective, allowing Jones' vocals to take center stage. One notable fact about "The Hunter Gets Captured By The Game" is that it has been covered by a number of artists over the years, including the likes of Massive Attack and Blondie. Grace Jones' rendition remains a standout version, showcasing her unique talent and artistry. Overall, "The Hunter Gets Captured By The Game" is a timeless classic that showcases Grace Jones' incredible vocal abilities and her ability to bring emotion and depth to any song she performs.
Hurricane
"Hurricane" is a song by the iconic Jamaican singer Grace Jones. Released in 2008 as the title track of her tenth studio album, the song is a powerful and dynamic piece that showcases Jones' unique vocal style and commanding stage presence. The theme of "Hurricane" revolves around strength, resilience, and overcoming challenges. Jones sings about weathering the storms of life and emerging stronger on the other side. The lyrics are empowering and uplifting, urging the listener to stand tall in the face of adversity. Musically, "Hurricane" features a driving electronic beat, pulsating synths, and Jones' signature deep, sultry vocals. The song has a dark and hypnotic quality that draws the listener in and keeps them captivated throughout. The composition is layered and complex, with multiple instrumental tracks weaving together to create a rich and textured sound. Notable facts about "Hurricane" include its critical acclaim and commercial success. The song received positive reviews from music critics, who praised Jones' vocal performance and the song's production. It also performed well on the charts, reaching the top 10 in several countries and solidifying Jones' status as a legendary artist in the music industry. Overall, "Hurricane" is a standout track in Grace Jones' discography, showcasing her artistry and talent in a compelling and unforgettable way. It remains a fan favorite and a staple of Jones' live performances, continuing to resonate with audiences around the world.
Well Well Well
"Well Well Well" is a track by Jamaican singer Grace Jones, released on her album "Warm Leatherette" in 1980. The song is a cover of a track by John Lennon, originally released in 1970. The track features a blend of reggae, funk, and punk influences, showcasing Jones' unique vocal style and avant-garde approach to music. The lyrics of the song touch on themes of rebellion, empowerment, and self-expression. The composition of "Well Well Well" is characterized by its driving bassline, funky guitar riffs, and infectious groove. Jones' powerful vocals soar over the music, delivering a raw and energetic performance that captures the rebellious spirit of the song. One notable fact about "Well Well Well" is that it showcases Jones' versatility as an artist, as she effortlessly transitions between different genres and styles in her interpretation of the track. The song has been praised for its bold and daring approach to music, solidifying Grace Jones' status as a boundary-pushing and influential artist in the music industry.
I'm Crying (Mother's Tears)
"I'm Crying (Mother's Tears)" is a haunting and emotional track by the iconic singer Grace Jones. The song delves into the pain and heartache experienced by a mother as she watches her child struggle and suffer. The lyrics are poignant and raw, exploring themes of love, loss, and the depths of a mother's sorrow. Musically, the track is a slow and mournful ballad, with Jones's distinctive deep and soulful vocals taking center stage. The instrumentation is minimal, with a somber piano melody and subtle strings adding to the melancholic atmosphere of the song. Notable for its raw emotion and powerful vocal performance, "I'm Crying (Mother's Tears)" showcases Grace Jones's ability to convey deep emotional depth and vulnerability through her music. The track is a standout on her discography and remains a fan favorite for its moving lyrics and haunting melody.
Sunset Sunrise
"Sunset Sunrise" by Grace Jones is a track from her 2008 album "Hurricane." The song features a captivating blend of electronic beats, reggae influences, and Jones' iconic deep, sultry vocals. Thematically, "Sunset Sunrise" explores the cyclical nature of life, with lyrics that reflect on the passage of time and the inevitability of change. Jones' powerful delivery adds a sense of urgency and emotion to the track, creating a hauntingly beautiful atmosphere. The composition of the song is intricate and layered, with a pulsating rhythm that drives the track forward. The electronic elements give the song a modern edge, while the reggae undertones pay homage to Jones' Jamaican roots. One notable fact about "Sunset Sunrise" is that it was co-written by Jones herself, showcasing her talent as a songwriter in addition to her skills as a performer. The track received critical acclaim upon its release, with many praising Jones' unique sound and fearless approach to music. Overall, "Sunset Sunrise" is a mesmerizing and thought-provoking track that showcases Grace Jones' artistry and creativity. It remains a standout song in her discography and a fan favorite among her dedicated followers.
Send In The Clowns
"Send In The Clowns" is a song by Grace Jones, a Jamaican-American singer, songwriter, and actress. The track is a cover of the iconic song originally written by Stephen Sondheim for the musical "A Little Night Music." The theme of "Send In The Clowns" revolves around unrequited love, missed opportunities, and the bittersweet nature of relationships. The lyrics tell the story of two individuals who have missed their chance at love, reflecting on the choices they made and the consequences of their actions. Grace Jones' rendition of the song features her unique blend of reggae, pop, and disco influences. The composition is characterized by haunting vocals, soulful melodies, and a hypnotic rhythm that draws the listener in. Jones' distinctive voice adds a sense of depth and emotion to the track, capturing the heartache and longing expressed in the lyrics. One notable fact about Grace Jones' version of "Send In The Clowns" is her ability to reinterpret the song in a way that is both faithful to the original and infused with her own artistic flair. Her powerful delivery and dynamic performance make this cover a standout in her discography, showcasing her versatility as a musician and her ability to connect with audiences on an emotional level. Overall, "Send In The Clowns" by Grace Jones is a poignant and soul-stirring rendition of a classic song, offering listeners a fresh perspective on timeless themes of love and loss.
Love You to Life
"Love You to Life" is a song by Jamaican singer Grace Jones, released in 2008 as part of her album "Hurricane". The track is a powerful and soulful ballad that showcases Jones' unique vocals and distinctive style. The theme of the song revolves around love and devotion, with Jones expressing her deep feelings for someone she cares about. The lyrics convey a sense of passion and intensity, as Jones sings about being willing to go to great lengths to show her love and loyalty. Musically, "Love You to Life" features a haunting melody and a lush arrangement that combines elements of pop, reggae, and electronic music. The song's production is slick and polished, with a driving beat and atmospheric synths that create a mood of drama and suspense. One notable fact about "Love You to Life" is that it was written by British singer-songwriter Wendy Melvoin, best known for her work with Prince and as a member of the duo Wendy & Lisa. Melvoin's songwriting talents shine through in the emotional depth and complexity of the lyrics, which add a layer of depth to Jones' powerful performance. Overall, "Love You to Life" is a standout track in Grace Jones' discography, showcasing her remarkable vocal range and her ability to convey deep emotions through her music. It is a captivating and moving song that resonates with listeners on a personal level.
Devil in My Life
"Devil in My Life" is a track by Jamaican singer Grace Jones from her album "Living My Life" released in 1982. The song is a slow-tempo ballad that showcases Jones' unique vocals and distinctive style. The theme of the song revolves around inner struggles and personal demons. Jones sings about the temptation and allure of the devil in her life, as she navigates through the complexities of love and relationships. The lyrics are introspective and poignant, reflecting on the darker aspects of human nature. Musically, "Devil in My Life" features a minimalistic arrangement with haunting synthesizers, deep basslines, and atmospheric textures. Jones' vocals are soulful and emotive, conveying a sense of vulnerability and raw emotion. The overall mood of the track is introspective and melancholic, creating a haunting and atmospheric listening experience. One notable fact about "Devil in My Life" is that it showcases Jones' versatility as an artist. Known for her bold and avant-garde style, this track demonstrates her ability to deliver a heartfelt and introspective ballad with depth and emotion. Overall, "Devil in My Life" is a standout track in Grace Jones' discography, offering a glimpse into the artist's inner world and showcasing her unique blend of style and substance.
Pars
"Pars" by Grace Jones is a captivating track that showcases her unique blend of reggae, pop, and disco influences. The song's theme revolves around empowerment and self-confidence, with Jones delivering powerful vocals that exude strength and charisma. The composition of "Pars" features a catchy bassline, funky guitar riffs, and infectious percussion, creating a groovy and danceable vibe. Jones' distinctive voice effortlessly glides over the music, adding a touch of sensuality and mystery to the track. One notable fact about "Pars" is that it was released as a single in 1979 and was included on Jones' album "Warm Leatherette". The song became a fan favorite and is often considered one of her signature tracks. Overall, "Pars" is a timeless classic that showcases Grace Jones' unique style and talent as a singer and performer. Its infectious groove and empowering lyrics make it a standout track in Jones' discography.
Victor Should Have Been a Jazz Musician
"Victor Should Have Been a Jazz Musician" is a track by Grace Jones from her album "Nightclubbing" released in 1981. The song is a fusion of electronic, reggae, and jazz influences, showcasing Jones' unique style and vocal range. The theme of the song revolves around the idea that the protagonist, Victor, should have pursued a career as a jazz musician instead of the path he chose. The lyrics paint a vivid picture of Victor's regret and longing for a different life, filled with music and creativity. The composition of the track is a blend of smooth jazz melodies, funky basslines, and Jones' distinctive vocals. The electronic elements add a modern twist to the classic jazz sound, creating a dynamic and captivating listening experience. Notable facts about the song include its inclusion in the soundtrack of the film "Desperately Seeking Susan" and its popularity in the underground music scene. "Victor Should Have Been a Jazz Musician" has become a fan favorite and a staple in Grace Jones' discography, showcasing her versatility as an artist.
Original Beast
"Original Beast" is a track by the iconic Jamaican singer and model Grace Jones. The song is a dark and hypnotic electronic dance track that showcases Jones' signature deep and sultry vocals. The theme of the song revolves around empowerment and embracing one's primal instincts. Jones sings about tapping into her inner "original beast" and unleashing her raw and untamed nature. The lyrics are fierce and defiant, with Jones asserting her strength and independence. The composition of the track is heavily influenced by electronic music, with pulsating beats, eerie synths, and a driving bassline creating a sense of intensity and urgency. Jones' vocals soar over the music, adding a sense of drama and mystery to the song. "Original Beast" is a standout track on Jones' album "Hurricane," which was released in 2008. The song received critical acclaim for its bold and experimental sound, cementing Jones' reputation as a boundary-pushing artist. It has since become a fan favorite and a staple in Jones' live performances. Overall, "Original Beast" is a powerful and evocative track that showcases Grace Jones at her most fierce and fearless. It is a testament to her unique talent and uncompromising artistic vision.
Slave To The Rhythm - 7" Edit
"Slave To The Rhythm - 7" Edit" is a song by Jamaican-American singer Grace Jones. Released in 1985, the track is a unique blend of new wave, post-disco, and reggae influences. The song's theme revolves around the idea of being controlled by the rhythm of life, hence the title "Slave To The Rhythm". Jones' powerful vocals and commanding presence in the song emphasize the message of surrendering to the beat and letting it guide you. The composition of the track is characterized by a pulsating bassline, funky guitar riffs, and electronic elements that give it a futuristic sound. Jones' distinctive voice adds a layer of intrigue and intensity to the song, making it a standout in her discography. Notable facts about "Slave To The Rhythm - 7" Edit" include its chart success, reaching the top 10 in several countries including the UK. The song's music video, featuring Jones in various avant-garde outfits and striking poses, also contributed to its popularity. Overall, "Slave To The Rhythm - 7" Edit" is a captivating and powerful track that showcases Grace Jones' unique artistry and ability to push boundaries in the music industry.
The Fashion Show
"The Fashion Show" by Grace Jones is a funky and upbeat track that perfectly captures the essence of a high-energy fashion show. The song is a blend of disco, pop, and electronic music, with Jones' distinctive deep voice leading the way. The lyrics of the song depict the glamorous and extravagant world of fashion, with references to models, designers, and the excitement of the runway. Jones sings about the glitz and glamour of the fashion industry, creating a vivid picture of a dazzling catwalk show. The composition of the track features a catchy bassline, funky guitar riffs, and a driving beat that will make you want to get up and dance. Jones' vocals are powerful and captivating, adding to the overall energy of the song. One notable fact about "The Fashion Show" is that it was released as a single in 1979 as part of Jones' album "Muse." The song became a hit on the dance charts and is still a favorite among fans of disco and dance music. Overall, "The Fashion Show" is a fun and infectious track that perfectly captures the excitement and glamour of the fashion world. Grace Jones' unique style and vocals make this song a standout in her discography.
A Rolling Stone
"A Rolling Stone" is a song by Grace Jones from her album "Hurricane" released in 2008. The track is an upbeat and energetic dance-pop song that showcases Jones' unique vocal style and commanding presence. The lyrics of the song speak to the idea of constantly moving and never settling down, much like a rolling stone. Jones sings about the thrill of adventure and the freedom that comes with not being tied down to one place or person. The chorus repeats the catchy line, "I'm a rolling stone, rolling stone, rolling stone," emphasizing the song's theme of movement and change. The composition of the track features a pulsating electronic beat, funky bassline, and Jones' powerful vocals soaring over the music. The production is slick and modern, with layers of synths and percussion creating a dynamic and infectious sound. Notable facts about "A Rolling Stone" include its inclusion on the critically acclaimed album "Hurricane," which marked Jones' return to the music scene after a long hiatus. The song was praised by critics for its catchy melody, strong vocals, and sleek production. Overall, "A Rolling Stone" is a standout track that showcases Grace Jones' talent and creativity in the world of dance-pop music.
Jones The Rhythm
"Jones The Rhythm" is a song by Jamaican singer Grace Jones, released in 1985 as the lead single from her album "Slave to the Rhythm." The track is a dynamic blend of electronic, funk, and dance music, characterized by its pulsating bassline, catchy synth melodies, and Jones' distinctive vocals. Thematically, "Jones The Rhythm" is a celebration of Jones' own artistry and unique style. The lyrics reflect her confident and bold persona, as she sings about commanding attention and owning the rhythm of life. The song's infectious energy and driving beat make it a perfect anthem for dance floors and clubs, showcasing Jones' ability to create music that is both empowering and infectious. One notable aspect of the song is its production, which was handled by legendary musician Trevor Horn. Horn's innovative production techniques and use of cutting-edge technology at the time helped to create a futuristic sound that set "Jones The Rhythm" apart from other songs of its era. Overall, "Jones The Rhythm" is a standout track in Grace Jones' discography, showcasing her artistry, creativity, and ability to push musical boundaries. Its infectious energy and powerful message make it a timeless classic that continues to be celebrated by fans and critics alike.
Don't Cry - It's Only the Rhythm
"Don't Cry - It's Only the Rhythm" is a song by the iconic Jamaican singer and model Grace Jones. The track is from her critically acclaimed album "Nightclubbing," released in 1981. The song's theme revolves around embracing the power of music and dancing as a form of liberation and escapism. The lyrics encourage listeners to let go of their worries and inhibitions and just lose themselves in the rhythm. Grace Jones' deep, soulful vocals add a sense of urgency and passion to the track, drawing listeners in with her magnetic presence. Musically, "Don't Cry - It's Only the Rhythm" is a fusion of reggae, funk, and new wave influences. The infectious bassline, funky guitar riffs, and pulsating drumbeats create a hypnotic groove that is impossible not to move to. The production is sleek and polished, with electronic elements adding a futuristic edge to the overall sound. One of the most notable facts about the song is Grace Jones' unique and androgynous persona, which challenged traditional gender norms in the music industry. Her bold fashion sense and fearless attitude helped solidify her status as a cultural icon and a trailblazer for future generations of artists. Overall, "Don't Cry - It's Only the Rhythm" is a timeless classic that showcases Grace Jones' unparalleled talent and creativity. The song's infectious energy and powerful message continue to resonate with audiences around the world, solidifying its place as a standout track in Grace Jones' impressive discography.
What I Did For Love
"What I Did For Love" is a track by the iconic Jamaican singer Grace Jones. Released in 1986, the song is a cover of the popular ballad originally performed by Marvin Hamlisch and Ed Kleban for the musical "A Chorus Line." Grace Jones puts her own unique spin on the song with her distinctive deep voice and avant-garde style. The track is a heartfelt ballad that explores the theme of sacrifice and the lengths one would go to for love. The lyrics tell a story of love lost and the regrets that come with it, reflecting on the choices made in the name of love. The composition of the song is a blend of soulful melodies, powerful vocals, and a haunting instrumental arrangement. Grace Jones' vocals are haunting and emotive, conveying the emotions of the lyrics with raw intensity. The track builds slowly, with a dramatic crescendo that captures the listener's attention and draws them into the emotional depth of the song. Notable facts about "What I Did For Love" include its inclusion on Grace Jones' album "Inside Story," which was a critical and commercial success. The song showcases Grace Jones' versatility as an artist, demonstrating her ability to tackle a wide range of musical styles. "What I Did For Love" remains a standout track in Grace Jones' discography, showcasing her unique talent and artistry.
Tomorrow
"Tomorrow" is a song by Grace Jones, released in 1980 on her album "Warm Leatherette." The track is a haunting and atmospheric ballad that showcases Jones' unique vocal style and avant-garde approach to music. The theme of "Tomorrow" revolves around longing, uncertainty, and the passage of time. Jones' vocals are emotive and captivating, drawing the listener into a world of introspection and contemplation. The lyrics speak of hope for the future, while also acknowledging the challenges and obstacles that lie ahead. Musically, "Tomorrow" features a minimalist arrangement, with sparse instrumentation that allows Jones' vocals to take center stage. The song is driven by a pulsing bassline and moody synthesizers, creating a sense of tension and drama throughout. One notable fact about "Tomorrow" is that it was co-written by Jones herself, showcasing her talent as a songwriter in addition to her skills as a performer. The song has been praised for its innovative sound and emotional depth, solidifying Jones' reputation as a groundbreaking artist in the world of music. Overall, "Tomorrow" is a powerful and evocative track that showcases Grace Jones' unique artistic vision and talent. It remains a standout moment in her discography and a fan favorite among her diverse body of work.
Sorry
"Sorry" is a track by Jamaican singer and model Grace Jones, released on her album "Bulletproof Heart" in 1989. The song is an electro-pop dance track that features Jones' distinctive deep, husky vocals and a catchy synth-driven melody. The lyrics of "Sorry" revolve around themes of regret and apology, with Jones expressing remorse for past mistakes and seeking forgiveness. The chorus of the song repeats the refrain "I'm sorry," creating a sense of vulnerability and introspection. The composition of "Sorry" is characterized by its pulsating beat, futuristic production, and infectious hooks. Jones' powerful vocals are complemented by a driving bassline and shimmering synths, creating a dynamic and energetic sound that is perfect for the dance floor. Notable facts about "Sorry" include its success on the dance charts, where it reached the top 10 in several countries. The song showcases Jones' versatility as an artist, blending elements of pop, dance, and electronic music to create a unique and memorable track. Overall, "Sorry" is a standout song in Grace Jones' discography, showcasing her talent as a singer and performer while delivering a powerful message of regret and redemption.
Inspiration
"Inspiration" by Grace Jones is a track that exudes empowerment and strength. The song's theme revolves around finding motivation and courage in the face of challenges. Grace Jones' powerful vocals and commanding delivery enhance the message of the song, inspiring listeners to persevere and overcome obstacles. The composition of "Inspiration" is a fusion of electronic and dance elements, with a pulsating beat and catchy melodies that draw the listener in. The production is sleek and modern, with layers of synths and percussion creating a dynamic and engaging sound. One notable fact about "Inspiration" is that it was released as a single from Grace Jones' album "Hurricane" in 2008. The song received critical acclaim for its bold and empowering lyrics, as well as Grace Jones' captivating performance. "Inspiration" showcases Grace Jones' unique vocal style and artistic vision, solidifying her status as a legendary figure in the music industry.
Bullshit
"Bullshit" is a track by iconic Jamaican singer and model, Grace Jones. The song is featured on her album "Hurricane," released in 2008. The theme of the song revolves around calling out lies and dishonesty in relationships. Grace Jones' powerful vocals and fierce delivery add to the intensity of the track, as she confidently proclaims, "I've had enough of your bullshit." The composition of the song is a blend of electronic and dance elements, with a pulsating beat that drives the track forward. The production is sleek and modern, complementing Grace Jones' unique vocal style. One notable fact about "Bullshit" is that it was co-written by Jones herself, showcasing her talent as a songwriter in addition to her captivating performance as a singer. The track is a standout on the "Hurricane" album, showcasing Grace Jones' ability to create music that is both empowering and infectious.
The Apple Stretching
"The Apple Stretching" is a song by Grace Jones that was released in 1982 as part of her album titled "Living My Life". The track is an eclectic mix of reggae, funk, and new wave elements, showcasing Jones' unique style and experimental approach to music. The theme of the song revolves around the concept of transformation and growth, as symbolized by the stretching of an apple. Jones sings about embracing change and pushing boundaries, urging listeners to break free from limitations and reach for their full potential. The composition of "The Apple Stretching" is characterized by its infectious bassline, funky guitar riffs, and Jones' distinctive vocals that effortlessly switch between sultry whispers and powerful belting. The song's production features a combination of electronic and organic sounds, creating a lush and dynamic sonic landscape. Notable facts about the track include its critical acclaim for pushing the boundaries of genre and style, as well as Jones' fearless experimentation with her image and sound. "The Apple Stretching" remains a standout track in Jones' discography, showcasing her as a trailblazing artist unafraid to challenge conventions and redefine the boundaries of music.
That's The Trouble
"That's The Trouble" is a song by Jamaican-American singer Grace Jones, known for her unique blend of reggae, disco, and new wave music. The track is featured on her album "Warm Leatherette" released in 1980. The theme of the song revolves around the struggles and challenges of love and relationships. Grace Jones' powerful and sultry vocals express the complexities of romantic entanglements and the emotional turmoil that often accompanies them. The lyrics touch on themes of heartbreak, betrayal, and the difficulties of maintaining a successful partnership. Musically, "That's The Trouble" is characterized by its driving bassline, pulsating rhythms, and atmospheric synths. The instrumentation creates a dark and moody atmosphere that perfectly complements the lyrical content of the song. Grace Jones' distinctive vocal delivery adds a sense of drama and intensity to the track, making it a standout on the album. One notable fact about "That's The Trouble" is that it showcases Grace Jones' versatility as an artist. While she is known for her avant-garde fashion and larger-than-life persona, this song demonstrates her skill as a vocalist and her ability to convey deep emotions through her music. Overall, "That's The Trouble" is a captivating and evocative track that showcases Grace Jones' unique style and talent. With its compelling lyrics, powerful vocals, and atmospheric production, it remains a standout song in her discography.
I'm Not Perfect (But I'm Perfect For You) - Remastered
"I'm Not Perfect (But I'm Perfect For You) - Remastered" is a track by the iconic Jamaican singer, actress, and model Grace Jones. Originally released in 1986 as part of her album "Inside Story," the song was later remastered to give it a fresh new sound. The theme of the song revolves around self-acceptance and embracing imperfections in a relationship. Grace Jones confidently proclaims that while she may not be perfect, she is perfect for her partner. The lyrics convey a sense of empowerment and self-assurance, with Jones' unique vocals adding a touch of mystery and allure to the track. Musically, the song is a blend of pop, dance, and new wave elements, with a catchy chorus and pulsating beats that make it a perfect anthem for the dance floor. Grace Jones' distinct voice and charismatic persona shine through in every note, creating a captivating listening experience for the audience. One notable fact about "I'm Not Perfect (But I'm Perfect For You)" is that it was one of Grace Jones' most successful singles, reaching the top 10 in several countries and solidifying her status as a pop icon. The remastered version of the song breathes new life into this classic track, making it a must-listen for both longtime fans and new listeners alike.
Grace Jones