Corona
"Corona" by Minutemen is an instrumental track that serves as the opening song on their iconic album "Double Nickels on the Dime," released in 1984. The song features a unique blend of punk rock, jazz, and experimental influences that characterizes the band's eclectic sound. The composition of "Corona" is a showcase of the Minutemen's musical prowess, with intricate guitar work from D. Boon, driving basslines from Mike Watt, and dynamic drumming from George Hurley. The song's structure is unconventional, with shifting time signatures and abrupt changes in tempo that keep the listener engaged throughout its brief two-minute runtime. Thematically, "Corona" is an homage to the band's hometown of San Pedro, California. The title refers to the street where D. Boon and Mike Watt grew up, and the song captures the energy and spirit of their community. The instrumental nature of the track allows the listener to interpret its meaning in their own way, making it a powerful and evocative piece of music. "Corona" has become one of the Minutemen's most beloved songs, praised for its innovative approach to punk rock and its ability to capture the essence of their musical vision. The track's lasting influence can be heard in the work of countless bands that have been inspired by the Minutemen's boundary-pushing sound.
Viet Nam
"Viet Nam" by Minutemen is a track from their album "Double Nickels on the Dime," released in 1984. The song is a powerful and politically charged commentary on the Vietnam War and its impact on American society. The lyrics reflect on the senselessness of war and the disillusionment felt by those who were sent to fight in Vietnam. Musically, "Viet Nam" is characterized by its fast-paced, energetic punk rock sound. The song features driving bass lines, frenetic guitar riffs, and intense drumming, showcasing the Minutemen's signature raw and gritty style. One notable fact about "Viet Nam" is that it was written and recorded during a time when the Vietnam War was still a contentious and divisive issue in American politics. By addressing the war head-on in their music, the Minutemen demonstrated their willingness to engage with social and political issues in their music. Overall, "Viet Nam" is a powerful and thought-provoking track that showcases the Minutemen's unique blend of punk rock music and socially conscious lyrics.
Cohesion
"Cohesion" by Minutemen is a punk rock track known for its fast tempo and raw energy. The song showcases the band's signature blend of punk, funk, and jazz influences, with driving basslines, tight drumming, and frenetic guitar riffs. Thematically, "Cohesion" explores the idea of unity and solidarity, with lyrics that touch on the importance of coming together as a community. The band's politically charged lyrics often address social issues and advocate for change, and "Cohesion" is no exception. The composition of the song is characterized by its tight musicianship and intricate interplay between the band members. The track features a dynamic structure, moving seamlessly between different sections and showcasing the band's ability to shift tempos and styles effortlessly. Notable for their DIY ethos and uncompromising approach to music, Minutemen were a pioneering force in the punk rock scene of the 1980s. "Cohesion" is a prime example of their innovative sound and fearless attitude, making it a standout track in their discography.
#1 Hit Song
"#1 Hit Song" by Minutemen is a fast-paced punk rock track that showcases the band's signature raw energy and political lyrics. The song features driving guitar riffs, pounding drums, and intense vocals from frontman D. Boon. Thematically, "#1 Hit Song" criticizes the commercialism and superficiality of the music industry, as well as the shallow nature of pop music. The lyrics address the idea of selling out and compromising artistic integrity for fame and success. The band's disdain for mainstream culture and their DIY ethos are evident in the rebellious and confrontational tone of the song. The composition of the track is characterized by its short and intense bursts of energy, typical of Minutemen's unique blend of punk, funk, and jazz influences. The band's unconventional song structures and abrupt shifts in tempo create a sense of urgency and unpredictability that keeps listeners engaged throughout the track. One notable fact about "#1 Hit Song" is that it was released on the band's third studio album, "What Makes a Man Start Fires?", in 1983. The album received critical acclaim for its innovative approach to punk rock and its socially conscious lyrics. Minutemen's uncompromising attitude and unique musical style have since cemented their legacy as one of the most influential punk bands of the 1980s.
Theatre Is the Life of You
"Theatre Is the Life of You" is a track by the American punk rock band Minutemen, released on their album "Double Nickels on the Dime" in 1984. The song is a fast-paced, high-energy track that captures the band's signature blend of punk, funk, and jazz influences. The theme of the song revolves around the idea of living life as if it were a theatrical performance. The lyrics speak to the idea of embracing the drama and chaos of life, and finding meaning and purpose in the midst of it all. The title itself suggests that the act of living is akin to being a performer on a stage, with all the ups and downs that come with it. Musically, "Theatre Is the Life of You" features the tight, angular guitar work of D. Boon, the frenetic drumming of George Hurley, and the rumbling bass lines of Mike Watt. The band's musicianship is on full display in this track, with intricate interplay between the instruments and a dynamic energy that propels the song forward. One notable fact about "Theatre Is the Life of You" is that it showcases the Minutemen's unique approach to songwriting and performance. The band was known for their short, fast songs that often defied traditional punk structures, and this track is no exception. Clocking in at just under two minutes, the song packs a punch with its rapid-fire delivery and intense energy. Overall, "Theatre Is the Life of You" is a standout track on an album full of standout tracks. It exemplifies the Minutemen's eclectic sound and fearless approach to music-making, making it a must-listen for fans of punk rock and alternative music.
The Glory of Man
"The Glory of Man" by Minutemen is a track from their third studio album, "What Makes a Man Start Fires?," released in 1983. The song is a fast-paced punk rock anthem that clocks in at just under two minutes. Thematically, "The Glory of Man" explores the complexities of masculinity and the struggles that come with societal expectations of manhood. The lyrics touch on themes of power, vulnerability, and the pressures to conform to traditional gender roles. The song's title itself suggests a sense of irony, as it questions what truly defines the glory of a man. Musically, the track features the signature Minutemen sound, with its raw energy, tight musicianship, and socially conscious lyrics. The band's unique blend of punk, funk, and jazz influences is evident in the song's dynamic instrumentation and angular guitar riffs. Notable for its thought-provoking lyrics and innovative musical style, "The Glory of Man" remains a standout track in Minutemen's discography. The band's political and social commentary, paired with their distinctive sound, solidified their reputation as one of the most influential punk bands of the 1980s.
Political Song for Michael Jackson to Sing
"Political Song for Michael Jackson to Sing" is a track by the punk rock band Minutemen from their album Double Nickels on the Dime, released in 1984. The song tackles the issue of racism and inequality in America, calling out the famous pop star Michael Jackson to use his platform to address these pressing social issues. The composition of the song is fast-paced and energetic, typical of the Minutemen's punk rock style. The lyrics are politically charged, urging Jackson to speak out against injustice and use his fame for good. Notable facts about the song include its direct addressing of a pop culture icon like Michael Jackson, who was at the height of his fame in the 1980s. The Minutemen were known for their socially conscious lyrics and activism, and this song is a prime example of their commitment to using music as a tool for social change. Overall, "Political Song for Michael Jackson to Sing" is a powerful and thought-provoking track that remains relevant in today's society, where the fight against racism and inequality continues.
It's Expected I'm Gone
"It's Expected I'm Gone" is a track by the American punk rock band Minutemen, featured on their third studio album, "Buzz or Howl Under the Influence of Heat," released in 1983. The song is known for its raw energy, fast-paced tempo, and politically charged lyrics. The theme of the song revolves around the idea of rebellion and resistance against societal norms and expectations. The lyrics speak to the band's anti-authoritarian stance and their refusal to conform to mainstream ideologies. The title itself suggests a sense of inevitability and defiance, as if the band is aware of their own departure from the status quo. Musically, "It's Expected I'm Gone" is characterized by its frenetic guitar riffs, driving basslines, and energetic drumming. The band's signature blend of punk, funk, and jazz influences can be heard throughout the song, creating a unique and dynamic sound that sets them apart from their peers. Notable facts about the track include its brevity, clocking in at just over a minute and a half, yet packing a punch with its powerful lyrics and intense instrumentation. The song showcases the Minutemen's ability to convey complex ideas and emotions in a short amount of time, making it a standout track in their discography. Overall, "It's Expected I'm Gone" is a defiant and energetic anthem that encapsulates the Minutemen's ethos of challenging the status quo and standing up for what they believe in.
History Lesson Part 2
"History Lesson Part 2" by Minutemen is a track off of their album "Double Nickels on the Dime" released in 1984. The song is a fast-paced, punk rock track that clocks in at just under a minute and a half. The lyrics of the song delve into the band's political beliefs and touch on themes of anti-authoritarianism, social justice, and the importance of learning from history. The song's title suggests that it is a continuation of a previous lesson or message, urging listeners to reflect on the past in order to inform the present. The composition of the song features driving bass lines, frantic guitar riffs, and energetic drumming, characteristic of the Minutemen's signature sound. The raw, stripped-down production style adds to the urgency and intensity of the track. Notable facts about "History Lesson Part 2" include its inclusion on various best-of lists for punk rock music, as well as its impact on the underground music scene of the 1980s. The Minutemen are known for their innovative approach to punk rock, blending elements of jazz, funk, and avant-garde music into their sound. "History Lesson Part 2" is a prime example of their unique style and thought-provoking lyrics.
Two Beads at the End
"Two Beads at the End" is a track by the American punk rock band Minutemen, featured on their album "Double Nickels on the Dime" released in 1984. The song is known for its fast-paced, energetic tempo and gritty guitar riffs, characteristic of the band's unique sound. Thematically, "Two Beads at the End" explores the struggles of everyday life and the pursuit of meaning in a chaotic world. The lyrics touch upon themes of frustration, disillusionment, and the search for purpose, reflecting the band's socially conscious and politically charged ethos. The composition of the song is driven by the frenetic drumming of George Hurley, accompanied by the angular guitar work of D. Boon and the pulsating bass lines of Mike Watt. The band's signature blend of punk, funk, and jazz influences is on full display in this track, showcasing their innovative approach to songwriting and musicianship. Notable facts about "Two Beads at the End" include its inclusion on several "best of" lists for punk rock albums, as well as its enduring impact on the underground music scene. The song's raw energy and thought-provoking lyrics have cemented its status as a classic in the Minutemen's discography, earning praise from critics and fans alike for its emotional depth and musical complexity.
Maybe Partying Will Help
"Maybe Partying Will Help" is a track by the American punk rock band Minutemen, from their 1984 album "Double Nickels on the Dime." The song is a fast-paced, energetic punk rock anthem that clocks in at just under two minutes. The theme of the song revolves around the band's frustration with the political and social climate of the time, as well as their own personal struggles. The lyrics touch on topics such as consumerism, conformity, and the desire for escapism through partying. Musically, "Maybe Partying Will Help" features a driving bassline by Mike Watt, frenetic drumming by George Hurley, and raw, passionate vocals by D. Boon. The song's composition is fast and aggressive, with a sense of urgency that reflects the band's DIY punk ethos. One notable fact about the song is its brevity and intensity, packing a powerful punch in under two minutes. The track showcases the Minutemen's ability to deliver potent messages in a short amount of time, while also showcasing their musical prowess and unique sound. Overall, "Maybe Partying Will Help" is a standout track from the Minutemen's discography, capturing the band's raw energy and uncompromising attitude towards music and society.
This Ain't No Picnic
"This Ain't No Picnic" is a track by the American punk rock band Minutemen, released on their 1984 album "Double Nickels on the Dime." The song is known for its fast-paced and energetic tempo, with driving guitar riffs and raw, impassioned vocals by lead singer D. Boon. Thematically, the song criticizes the complacency and apathy of American society, urging listeners to wake up and take action against the injustices they see around them. The lyrics reference political corruption, environmental destruction, and social inequality, delivering a powerful message of resistance and defiance. Musically, "This Ain't No Picnic" is characterized by its tight musicianship and intricate interplay between the band members. The Minutemen were known for their unique blend of punk rock, funk, and jazz influences, and this track showcases their distinctive sound with its angular guitar lines and dynamic shifts in tempo. Notable for its urgency and intensity, "This Ain't No Picnic" remains a standout track in the Minutemen's discography, showcasing their innovative approach to punk rock and their commitment to social and political activism.
Shit From an Old Notebook
"Shit From an Old Notebook" is a track by the American punk rock band Minutemen, featured on their 1984 album "Double Nickels on the Dime." The song is known for its raw energy and intense delivery, typical of the band's unique punk sound. The theme of the song revolves around the idea of looking back on past experiences and reflecting on the lessons learned. The lyrics discuss the process of growing older and gaining wisdom from mistakes made in the past. The title itself suggests rummaging through old memories and finding valuable insights hidden within them. Musically, "Shit From an Old Notebook" features a fast-paced tempo, aggressive guitar riffs, and dynamic drumming. The band's signature style of blending punk with elements of funk and jazz is evident in this track, showcasing their innovative approach to the genre. Notable for its thought-provoking lyrics and powerful instrumentation, "Shit From an Old Notebook" remains a standout track in Minutemen's discography. The song's introspective themes and energetic performance make it a favorite among fans of punk rock music.
Toadies
"Toadies" by Minutemen is a track from their album "Double Nickels on the Dime" released in 1984. The song is a fast-paced, punk rock track with a raw and energetic sound. The theme of the song revolves around the idea of conformity and societal pressures. The lyrics speak to the feeling of being controlled by authority figures and the struggle to maintain individuality in a world that tries to mold everyone into the same "toadies." The band critiques the idea of blindly following leaders and conforming to societal norms without questioning or thinking for oneself. The composition of the song is characterized by its frantic tempo, aggressive guitar riffs, and punchy basslines. The vocals are delivered with intensity and urgency, adding to the overall rebellious and defiant tone of the track. The band's signature blend of punk rock and funk influences is evident in the instrumentation, creating a unique and dynamic sound. One notable fact about "Toadies" is that it showcases Minutemen's political and social commentary, which was a central theme in much of their music. The band was known for their outspoken views on issues such as government corruption, capitalism, and the punk rock scene itself. "Toadies" is a prime example of Minutemen's ability to combine catchy melodies with thought-provoking lyrics, making it a standout track in their discography.
Nature Without Man
"Nature Without Man" is a track by the American punk rock band Minutemen, from their album "What Makes a Man Start Fires?" released in 1983. The song is a fast-paced, energetic punk rock track that clocks in at just under two minutes. The theme of "Nature Without Man" revolves around the idea of nature existing independently of human influence. The lyrics touch on themes of environmentalism and the impact of human activity on the natural world. The band's signature politically charged and socially conscious lyrics are evident in this track. Musically, the song features the Minutemen's trademark stripped-down, raw sound with fast-paced drumming, catchy guitar riffs, and the distinctive vocal delivery of lead singer D. Boon. The band's unique blend of punk rock, funk, and jazz influences can be heard throughout the track. Notable for its brevity and intensity, "Nature Without Man" showcases the Minutemen's ability to convey powerful messages in a short amount of time. The track is a standout on an album that is considered a classic in the punk rock genre.
D.'s Car Jam / Anxious Mo-Fo
"D.'s Car Jam / Anxious Mo-Fo" is a track by the American punk rock band Minutemen, included in their iconic album "Double Nickels on the Dime" released in 1984. The song is a high-energy instrumental piece that showcases the band's signature blend of punk, funk, and jazz influences. The track starts with a driving bassline by Mike Watt, accompanied by George Hurley's frenetic drumming and D. Boon's intricate guitar riffs. The song progresses through various tempo changes and musical styles, reflecting the band's experimental approach to music. The title "Anxious Mo-Fo" suggests a sense of urgency and restlessness, which is effectively conveyed through the fast-paced rhythm and intense instrumentation. The track exudes a raw energy and a sense of controlled chaos, characteristic of Minutemen's music. Overall, "D.'s Car Jam / Anxious Mo-Fo" is a standout track that exemplifies Minutemen's innovation and creativity in the punk rock genre. It showcases the band's unique sound and musical prowess, making it a memorable and influential piece in their discography.
Don't Look Now
"Don't Look Now" by Minutemen is a track from their album "Double Nickels on the Dime," released in 1984. The song is a fast-paced punk rock anthem that clocks in at just over one minute and thirty seconds. The theme of the song revolves around the idea of living in the moment and not dwelling on the past or worrying about the future. The lyrics encourage the listener to stay present and not get caught up in regrets or fears. Musically, the track features aggressive guitar riffs, driving bass lines, and energetic drumming. The raw and urgent vocals of lead singer D. Boon add to the intensity of the song. One notable fact about "Don't Look Now" is that it showcases the Minutemen's signature style of combining punk rock with elements of funk, jazz, and avant-garde music. This unique blend of genres helped the band stand out in the punk scene of the 1980s. Overall, "Don't Look Now" is a powerful and thought-provoking track that captures the Minutemen's rebellious spirit and innovative musical approach.
My Heart and the Real World
"My Heart and the Real World" is a track by the American punk rock band Minutemen. The song is featured on their 1984 album "Double Nickels on the Dime." The theme of the song revolves around the struggle between personal emotions and the harsh realities of the world. The lyrics touch on feelings of vulnerability, confusion, and frustration in the face of societal expectations and pressures. The band's signature political and social commentary is also present in the song's lyrics, reflecting the band's DIY punk ethos. Musically, "My Heart and the Real World" is characterized by its fast-paced, energetic punk sound. The track features driving basslines, frenetic drumming, and gritty guitar riffs that create a sense of urgency and intensity. The raw, unpolished production adds to the raw and visceral nature of the song. Notable for its tight musicianship and thought-provoking lyrics, "My Heart and the Real World" is a standout track in Minutemen's discography. It showcases the band's unique blend of punk, funk, and avant-garde influences, making it a favorite among fans of underground and alternative music.
Jesus and Tequila
"Jesus and Tequila" by Minutemen is a fast-paced punk rock track that showcases the band's signature energetic and raw sound. The song features driving basslines, frantic drumming, and gritty vocals that convey a sense of urgency and intensity. Thematically, the song explores the juxtaposition of spirituality and hedonism, as the title suggests. The lyrics touch upon themes of temptation, inner conflict, and the struggle between good and evil. The juxtaposition of Jesus, a symbol of purity and righteousness, with tequila, a symbol of indulgence and excess, creates a powerful and thought-provoking contrast. The composition of the song is characterized by its tight instrumentation and dynamic shifts. The band's minimalist approach to songwriting is evident in the sparse arrangement and concise structure of the track. The guitar work is angular and jagged, creating a sense of tension and aggression that drives the song forward. Notable facts about "Jesus and Tequila" include its inclusion on the band's critically acclaimed album "Double Nickels on the Dime" released in 1984. The album is considered a seminal work in the punk rock genre and has garnered widespread praise for its innovative approach to songwriting and musicianship. "Jesus and Tequila" stands out as one of the standout tracks on the album, showcasing the Minutemen's unique blend of punk, funk, and jazz influences.
The Big Foist
"The Big Foist" is a track by the American punk rock band Minutemen, from their album "The Punch Line". The song is characterized by its fast-paced tempo, frantic guitar riffs, and intense vocal delivery by lead singer D. Boon. Thematically, "The Big Foist" is a critique of the music industry and the commercialization of art. The lyrics express frustration with the pressures and expectations placed on artists to conform to mainstream norms and sell out for fame and success. The title itself, "The Big Foist", suggests a sense of being duped or manipulated by larger forces. Musically, the song features a dynamic interplay between the guitar work of D. Boon and the driving bass lines of Mike Watt, creating a sense of urgency and energy that propels the track forward. The drums, played by George Hurley, add to the intensity of the song with their rapid-fire beats and fills. One notable aspect of "The Big Foist" is its brevity, clocking in at just under two minutes. Despite its short length, the song packs a punch with its raw intensity and sharp social commentary. The track showcases Minutemen's signature blend of punk, funk, and jazz influences, creating a unique sound that set them apart from their contemporaries. Overall, "The Big Foist" is a powerful and incisive track that reflects Minutemen's DIY ethos and uncompromising attitude towards the music industry. It remains a standout in their discography and a testament to their enduring influence on the punk rock genre.
God Bows to Math
"God Bows to Math" is a track by the punk rock band Minutemen, featured on their album "Double Nickels on the Dime" released in 1984. The song is known for its fast-paced tempo, aggressive guitar riffs, and politically charged lyrics. The theme of the song revolves around the idea of questioning authority and challenging societal norms. The lyrics address the power dynamics in society and the idea that even a higher authority like God is subject to the rules of mathematics and logic. The composition of the track is characterized by its raw energy and intense instrumentation. The band's signature blend of punk, funk, and jazz influences can be heard throughout the song, with complex guitar work and driving basslines. "God Bows to Math" showcases the Minutemen's unique musical style and their willingness to tackle controversial topics in their lyrics. The band's DIY ethos and political activism are evident in this track, making it a standout piece in their discography.
Retreat
"Retreat" by Minutemen is a track from their 1981 album "The Punch Line." The song is characterized by its fast-paced punk rock sound and politically charged lyrics. The theme of the song revolves around the concept of retreat, both in a physical and metaphorical sense. The composition of the track features driving bass lines, frenetic drumming, and gritty guitar riffs that create a sense of urgency and intensity. The vocals are delivered with raw emotion and urgency, adding to the overall power of the song. One notable aspect of "Retreat" is its brevity, clocking in at just under two minutes. Despite its short length, the song packs a punch with its energetic instrumentation and thought-provoking lyrics. The Minutemen were known for their straightforward and socially conscious songwriting, and "Retreat" is no exception. Overall, "Retreat" is a powerful and impactful track that showcases the Minutemen's unique blend of punk rock and political commentary. It remains a standout song in their discography and a testament to their influence on the punk rock scene.
West Germany
"West Germany" is a track by the American punk rock band Minutemen, included in their 1984 album "Double Nickels on the Dime". The song reflects upon the socio-political climate of West Germany during the Cold War era. The lyrics address the division of Germany into East and West, and the tensions that existed between the two sides. Musically, "West Germany" is characterized by its fast-paced tempo, distorted guitar riffs, and raw, energetic vocals by lead singer D. Boon. The band's signature blend of punk rock, funk, and jazz influences can be heard throughout the song, creating a unique and dynamic sound. One notable fact about "West Germany" is its brevity, clocking in at just under two minutes. Despite its short length, the song packs a powerful punch with its catchy hooks and politically charged lyrics. Overall, "West Germany" stands as a testament to Minutemen's ability to blend social commentary with high-energy musicality in their music.
The Roar of the Masses Could Be Farts
"The Roar of the Masses Could Be Farts" is a track by the influential punk rock band Minutemen, featured on their album "Double Nickels on the Dime" released in 1984. The song is known for its quirky title and unconventional lyrics, which touch on themes of consumerism, media manipulation, and the commodification of art. Musically, the track is characterized by its fast-paced tempo, angular guitar riffs, and driving bassline provided by Mike Watt. D. Boon's distinctive vocals add a sense of urgency and intensity to the song, reflecting the band's DIY ethos and political commentary. Notable for their brief, to-the-point song structures, Minutemen pack a lot of energy and meaning into their short tracks, and "The Roar of the Masses Could Be Farts" is no exception. The title itself is a playful jab at the idea of fame and popularity, suggesting that the noise and chaos of the masses may ultimately be meaningless or frivolous. Overall, "The Roar of the Masses Could Be Farts" showcases Minutemen's unique blend of punk, funk, and avant-garde influences, making them one of the most innovative and important bands of the 1980s underground music scene.
Take 5, D.
"Take 5, D." by Minutemen is an instrumental track that showcases the band's unique blend of punk rock and jazz influences. The song features a driving bassline, intricate guitar work, and energetic drumming that create a dynamic and engaging sound. The composition of "Take 5, D." is characterized by its fast tempo and complex rhythms, with sudden shifts in dynamics and tempo that keep the listener on their toes. The band members demonstrate their musical prowess through tight musicianship and seamless transitions between different sections of the song. While the track is primarily instrumental, it conveys a sense of urgency and intensity that reflects the band's punk roots. The energetic performance and technical proficiency displayed by the band members make "Take 5, D." a standout track in their discography. Overall, "Take 5, D." is a dynamic and engaging instrumental track that showcases Minutemen's unique musical style and technical skill. With its blend of punk rock energy and jazz-inspired complexity, the song stands out as a highlight of the band's body of work.
The Politics of Time
"The Politics of Time" is a track by the American punk rock band Minutemen, from their album "Double Nickels on the Dime" released in 1984. The song has a fast-paced and energetic punk rock sound, characteristic of the band's style. Lyrically, "The Politics of Time" explores the concept of time and its impact on society. The lyrics touch on themes of urgency, change, and the fleeting nature of time. The band's vocalist and guitarist D. Boon delivers the lyrics with passion and intensity, adding to the sense of urgency conveyed in the song. Musically, the track features driving basslines by Mike Watt and tight drumming by George Hurley. The band's signature mix of punk rock, funk, and jazz influences can be heard in the intricate instrumentation and dynamic shifts throughout the song. One notable fact about "The Politics of Time" is its inclusion on the influential album "Double Nickels on the Dime," which is considered a landmark in the punk rock genre. The album received critical acclaim for its innovative blend of punk rock with a variety of other musical styles and its socially conscious lyrics. "The Politics of Time" stands out as a standout track on an album that showcases Minutemen's unique musical vision and political commentary.
You Need the Glory
"You Need the Glory" is a track by the American punk rock band Minutemen, featured on their 1984 album "Double Nickels on the Dime." The song is a fast-paced, energetic punk rock anthem that clocks in at just over two minutes. Thematically, "You Need the Glory" explores the idea of seeking recognition and validation in a competitive and often ruthless world. The lyrics touch on the desire for success and the struggles that come with trying to achieve it. The band's signature raw and gritty sound, combined with the lyrics, create a sense of urgency and intensity that is characteristic of their music. The composition of the song is driven by the relentless drumming of George Hurley, the dynamic bass lines of Mike Watt, and the frenetic guitar playing of D. Boon. The band's tight musicianship and unique blend of punk, funk, and jazz influences are on full display in this track. One notable fact about "You Need the Glory" is that it showcases the Minutemen's ability to convey complex ideas and emotions in a short amount of time. Despite its brevity, the song packs a powerful punch and leaves a lasting impression on the listener. Overall, "You Need the Glory" is a standout track that exemplifies the Minutemen's innovative approach to punk rock music.
Themselves
"Themselves" by Minutemen is a track from their album "Double Nickels on the Dime", released in 1984. The song is a fast-paced punk rock track that clocks in at just over a minute in length. The theme of the song revolves around the idea of individuals taking control of their own lives and not relying on outside forces to dictate their actions. The lyrics encourage self-reliance and empowerment, with lines like "They say it's true, you're gonna lose, you're only gonna lose yourself" emphasizing the importance of staying true to oneself. Musically, "Themselves" features the signature tight and frenetic playing style of the Minutemen, with rapid-fire guitar riffs, driving bass lines, and energetic drumming. The band's unique blend of punk, funk, and jazz influences is on full display in this track, showcasing their innovative and genre-defying sound. Notable facts about the song include its brevity and intensity, packing a powerful message in a short amount of time. The track's dynamic shifts and abrupt stops add to its sense of urgency and immediacy, making it a standout moment on the album. Overall, "Themselves" is a raw and energetic track that captures the essence of the Minutemen's ethos of DIY punk rock and individualism. Its message of self-empowerment and defiance against societal norms resonates with listeners and cements the band's legacy as pioneers of the punk rock genre.
Do You Want New Wave or Do You Want the Truth?
"Do You Want New Wave or Do You Want the Truth?" is a track by the American punk rock band Minutemen. The song is featured on their album "Double Nickels on the Dime," released in 1984. The theme of the song revolves around the idea of authenticity in music and the punk rock scene. The title itself poses a question to the listener, challenging them to consider what they value more - the trendy, commercialized sound of New Wave music or the raw, unfiltered truth of punk rock. Musically, the song is characterized by its fast-paced, energetic tempo and catchy guitar riffs. The Minutemen were known for their unique blend of punk, funk, and jazz influences, and this track is a prime example of their eclectic sound. One notable fact about the song is its brevity - clocking in at just over a minute long, "Do You Want New Wave or Do You Want the Truth?" packs a punch with its punchy lyrics and driving instrumentation. Overall, "Do You Want New Wave or Do You Want the Truth?" is a standout track that embodies the Minutemen's ethos of challenging conventions and staying true to their punk roots.
Nothing Indeed
"Nothing Indeed" by Minutemen is a track off their iconic album "Double Nickels on the Dime." The song is a fast-paced, high-energy punk rock track that showcases the band's signature raw and intense sound. Thematically, "Nothing Indeed" explores the concept of nihilism and the idea of feeling lost and directionless in the world. The lyrics touch on themes of existentialism and the futility of life, with lines like "I'm not sure what I'm doing here, I'm not sure what I'm doing here, I'm not sure what I'm doing here." Musically, the song is characterized by its frantic guitar riffs, driving bassline, and fast-paced drumming. The band's tight instrumentation and frantic energy create a sense of urgency and chaos that perfectly complements the song's themes. One notable aspect of "Nothing Indeed" is the band's unique approach to songwriting, with Minutemen known for their unconventional song structures and experimental approach to punk rock. The song clocks in at just over a minute and a half, yet manages to pack a powerful punch in its short runtime. Overall, "Nothing Indeed" is a standout track that showcases Minutemen's talent for blending thought-provoking lyrics with high-energy punk rock instrumentation. It remains a fan favorite and a classic example of the band's influential sound.
Please Don't Be Gentle With Me
"Please Don't Be Gentle With Me" by Minutemen is a high-energy punk rock track that showcases the band's signature raw and intense sound. The song is characterized by its fast tempo, aggressive guitar riffs, and urgent vocals. Thematically, the song explores themes of resistance, defiance, and the desire to break free from societal constraints. The lyrics convey a sense of frustration and a call to action, urging the listener to push back against conformity and stand up for what they believe in. The composition of the song is tight and dynamic, with sharp shifts in tempo and intensity that keep the listener engaged from start to finish. The driving bassline and frenetic drumming create a sense of urgency and energy that propels the song forward. One notable fact about "Please Don't Be Gentle With Me" is that it was released on the band's seminal album, "Double Nickels on the Dime," which is considered a landmark in the punk rock genre. The album received widespread critical acclaim and solidified Minutemen's reputation as one of the most influential punk bands of the 1980s. Overall, "Please Don't Be Gentle With Me" is a powerful and confrontational track that captures the essence of Minutemen's politically charged and socially conscious music. It remains a standout in the band's discography and continues to resonate with fans of punk rock music.
No Exchange
"No Exchange" is a track by the American punk rock band Minutemen, featured on their album "Buzz or Howl Under the Influence of Heat" released in 1983. The song is just over two minutes long and is characterized by its fast-paced tempo, energetic guitar riffs, and raw vocals. The theme of "No Exchange" revolves around the idea of communication breakdown and the struggles of expressing oneself in a society that often values conformity over individuality. The lyrics touch upon the challenges of trying to connect with others and the frustration that can arise when communication fails. The composition of the song is typical of the Minutemen's signature style, with its stripped-down instrumentation and intense, no-frills approach to punk rock. The band's unique blend of punk, funk, and jazz influences can be heard in the intricate guitar work and dynamic rhythm section. Notable facts about "No Exchange" include its inclusion on the influential album "Buzz or Howl Under the Influence of Heat," which is considered a seminal work in the punk rock genre. The Minutemen were known for their politically charged lyrics and DIY ethos, and "No Exchange" is a prime example of their uncompromising approach to music. Overall, "No Exchange" is a powerful and thought-provoking track that showcases the Minutemen's talent for blending social commentary with high-energy punk rock.
Spillage
"Spillage" by Minutemen is a high-energy punk rock track that clocks in at just under two minutes. The song is characterized by its fast tempo, aggressive guitar riffs, and raw, impassioned vocals. Thematically, "Spillage" addresses the concept of wasted potential and missed opportunities. The lyrics speak to the frustration of feeling like time is slipping away and not being able to fully seize the moment. The urgency and intensity of the music mirror the sense of urgency and desperation conveyed in the lyrics. The composition of the song is stripped down and minimalist, with a relentless driving rhythm provided by the bass and drums. The guitar work is jagged and angular, adding a sense of chaos and unpredictability to the track. The vocals are delivered with a sense of urgency and intensity, adding to the overall sense of unease and tension in the song. One notable fact about "Spillage" is that it showcases the Minutemen's ability to pack a punch in a short amount of time. Despite its brevity, the song manages to convey a powerful message and leave a lasting impact on the listener. The track's raw energy and emotional intensity make it a standout moment in the Minutemen's discography.
Untitled Song for Latin America
"Untitled Song for Latin America" by Minutemen is a unique track that showcases the band's signature blend of punk rock and funk influences. The song's theme is a tribute to Latin America, expressing solidarity with the struggles and injustices faced by the people in the region. The composition of the song is characterized by fast-paced guitar riffs, energetic drumming, and gritty vocals by lead singer Mike Watt. The band's tight musicianship and raw energy shine through in this track, creating a powerful and dynamic sound that captures the essence of their punk ethos. One notable fact about this song is its inclusion of Spanish lyrics, reflecting the band's commitment to addressing social and political issues in Latin America. The heartfelt delivery of the lyrics adds an emotional depth to the track, making it a standout piece in the Minutemen's discography. Overall, "Untitled Song for Latin America" is a powerful and thought-provoking song that highlights the Minutemen's musical prowess and political consciousness. It serves as a testament to the band's dedication to using their platform to shed light on important issues affecting marginalized communities.
One Reporter's Opinion
"One Reporter's Opinion" is a track by the American punk rock band Minutemen, from their 1984 album "Double Nickels on the Dime." The song features a fast-paced, energetic punk rock sound with a driving bassline and catchy guitar riffs. The theme of the song revolves around the media and the role of reporters in shaping public opinion. The lyrics critique the sensationalism and bias often found in news reporting, urging listeners to think critically and question the information they are presented with. The composition of the song is characterized by its raw, unpolished sound, typical of the punk rock genre. The Minutemen's signature style of short, intense songs with politically charged lyrics is evident in "One Reporter's Opinion." Notable facts about the song include its inclusion on several "best of" lists, such as Rolling Stone's "500 Greatest Songs of All Time." The track has been praised for its social commentary and musical innovation, solidifying the Minutemen's reputation as one of the most influential punk bands of the 1980s.
June 16th
"June 16th" by Minutemen is a track that appears on their 1984 album "Double Nickels on the Dime". The song is a fast-paced punk rock track with a driving rhythm and energetic guitar riffs. The lyrics of the song touch on themes of rebellion, anti-establishment sentiments, and the struggles of working-class individuals. The track is characterized by its raw and intense sound, with lead singer D. Boon's vocals delivering the powerful lyrics with passion and urgency. The band's signature minimalist approach to songwriting is evident in "June 16th", with the song clocking in at just over a minute in length. One notable fact about the song is that it was written in response to the controversial shooting of an African American teenager, Michael Stewart, by New York City transit police on June 16th, 1983. The band's politically charged lyrics and anti-authoritarian stance are reflected in the lyrics of the song, making it a powerful and thought-provoking track. Overall, "June 16th" is a standout track on "Double Nickels on the Dime" that showcases Minutemen's unique blend of punk rock, social commentary, and musical innovation.
There Ain't Shit on T.V. Tonight
"There Ain't Shit on T.V. Tonight" is a track by the American punk rock band Minutemen. The song is featured on their album "Double Nickels on the Dime," released in 1984. The theme of the song revolves around the frustration and boredom of watching television, with the lyrics expressing disdain for the lack of quality programming. The band critiques the mindless consumption of television and the emptiness that can come from relying on it for entertainment. Musically, the track is fast-paced and energetic, characteristic of the punk rock genre. The band's signature raw and minimalist sound is evident in the song, with punchy guitar riffs and driving bass lines. The lyrics are delivered with a sense of urgency and intensity, reflecting the band's rebellious attitude. One notable aspect of the song is its brevity, with a runtime of just over a minute. This reflects the band's ethos of delivering concise and impactful music that doesn't overstay its welcome. Overall, "There Ain't Shit on T.V. Tonight" is a powerful and socially conscious punk rock anthem that showcases Minutemen's unique blend of political commentary and musical prowess.
Storm in My House
"Storm in My House" is a track by the American punk rock band Minutemen, featured on their 1984 album "Double Nickels on the Dime." The song begins with a driving bassline and energetic drumming, setting the tone for the fast-paced and intense track. Thematically, "Storm in My House" explores the chaos and turmoil that can exist within one's personal life. The lyrics paint a vivid picture of inner turmoil and emotional upheaval, with references to feeling overwhelmed and lost in the midst of a metaphorical storm. The raw and passionate vocals of lead singer D. Boon add to the intensity of the song, capturing the emotional weight of the subject matter. Musically, "Storm in My House" showcases Minutemen's signature blend of punk rock and experimental influences. The band's tight musicianship and unique songwriting style are on full display, with abrupt tempo changes and intricate guitar work adding to the dynamic nature of the track. One notable aspect of the song is its brevity, clocking in at just over two minutes. Despite its short duration, "Storm in My House" packs a punch with its powerful lyrics and high-energy performance, making it a standout track on an album known for its eclectic mix of songs. Overall, "Storm in My House" is a compelling and intense track that showcases Minutemen's talent for blending punk rock with thought-provoking lyrics. The song's raw emotion and musical complexity make it a standout moment on "Double Nickels on the Dime" and a fan favorite among the band's discography.
Martin's Story
"Martin's Story" by Minutemen is a track from their album "Double Nickels on the Dime" released in 1984. The song is an instrumental piece that showcases the band's unique blend of punk rock, post-punk, and avant-garde influences. The track features a fast-paced, driving rhythm section with intricate guitar work and sporadic bursts of saxophone. The composition is complex and dynamic, with abrupt shifts in tempo and tone that keep the listener engaged throughout. While the song is instrumental and does not contain any lyrics, its title suggests a narrative or story being told through the music. The band's use of unconventional song structures and experimental sounds adds to the cryptic and enigmatic nature of the track. "Martin's Story" is a standout track on "Double Nickels on the Dime" and showcases the Minutemen's musical versatility and boundary-pushing approach to punk rock. The band's willingness to experiment and push the boundaries of the genre set them apart from their contemporaries and cemented their legacy as one of the most innovative bands of the 1980s punk scene.
Love Dance
"Love Dance" by Minutemen is a track from their album "Double Nickels on the Dime," released in 1984. The song is a unique blend of punk rock and jazz influences, showcasing the band's experimental and eclectic style. The theme of "Love Dance" revolves around the complexity of relationships and the ups and downs of love. The lyrics touch upon the struggles and emotions that come with being in love, with a raw and honest approach that is characteristic of the band's songwriting. Musically, the track features intricate guitar work by D. Boon, driving basslines by Mike Watt, and frenetic drumming by George Hurley. The band's tight musicianship and dynamic energy shine through in this track, creating a fast-paced and engaging listening experience. Notable for its genre-bending sound and thought-provoking lyrics, "Love Dance" is a standout track in Minutemen's discography. The band's ability to seamlessly blend punk rock with jazz elements sets them apart from their contemporaries and solidifies their status as influential pioneers in the underground music scene.
The World According to Nouns
"The World According to Nouns" by Minutemen is a track from their album "Double Nickels on the Dime", released in 1984. The song is a fast-paced punk rock track that showcases the band's signature blend of punk, funk, and avant-garde influences. The theme of the song revolves around the idea of viewing the world through the lens of nouns, highlighting the importance of language and perception in shaping our understanding of reality. The lyrics are filled with abstract imagery and wordplay, reflecting the band's unique and thought-provoking approach to songwriting. Musically, the track features driving basslines, frenetic drumming, and angular guitar riffs that create a sense of urgency and energy. The band's tight musicianship and innovative song structures are on full display, showcasing their ability to blend disparate genres and influences into a cohesive and engaging sound. Notable facts about the song include its inclusion on several "best of" lists for punk rock albums, as well as its enduring influence on the underground music scene. "The World According to Nouns" remains a fan favorite and a standout track in Minutemen's discography, showcasing the band's unique blend of political commentary, humor, and musical experimentation.
Three Car Jam
"Three Car Jam" is a track by the American punk rock band Minutemen, featured on their 1984 album "Double Nickels on the Dime." The song is a fast-paced instrumental jam that showcases the band's raw energy and musicianship. The composition of "Three Car Jam" is characterized by its driving bassline, frenetic drumming, and intense guitar riffs. The band members, D. Boon (guitar, vocals), Mike Watt (bass, vocals), and George Hurley (drums), display their tight chemistry and improvisational skills throughout the track. The song builds in intensity as it progresses, culminating in a chaotic and exhilarating crescendo. Thematically, "Three Car Jam" does not have lyrics, but the music itself conveys a sense of urgency and restlessness. The title suggests a sense of movement and chaos, mirroring the fast-paced and unpredictable nature of life on the road as a touring band. Notable for its high-energy performance and technical prowess, "Three Car Jam" is a standout track on "Double Nickels on the Dime" and a prime example of Minutemen's unique blend of punk, funk, and avant-garde influences. The song showcases the band's ability to push boundaries and experiment with different musical styles while maintaining their signature sound.
Dr. Wu
"Dr. Wu" is a track by the American punk band Minutemen, featured on their 1984 album "Double Nickels on the Dime." The song is a cover of a Steely Dan song, originally released on their album "Katy Lied" in 1975. The theme of "Dr. Wu" revolves around a mysterious and elusive character named Dr. Wu, who is portrayed as a figure of wisdom and guidance. The lyrics explore themes of trust, betrayal, and seeking redemption. Musically, the song features a dynamic blend of punk rock energy and intricate instrumentation. The Minutemen's signature fast-paced, angular guitar riffs and driving basslines give the cover a raw and edgy feel, while still retaining the melodic elements of the original Steely Dan version. Notable for its unique interpretation of a classic rock song, "Dr. Wu" showcases the Minutemen's ability to infuse their own style and intensity into a cover. The band's raw and minimalist approach to punk rock is on full display in this track, making it a standout moment on the album.
Joe McCarthy's Ghost
"Joe McCarthy's Ghost" is a track by the American punk rock band Minutemen, off their album "3-Way Tie (For Last)" released in 1985. The song's title is a reference to Joe McCarthy, a US Senator known for his anti-communist crusades in the 1950s. The theme of the song revolves around the lingering impact of McCarthyism and the fear-mongering tactics used during that era. The lyrics touch on the paranoia and censorship that characterized McCarthy's reign, as well as the lasting effects on society and politics. Musically, "Joe McCarthy's Ghost" is a fast-paced, energetic punk rock track with a driving bassline, frenetic drumming, and raw guitar riffs. The band's signature blend of punk, funk, and jazz influences can be heard throughout the song, showcasing their unique sound. Notable for its politically charged lyrics and hard-hitting sound, "Joe McCarthy's Ghost" is a standout track that captures the Minutemen's rebellious spirit and social commentary. It remains a powerful reminder of the dangers of censorship and political extremism, making it a timeless and impactful piece of punk rock music.
History Lesson - Part II
"History Lesson - Part II" is a track by the American punk rock band Minutemen, released on their 1984 album "Double Nickels on the Dime." The song is a fast-paced, energetic track that clocks in at just under two minutes in length. Thematically, "History Lesson - Part II" reflects on the band's own history and the history of their music scene. The lyrics discuss the band's origins, influences, and the DIY ethos of the punk rock movement. The song also touches on themes of rebellion, self-discovery, and the importance of staying true to oneself. Musically, "History Lesson - Part II" features the signature stripped-down, raw sound of the Minutemen, with fast-paced drums, angular guitar riffs, and punchy bass lines. The band's unique blend of punk, funk, and jazz influences is on full display in this track, showcasing their innovative approach to music. Notable facts about "History Lesson - Part II" include its inclusion on several "best of" lists for punk rock albums and songs. The song has been praised for its powerful lyrics, catchy melody, and infectious energy. It has also been cited as a standout track on "Double Nickels on the Dime," which is considered a seminal album in the punk rock genre. Overall, "History Lesson - Part II" is a standout track that showcases the Minutemen's musical prowess, lyrical depth, and rebellious spirit. It remains a fan favorite and a classic in the punk rock canon.
Do You Want New Wave Or Do You Want The Truth
"Do You Want New Wave Or Do You Want The Truth" is a track by the American punk rock band Minutemen, from their album "What Makes a Man Start Fires?". The song is a fast-paced, high-energy track that captures the band's signature raw and gritty sound. Thematically, the song explores the tension between the new wave music scene and the punk rock movement of the 1980s. The lyrics question the authenticity and sincerity of the new wave genre, asking the listener to choose between the flashy, commercialized sound of new wave or the raw, unfiltered truth of punk rock. Musically, the track features driving basslines, frenetic drumming, and frenzied guitar riffs that create a sense of urgency and intensity. The band's minimalist approach to instrumentation allows the lyrics to take center stage, delivering a powerful message about staying true to oneself in the face of societal pressures. Notable for its confrontational lyrics and energetic performance, "Do You Want New Wave Or Do You Want The Truth" showcases the Minutemen's unique blend of punk, funk, and jazz influences. The band's distinctive sound and uncompromising attitude have solidified their legacy as influential figures in the punk rock scene.
Bob Dylan Wrote Propaganda Songs
"Bob Dylan Wrote Propaganda Songs" is a track by the American punk rock band Minutemen, from their album "What Makes a Man Start Fires?" released in 1983. The song is a fast-paced, energetic punk rock track with a raw and aggressive sound. The lyrics of the song touch on the idea of music and art being used as a tool for propaganda and manipulation. The title itself is a reference to legendary folk singer Bob Dylan, who was known for his politically charged and socially conscious songwriting. The Minutemen use this reference to question the sincerity and authenticity of artists who use their platform to spread a particular message or agenda. Musically, the track features tight, frenetic guitar riffs, driving basslines, and intense drumming, characteristic of the Minutemen's signature sound. The band's unique blend of punk rock, jazz, and funk influences is on full display in this song, showcasing their innovative and experimental approach to music. "Bob Dylan Wrote Propaganda Songs" is a standout track on an album that is considered a seminal work in the punk rock genre. Its thought-provoking lyrics and dynamic musical composition make it a powerful and memorable song that continues to resonate with listeners today.
Fake Contest
"Fake Contest" by Minutemen is a high-energy punk rock track with a fast tempo and raw, gritty sound. The song is driven by punchy basslines, frenetic drumming, and aggressive guitar riffs. The lyrics touch on themes of political corruption, media manipulation, and the facade of democracy in America. One notable aspect of the song is its brevity, clocking in at just under a minute and a half. Despite its short length, "Fake Contest" packs a powerful punch with its intense instrumentation and thought-provoking lyrics. The track showcases the Minutemen's signature blend of punk, funk, and jazz influences, creating a unique and dynamic sound that sets them apart from other bands of the era. Overall, "Fake Contest" is a standout track that exemplifies the Minutemen's innovative approach to punk rock music. Its catchy hooks, fiery energy, and socially conscious lyrics make it a must-listen for fans of the band and the genre as a whole.
I Felt Like a Gringo
"I Felt Like a Gringo" is a track by the American punk rock band Minutemen, from their 1984 album "Double Nickels on the Dime." The song is a fast-paced, energetic track that showcases the band's unique blend of punk rock, funk, and jazz influences. The lyrics of the song touch on themes of alienation and cultural displacement, with the narrator feeling out of place and disconnected from their surroundings. The title itself, "I Felt Like a Gringo," suggests a sense of being an outsider or outsider in a foreign environment. Musically, the track features the band's signature tight and frenetic instrumentation, with Mike Watt's driving basslines, D. Boon's angular guitar riffs, and George Hurley's dynamic drumming creating a propulsive and energetic sound. The band's musical versatility is on full display in this song, with elements of punk, funk, and jazz all coming together in a seamless and cohesive way. "I Felt Like a Gringo" is a standout track on "Double Nickels on the Dime," showcasing the Minutemen's unique sound and innovative approach to punk rock. The song's themes of alienation and cultural displacement, combined with its dynamic musical composition, make it a standout track in the band's discography.
Search
"Search" by Minutemen is a track from their debut album "The Punch Line," released in 1981. The song features the band's signature punk rock sound with fast-paced drums, gritty guitar riffs, and energetic vocals. Thematically, "Search" explores the idea of seeking truth and understanding in a chaotic world. The lyrics touch on themes of introspection, self-discovery, and the relentless pursuit of knowledge. The song reflects the band's politically charged and socially conscious approach to music, showcasing their DIY ethos and punk rock roots. The composition of "Search" is characterized by its frenetic pace and raw energy, with tight musicianship and dynamic shifts in tempo. The track clocks in at just under two minutes, delivering a burst of intensity that captures the urgency and immediacy of the punk rock genre. Notable for its thought-provoking lyrics and blistering instrumentation, "Search" is a standout track that showcases Minutemen's unique blend of punk, funk, and avant-garde influences. The song remains a fan favorite and a testament to the band's innovative approach to music and activism.
Minutemen