No
"No" by Subhumans is a fast-paced punk rock track that addresses themes of anti-authoritarianism and rebellion against societal norms. The song begins with a driving drumbeat and gritty guitar riffs that set the tone for the raw energy and intensity of the track. The lyrics of "No" speak to the band's refusal to conform to the expectations of mainstream society and their rejection of oppressive systems of power. The vocalist delivers the message with a sense of urgency and defiance, urging listeners to resist conformity and stand up against injustice. The composition of the song is characterized by its aggressive guitar work and frenetic drumming, creating a sense of urgency and rebellion that complements the rebellious spirit of the lyrics. The track is marked by its fast tempo and energetic performance, capturing the raw energy and passion of punk rock music. "No" is a standout track in Subhumans' discography, showcasing the band's signature sound and uncompromising attitude. With its powerful message and high-energy performance, the song continues to resonate with fans of punk rock music and serves as a rallying cry for those who refuse to bow down to authority.
Mickey Mouse Is Dead
"Mickey Mouse Is Dead" is a punk rock song by the British band Subhumans. Released in 1983, the track is known for its fast-paced tempo, aggressive guitar riffs, and politically charged lyrics. The song criticizes the commercialization and superficiality of mainstream culture, using the death of the iconic character Mickey Mouse as a metaphor for the decline of society. The track opens with a powerful drum beat and distorted guitar chords, setting the tone for the high-energy performance that follows. Lead singer Dick Lucas delivers the vocals with intense passion, railing against consumerism, conformity, and the erosion of individuality. The chorus repeats the title phrase, driving home the message that the innocence and purity of childhood have been corrupted by greed and materialism. One notable aspect of "Mickey Mouse Is Dead" is its raw and unapologetic approach to social commentary. Subhumans were known for their outspoken political views, and this track is no exception. The band's DIY ethos and anti-establishment attitude are reflected in the rebellious spirit of the song, making it a standout in their discography. Overall, "Mickey Mouse Is Dead" is a powerful and thought-provoking punk anthem that resonates with listeners who share the band's skepticism of mainstream culture. The track's intense energy, provocative lyrics, and memorable hooks have solidified its status as a classic in the punk rock genre.
All Gone Dead
"All Gone Dead" is a song by the British punk band Subhumans, released on their debut album "The Day the Country Died" in 1982. The track is a fast-paced and aggressive punk anthem with powerful and politically charged lyrics. The song's theme revolves around the idea of a dystopian society where everything is falling apart and all hope seems to be lost. The lyrics speak out against social and political injustices, criticizing the government and the system that oppresses the people. Musically, "All Gone Dead" features driving guitar riffs, pounding drums, and intense vocals by lead singer Dick Lucas. The energy and raw emotion in the song capture the band's rebellious spirit and DIY punk attitude. Notable for its powerful message and catchy melody, "All Gone Dead" has become a staple in Subhumans' live setlists and is considered one of their most iconic tracks. The song's fierce energy and thought-provoking lyrics continue to resonate with fans of punk rock and activists alike.
Religious Wars
"Religious Wars" by Subhumans is a politically charged punk rock track that delves into the destructive nature of religious conflicts. The song's lyrics criticize the hypocrisy and violence that often arise from religious zealotry, with singer Dick Lucas delivering powerful and thought-provoking lines that question the motives behind such wars. Musically, "Religious Wars" features a fast-paced tempo, aggressive guitar riffs, and energetic drumming that perfectly complement the intense subject matter of the song. The band's raw and passionate performance adds to the urgency and impact of the track, making it a standout in their discography. One notable fact about "Religious Wars" is that it was released on Subhumans' debut album, "The Day the Country Died," in 1983. The album was well-received by fans and critics alike, and "Religious Wars" quickly became a fan favorite due to its powerful message and infectious energy. Overall, "Religious Wars" is a standout track that showcases Subhumans' ability to address important social issues through their music while also delivering a high-energy punk rock sound that has stood the test of time.
Ashtray Dirt
"Ashtray Dirt" by Subhumans is a punk rock track that was released on their album "The Day the Country Died" in 1983. The song features fast-paced drums, distorted guitars, and aggressive vocals, characteristic of the band's signature sound. The theme of the song revolves around the idea of feeling trapped in a mundane and oppressive society. The lyrics express feelings of frustration and anger towards the government, capitalism, and societal norms. The title "Ashtray Dirt" may symbolize the feeling of being discarded or devalued by the world around them. The composition of the song is energetic and raw, with driving rhythms and intense guitar riffs that create a sense of urgency and rebellion. The vocals are delivered with passion and intensity, reflecting the band's anti-establishment attitude. Notable facts about "Ashtray Dirt" include its popularity among punk rock fans for its raw and aggressive sound, as well as its politically charged lyrics. The song remains a staple in Subhumans' live performances and is considered a classic in the punk rock genre.
I Don't Wanna Die
"I Don't Wanna Die" is a high-energy punk rock track by the British punk band Subhumans. The song, released in 1983 on their album "The Day the Country Died," addresses the fear and anxiety of mortality. The track features fast-paced guitar riffs, driving drums, and intense vocals by lead singer Dick Lucas. The lyrics express a sense of urgency and defiance, as the protagonist grapples with the inevitability of death and the desire to cling to life. The chorus repeats the powerful declaration, "I don't wanna die," emphasizing the theme of the song. The composition of "I Don't Wanna Die" is characterized by its raw, unpolished sound, typical of the punk genre. The band's energy and passion are palpable throughout the track, creating a sense of urgency and rebellion. Notable facts about the song include its popularity within the punk community and its enduring relevance. "I Don't Wanna Die" has remained a fan favorite and a staple of Subhumans' live performances. The track's raw emotion and powerful message have resonated with listeners for decades, solidifying its place as a classic punk anthem.
Subvert City
"Subvert City" is a fast-paced punk rock anthem by the British band Subhumans. Released in 1983, the song is a powerful critique of the political and social systems of the time, calling for rebellion and resistance against authority. The track opens with a driving drum beat and aggressive guitar riffs, setting the tone for the energetic and rebellious lyrics that follow. Lead vocalist Dick Lucas delivers the message with raw intensity, railing against the corruption and oppression of the city and urging listeners to take action and fight back. The composition of "Subvert City" is characterized by its raw and unapologetic sound, typical of the hardcore punk genre. The band's tight musicianship and Lucas' impassioned vocals create a sense of urgency and defiance that resonates with fans of punk rock. Notable for its bold political commentary and fierce energy, "Subvert City" remains a standout track in the Subhumans' discography and a classic example of punk rock music that challenges the status quo and inspires listeners to question authority.
Minority
"Minority" by Subhumans is a fast-paced punk rock track that addresses themes of rebellion, nonconformity, and standing up against societal norms. The song begins with a driving drum beat and powerful guitar riffs that create a sense of urgency and defiance. The lyrics of "Minority" speak to the experience of feeling like an outsider or a misfit in a world that values conformity. The band challenges the status quo and encourages listeners to embrace their individuality and resist societal pressures to conform. Musically, "Minority" features raw vocals by lead singer Dick Lucas, who delivers the lyrics with passion and intensity. The song also showcases the band's tight musicianship, with intricate guitar solos and a dynamic rhythm section that drives the energy of the track. "Minority" is a standout track in Subhumans' discography, known for its powerful message and infectious energy. The song has become a staple in the punk rock genre and continues to resonate with listeners who appreciate its themes of rebellion and individuality.
Nothing I Can Do
"Nothing I Can Do" is a track by the punk rock band Subhumans. The song addresses feelings of powerlessness and frustration in the face of societal and political issues. The lyrics convey a sense of helplessness and resignation, as the singer laments the state of the world and the lack of control they have over it. Musically, the song is characterized by fast-paced drumming, aggressive guitar riffs, and raw vocals. The band's energetic performance adds to the sense of urgency and intensity in the song. One notable fact about "Nothing I Can Do" is that it was released in 1983 as part of the band's album "The Day the Country Died." The album was a critical and commercial success, cementing Subhumans' reputation as one of the leading bands in the punk rock scene. Overall, "Nothing I Can Do" is a powerful and thought-provoking track that captures the angst and disillusionment of the era. Its raw energy and poignant lyrics continue to resonate with listeners today, making it a timeless classic in punk rock music.
Killing
"Killing" is a powerful punk rock track by the British band Subhumans. The song addresses the destructive nature of violence and killing, as well as the impact it has on individuals and society as a whole. The lyrics delve into themes of war, oppression, and the dehumanization that can result from acts of violence. Musically, "Killing" features fast-paced drumming, driving guitar riffs, and raw, impassioned vocals from lead singer Dick Lucas. The song's intense energy and sense of urgency mirror the urgency of its message, making for a visceral listening experience. Notable for its thought-provoking lyrics and social commentary, "Killing" showcases Subhumans' talent for blending punk rock aggression with insightful, politically charged themes. The song remains a standout track in the band's discography, resonating with fans for its unapologetic stance against violence and injustice.
Apathy
"Apathy" by Subhumans is a punk rock track that captures the band's signature sound and rebellious attitude. The song's theme revolves around the concept of apathy and indifference towards societal issues, urging listeners to wake up and take action. The lyrics criticize the passive mentality of people who choose to ignore the injustices and problems around them, highlighting the importance of standing up for what is right. Musically, "Apathy" features fast-paced guitar riffs, pounding drums, and aggressive vocals that convey a sense of urgency and frustration. The energy and intensity of the track reflect the band's passion for social activism and their desire to incite change. One notable fact about "Apathy" is that it was released on Subhumans' debut album, "The Day the Country Died," in 1983. The album received critical acclaim for its raw and politically charged lyrics, cementing Subhumans' reputation as one of the leading bands in the UK punk scene. Overall, "Apathy" is a powerful and thought-provoking track that continues to resonate with listeners today, serving as a reminder to remain vigilant and engaged in the fight against apathy and complacency.
New Age
"New Age" by Subhumans is a punk rock track that was released on their debut album "The Day the Country Died" in 1983. The song's theme revolves around criticizing the capitalist system and the conformity of society. The lyrics speak out against consumerism, political corruption, and the lack of individuality in the modern world. Musically, "New Age" is characterized by fast-paced drums, aggressive guitar riffs, and raw, energetic vocals. The song's sense of urgency and intensity reflect the band's rebellious and anti-establishment attitude. Notable for its powerful anti-establishment message and high-energy performance, "New Age" has become a staple in Subhumans' live shows and a fan favorite. The track remains relevant today, resonating with listeners who share the band's dissatisfaction with societal norms and the status quo.
Drugs Of Youth
"Drugs Of Youth" by Subhumans is a punk rock track that delves into the theme of the destructive nature of drug abuse among young people. The song criticizes society's glamorization of drug use and highlights the negative consequences that can result from it. The composition of the track is fast-paced and energetic, with aggressive guitar riffs and pounding drums that drive the song forward. The raw and intense vocals of lead singer Dick Lucas add to the urgency of the message being conveyed. One notable fact about "Drugs Of Youth" is that it was released on Subhumans' second studio album, "No Wishes, No Prayers," in 1983. The album as a whole is known for its politically charged lyrics and high-energy punk sound, making it a standout in the band's discography. Overall, "Drugs Of Youth" is a powerful and thought-provoking track that serves as a reminder of the dangers of drug abuse and the importance of staying true to oneself in the face of societal pressures.
Black And White
"Black And White" by Subhumans is a punk rock track that was released in 1980 on their album "The Day The Country Died." The song's theme revolves around the idea of societal conformity and the pressures to fit into a black-and-white mold. The lyrics discuss the struggles of feeling trapped in a system that demands uniformity and compliance, urging listeners to break free from these constraints and embrace individuality. Musically, "Black And White" features fast-paced drumming, aggressive guitar riffs, and raw, impassioned vocals by lead singer Dick Lucas. The energy and intensity of the track reflect the band's punk ethos and rebellious spirit. The song's catchy chorus and driving rhythm make it a standout track on the album and a fan favorite at Subhumans' live shows. Notable for its thought-provoking lyrics and powerful delivery, "Black And White" remains a classic punk anthem that continues to resonate with listeners who reject conformity and value authenticity. The track's message of defiance and resistance against societal norms has made it a timeless and enduring piece of punk rock history.
'Til the Pigs Come Round
"Til the Pigs Come Round" by Subhumans is a fast-paced punk rock track that clocks in at just under two minutes. The song features energetic guitar riffs, pounding drums, and aggressive vocals that capture the band's signature hardcore sound. Thematically, the song addresses issues of police brutality and corruption in society. The lyrics criticize the abuse of power by authority figures and call for resistance and rebellion against oppressive systems. The title "Til the Pigs Come Round" alludes to the idea of standing up against injustice until the authorities intervene. The composition of the song is characterized by its raw and intense energy. The driving rhythm and raw vocals create a sense of urgency and defiance that carries throughout the track. The fast tempo and aggressive nature of the music mirror the rebellious spirit of the lyrics. One notable fact about the song is that it was released as part of Subhumans' debut album "The Day the Country Died" in 1983. The album was highly influential in the punk rock scene and solidified the band's reputation as political activists and outspoken critics of societal norms. Overall, "Til the Pigs Come Round" is a powerful and unapologetic punk rock anthem that remains relevant in its critique of authority and calls for social change.
Parasites
"Parasites" by Subhumans is a punk rock track that was released in 1981 on their album "The Day the Country Died." The song's theme revolves around criticizing the greed and corruption of society, particularly focusing on those who exploit others for their own gain. The lyrics highlight the parasitic nature of certain individuals who drain resources and manipulate others for their own benefit. Musically, "Parasites" features fast-paced drums, thrashing guitars, and raw, aggressive vocals that capture the energy and urgency of punk rock. The song's composition is straightforward and to the point, reflecting the band's DIY ethos and rebellious spirit. Notable for their political activism and outspoken lyrics, Subhumans were part of the UK punk scene in the 1980s, known for their socially conscious and politically charged music. "Parasites" is a standout track that showcases the band's signature sound and message, making it a classic in the punk rock genre.
Society
"Society" by Subhumans is a punk rock track that explores themes of rebellion against societal norms and expectations. The song criticizes the conformity and control imposed by society on individuals, urging listeners to break free from the constraints and think for themselves. The composition of the song is fast-paced and energetic, with driving guitar riffs and pounding drums that create a sense of urgency and defiance. The raw and aggressive vocals of lead singer Dick Lucas add to the rebellious tone of the track, making it a powerful anthem for those who feel oppressed by societal expectations. One notable fact about "Society" is that it was released in 1981 as part of the band's debut album, "The Day the Country Died." The album received critical acclaim for its politically charged lyrics and intense musical style, establishing Subhumans as one of the pioneering bands of the UK punk scene. Overall, "Society" is a powerful and thought-provoking track that continues to resonate with listeners today, serving as a reminder to question authority and challenge the status quo.
Dying World
"Dying World" by Subhumans is a politically charged punk rock track that addresses the theme of societal decay and environmental destruction. The lyrics of the song critique the state of the world and the impact of capitalism on both the environment and humanity. The band's anti-establishment message is conveyed through aggressive vocals and fast-paced instrumentals, typical of the punk genre. The composition of the song features driving guitar riffs, pounding drums, and raw, energetic vocals. The band's DIY ethos is evident in the production, with a gritty and unpolished sound that adds to the raw intensity of the track. One notable fact about the song is that it was released in 1981 on Subhumans' debut album, "The Day the Country Died." The album was a seminal release in the UK punk scene and cemented the band's reputation as outspoken critics of societal norms. Overall, "Dying World" is a powerful and thought-provoking punk anthem that encapsulates the band's ethos and passion for social change.
Big Brother
"Big Brother" by Subhumans is a politically charged punk rock track that critiques the oppressive nature of government surveillance and control. The song's theme revolves around the idea of a totalitarian regime monitoring and manipulating its citizens, creating a dystopian society where individual freedoms are restricted. The composition of the track is fast-paced and aggressive, featuring gritty guitar riffs, pounding drums, and intense vocals. The band's raw energy and passion are evident throughout the song, adding to its rebellious and defiant tone. Notable facts about "Big Brother" include its release on the band's debut album, "The Day the Country Died," in 1983. The song quickly became a fan favorite and a staple in Subhumans' live performances. Its powerful lyrics and catchy melody have resonated with listeners for decades, making it a classic in the punk rock genre. Overall, "Big Brother" is a powerful and thought-provoking track that showcases Subhumans' talent for blending social commentary with high-energy punk rock music.
Get Out of My Way
"Get Out of My Way" is a fast-paced punk rock track by the British band Subhumans. The song is characterized by its aggressive guitar riffs, driving bassline, and energetic drumming. The lyrics are delivered with intense vocals, expressing frustration and anger towards societal norms and authority figures. The theme of the song revolves around defiance and resistance against oppressive systems and individuals who try to control or manipulate others. The lyrics convey a sense of rebellion and a call to action, urging listeners to stand up for themselves and fight against injustice. One notable aspect of the track is its powerful and confrontational energy, which is enhanced by the raw and unapologetic vocal delivery. The fast tempo and intense instrumentation create a sense of urgency and defiance, making "Get Out of My Way" a standout track in Subhumans' discography. Overall, "Get Out of My Way" is a high-energy punk anthem that captures the spirit of rebellion and empowerment. Its message of standing up against oppressive forces resonates with fans of punk rock and those who appreciate music that challenges the status quo.
Zyklon-B-Movie
"Zyklon-B-Movie" by Subhumans is a fast-paced punk rock track that addresses the horrors of the Holocaust and the use of Zyklon B gas in concentration camps during World War II. The song's lyrics condemn the atrocities committed by the Nazis and serve as a powerful reminder of the importance of remembering and learning from history. Musically, "Zyklon-B-Movie" features aggressive guitar riffs, pounding drums, and raw, intense vocals that capture the anger and urgency of the song's subject matter. The band's high-energy performance adds to the overall intensity of the track, making it a standout piece in their discography. Notable for its confrontational lyrics and unapologetic political stance, "Zyklon-B-Movie" showcases Subhumans' commitment to using their music as a platform for social commentary and activism. The track remains a powerful and thought-provoking anthem that continues to resonate with audiences today.
No More Gigs
"No More Gigs" is a track by the British anarcho-punk band Subhumans. The song, which is featured on their album "The Day the Country Died" released in 1983, reflects the band's disillusionment with the mainstream music industry and their rejection of commercialism. The composition of "No More Gigs" is characterized by fast-paced drumming, aggressive guitar riffs, and politically charged lyrics. The song's raw energy and rebellious spirit are typical of the punk genre, with lead singer Dick Lucas delivering the vocals with intensity and passion. The lyrics of "No More Gigs" criticize the music industry for its exploitation of artists and its focus on profit over artistic integrity. The band expresses their frustration with the lack of opportunities for independent musicians and the pressure to conform to industry standards. One notable fact about "No More Gigs" is that it showcases Subhumans' signature sound and lyrical content, which often address themes of social injustice, political corruption, and anti-capitalism. The band's DIY ethos and commitment to punk ethics are evident in this track, making it a standout song in their discography.
Waste Of Breath
"Waste of Breath" is a punk rock track by the British band Subhumans. The song was released on their debut album "The Day the Country Died" in 1983. The theme of "Waste of Breath" revolves around the frustration and disillusionment with society and the political system. The lyrics criticize the government, the media, and the general apathy of the public towards important issues. The song expresses a sense of anger and urgency, calling for action and resistance against the status quo. Musically, "Waste of Breath" features fast-paced drumming, gritty guitar riffs, and aggressive vocals by lead singer Dick Lucas. The raw energy and intensity of the music perfectly complement the rebellious lyrics, creating a powerful and impactful listening experience. One notable fact about "Waste of Breath" is that it has become a staple of Subhumans' live performances and is considered one of their most iconic songs. The track has also been covered by various punk bands over the years, further cementing its status as a classic within the genre.
Peroxide
"Peroxide" by Subhumans is a fast-paced punk rock track that was released on the band's debut album "The Day the Country Died" in 1983. The song starts with a catchy guitar riff and aggressive drumming that sets the tone for the energetic and rebellious lyrics that follow. The theme of "Peroxide" revolves around the idea of rebellion against societal norms and expectations. The lyrics criticize the conformity and consumerism of modern society, urging listeners to think for themselves and not be swayed by the pressures of the mainstream. The chorus, which repeats the line "don't wash your face in peroxide," serves as a metaphor for rejecting the artificial and superficial standards imposed by society. Musically, "Peroxide" features a driving rhythm and raw, gritty vocals by lead singer Dick Lucas. The fast tempo and aggressive guitar riffs give the song a sense of urgency and intensity, reflecting the band's DIY punk ethos. Notable facts about "Peroxide" include its enduring popularity among punk rock fans and its status as a classic protest anthem. The song's message of defiance and nonconformity continues to resonate with listeners who appreciate its rebellious spirit and anti-establishment themes. Overall, "Peroxide" is a powerful and politically charged track that showcases Subhumans' raw energy and uncompromising punk rock sound.
Work-Rest-Play-Die
"Work-Rest-Play-Die" by Subhumans is a classic punk rock track that was released on their debut album, "The Day the Country Died" in 1983. The song's theme revolves around the cyclical nature of life in a capitalist society, where individuals are expected to work tirelessly, only to find temporary relief in brief moments of rest and play before ultimately meeting their demise. The composition of the song is fast-paced and energetic, with driving guitar riffs, pounding drums, and aggressive vocals that capture the band's raw and rebellious punk sound. The lyrics are delivered with a sense of urgency and frustration, reflecting the band's disillusionment with the state of the world and the oppressive systems in place. Notable facts about "Work-Rest-Play-Die" include its enduring popularity among punk rock fans and its status as a standout track in Subhumans' discography. The song's powerful message and fiery delivery have solidified its place as a punk rock anthem that continues to resonate with listeners who feel disillusioned with the status quo.
Animal
"Animal" by Subhumans is a punk rock track that was released in 1983 on their album "From the Cradle to the Grave." The song's theme revolves around the dehumanization of individuals in society, likening them to animals being controlled by oppressive systems. The composition of the song is fast-paced and energetic, characteristic of the band's punk sound. The driving guitar riffs, pounding drums, and aggressive vocals create a sense of urgency and rebellion that is synonymous with punk rock music. One notable fact about "Animal" is that it showcases the band's political and social commentary, a common theme in their music. The lyrics criticize the dehumanizing effects of capitalism and the loss of individuality in a conformist society. Overall, "Animal" is a powerful and thought-provoking track that captures the essence of punk rock music with its raw energy and rebellious spirit.
Evolution
"Evolution" by Subhumans is a punk rock track that delves into the theme of societal and personal growth and change. The song explores the idea of evolution, both in terms of the natural progression of life and the evolution of human society. The composition of the song features fast-paced guitar riffs, energetic drumming, and raw, passionate vocals. The aggressive and rebellious tone of the music matches the lyrics, which criticize the stagnation and conformity of modern society. One notable fact about "Evolution" is that it was released on Subhumans' debut album, "The Day the Country Died," in 1983. The album is considered a classic in the punk rock genre and helped establish Subhumans as a prominent band in the UK punk scene. Overall, "Evolution" is a powerful and thought-provoking track that encourages listeners to challenge the status quo and strive for personal and social change.
Rats
"Rats" by Subhumans is a fast-paced punk rock track that addresses themes of societal decay and corruption. The song opens with aggressive guitar riffs and pounding drums, setting the tone for the band's raw and energetic sound. The lyrics reflect on the idea of people being like rats, scurrying around in a world filled with greed and manipulation. The composition of "Rats" is characterized by its quick tempo, shouted vocals, and intense guitar solos. The band's tight musicianship and rebellious attitude shine through in this track, making it a standout in their discography. One notable fact about "Rats" is that it was released as part of Subhumans' debut album, "The Day the Country Died," in 1983. The album was a critical success and solidified the band's reputation as one of the leading figures in the UK punk scene. Overall, "Rats" is a powerful and provocative song that showcases Subhumans' unique blend of punk rock and social commentary. Its high energy and thought-provoking lyrics make it a standout track in the band's impressive body of work.
Reality Is Waiting For A Bus
"Reality Is Waiting For A Bus" is a track by the punk rock band Subhumans. The song is known for its energetic and fast-paced tempo, typical of the band's signature punk sound. The lyrics of the song touch upon themes of disillusionment with society and the monotony of everyday life. The composition of the track features driving guitar riffs, pounding drums, and aggressive vocals by lead singer Dick Lucas. The band's raw and unapologetic approach to punk music is evident in this track, with its intense and urgent delivery. One notable fact about "Reality Is Waiting For A Bus" is that it was released on the band's debut album, "The Day The Country Died," in 1983. The album is considered a classic in the punk rock genre and has been praised for its politically charged lyrics and powerful music. Overall, "Reality Is Waiting For A Bus" is a standout track that exemplifies Subhumans' unique blend of punk rock music with thought-provoking lyrics.
Supermarket Forces
"Supermarket Forces" by the punk rock band Subhumans is a high-energy track that addresses the themes of consumerism, capitalism, and societal pressures. The song critiques the power of corporations and the influence they have on individuals, urging listeners to resist conformity and think for themselves. Musically, the song features fast-paced drumming, distorted guitar riffs, and aggressive vocals that capture the band's raw and rebellious punk sound. The urgent tempo and intense energy of the music mirror the urgency of the song's message, creating a sense of urgency and rebellion. Notable for its thought-provoking lyrics and confrontational attitude, "Supermarket Forces" is a standout track that showcases Subhumans' political consciousness and punk ethos. The band's fierce delivery and powerful instrumentation make this song a rallying cry for those who resist societal norms and challenge the status quo.
Businessmen
"Businessmen" by Subhumans is a punk rock track that criticizes the corporate world and the greed and corruption that often accompany it. The song's lyrics denounce businessmen for their selfishness and exploitation of others, highlighting the negative impact their actions have on society. Musically, "Businessmen" features fast-paced drumming, aggressive guitar riffs, and raw, passionate vocals. The band's energetic performance adds to the intensity of the song, conveying a sense of urgency and rebellion. One notable fact about "Businessmen" is that it was released on the band's debut album, "The Day the Country Died," in 1983. The album received critical acclaim for its politically charged lyrics and raw sound, establishing Subhumans as a prominent figure in the punk rock scene. Overall, "Businessmen" is a powerful and thought-provoking track that remains relevant in today's society, as it continues to resonate with listeners who are critical of corporate greed and injustice.
It's Gonna Get Worse
"It's Gonna Get Worse" by Subhumans is a punk rock track that addresses the political and social issues of the time. The song's theme revolves around the band's frustration with the state of the world and their pessimistic outlook on the future. Musically, the track features fast-paced drumming, aggressive guitar riffs, and gritty vocals that add to the overall intensity of the song. The raw energy and angst in the performance of the band members contribute to the rebellious and defiant tone of the track. Notable for its powerful lyrics and dynamic instrumentation, "It's Gonna Get Worse" showcases Subhumans' signature sound and their ability to deliver hard-hitting punk rock anthems. The track serves as a rallying cry for those who are disillusioned with the status quo and serves as a reminder of the band's commitment to speaking out against injustice and corruption.
Forget
"Forget" is a track by the British punk rock band Subhumans, released on their 1983 album "From the Cradle to the Grave." The song is a fast-paced, high-energy punk anthem that captures the band's signature sound and rebellious spirit. Thematically, "Forget" explores the idea of questioning societal norms and rejecting conformity. The lyrics express a sense of disillusionment with the world and a desire to break free from the constraints of mainstream culture. The song's raw and aggressive delivery reflects the band's punk ethos and DIY aesthetic. Musically, "Forget" features driving guitars, pounding drums, and intense vocals that create a sense of urgency and defiance. The song's catchy chorus and infectious energy make it a standout track on the album and a fan favorite at live shows. Notable for its powerful lyrics and energetic performance, "Forget" showcases Subhumans' ability to blend political commentary with punk rock aggression. The song remains a classic in the punk rock genre and a testament to the band's enduring influence.
Joe Public
"Joe Public" by Subhumans is a punk rock track that was released in 1983 on their album "The Day the Country Died." The song's theme revolves around criticizing the apathy and conformity of mainstream society, particularly the working-class individuals who blindly follow societal norms without questioning authority or seeking change. The composition of the track is fast-paced and aggressive, with driving guitar riffs, pounding drums, and gritty vocals by lead singer Dick Lucas. The lyrics are filled with social commentary and rebellion, urging listeners to break free from the constraints of society and think for themselves. One notable fact about "Joe Public" is that it showcases the Subhumans' signature sound of politically charged punk rock with a sense of urgency and raw energy. The band was known for their outspoken views on social issues and their music served as a platform for expressing their discontent with the status quo. Overall, "Joe Public" is a powerful and thought-provoking track that captures the essence of punk rock music and the Subhumans' dedication to challenging societal norms and promoting individuality.
Human Error
"Human Error" by Subhumans is a fast-paced punk rock track that addresses the theme of societal and personal mistakes and failures. The lyrics delve into the idea of human error and the consequences that come with it, highlighting the imperfect nature of individuals and society as a whole. The composition of the song features aggressive guitar riffs, pounding drums, and raw vocals that convey a sense of urgency and intensity. The track maintains a high energy level throughout, capturing the chaotic and rebellious spirit of punk rock music. Notable facts about "Human Error" include its inclusion on the Subhumans' album "The Day the Country Died," released in 1983. The song has become a fan favorite and a staple of the band's live performances, showcasing their ability to deliver powerful and thought-provoking music that resonates with listeners. Overall, "Human Error" is a hard-hitting punk rock anthem that explores the complexities of human fallibility and the struggle to overcome mistakes and learn from them. It is a powerful and memorable track that continues to resonate with fans of punk rock music.
Can't Hear The Words
"Can't Hear The Words" is a fast-paced punk rock track by the British band Subhumans. The song's theme revolves around the idea of feeling overwhelmed and drowned out by the constant noise and distractions of everyday life. The lyrics express frustration and a sense of alienation, as the protagonist struggles to make sense of the chaos around them. Musically, the song is driven by energetic guitar riffs, pounding drums, and raw, impassioned vocals. The band's signature sound, characterized by aggressive yet melodic instrumentation and politically charged lyrics, is on full display in this track. One notable aspect of "Can't Hear The Words" is its sense of urgency and intensity. The frenetic pace and powerful delivery of the vocals create a sense of urgency that mirrors the feelings of frustration and disconnection expressed in the lyrics. Overall, "Can't Hear The Words" is a high-energy punk anthem that captures the feelings of alienation and disillusionment that many people experience in the modern world. It's a powerful and cathartic expression of the band's ethos and a standout track in their discography.
Wake Up Screaming
"Wake Up Screaming" is a track by the British punk rock band Subhumans, known for their politically charged lyrics and energetic performances. The song is featured on their 1983 album "Time Flies... But Aeroplanes Crash", and has become a fan favorite due to its raw intensity and powerful message. The theme of "Wake Up Screaming" revolves around the idea of waking up from a state of ignorance or complacency, and realizing the harsh realities of the world. The lyrics touch upon issues such as social injustice, political corruption, and the struggles of everyday life. The band's lead singer, Dick Lucas, delivers the vocals with a sense of urgency and passion, driving home the song's powerful message. Musically, "Wake Up Screaming" is a fast-paced punk rock anthem with catchy guitar riffs, pounding drums, and aggressive vocals. The band's tight musicianship and high-energy performance make the track a standout on the album, showcasing their signature sound and style. One notable fact about "Wake Up Screaming" is that it has been covered by various punk bands over the years, solidifying its status as a classic within the punk rock genre. The song's rebellious spirit and anti-establishment message continue to resonate with listeners today, making it a timeless and influential track in the punk rock canon.
Rain
"Rain" by Subhumans is a punk rock track that was released on their debut album "The Day the Country Died" in 1983. The song's theme revolves around the bleakness of modern society and the struggles faced by individuals living in a world dominated by corruption and oppression. The composition of "Rain" features fast-paced drumming, distorted guitars, and aggressive vocals by lead singer Dick Lucas. The lyrics paint a vivid picture of a dystopian world where people are trapped in a cycle of despair and hopelessness. The chorus of the song repeats the line "We're all living in a no-man's land," emphasizing the feeling of being lost and directionless in a society that has lost its humanity. Notable facts about "Rain" include its powerful anti-establishment message and the band's reputation for being outspoken critics of social injustices. Subhumans were known for their politically charged lyrics and energetic live performances, which helped them gain a dedicated following in the punk rock scene. Overall, "Rain" is a raw and intense track that captures the disillusionment and anger felt by many during the turbulent political climate of the 1980s. Its relentless energy and potent lyrics make it a standout song in Subhumans' discography and a powerful anthem for those fighting against injustice.
Big City
"Big City" by Subhumans is a punk rock track that explores the theme of urban life and the struggles that come with living in a bustling metropolis. The song's lyrics touch on issues such as alienation, disillusionment, and the feeling of being trapped in a concrete jungle. Musically, "Big City" features fast-paced drumming, distorted guitars, and aggressive vocals that convey a sense of urgency and frustration. The band's raw and energetic sound adds to the overall intensity of the song, making it a standout track in their discography. Notable for its catchy chorus and memorable guitar riffs, "Big City" showcases the Subhumans' ability to blend punk rock with social commentary. The song's rebellious spirit and anti-establishment message resonate with listeners who can relate to the challenges of living in a fast-paced, impersonal city environment. Overall, "Big City" is a powerful and thought-provoking track that captures the essence of punk rock music while addressing important social issues.
This Year's War
"This Year's War" is a track by the British punk rock band Subhumans. The song was released on their album "The Day the Country Died" in 1983. The theme of the song revolves around the idea of social and political unrest, with the band criticizing the state of the world and the constant conflicts that seem to plague society. The lyrics touch on topics such as war, corruption, and the struggle for power. Musically, "This Year's War" is a fast-paced and energetic punk rock anthem. The track features driving guitar riffs, aggressive drumming, and passionate vocals by lead singer Dick Lucas. The band's raw and intense sound perfectly complements the rebellious and confrontational lyrics. Notable facts about the song include its powerful and thought-provoking message, which resonated with fans of punk rock and the anti-establishment movement. "This Year's War" is often considered one of Subhumans' standout tracks, showcasing their ability to combine catchy melodies with hard-hitting social commentary.
Pigman
"Pigman" by Subhumans is a fast-paced punk rock track that delves into themes of police brutality and abuse of power. The song starts off with a driving guitar riff and pounding drums that set the energetic tone for the rest of the track. The lyrics criticize the corrupt and violent behavior of authority figures, particularly focusing on police officers who abuse their power. Lead vocalist Dick Lucas delivers the lyrics with a sense of urgency and anger, perfectly complementing the aggressive instrumentation. The chorus features the repeated chant of "Pigman, pigman, what do you say? You're gonna take my rights away" which serves as a powerful call to action against oppressive forces. One notable fact about "Pigman" is that it was released on Subhumans' debut album "The Day the Country Died" in 1983. The album received critical acclaim for its raw energy and politically charged lyrics, solidifying Subhumans' place in the punk rock scene. Overall, "Pigman" is a relentless and powerful track that captures the rebellious spirit of punk rock while addressing important social issues. Its high energy and thought-provoking lyrics make it a standout song in Subhumans' discography.
Germ
"Germ" by Subhumans is a punk rock song that was released on their album "The Day the Country Died" in 1983. The song's theme revolves around the idea of societal decay and the spread of corruption and greed. The lyrics critique the capitalist system and its negative impact on individuals and society as a whole. Musically, "Germ" is characterized by fast-paced drumming, aggressive guitar riffs, and powerful vocals. The band's raw energy and intense delivery contribute to the song's overall sense of urgency and rebellion. The track is known for its catchy chorus and memorable hooks, making it a fan favorite at Subhumans' live shows. One notable fact about "Germ" is that it showcases the band's political and social commentary, which was a common theme in their music. Subhumans were known for their outspoken views on issues such as government corruption, environmental destruction, and social injustice, and "Germ" is a prime example of their activism and punk ethos. Overall, "Germ" is a powerful and impactful song that continues to resonate with fans of punk rock music.
Adversity
"Adversity" by Subhumans is a fast-paced punk track that addresses the struggles and challenges faced by individuals in society. The song's lyrics delve into themes of oppression, resistance, and resilience in the face of adversity. The band's raw and energetic performance captures the urgency and intensity of the message they are conveying. Musically, "Adversity" features aggressive guitar riffs, driving drum beats, and powerful vocals that amplify the song's rebellious spirit. The dynamic shifts in tempo and the band's tight musicianship create a sense of urgency and passion that carries throughout the track. One notable aspect of "Adversity" is the band's ability to blend catchy melodies with politically charged lyrics, creating a powerful and thought-provoking listening experience. The song's message of standing up against injustice and fighting for change resonates with audiences who are looking for music that speaks to their frustrations and hopes for a better world. Overall, "Adversity" is a standout track that showcases Subhumans' ability to combine punk rock energy with socially conscious lyrics, making it a powerful anthem for those who refuse to be silenced in the face of adversity.
Work Experience
"Work Experience" by Subhumans is a fast-paced punk rock track that critiques the monotony and exploitation of the working world. The song's lyrics paint a bleak picture of the daily grind and the struggles of working-class individuals, highlighting themes of alienation, disillusionment, and powerlessness. Musically, "Work Experience" features aggressive guitar riffs, pounding drums, and raw, energetic vocals that perfectly capture the band's rebellious spirit and anti-establishment ethos. The song's catchy chorus and driving rhythm make it a standout track in the Subhumans' discography, showcasing their signature blend of punk rock and social commentary. Notable for its raw energy and incisive lyrics, "Work Experience" remains a powerful anthem for those who feel trapped in the cycle of work and capitalism. The song's message resonates with listeners who can relate to the frustrations and struggles of navigating the modern workplace, making it a timeless classic in the punk rock genre.
Where's the Freedom?
"Where's the Freedom?" is a politically charged punk rock track by the British band Subhumans. The song, released in 1980 on their debut album "The Day the Country Died," addresses issues of government control, surveillance, and the lack of personal freedom in society. The track starts with a fast-paced drum beat and driving guitar riffs, setting the tone for the energetic and rebellious lyrics that follow. Lead singer Dick Lucas delivers powerful vocals, questioning the state of freedom in a world where individuals are constantly monitored and oppressed by those in power. The chorus of the song features a catchy and memorable melody, making it a popular anthem for those who resonate with its anti-establishment message. The raw and aggressive sound of the music perfectly complements the band's passionate lyrics, creating a sense of urgency and defiance. "Where's the Freedom?" is a standout track in Subhumans' discography, showcasing their ability to blend social commentary with high-energy punk rock. The song remains a staple in the band's live performances and continues to resonate with fans who value freedom and individuality.
Reason for Existence
"Reason for Existence" by Subhumans is a punk rock track that was released on their debut album, "The Day the Country Died" in 1983. The song explores themes of disillusionment, alienation, and questioning the purpose of one's existence in a society that often feels oppressive and suffocating. The track features fast-paced guitar riffs, pounding drums, and gritty vocals that convey a sense of urgency and frustration. The lyrics are raw and confrontational, reflecting the band's anarchist and anti-establishment ideology. One notable aspect of the song is its anthemic chorus, where the band chants "What's the reason for existence? What's the reason for existence?" This repetitive refrain adds to the song's intensity and gives it a sense of rallying cry for those who feel marginalized or oppressed. Overall, "Reason for Existence" is a powerful and thought-provoking punk rock anthem that remains relevant today, speaking to the struggles and challenges of finding meaning and purpose in a chaotic and often unjust world.
First Aid
"First Aid" by Subhumans is a fast-paced punk rock track that delves into the theme of societal issues and the struggles faced by marginalized individuals. The song opens with a frenetic drumbeat and energetic guitar riffs, setting the tone for the band's signature raw and aggressive sound. The lyrics of "First Aid" address the lack of support and care for those in need, criticizing the government and institutions for failing to provide adequate assistance to those who are suffering. The song's powerful vocals and urgent delivery enhance the sense of frustration and anger expressed in the lyrics. One notable aspect of the track is the dynamic interplay between the instruments, with the bassline adding depth and intensity to the overall sound. The driving rhythm and catchy hooks make "First Aid" a standout track in Subhumans' discography, showcasing the band's ability to blend social commentary with energetic punk rock music. Overall, "First Aid" is a powerful and politically charged song that encapsulates the rebellious spirit of punk rock, addressing important social issues while delivering a high-energy and engaging musical experience.
Who's Gonna Fight In The Third World War?
"Who's Gonna Fight In The Third World War?" is a politically charged track by the punk band Subhumans. The song addresses the fear and uncertainty surrounding the possibility of a third world war, questioning who will be the ones fighting in such a catastrophic event. The composition of the song is fast-paced and energetic, typical of punk rock music. The raw and aggressive vocals, along with the powerful guitar riffs and pounding drums, create a sense of urgency and rebellion that is characteristic of Subhumans' sound. The lyrics of the song touch on the themes of war, power, and the exploitation of the working class by those in positions of authority. The band raises questions about the motives behind wars and the role of ordinary people in perpetuating conflicts that benefit the ruling elite. "Who's Gonna Fight In The Third World War?" is a powerful and thought-provoking song that showcases Subhumans' ability to blend catchy melodies with socially conscious lyrics. It remains a standout track in the band's discography and a testament to their commitment to speaking out against injustice and oppression.
Susan
"Susan" by Subhumans is a punk rock track that was released in 1981 on their album "The Day the Country Died." The song's theme revolves around the struggles of the working class and the frustration with societal norms and expectations. The lyrics criticize the mundane routine of everyday life and the lack of fulfillment that comes with conforming to societal standards. Musically, "Susan" is characterized by its fast tempo, aggressive guitar riffs, and intense vocal delivery by lead singer Dick Lucas. The band's raw and energetic sound perfectly complements the rebellious and defiant tone of the lyrics. One notable fact about "Susan" is that it showcases Subhumans' ability to blend political commentary with catchy melodies and punk rock sensibilities. The song has become a fan favorite and a staple in the band's live performances. Overall, "Susan" is a powerful and thought-provoking track that encapsulates the spirit of punk rock and the band's commitment to speaking out against injustice and societal norms.
33322
"33322" by Subhumans is a high-energy punk track that showcases the band's signature raw and aggressive sound. The song features fast-paced drumming, distorted guitars, and intense vocals delivered by frontman Dick Lucas. Thematically, "33322" addresses the frustrations and disillusionment of living in a society that prioritizes conformity and consumerism over individuality and personal freedom. The lyrics touch on themes of alienation, rebellion, and the struggle for autonomy in a world that can feel oppressive and restrictive. The composition of the song is characterized by its driving rhythm and catchy guitar riffs that create a sense of urgency and defiance. The band's tight musicianship and Lucas's impassioned vocal delivery add to the overall intensity of the track. "33322" is a standout track in Subhumans' discography, known for its powerful message and energetic performance. It remains a fan favorite and a staple in the band's live setlists, showcasing their enduring influence in the punk rock scene.
Subhumans