Holiday in Cambodia
"Holiday in Cambodia" is a landmark punk rock song by the American band Dead Kennedys, released in 1980 on their debut album "Fresh Fruit for Rotting Vegetables." The song is known for its satirical lyrics and aggressive musical style, making it a classic in the punk rock genre. The theme of "Holiday in Cambodia" is a scathing critique of the hypocrisy and ignorance of privileged individuals who claim to understand the struggles of the working class and oppressed peoples. Lead vocalist Jello Biafra sarcastically sings about the disconnect between the wealthy elite and the harsh realities faced by those living in poverty and under oppressive regimes. The composition of the song is fast-paced and energetic, with driving guitar riffs and pounding drums that create a sense of urgency and intensity. The catchy chorus and memorable guitar solo make "Holiday in Cambodia" a standout track in the Dead Kennedys' discography. Notable facts about the song include its controversial lyrics, which sparked debates about the band's political stance and intentions. Despite its divisive nature, "Holiday in Cambodia" remains a seminal punk rock anthem that continues to resonate with listeners who appreciate its bold social commentary and raw musical energy.
California Über Alles
"California Über Alles" is a punk rock song by the American band Dead Kennedys. The track was released as a single in 1979 and later included on their debut album, "Fresh Fruit for Rotting Vegetables." The song is known for its satirical and critical lyrics about California Governor Jerry Brown, who was in office at the time of the song's release. The lyrics of "California Über Alles" mock Brown's perceived authoritarian tendencies and his embrace of the hippie counterculture. The title itself is a play on words, combining the German phrase "über alles" (meaning "above all" or "above everything") with California, suggesting a perceived superiority or dominance of the state. Musically, the song features a driving punk rock rhythm, with fast-paced guitar riffs and energetic vocals by lead singer Jello Biafra. The track also incorporates elements of surf rock, adding to its distinctive sound. "California Über Alles" became one of Dead Kennedys' most popular and enduring songs, and it remains a staple of their live performances. The song's sharp social commentary and catchy melody have cemented its status as a classic in the punk rock genre.
Police Truck
"Police Truck" by Dead Kennedys is a punk rock song that was released in 1980 on their album "Fresh Fruit for Rotting Vegetables." The song's theme revolves around police brutality and corruption, criticizing law enforcement for their abuse of power and violence towards citizens. The lyrics tell the story of a police officer using his patrol car as a tool for oppression, with references to racial profiling and the militarization of the police force. Musically, "Police Truck" features fast-paced guitar riffs, aggressive drumming, and Jello Biafra's distinctive vocals delivering the scathing lyrics. The song's composition is characterized by its raw energy and rebellious spirit, embodying the punk ethos of questioning authority and standing up against injustice. Notable facts about "Police Truck" include its controversial subject matter, which sparked debate and controversy upon its release. The song has since become a staple in Dead Kennedys' discography and is often performed at their live shows. "Police Truck" remains a powerful anthem against police brutality and remains relevant in today's societal climate.
Too Drunk to Fuck
"Too Drunk to Fuck" is a punk rock song by the American band Dead Kennedys. Released in 1981 as a single, the track is known for its controversial title and explicit lyrics. The theme of the song revolves around the consequences of excessive drinking and its impact on personal relationships. The lyrics depict a night of heavy drinking leading to a failed sexual encounter, with the protagonist being too intoxicated to perform. The song's blunt and provocative lyrics address the absurdity and consequences of alcohol abuse. Musically, "Too Drunk to Fuck" is characterized by its fast-paced tempo, aggressive guitar riffs, and raw, energetic vocals by lead singer Jello Biafra. The band's signature blend of punk rock and hardcore punk is evident throughout the track, with a sense of urgency and rebellion that is synonymous with Dead Kennedys' sound. Despite its controversial title and explicit content, "Too Drunk to Fuck" became a popular and influential song within the punk rock scene, highlighting the band's willingness to confront taboo subjects and challenge societal norms. The track remains a staple in Dead Kennedys' discography and is often cited as one of their most iconic songs.
Kill the Poor
"Kill the Poor" is a punk rock song by the American band Dead Kennedys. Released in 1980 on their debut album "Fresh Fruit for Rotting Vegetables," the song is known for its satirical take on societal issues, particularly the disparity between the rich and the poor. The lyrics of "Kill the Poor" sarcastically suggest that the solution to poverty is to simply eliminate the poor population, highlighting the callousness and indifference of those in power towards marginalized communities. The song's dark humor and biting social commentary make it a standout track in the punk genre. Musically, "Kill the Poor" features the fast-paced, energetic sound characteristic of punk rock. The driving guitar riffs, aggressive drumming, and Jello Biafra's distinctive vocals all contribute to the song's raw, rebellious feel. The band's tight musicianship and confrontational lyrics have solidified "Kill the Poor" as a classic in the punk rock canon. Despite its controversial subject matter, "Kill the Poor" remains a powerful protest anthem that continues to resonate with audiences today. Its unapologetic critique of inequality and injustice makes it a timeless and relevant piece of music.
Nazi Punks Fuck Off
"Nazi Punks Fuck Off" is a song by the American punk rock band Dead Kennedys, released in 1981 on their EP "In God We Trust, Inc." The song's theme is a direct and explicit condemnation of the rise of neo-Nazism and white supremacy within the punk rock scene. The lyrics denounce the presence of Nazi punks at punk shows and call for their exclusion from the punk community. The song's aggressive and confrontational tone reflects the band's strong anti-fascist stance. Musically, "Nazi Punks Fuck Off" is fast-paced and energetic, with a raw and intense sound that is characteristic of Dead Kennedys' style. The song features driving guitar riffs, pounding drums, and Jello Biafra's distinctive vocals, which deliver the lyrics with a sense of urgency and defiance. Notable facts about the song include its controversial subject matter and its impact on the punk rock scene. "Nazi Punks Fuck Off" has been hailed as a powerful anthem against hate and bigotry, and has inspired countless punk fans to stand up against racism and fascism. The song remains a staple of Dead Kennedys' live performances and continues to resonate with audiences who reject the ideologies of hate and intolerance.
Viva Las Vegas
"Viva Las Vegas" is a punk rock cover song by Dead Kennedys, originally written and performed by Elvis Presley. The track is a fast-paced and energetic rendition of the classic rock and roll hit, infused with the band's signature aggressive sound and political commentary. The theme of the song revolves around the glitz and glamour of Las Vegas, contrasting the city's flashy facade with its seedy underbelly. Dead Kennedys add their own twist to the lyrics, highlighting the hypocrisy and corruption that lurks beneath the surface of the entertainment capital. Musically, "Viva Las Vegas" features driving guitar riffs, pounding drums, and Jello Biafra's distinctive vocals. The band's raw and intense performance brings a sense of urgency and rebellion to the song, emphasizing their punk ethos. Notable for its rebellious spirit and subversive take on a beloved classic, Dead Kennedys' version of "Viva Las Vegas" stands out as a bold and provocative interpretation of the original song. It showcases the band's ability to take familiar tunes and transform them into something entirely their own, while maintaining their punk rock edge.
Let's Lynch the Landlord
"Let's Lynch the Landlord" is a track by the American punk rock band Dead Kennedys, released in 1980 on their debut album "Fresh Fruit for Rotting Vegetables." The song's theme revolves around the frustration and anger of tenants towards their neglectful and exploitative landlords. The composition of the track is fast-paced, energetic, and aggressive, typical of the punk rock genre. The instrumentation features driving guitar riffs, pounding drums, and intense vocals by lead singer Jello Biafra. The lyrics are filled with dark humor and biting social commentary, reflecting the band's politically charged and rebellious attitude. Notable for its controversial title and provocative lyrics, "Let's Lynch the Landlord" addresses issues of gentrification, housing inequality, and the abuse of power by landlords. The song's call to action against oppressive landlords resonated with many listeners and became an anthem for those fighting against injustice and exploitation. Overall, "Let's Lynch the Landlord" is a powerful and influential punk rock track that remains relevant today for its bold social critique and unapologetic attitude.
Forward to Death
"Forward to Death" by Dead Kennedys is a high-energy punk rock track that captures the band's signature sound and rebellious spirit. The song's theme revolves around the idea of society's relentless march towards self-destruction, with lyrics that criticize the blind conformity and mindless consumerism of modern life. Musically, "Forward to Death" is characterized by its fast tempo, aggressive guitar riffs, and driving drumbeats. Lead singer Jello Biafra's snarling vocals add an extra layer of intensity to the track, as he delivers scathing critiques of the status quo. Notable for its raw energy and unapologetic political message, "Forward to Death" exemplifies Dead Kennedys' unique blend of punk rock and social commentary. The song's urgency and defiance have made it a staple of the band's live performances and a favorite among fans of punk music.
I Fought the Law
"I Fought the Law" is a punk rock cover song originally written by Sonny Curtis of The Crickets and made famous by The Bobby Fuller Four. The version by Dead Kennedys, released in 1987 on their album "Give Me Convenience or Give Me Death," is a high-energy, fast-paced rendition that captures the rebellious spirit of the original while adding their own punk edge. The theme of the song revolves around defiance and rebellion against authority. The lyrics tell the story of a person who has broken the law and is facing the consequences, but refuses to back down or show remorse. The chorus, "I fought the law and the law won," is a defiant declaration of standing up for one's beliefs even in the face of defeat. Musically, the song features driving guitar riffs, pounding drums, and Jello Biafra's distinctive vocals delivering the lyrics with a sense of urgency and defiance. The tempo is fast and relentless, adding to the rebellious energy of the track. One notable fact about Dead Kennedys' version of "I Fought the Law" is that they changed some of the lyrics to make them more politically charged and relevant to their punk ethos. This version of the song has become a classic in the punk rock genre, known for its raw intensity and rebellious spirit.
Chemical Warfare
"Chemical Warfare" by Dead Kennedys is a fast-paced punk rock track that was originally released on their 1982 album "Plastic Surgery Disasters". The song is known for its aggressive and politically charged lyrics, which criticize the use of chemical weapons in warfare. The composition of the song is characterized by its energetic guitar riffs, pounding drums, and Jello Biafra's distinctive vocals. The band's signature blend of punk rock and hardcore influences is evident in the raw and intense sound of the track. The lyrics of "Chemical Warfare" condemn the horrors of war and the devastating effects of chemical weapons on both soldiers and civilians. The song serves as a powerful protest against the use of such inhumane tactics in conflicts around the world. One notable fact about "Chemical Warfare" is that it was included in the controversial "Dead Kennedys: The Early Years Live" album, which was originally released without the band's consent. Despite this legal dispute, the song remains a fan favorite and a staple of Dead Kennedys' live performances. Overall, "Chemical Warfare" is a hard-hitting and politically charged punk rock anthem that showcases Dead Kennedys' unique blend of aggressive music and thought-provoking lyrics.
When Ya Get Drafted
"When Ya Get Drafted" is a song by the American punk rock band Dead Kennedys, released on their album "Fresh Fruit for Rotting Vegetables" in 1980. The song's theme revolves around the fear and paranoia surrounding the military draft during the Vietnam War era. The track begins with an ominous, militaristic drumbeat and distorted guitar riffs, setting a tense and urgent atmosphere. Lead singer Jello Biafra's vocals are aggressive and confrontational, delivering biting lyrics that criticize the government's exploitation of young people for war. The lyrics of "When Ya Get Drafted" highlight the hypocrisy and manipulation of those in power, warning young people to resist being blindly led into battle. The song's chorus repeats the refrain "When ya get drafted, you're screwed," emphasizing the bleak outlook for those forced into military service. Overall, "When Ya Get Drafted" is a powerful and politically charged punk anthem that remains relevant in its critique of war and authoritarianism. With its energetic instrumentation and provocative lyrics, the song showcases Dead Kennedys' signature blend of punk rock aggression and social commentary.
I Kill Children
"I Kill Children" is a track by the punk rock band Dead Kennedys from their debut album "Fresh Fruit for Rotting Vegetables" released in 1980. The song is known for its controversial and provocative lyrics, which depict a deranged individual who takes pleasure in harming and killing children. The composition of the song is fast-paced and aggressive, typical of the punk rock genre. The instrumentation features loud, distorted guitars, pounding drums, and energetic vocals delivered by lead singer Jello Biafra. The repetitive chorus of "I kill children, I love to see them die" adds to the shock value of the song. The theme of "I Kill Children" reflects the band's satirical and dark sense of humor, as well as their critique of societal norms and taboos. The lyrics challenge the listener to question authority and conventional morality, while also serving as a commentary on violence and desensitization in modern society. Despite its controversial content, "I Kill Children" has become a cult classic among punk rock fans and is often cited as one of Dead Kennedys' most iconic songs. The track showcases the band's rebellious spirit and willingness to push boundaries, making it a standout in their discography.
Drug Me
"Drug Me" is a song by the American punk rock band Dead Kennedys. Released on their debut album "Fresh Fruit for Rotting Vegetables" in 1980, the track is known for its aggressive and fast-paced energy. The theme of the song revolves around the dangers and consequences of drug abuse. Lead vocalist Jello Biafra's sarcastic and satirical lyrics criticize the societal pressures to conform and rely on drugs as a form of escape. The song's message is delivered with a sense of urgency and intensity, reflecting the band's punk ethos. Musically, "Drug Me" is characterized by its driving guitar riffs, pounding drums, and Biafra's distinctive vocal delivery. The track features a raw and unapologetic sound that captures the rebellious spirit of the punk movement. Notable for its provocative lyrics and political commentary, "Drug Me" remains a staple in Dead Kennedys' discography and a classic example of their influential punk sound.
Your Emotions
"Your Emotions" is a track by the American punk rock band Dead Kennedys. The song is featured on their second studio album, "Plastic Surgery Disasters," released in 1982. The theme of "Your Emotions" revolves around the idea of being controlled and manipulated by external forces, particularly by societal expectations and norms. The lyrics reflect a sense of frustration and anger towards those who try to suppress individuality and dictate how one should feel or behave. Musically, the track is characterized by its fast-paced and aggressive punk sound, with driving guitar riffs and intense drumming. Lead singer Jello Biafra's distinctive vocals add to the overall rebellious and confrontational tone of the song. One notable aspect of "Your Emotions" is its raw energy and uncompromising attitude, which is a trademark of Dead Kennedys' music. The band was known for their outspoken political views and provocative lyrics, and this song is no exception. Overall, "Your Emotions" is a powerful and defiant punk rock anthem that encapsulates the band's ethos of challenging authority and standing up against oppression. It remains a standout track in Dead Kennedys' discography and a testament to their influence in the punk rock genre.
California Uber Alles
"California Uber Alles" is a classic punk rock song by the American band Dead Kennedys. The track was released in 1979 as the band's debut single and later included on their album "Fresh Fruit for Rotting Vegetables." The song's theme revolves around the band's satirical take on the political landscape of California in the late 1970s. The lyrics mock the then-Governor of California, Jerry Brown, portraying him as a fascist dictator who enforces a dystopian society where individual freedoms are suppressed in the name of the greater good. The title "California Uber Alles" is a play on the German phrase "Deutschland Über Alles," which translates to "Germany Above All." Musically, the song is characterized by its fast-paced punk rock sound, with aggressive guitar riffs, pounding drums, and frontman Jello Biafra's distinct vocal delivery. The band's signature sarcastic and rebellious attitude shines through in the song, making it a standout track in their discography. "California Uber Alles" became one of Dead Kennedys' most popular and influential songs, cementing their reputation as one of the pioneers of the punk rock genre. The track's biting social commentary and energetic musical performance have solidified its status as a punk rock anthem that continues to resonate with listeners to this day.
Funland at the Beach
"Funland at the Beach" by Dead Kennedys is a punk rock track that was released on their album "Fresh Fruit for Rotting Vegetables" in 1980. The song's theme revolves around the exploitation of tourists at a beachside amusement park, where they are taken advantage of through high prices, cheap thrills, and fake attractions. The composition of the song is fast-paced and energetic, typical of Dead Kennedys' signature sound. The driving guitar riffs and aggressive vocals add to the rebellious and anti-establishment message of the lyrics. The lyrics paint a vivid picture of a seedy and manipulative environment, with references to greedy vendors and deceptive marketing tactics. Notable facts about the song include its scathing critique of consumerism and capitalism, as well as its dark humor and satirical take on the American dream. "Funland at the Beach" showcases Dead Kennedys' ability to blend social commentary with catchy and energetic punk rock music.
Ill in the Head
"Ill in the Head" is a track by the punk rock band Dead Kennedys, featured on their 1981 album "Plastic Surgery Disasters". The song is a fast-paced, high-energy punk rock track that showcases the band's signature aggressive sound. The theme of "Ill in the Head" revolves around mental illness and the struggles that come with it. Lead vocalist Jello Biafra's raw and intense delivery adds to the urgency of the lyrics, as he sings about the effects of mental illness on individuals and society as a whole. Musically, the track features blistering guitar riffs, pounding drums, and a driving bassline that propel the song forward with relentless energy. The band's tight musicianship and Biafra's powerful vocals create a sense of chaos and tension that perfectly complements the song's theme. Notable for its confrontational lyrics and intense musicality, "Ill in the Head" is a standout track from Dead Kennedys' discography that continues to resonate with listeners for its raw energy and thought-provoking subject matter.
Stealing People's Mail
"Stealing People's Mail" is a track by the punk rock band Dead Kennedys, from their debut album "Fresh Fruit for Rotting Vegetables" released in 1980. The song's theme revolves around the rebellious and anti-establishment sentiments typical of the punk rock genre. In this particular track, the band sings about the thrill and excitement of committing petty crimes like stealing mail as a form of protest against societal norms and expectations. Musically, "Stealing People's Mail" features the fast-paced, aggressive sound that Dead Kennedys were known for, with driving drum beats, gritty guitar riffs, and Jello Biafra's signature snarling vocals. The song's raw energy and catchy melody make it a standout track on the album, showcasing the band's unique blend of punk, hardcore, and surf rock influences. Notable facts about "Stealing People's Mail" include its controversial lyrics, which led to the album being banned in certain countries due to its explicit content and political themes. The song's rebellious spirit and unapologetic attitude towards authority figures have made it a fan favorite among punk rock enthusiasts, cementing Dead Kennedys' reputation as one of the most influential bands in the genre.
Moon Over Marin
"Moon Over Marin" is a track by the punk rock band Dead Kennedys, included in their album "Plastic Surgery Disasters" released in 1982. The song features a raw and energetic sound, characteristic of the band's style. The theme of the song revolves around environmental issues, specifically focusing on the pollution and degradation of the ocean. The lyrics depict a dystopian future where the ocean is contaminated and the moon shines down on a desolate and polluted Marin County in California. The song serves as a critique of humanity's disregard for the environment and the consequences of our actions. Musically, "Moon Over Marin" features fast-paced drumming, aggressive guitar riffs, and Jello Biafra's distinctive vocal delivery. The song showcases the band's ability to blend punk rock with social commentary, creating a powerful and thought-provoking track. Notable facts about "Moon Over Marin" include its impact on the punk rock scene and its enduring relevance in addressing environmental issues. The song remains a fan favorite and is often cited as one of Dead Kennedys' standout tracks. Its powerful message and memorable sound continue to resonate with listeners, making it a timeless punk rock anthem.
Soup Is Good Food
"Soup Is Good Food" is a track by the American punk rock band Dead Kennedys, featured on their fourth studio album, "Frankenchrist," released in 1985. The song addresses the issue of unemployment and the struggles faced by working-class individuals in a capitalist society. The composition of the song is fast-paced and energetic, characteristic of the Dead Kennedys' punk sound. The lyrics are biting and satirical, criticizing the government and corporate greed for contributing to the economic hardships faced by many. One notable fact about the song is its controversial nature. The album "Frankenchrist" sparked outrage and legal troubles for the band due to its inclusion of a poster featuring a painting by H.R. Giger, which depicted graphic sexual imagery. This led to a high-profile obscenity trial that ultimately resulted in the band being acquitted. Overall, "Soup Is Good Food" is a powerful and thought-provoking track that showcases Dead Kennedys' signature blend of social commentary and punk rock energy.
Terminal Preppie
"Terminal Preppie" by Dead Kennedys is a fast-paced punk rock track that satirizes the privileged lifestyle of preppy individuals. The song's lyrics criticize the materialism, conformity, and elitism associated with preppy culture, highlighting the disconnect between their privileged upbringing and the harsh realities of the world. The composition of the song features aggressive guitar riffs, pounding drums, and Jello Biafra's signature snarling vocals. The music reflects the band's raw energy and rebellious spirit, with its fast tempo and chaotic instrumentation capturing the angst and frustration expressed in the lyrics. Notable facts about "Terminal Preppie" include its inclusion on Dead Kennedys' 1982 album "Plastic Surgery Disasters." The song showcases the band's ability to blend political commentary with high-energy punk rock, creating a powerful and memorable track that resonates with listeners. With its scathing lyrics and intense musicality, "Terminal Preppie" remains a standout song in Dead Kennedys' discography, showcasing the band's unique blend of punk rock and social critique.
Halloween
"Halloween" by Dead Kennedys is a fast-paced punk rock track that captures the band's signature energetic and rebellious sound. The song's theme revolves around the chaos and mayhem of Halloween night, with lyrics describing the thrill of dressing up in costumes, causing mischief, and defying societal norms. The composition of the song features driving guitar riffs, pounding drums, and lead singer Jello Biafra's distinct vocal delivery. The instrumentation is aggressive and raw, perfectly complementing the song's edgy lyrics and rebellious attitude. The track's fast tempo and catchy hooks make it a standout in Dead Kennedys' discography. Notable facts about "Halloween" include its inclusion on the band's debut album, "Fresh Fruit for Rotting Vegetables," released in 1980. The song has become a fan favorite and a staple in Dead Kennedys' live performances. Its infectious energy and rebellious spirit continue to resonate with punk rock fans around the world.
Buzzbomb
"Buzzbomb" by Dead Kennedys is a high-energy punk rock track that was released on their 1986 album, "Bedtime for Democracy." The song's lyrics are a scathing critique of the military-industrial complex and the destructive nature of war. The title "Buzzbomb" refers to the V-1 flying bomb used by the Germans during World War II, which terrorized civilians with its unpredictable flight path and explosive payload. Musically, "Buzzbomb" features fast-paced drumming, driving guitar riffs, and Jello Biafra's distinctive vocals that are filled with anger and urgency. The song's composition is raw and aggressive, reflecting the band's signature hardcore punk sound. The track is known for its intense energy and confrontational lyrics, which have made it a staple of Dead Kennedys' live performances. Notable facts about "Buzzbomb" include its controversial lyrics, which tackle themes of war, violence, and government corruption. The song's powerful message and intense delivery have made it a fan favorite and a standout track in Dead Kennedys' discography. Overall, "Buzzbomb" is a powerful and politically charged punk rock anthem that continues to resonate with listeners today.
Forest Fire
"Forest Fire" is a track by the American punk rock band Dead Kennedys. The song was released on their debut album, Fresh Fruit for Rotting Vegetables, in 1980. The theme of the song revolves around the destructive nature of wildfires, both literal and metaphorical. The lyrics depict a forest fire spreading uncontrollably, destroying everything in its path. Lead singer Jello Biafra's intense vocals and sharp, biting lyrics convey a sense of urgency and chaos, reflecting the urgency of the situation described in the song. Musically, "Forest Fire" features fast-paced, aggressive guitar riffs and pounding drums that drive the song forward with a sense of urgency and energy. The band's trademark raw, gritty sound adds to the intensity of the track. One notable fact about "Forest Fire" is that it showcases Dead Kennedys' ability to tackle social and political issues in a provocative and thought-provoking manner. The band was known for their outspoken and controversial lyrics, and "Forest Fire" is no exception. Overall, "Forest Fire" is a powerful and intense punk rock track that highlights Dead Kennedys' unique blend of aggressive music and socially conscious lyrics.
Life Sentence
"Life Sentence" by Dead Kennedys is a fast-paced punk rock track that addresses the theme of societal conformity and the pressure to conform to norms and expectations. The song criticizes the idea of living a mundane, routine life without questioning authority or challenging the status quo. The composition of the song is characterized by intense guitar riffs, energetic drumming, and Jello Biafra's distinctive vocals delivering sharp and biting lyrics. The aggressive and rebellious tone of the music matches the rebellious and defiant message of the lyrics. Notable facts about "Life Sentence" include its inclusion on Dead Kennedys' debut album, "Fresh Fruit for Rotting Vegetables," released in 1980. The song showcases the band's signature style of politically charged lyrics and high-energy music, which helped establish them as one of the most influential punk bands of the era. The track remains a fan favorite and a classic in the punk rock genre.
The Man With the Dogs
"The Man With the Dogs" is a track by the American punk rock band Dead Kennedys. The song is featured on their debut album, "Fresh Fruit for Rotting Vegetables," released in 1980. The theme of the song revolves around societal issues and the concept of power dynamics. The lyrics tell the story of a man who uses his dogs to intimidate and control others, highlighting the abuse of power and manipulation in society. The song criticizes those who exploit their position of authority to oppress and dominate others. Musically, "The Man With the Dogs" is characterized by its fast-paced tempo, aggressive guitar riffs, and intense vocals by lead singer Jello Biafra. The song's raw energy and chaotic sound are emblematic of the punk rock genre, reflecting the band's rebellious and confrontational attitude. One notable fact about the song is that it showcases Dead Kennedys' ability to address political and social issues in their music. The band was known for their outspoken lyrics and provocative themes, challenging the status quo and sparking controversy with their music. Overall, "The Man With the Dogs" is a powerful and thought-provoking track that exemplifies Dead Kennedys' signature sound and rebellious spirit.
Pull My Strings
"Pull My Strings" is a satirical punk rock song by Dead Kennedys that was originally performed live at the Bay Area Music Awards in 1980. The song is a scathing critique of the commercialization and commodification of punk rock music and the music industry as a whole. The lyrics of "Pull My Strings" mock the conformity and phoniness of mainstream music culture, with frontman Jello Biafra sarcastically singing lines like "I am the artist, see? That's my sincerity" and "I'm so relevant, I'm a legend here." Musically, "Pull My Strings" features the fast-paced, aggressive sound that Dead Kennedys are known for, with driving guitar riffs and pounding drums. The song's energetic and rebellious spirit captures the band's punk ethos and their disdain for the music industry's attempts to co-opt and control their art. One of the most notable aspects of "Pull My Strings" is its controversial debut at the Bay Area Music Awards, where Dead Kennedys were invited to perform but instead used the opportunity to criticize the commercialization of punk rock. The band's performance was met with a mix of shock, confusion, and applause, further cementing their reputation as outspoken and provocative musicians. Overall, "Pull My Strings" is a powerful and defiant statement against the commodification of music and art, showcasing Dead Kennedys' rebellious spirit and willingness to challenge the status quo.
Insight
"Insight" is a track by the punk rock band Dead Kennedys, featured on their second studio album, "Plastic Surgery Disasters." The song was written by the band's lead vocalist Jello Biafra and guitarist East Bay Ray. Thematically, "Insight" explores the idea of questioning authority and societal norms. The lyrics criticize the blind adherence to conformity and urge listeners to think for themselves and seek out their own truths. The song reflects the band's anti-establishment and anti-authoritarian stance, which was a common theme in their music. Musically, "Insight" features the fast-paced, aggressive sound that Dead Kennedys are known for. The song is driven by East Bay Ray's distinctive guitar riffs and D.H. Peligro's energetic drumming. Jello Biafra's vocals are raw and intense, adding to the rebellious and confrontational nature of the track. One notable aspect of "Insight" is its powerful and thought-provoking lyrics, which encourage listeners to challenge the status quo and question the world around them. The song serves as a call to action for individuals to seek out their own insights and not simply accept what they are told. Overall, "Insight" is a standout track in Dead Kennedys' discography, showcasing their signature sound and rebellious spirit. It remains a fan favorite and continues to resonate with listeners who appreciate the band's bold and thought-provoking approach to punk rock music.
A Child and His Lawnmower
"A Child and His Lawnmower" is a track by the American punk rock band Dead Kennedys. Released in 1982 as part of their album "Give Me Convenience or Give Me Death," the song is a fast-paced, high-energy punk anthem that clocks in at just under one minute in length. The theme of the song revolves around the idea of rebellion and defiance against authority. The lyrics tell the story of a child who decides to take matters into his own hands by using his lawnmower to wreak havoc on his neighbors' lawns. The song's protagonist is portrayed as a mischievous troublemaker who refuses to conform to societal norms and expectations. Musically, "A Child and His Lawnmower" features the signature thrashing guitar riffs and aggressive drumming that Dead Kennedys are known for. The band's lead singer, Jello Biafra, delivers the vocals with his trademark sneering attitude and rebellious spirit. One notable fact about the song is that it was originally released as a single in 1981, before being included on the compilation album "Give Me Convenience or Give Me Death." The track captures the raw energy and political commentary that Dead Kennedys were known for, making it a standout piece in their discography.
Government Flu
"Government Flu" is a track by the American punk rock band Dead Kennedys. Released in 1982 on their album "Plastic Surgery Disasters", the song addresses the band's criticism of the government and its handling of public health crises. The theme of the song revolves around the idea that the government is ineffective and untrustworthy when it comes to dealing with issues like the flu. The lyrics talk about how the government fails to take adequate measures to protect its citizens from the spread of diseases, and instead prioritizes its own interests over public health. Musically, "Government Flu" is characterized by its fast-paced tempo, aggressive guitar riffs, and Jello Biafra's distinctive vocal delivery. The song's composition is typical of Dead Kennedys' style, with a raw and intense sound that captures the band's rebellious and anti-establishment attitude. Notable facts about the song include its relevance to current events, as the lyrics remain relevant in today's context of government responses to health crises. Additionally, "Government Flu" showcases Dead Kennedys' ability to combine punk rock with political commentary, making it a standout track in their discography.
Holiday in Cambodia - Single Version
"Holiday in Cambodia - Single Version" by Dead Kennedys is a punk rock anthem that was released in 1980 as a single from their debut album "Fresh Fruit for Rotting Vegetables." The song is known for its sharp criticism of privileged individuals who claim to be politically aware and progressive, but lack a true understanding of the struggles faced by those living in oppressive regimes. The track features fast-paced guitar riffs and aggressive vocals by lead singer Jello Biafra, creating a sense of urgency and rebellion. The lyrics are filled with dark humor and sarcasm, calling out the hypocrisy of the privileged class and challenging them to truly educate themselves about the atrocities happening in countries like Cambodia. One of the most notable aspects of the song is its powerful chorus, where Biafra sarcastically sings, "It's a holiday in Cambodia, where people dress in black." This line has become iconic in punk rock culture, symbolizing the disconnect between those who claim to care about social issues but fail to take meaningful action. Overall, "Holiday in Cambodia - Single Version" is a politically charged and energetic punk rock anthem that continues to resonate with listeners decades after its release. Its powerful message and raw sound have solidified its place as one of Dead Kennedys' most iconic tracks.
Take This Job and Shove It
"Take This Job and Shove It" is a punk rock track by the Dead Kennedys that was released in 1987 on their album "Give Me Convenience or Give Me Death". The song is a cover of a country song originally written and performed by Johnny Paycheck in 1977. The theme of the song revolves around the frustration and disillusionment of the working class, with lyrics expressing a desire to quit a job that is unfulfilling and oppressive. The protagonist of the song defiantly tells their boss to "take this job and shove it" as they refuse to continue being mistreated and undervalued. The composition of the song features fast-paced punk rock instrumentation, with driving drums, distorted guitars, and aggressive vocals by lead singer Jello Biafra. The energy and intensity of the music match the rebellious and defiant attitude of the lyrics, creating a powerful and anthemic track that resonates with listeners who have experienced similar frustrations in the workplace. "Take This Job and Shove It" is a standout track in the Dead Kennedys' discography, showcasing their ability to blend punk rock with social commentary and political themes. The song remains a favorite among fans for its catchy hooks, memorable chorus, and relatable message of standing up against injustice and oppression in the workplace.
Trust Your Mechanic
"Trust Your Mechanic" is a song by the American punk rock band Dead Kennedys. Released on their album "Plastic Surgery Disasters" in 1982, the track is known for its biting social commentary and cynical lyrics. The theme of the song revolves around the idea of blindly trusting authority figures and institutions, particularly in the context of the medical and automotive industries. Lead singer Jello Biafra criticizes the blind faith that people have in their mechanics and doctors, highlighting the potential for exploitation and manipulation. Musically, "Trust Your Mechanic" is characterized by its fast-paced tempo, aggressive guitar riffs, and raw energy. The band's signature blend of punk, hardcore, and surf rock influences is evident in the song's composition, creating a chaotic yet cohesive sound. One notable fact about the song is its controversial nature, with its provocative lyrics and unapologetic attitude towards societal norms. Dead Kennedys were known for pushing boundaries and challenging the status quo, and "Trust Your Mechanic" is a prime example of their rebellious spirit. Overall, "Trust Your Mechanic" is a powerful and thought-provoking track that showcases Dead Kennedys' unique blend of punk rock and social commentary. With its incisive lyrics and energetic sound, the song remains a standout in the band's discography.
Saturday Night Holocaust
"Saturday Night Holocaust" is a track by the American punk rock band Dead Kennedys. The song is known for its controversial and provocative lyrics, which criticize the commercialization and commodification of violence in society. The lyrics touch on themes such as consumerism, media manipulation, and the desensitization of the public to violence. Musically, "Saturday Night Holocaust" features the band's signature fast-paced and aggressive sound, with driving guitar riffs and pounding drums. The vocals are delivered with a sense of urgency and anger, adding to the overall intensity of the song. The track showcases Dead Kennedys' unique blend of punk, hardcore, and surf rock influences. One notable fact about "Saturday Night Holocaust" is that it was released as part of the band's second album, "Plastic Surgery Disasters," in 1982. The album received critical acclaim for its political commentary and social critique, with "Saturday Night Holocaust" standing out as one of the standout tracks. Overall, "Saturday Night Holocaust" is a powerful and thought-provoking song that remains relevant in today's society, addressing issues that continue to resonate with listeners. It is a testament to Dead Kennedys' ability to combine raw energy with insightful lyrics, making them one of the most influential punk bands of their time.
Riot
"Riot" by Dead Kennedys is a fast-paced punk rock track that addresses the theme of social unrest and rebellion. The song captures the chaotic energy of a riot, with its aggressive guitar riffs, pounding drums, and intense vocals by lead singer Jello Biafra. The lyrics describe the escalating violence and destruction that occurs during a riot, with references to police brutality, mass hysteria, and the breakdown of societal norms. The song's rebellious spirit and anti-authoritarian message reflect the band's punk ethos and their commitment to challenging the status quo. "Riot" showcases Dead Kennedys' signature sound, characterized by their raw and aggressive musical style, politically charged lyrics, and Biafra's distinctive vocal delivery. The song's frenetic pace and relentless energy make it a standout track in the band's discography, and a favorite among fans of hardcore punk music. Overall, "Riot" is a powerful and provocative song that captures the spirit of rebellion and dissent, making it a classic in the punk rock genre.
Well Paid Scientist
"Well Paid Scientist" is a song by the American punk rock band Dead Kennedys, released on their album "Plastic Surgery Disasters" in 1982. The track is a scathing critique of the military-industrial complex and the role of scientists in creating destructive technologies for profit. The song's composition is fast-paced and energetic, with driving guitar riffs and pounding drums that give it a sense of urgency and anger. Lead singer Jello Biafra's vocals are delivered with intensity and a sense of defiance, adding to the song's rebellious spirit. One notable aspect of "Well Paid Scientist" is its satirical lyrics, which skewer the hypocrisy and corruption of the scientific community. The song highlights the ways in which scientists can be manipulated by powerful interests to develop weapons of mass destruction, without considering the ethical implications of their work. Overall, "Well Paid Scientist" is a powerful and thought-provoking punk anthem that challenges listeners to think critically about the impact of science and technology on society. Its message remains relevant today, as debates continue about the role of scientists in shaping the future of humanity.
Religious Vomit
"Religious Vomit" is a track by the American punk rock band Dead Kennedys, released on their debut album "Fresh Fruit for Rotting Vegetables" in 1980. The song's theme revolves around criticizing organized religion and its negative impact on society. The composition of the track features fast-paced, aggressive guitar riffs, pounding drums, and Jello Biafra's distinctive vocals delivering scathing lyrics attacking the hypocrisy and corruption within religious institutions. The song's intense energy and raw sound are characteristic of Dead Kennedys' punk rock style. Notable facts about "Religious Vomit" include its controversial lyrics which challenge religious beliefs and question the authority of religious leaders. The song's provocative title and message sparked debates and discussions about freedom of speech and the role of religion in shaping societal norms. Overall, "Religious Vomit" is a powerful and rebellious punk rock anthem that remains relevant in its critique of organized religion and serves as a reminder of Dead Kennedys' bold and uncompromising approach to music and social commentary.
Winnebago Warrior
"Winnebago Warrior" is a track by the punk rock band Dead Kennedys, known for their politically charged and satirical lyrics. The song, released in 1986 on their album "Bedtime for Democracy," critiques the American consumer culture and the obsession with material possessions. The track opens with a fast-paced guitar riff and driving drums, creating a sense of urgency and aggression that is characteristic of the band's sound. Lead singer Jello Biafra delivers the lyrics with his trademark snarl, railing against the superficiality and emptiness of the American dream. The lyrics paint a vivid picture of a man who is consumed by his desire for status symbols and possessions, as he travels across the country in his Winnebago RV. The protagonist is portrayed as a shallow and materialistic individual, chasing after wealth and success at the expense of meaningful human connections. "Winnebago Warrior" is a scathing critique of the consumerist culture that permeates American society, and the band's disdain for the shallowness and greed that it breeds. The song's aggressive music and biting lyrics make it a powerful commentary on the pitfalls of capitalism and the pursuit of material wealth. Overall, "Winnebago Warrior" is a standout track in Dead Kennedys' discography, showcasing their ability to combine punk rock energy with thought-provoking social commentary. It remains a relevant and impactful song that resonates with listeners who question the values of a society driven by consumerism.
Dog Bite
"Dog Bite" by Dead Kennedys is a fast-paced punk rock track that explores the theme of police brutality and abuse of power. The lyrics paint a vivid picture of a violent encounter with law enforcement, highlighting the fear and helplessness experienced by the victim. Musically, the song is characterized by its aggressive guitar riffs, pounding drums, and Jello Biafra's raw, intense vocals. The band's signature blend of hardcore punk and surf rock influences is on full display, creating a sense of urgency and chaos that mirrors the song's subject matter. Notable for its confrontational lyrics and unapologetic political commentary, "Dog Bite" is a standout track on Dead Kennedys' debut album, "Fresh Fruit for Rotting Vegetables." The song remains a powerful and relevant critique of police brutality and abuse of authority, making it a staple in the band's discography and a favorite among fans of punk rock music.
Rawhide
"Rawhide" by Dead Kennedys is a cover of the famous theme song from the television show of the same name. The song was originally written by Ned Washington and composed by Dimitri Tiomkin for the Western series in the 1950s. Dead Kennedys put their own punk rock twist on the song, adding their signature high-energy and fast-paced sound. The lyrics of "Rawhide" are a call for rebellion and resistance against authority. The band uses the song to criticize the oppressive systems in society and urge listeners to fight back against injustice. The song's raw and aggressive delivery perfectly encapsulates the band's anti-establishment ethos. The composition of the song is fast-paced, with driving guitar riffs and pounding drums that create a sense of urgency and intensity. Lead singer Jello Biafra's vocals are powerful and commanding, adding to the rebellious spirit of the song. "Rawhide" by Dead Kennedys is a standout track that showcases the band's unique blend of punk rock and social commentary. Its energetic sound and powerful lyrics make it a must-listen for fans of punk music and those who appreciate music with a message.
The Prey
"The Prey" is a track by the American punk rock band Dead Kennedys, featured on their debut album Fresh Fruit for Rotting Vegetables released in 1980. The song is characterized by its fast-paced tempo, aggressive guitar riffs, and politically charged lyrics. The theme of "The Prey" revolves around the idea of society preying on individuals, particularly those who are vulnerable or marginalized. The lyrics criticize the exploitation and manipulation of people by those in power, highlighting the predatory nature of capitalism and consumer culture. The composition of the song is typical of Dead Kennedys' signature style, with driving drums, thrashing guitars, and Jello Biafra's distinctive vocal delivery. The band's raw energy and confrontational lyrics helped establish them as one of the leading voices of the punk rock scene in the 1980s. Notable for its rebellious spirit and social commentary, "The Prey" remains a powerful and influential track in Dead Kennedys' discography. Its message of resistance and defiance continues to resonate with fans of punk rock and those who challenge the status quo.
We've Got a Bigger Problem Now
"We've Got a Bigger Problem Now" by Dead Kennedys is a track from their album "Frankenchrist," released in 1985. The song is a satirical commentary on the corruption and hypocrisy within the political and economic systems of the United States during that time. The composition of the song features a fast-paced punk rock sound, with aggressive guitar riffs and driving drum beats. The vocals by lead singer Jello Biafra are delivered with a sense of urgency and anger, reflecting the band's disillusionment with the state of society. One notable fact about the song is that it samples a speech by then-President Ronald Reagan, where he addresses the issue of drug abuse in America. The band uses this sample to highlight the government's failure to address more pressing issues, such as poverty and political corruption. Overall, "We've Got a Bigger Problem Now" is a powerful and thought-provoking track that showcases Dead Kennedys' signature blend of punk rock music and social commentary. It remains a relevant and impactful song that resonates with listeners who are critical of the status quo.
Bleed for Me
"Bleed for Me" by Dead Kennedys is a fast-paced punk rock song that was released on their 1982 album "Plastic Surgery Disasters". The song's theme revolves around the exploitation and manipulation of individuals by those in power, particularly in the political and corporate spheres. The lyrics criticize the ways in which people are often used and discarded by those in positions of authority. Musically, "Bleed for Me" features driving guitar riffs, frantic drumming, and Jello Biafra's distinctive vocal delivery. The song's energetic and aggressive sound reflects the band's punk ethos and rebellious attitude. One notable aspect of "Bleed for Me" is its powerful and confrontational lyrics, which challenge listeners to question authority and think critically about the systems of control that govern society. The song's intense energy and raw emotion make it a standout track on "Plastic Surgery Disasters" and a staple of Dead Kennedys' live performances. Overall, "Bleed for Me" is a politically charged punk rock anthem that remains relevant and impactful decades after its release. Its powerful message and fierce sound continue to resonate with fans of punk music and those who appreciate socially conscious lyrics.
Straight A's
"Staight A's" by Dead Kennedys is a fast-paced punk rock track that was released as a B-side to their single "Holiday in Cambodia" in 1980. The song features the band's signature aggressive guitar riffs, driving drum beats, and lead singer Jello Biafra's distinctive vocals. Thematically, "Straight A's" criticizes the education system and the pressure placed on students to excel academically. The lyrics sarcastically mock the idea that getting straight A's in school is the key to success, highlighting the absurdity of measuring intelligence solely based on grades. The composition of the song is energetic and relentless, capturing the band's rebellious spirit and punk ethos. The raw and gritty production, combined with Biafra's snarling delivery, adds to the song's rebellious and defiant tone. Notable for its satirical lyrics and blistering instrumentation, "Straight A's" is a standout track in Dead Kennedys' discography and remains a classic in the punk rock genre. The song's message of questioning authority and societal norms resonates with listeners, making it a timeless anthem for those who refuse to conform.
Moral Majority
"Moral Majority" is a track by the punk rock band Dead Kennedys, known for their politically charged lyrics and energetic sound. The song is a scathing critique of the Moral Majority, a conservative political organization founded in the 1970s that sought to promote traditional Christian values in American society. The composition of "Moral Majority" is fast-paced and aggressive, with driving guitar riffs and pounding drums that convey the band's sense of urgency and anger. Lead singer Jello Biafra's vocals are raw and intense, delivering the lyrics with a sense of defiance and rebellion. The lyrics of "Moral Majority" take aim at the hypocrisy and narrow-mindedness of the organization, mocking their self-righteousness and condemning their attempts to impose their moral values on others. The song's chorus repeats the line "Moral majority, where do they come from?" highlighting the band's incredulity at the group's perceived influence and power. One notable fact about "Moral Majority" is that it was released on the Dead Kennedys' album "Bedtime for Democracy" in 1986, during a time of increasing conservative influence in American politics. The song remains relevant today as a critique of the dangers of moralistic and authoritarian ideologies. Overall, "Moral Majority" is a powerful and incisive punk rock anthem that continues to resonate with listeners who value freedom of expression and individuality.
I Am the Owl
"I Am the Owl" is a track by the American punk rock band Dead Kennedys, released on their 1986 album "Bedtime for Democracy". The song's theme revolves around government surveillance and control, criticizing the erosion of civil liberties and the rise of authoritarianism. The composition of the song is fast-paced and aggressive, typical of Dead Kennedys' signature punk sound. The driving guitar riffs and pounding drums create a sense of urgency and rebellion, perfectly complementing the lyrics' rebellious and confrontational tone. One notable fact about "I Am the Owl" is its use of spoken word samples from a speech by former president Richard Nixon, adding a layer of political commentary and irony to the track. The inclusion of these samples further emphasizes the band's anti-establishment stance and their criticism of corrupt political systems. Overall, "I Am the Owl" is a powerful and provocative punk anthem that highlights Dead Kennedys' fearless approach to addressing social and political issues through their music.
Hyperactive Child
"Hyperactive Child" is a fast-paced and energetic track by the American punk rock band Dead Kennedys. The song is featured on their second studio album, "Plastic Surgery Disasters," released in 1982. Thematically, "Hyperactive Child" touches on the issue of over-medication of children, particularly with the use of Ritalin and other stimulant drugs to control behavior. The lyrics criticize the pharmaceutical industry for profiting off the diagnosis and treatment of hyperactivity in children, suggesting that it is a form of social control rather than genuine concern for the well-being of young individuals. Musically, the song is characterized by its frantic pace, aggressive guitar riffs, and driving rhythm section. Lead singer Jello Biafra's vocals are delivered with a sense of urgency and anger, reflecting the rebellious nature of the band's punk ethos. Notable for its raw energy and confrontational lyrics, "Hyperactive Child" is a standout track in Dead Kennedys' discography and remains a fan favorite among punk rock enthusiasts. The song's message of questioning authority and challenging societal norms resonates with listeners who appreciate the band's unapologetically political and provocative approach to music.
Kepone Factory
"Kepone Factory" is a song by the punk rock band Dead Kennedys. The track is featured on their debut album, Fresh Fruit for Rotting Vegetables, released in 1980. The song's lyrics address the issue of pollution and environmental degradation caused by the chemical compound Kepone. The composition of the song is fast-paced and aggressive, typical of Dead Kennedys' signature punk sound. Lead singer Jello Biafra's vocals are raw and intense, adding to the urgency of the message being conveyed. The guitar riffs are energetic and driving, creating a sense of chaos and rebellion. "Kepone Factory" tackles the real-life incident in Hopewell, Virginia, where workers at a factory producing the pesticide Kepone were poisoned due to unsafe working conditions. The song criticizes the company's disregard for human lives and the environment in pursuit of profit. The lyrics highlight the devastating effects of pollution and the importance of holding corporations accountable for their actions. Overall, "Kepone Factory" is a powerful and politically charged song that showcases Dead Kennedys' ability to address social issues and provoke thought through their music. It remains a standout track in the band's discography and a reminder of the ongoing fight for environmental justice.
Dead End
"Dead End" by Dead Kennedys is a punk rock song that addresses the bleak reality of urban decay and the feeling of being trapped in a dead-end life. The song's lyrics paint a picture of a desolate cityscape filled with crime, poverty, and hopelessness, where there seems to be no way out. The composition of the song is fast-paced and aggressive, with driving guitar riffs and pounding drums that create a sense of urgency and desperation. Lead singer Jello Biafra's raw and intense vocals add to the overall feeling of frustration and anger. One notable fact about "Dead End" is that it was released as a B-side to the band's single "California Über Alles" in 1979, but has since become a fan favorite and a staple of Dead Kennedys' live performances. The song is often cited as a powerful commentary on the social and economic issues facing urban areas, making it a standout track in the band's discography.
Dead Kennedys