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American Jesus

"American Jesus" is a track by the American punk rock band Bad Religion, included in their 1993 album "Recipe for Hate". The song is a sharp critique of the commercialization and idolization of religion in American society. The lyrics address the hypocrisy and contradictions present in the concept of an "American Jesus", questioning how a figure of peace and love can be associated with violence, greed, and discrimination. Musically, the song features a fast-paced, aggressive punk rock sound with powerful guitar riffs and energetic drumming. The catchy chorus and melodic hooks make it a standout track in the band's discography. "American Jesus" has become one of Bad Religion's most popular and enduring songs, often performed live and considered a fan favorite. The song's message continues to resonate with listeners, sparking discussions about the intersection of religion and politics in modern society. Overall, "American Jesus" is a powerful and thought-provoking track that showcases Bad Religion's signature blend of social commentary and punk rock energy.

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You

"You" is a track by the punk rock band Bad Religion, released in 1996 as part of their album "The Gray Race". The song addresses the theme of individuality and self-discovery, urging listeners to stay true to themselves and not conform to societal norms or expectations. The composition of "You" features fast-paced guitar riffs, pounding drums, and melodic vocal harmonies characteristic of Bad Religion's signature sound. The lyrics are introspective and contemplative, with frontman Greg Graffin delivering a powerful message about embracing one's unique identity and not being swayed by outside influences. One notable fact about "You" is that it showcases the band's ability to blend catchy melodies with thought-provoking lyrics, creating a song that is both musically engaging and intellectually stimulating. The track has become a fan favorite and a staple in Bad Religion's live performances, resonating with audiences who appreciate its empowering message of self-acceptance and authenticity.

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Infected

"Infected" by Bad Religion is a punk rock song that was released in 1994 on their album "Stranger Than Fiction." The song features the band's signature fast-paced guitar riffs and aggressive vocals, typical of their style. The theme of "Infected" revolves around the idea of being consumed by negativity and cynicism, feeling overwhelmed by the problems of the world. The lyrics describe a sense of hopelessness and disillusionment, with lines like "Nowhere to hide, infected and I'm sure to die." The composition of the song is energetic and intense, with driving drums and distorted guitars creating a sense of urgency and frustration. The chorus is anthemic, with the repeated refrain of "Now I'm infected," driving home the feeling of being overwhelmed by negativity. "Infected" is a standout track on "Stranger Than Fiction," and has become a fan favorite at Bad Religion concerts. The song's raw emotion and powerful instrumentation make it a memorable and impactful addition to the band's discography.

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21st Century (Digital Boy)

"21st Century (Digital Boy)" by Bad Religion is a punk rock anthem that addresses the pitfalls of modern technology and the disconnection it can create between people. The song's theme revolves around the idea of a "digital boy" who is consumed by technology and disconnected from the real world. Musically, the track features fast-paced guitar riffs, pounding drums, and powerful vocals that capture the urgency and frustration of the song's message. The lyrics are sharp and critical, calling out society's reliance on technology and the ways in which it can alienate individuals from each other. One notable fact about the song is that it was released in 1990, long before the widespread use of smartphones and social media that have only exacerbated the issues addressed in the song. Despite being written over 30 years ago, "21st Century (Digital Boy)" remains relevant and resonant in today's digital age. Overall, "21st Century (Digital Boy)" is a powerful and thought-provoking track that challenges listeners to consider the impact of technology on our lives and relationships.

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Punk Rock Song

"Punk Rock Song" is a track by the American punk rock band Bad Religion, released on their eighth studio album "The Gray Race" in 1996. The song is a fast-paced, energetic anthem that captures the essence of punk rock with its raw, aggressive sound and socially conscious lyrics. The theme of the song revolves around the power of music and its ability to unite people and inspire change. The lyrics touch on the idea that punk rock isn't just about rebellion and chaos, but also about standing up for what you believe in and making a positive impact on the world. Musically, "Punk Rock Song" features driving guitar riffs, pounding drums, and powerful vocals from lead singer Greg Graffin. The band's trademark harmonies and catchy melodies are also present throughout the track, making it a standout on the album. Notable for its catchy chorus and infectious energy, "Punk Rock Song" has become a fan favorite and a staple in Bad Religion's live performances. The song has been praised for its powerful message and its ability to resonate with listeners of all ages, solidifying its place as a classic in the punk rock genre.

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Do What You Want

"Do What You Want" is a punk rock song by the American band Bad Religion, released on their fourth studio album, "Suffer" in 1988. The song's theme revolves around individual freedom and non-conformity, urging listeners to think for themselves and not be swayed by societal norms or expectations. The composition of the track is fast-paced and energetic, featuring driving guitar riffs, pounding drums, and aggressive vocals from lead singer Greg Graffin. The raw intensity of the music perfectly complements the rebellious lyrics, creating a powerful anthem for those who refuse to be controlled or restricted. One notable fact about "Do What You Want" is that it has become one of Bad Religion's most popular and enduring songs, frequently performed live at their concerts and often cited as a fan favorite. Its message of personal autonomy and self-determination resonates with listeners of all ages and backgrounds, making it a timeless classic in the punk rock genre.

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I Want to Conquer the World

"I Want to Conquer the World" is a track by the American punk rock band Bad Religion, from their 1990 album "No Control". The song's theme revolves around the desire for power and control, with lyrics expressing frustration with the state of the world and a yearning to make a change. The composition of the song features fast-paced guitar riffs, pounding drums, and aggressive vocals, characteristic of Bad Religion's signature punk sound. The band's harmonizing vocals add depth and intensity to the track, creating a sense of urgency and rebellion. Notable facts about "I Want to Conquer the World" include its powerful and thought-provoking lyrics, which address political and social issues with a sense of defiance and determination. The song has become a fan favorite and a staple of Bad Religion's live performances, showcasing the band's energy and passion for activism. Overall, "I Want to Conquer the World" is a standout track in Bad Religion's discography, combining catchy melodies with a powerful message about taking control and making a difference in the world.

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Los Angeles Is Burning

"Los Angeles Is Burning" by Bad Religion is a politically charged punk rock song that tackles the issue of climate change and its impact on society. The song's lyrics paint a bleak picture of a city engulfed in flames, with references to natural disasters and the failure of humanity to address the impending environmental crisis. Musically, the track features fast-paced guitar riffs, pounding drums, and melodic vocal harmonies that are characteristic of Bad Religion's signature sound. The band's tight musicianship and powerful delivery help convey the urgency and intensity of the song's message. Released in 2004 on their album "The Empire Strikes First," "Los Angeles Is Burning" quickly became a fan favorite and a staple of Bad Religion's live performances. The song's powerful lyrics and catchy hooks have resonated with listeners around the world, earning it critical acclaim and solidifying its place as one of the band's most iconic tracks. Overall, "Los Angeles Is Burning" is a thought-provoking and impactful song that addresses important social and environmental issues through the lens of punk rock music. Its powerful message and infectious energy make it a standout track in Bad Religion's extensive discography.

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Sorrow

"Sorrow" by Bad Religion is a punk rock song that was released as a single in 2002 from their album "The Process of Belief." The track is characterized by its fast tempo, powerful guitar riffs, and passionate vocals from lead singer Greg Graffin. The theme of "Sorrow" revolves around feelings of despair, frustration, and helplessness in the face of societal issues and personal struggles. The lyrics convey a sense of urgency and a call to action, urging listeners to confront their own sorrows and work towards positive change. The composition of the song is straightforward and energetic, with a driving rhythm that propels the song forward. The catchy chorus and anthemic quality of the music make it a standout track in Bad Religion's discography. Notable facts about "Sorrow" include its critical acclaim and commercial success, reaching the top of the Billboard Modern Rock Tracks chart. The song has become a fan favorite and a staple of Bad Religion's live performances, showcasing the band's ability to combine powerful lyrics with dynamic punk rock music.

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No Control

"No Control" is a track by the punk rock band Bad Religion, originally released on their album of the same name in 1989. The song is characterized by its fast-paced, aggressive sound and politically charged lyrics, which are a hallmark of the band's style. The theme of "No Control" revolves around the idea of feeling overwhelmed and powerless in the face of societal and political forces. The lyrics speak to a sense of frustration and disillusionment with the state of the world, as well as a desire for change and resistance against oppressive systems. Musically, the track features driving guitar riffs and pounding drums, creating a sense of urgency and intensity that matches the song's themes. The band's signature vocal harmonies add an anthemic quality to the track, making it a standout in their discography. "Notable facts about "No Control" include its critical acclaim and lasting impact on the punk rock genre. The song has been praised for its raw energy and thought-provoking lyrics, and it remains a fan favorite at Bad Religion concerts to this day. Additionally, "No Control" has been covered by various artists and is considered a classic of the punk rock genre. Overall, "No Control" is a powerful and resonant track that showcases Bad Religion at the height of their musical and lyrical prowess. Its themes of resistance and empowerment continue to resonate with listeners, making it a standout in the band's extensive catalog.

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Generator

"Generator" by Bad Religion is a punk rock anthem that captures the band's signature sound of fast-paced guitar riffs and powerful vocals. The song's theme revolves around the idea of questioning authority and challenging societal norms. The lyrics discuss the idea of being a generator of one's own destiny, rather than conforming to the expectations set by others. The composition of the song features a driving drum beat and energetic guitar work that creates a sense of urgency and rebellion. The chorus is catchy and anthemic, with lead singer Greg Graffin's distinctive voice leading the charge. Notable facts about "Generator" include its inclusion on Bad Religion's seventh studio album of the same name, released in 1992. The song has become a fan favorite and a staple in the band's live performances. Its message of empowerment and self-determination resonates with listeners who appreciate the band's politically charged lyrics and high-energy punk rock sound.

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Social Suicide

"Social Suicide" is a track by the punk rock band Bad Religion from their 2004 album, "The Empire Strikes First." The song's theme revolves around the idea of conforming to societal norms and losing one's individuality in the process. It criticizes the pressure to fit in and the fear of being ostracized for being different. Musically, "Social Suicide" is characterized by fast-paced punk rock rhythms, aggressive guitar riffs, and powerful vocals by lead singer Greg Graffin. The song's energetic and rebellious sound perfectly complements its lyrics, creating a sense of urgency and defiance. Notable facts about "Social Suicide" include its thought-provoking lyrics that challenge listeners to think about the consequences of blindly following societal expectations. The track showcases Bad Religion's signature blend of catchy melodies and intelligent social commentary, making it a standout in their discography. Overall, "Social Suicide" is a powerful and impactful song that resonates with anyone who has ever felt pressure to conform to society's standards.

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Suffer

"Suffer" is a track by the punk rock band Bad Religion, released on their album of the same name in 1988. The song is characterized by its fast-paced tempo, aggressive guitar riffs, and politically charged lyrics. Thematically, "Suffer" addresses the struggles and hardships of everyday life, as well as the frustration and disillusionment that can come with trying to make sense of the world. The lyrics touch on themes such as societal inequality, political corruption, and the feeling of being trapped in a system that is stacked against you. The composition of the song is typical of Bad Religion's signature sound, with tight harmonies and a driving rhythm section. The band's dual vocalists, Greg Graffin and Brett Gurewitz, deliver the lyrics with a sense of urgency and intensity that perfectly captures the angst and frustration of the song's message. One notable fact about "Suffer" is that it has become one of Bad Religion's most iconic and beloved tracks, often cited as a fan favorite and a standout moment in their extensive discography. The song's raw energy and powerful lyrics have resonated with audiences for decades, solidifying its place as a classic in the punk rock genre.

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New Dark Ages

"New Dark Ages" by Bad Religion is a track that captures the band's signature punk rock sound while delving into themes of societal decline and the erosion of reason in the modern world. The song's lyrics address the idea of humanity regressing into a new era of ignorance and superstition, drawing parallels between contemporary issues and historical events. Musically, "New Dark Ages" features fast-paced guitar riffs, pounding drums, and Greg Graffin's distinctive vocals delivering powerful and thought-provoking lyrics. The song's energetic and aggressive instrumentation reflects the urgency of its message, urging listeners to wake up and resist the forces that seek to drag society backwards. One notable fact about "New Dark Ages" is that it was released as the lead single from Bad Religion's 2007 album "New Maps of Hell," which received critical acclaim for its social commentary and musical prowess. The track's raw energy and incisive lyrics make it a standout in the band's discography, showcasing their ability to blend punk rock intensity with insightful social commentary.

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We're Only Gonna Die

"We're Only Gonna Die" is a punk rock track by the American band Bad Religion. The song was originally released in 1982 on their debut album, "How Could Hell Be Any Worse?" The track is known for its fast-paced tempo, aggressive guitar riffs, and powerful vocals. Thematically, "We're Only Gonna Die" addresses the futility of war, violence, and the human condition. The lyrics reflect a sense of hopelessness and resignation, with the chorus repeating the line "We're only gonna die from our own arrogance." The song's message is a stark reminder of the destructive nature of mankind and the consequences of our actions. Musically, "We're Only Gonna Die" is a raw and energetic punk anthem that captures the angst and frustration of the early 80s punk scene. The driving drums, distorted guitars, and intense vocals create a sense of urgency and rebellion that is characteristic of Bad Religion's sound. One notable fact about the song is that it has been covered by several other bands, including Pennywise and NOFX, further solidifying its status as a punk rock classic. "We're Only Gonna Die" remains a powerful and relevant track that continues to resonate with listeners today.

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Change of Ideas

"Change of Ideas" by Bad Religion is a fast-paced punk rock track that addresses the theme of questioning societal norms and challenging conventional thinking. The song begins with a driving drum beat and aggressive guitar riff, setting the tone for the band's signature high-energy sound. The lyrics of "Change of Ideas" reflect Bad Religion's long-standing commitment to promoting critical thinking and questioning authority. The band encourages listeners to break free from conformity and embrace new perspectives, urging them to reject the status quo and seek out their own truths. One notable aspect of the song is its catchy melody and powerful vocal delivery by lead singer Greg Graffin. The band's tight musicianship and energetic performance help to drive home the message of empowerment and self-discovery. Overall, "Change of Ideas" is a thought-provoking and anthemic track that showcases Bad Religion's talent for blending meaningful lyrics with aggressive punk rock instrumentation. It remains a fan favorite and a staple of the band's live performances.

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Let Them Eat War

"Let Them Eat War" is a track by the punk rock band Bad Religion from their 2004 album "The Empire Strikes First." The song's theme revolves around criticism of the military-industrial complex and the manipulation of public opinion to justify war. The lyrics condemn the hypocrisy of politicians who send young people to fight in wars for their own gain. Musically, the track features fast-paced punk rock instrumentation with powerful guitar riffs and driving drums. The vocals are delivered with intensity and urgency, adding to the overall energy of the song. The aggressive sound of the track complements the anger and frustration in the lyrics, creating a sense of rebellion and protest. Notable facts about "Let Them Eat War" include its inclusion in the soundtrack of the video game "Tony Hawk's American Wasteland" and its performance in various live shows by Bad Religion. The song has been praised for its powerful message and social commentary, reflecting the band's long-standing tradition of addressing political and social issues in their music.

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Sinister Rouge

"Sinister Rouge" by Bad Religion is a fast-paced punk rock track that captures the band's signature sound and socially conscious lyrics. The song's theme revolves around the destructive nature of greed and corruption, criticizing those who prioritize material wealth over the well-being of others. The lyrics paint a bleak picture of a society consumed by greed and the consequences that come with it. Musically, "Sinister Rouge" features aggressive guitar riffs, pounding drums, and powerful vocals that drive the song forward with an intense energy. The band's tight instrumentation and harmonies create a sense of urgency and rebellion that is characteristic of their classic punk rock sound. One notable fact about "Sinister Rouge" is that it was included on Bad Religion's 2004 album, "The Empire Strikes First," which received critical acclaim for its politically charged lyrics and strong musical performances. The song's powerful message and driving melody make it a standout track in the band's discography, showcasing their ability to address important social issues while still delivering a high-energy punk rock anthem.

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Stranger Than Fiction

"Stranger Than Fiction" by Bad Religion is a punk rock song that was released in 1994 as the title track of their eighth studio album. The song's theme revolves around the idea that reality can often be more bizarre and unbelievable than fiction. It discusses how the world is full of contradictions, hypocrisy, and absurdity, making it difficult to discern what is real and what is fabricated. Musically, "Stranger Than Fiction" features fast-paced guitar riffs, pounding drums, and powerful vocals by lead singer Greg Graffin. The song's energetic and aggressive sound is characteristic of Bad Religion's signature punk rock style. One notable fact about "Stranger Than Fiction" is that it was a commercial success for Bad Religion, becoming one of their most popular songs and receiving significant radio airplay. The song's thought-provoking lyrics and catchy melody resonated with fans and helped solidify the band's reputation as one of the leading punk rock acts of the 1990s. Overall, "Stranger Than Fiction" is a powerful and anthemic track that showcases Bad Religion's ability to blend social commentary with high-energy music, making it a standout song in their discography.

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Modern Man

"Modern Man" by Bad Religion is a punk rock song that addresses the struggles and disillusionment of living in a modern society. The lyrics reflect on the alienation and emptiness felt by individuals in a world driven by consumerism and superficiality. The song critiques the conformity and lack of authenticity that comes with modern living, urging listeners to break free from societal norms and think for themselves. Musically, "Modern Man" features fast-paced guitar riffs, pounding drums, and melodic vocal harmonies that are characteristic of Bad Religion's signature sound. The band's tight instrumentation and energetic performance help convey the urgency and intensity of the song's message. Released in 1990 as part of Bad Religion's album "Against the Grain," "Modern Man" has become a fan favorite and a staple in the band's live performances. The song's powerful lyrics and catchy melody have resonated with listeners for decades, making it a standout track in Bad Religion's discography.

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Supersonic

"Supersonic" is a song by the American punk rock band Bad Religion, featured on their 14th studio album, "The Process of Belief," released in 2002. The track is a fast-paced, energetic punk rock anthem that showcases the band's signature sound of melodic guitar riffs, powerful drumming, and catchy vocal harmonies. Thematically, "Supersonic" addresses the idea of living life at a fast pace, constantly moving forward and striving for success despite the obstacles and challenges that may come in the way. The lyrics speak to the relentless pursuit of progress and the desire to break free from limitations and constraints. The composition of the song is characterized by its driving tempo, dynamic guitar work, and infectious chorus that is sure to get listeners pumped up and energized. The band's tight musicianship and powerful delivery make "Supersonic" a standout track on the album, showcasing their ability to craft memorable punk rock anthems that resonate with fans around the world. Notable facts about "Supersonic" include its inclusion in the soundtrack of the popular video game Tony Hawk's Pro Skater 4, exposing the song to a wider audience and solidifying its status as a fan favorite. The track's high-energy performance and relatable lyrics make it a staple in Bad Religion's live shows, where it never fails to get the crowd moving and singing along. Overall, "Supersonic" is a standout track that exemplifies Bad Religion's enduring influence in the punk rock genre.

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Big Bang

"Big Bang" by Bad Religion is a fast-paced punk rock track that tackles the theme of the origins of the universe and the concept of the Big Bang theory. The song explores the idea of how everything in existence may have originated from a single explosive event, echoing the band's philosophical and intellectual approach to their lyrics. Musically, "Big Bang" features driving guitars, pounding drums, and melodic vocals that create a sense of urgency and energy. The song's composition is both intricate and powerful, with tight harmonies and a relentless pace that propels the listener forward. One notable fact about "Big Bang" is that it was released on Bad Religion's album "New Maps of Hell" in 2007, showcasing the band's continued relevance and ability to evolve their sound while still staying true to their punk rock roots. The song's thought-provoking lyrics and dynamic musicality make it a standout track in Bad Religion's extensive discography.

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Fuck You

"Fuck You" by Bad Religion is a punk rock anthem that is filled with raw energy and aggression. The song's theme revolves around anger and frustration towards authority figures and societal norms. The lyrics express a rebellious attitude and a refusal to conform to the expectations of others. Musically, "Fuck You" features fast-paced drumming, distorted guitars, and powerful vocals from lead singer Greg Graffin. The instrumentation is loud and abrasive, perfectly complementing the rebellious lyrics. The song's catchy chorus and memorable riff make it a standout track on the album. One notable fact about "Fuck You" is that it was released as a single in 2002 and received critical acclaim for its bold and unapologetic message. The song has become a fan favorite at Bad Religion concerts, where it is often played with high intensity and crowd participation. Overall, "Fuck You" is a powerful and defiant punk rock anthem that showcases Bad Religion's signature sound and attitude. It is a standout track that resonates with listeners who appreciate music that challenges the status quo.

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Sanity

"Sanity" by Bad Religion is a track off their album "No Substance," released in 1998. The song's theme revolves around the struggle to maintain one's sanity in a world filled with chaos and confusion. The lyrics touch on the pressures of modern society, the constant bombardment of information, and the difficulty of finding a sense of peace and stability amidst the madness. Musically, "Sanity" is a fast-paced punk rock song with blistering guitar riffs, pounding drums, and the distinctive vocal harmonies that are a trademark of Bad Religion's sound. The band's tight musicianship and powerful delivery help to drive home the urgency and intensity of the song's message. One notable fact about "Sanity" is that it showcases Bad Religion's knack for blending thought-provoking lyrics with catchy melodies and high-energy instrumentation. The band's ability to tackle complex social issues while still creating music that is accessible and engaging is one of the reasons they have remained a staple in the punk rock scene for over four decades. "Sanity" is a prime example of Bad Religion's ability to deliver a powerful message with a memorable and impactful sound.

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Better Off Dead

"Better Off Dead" by Bad Religion is a track from their 1994 album "Stranger Than Fiction." The song is a fast-paced punk rock anthem that addresses themes of disillusionment, alienation, and existential despair. The lyrics reflect a sense of hopelessness and frustration with the world, questioning the meaning of life and the futility of existence. Musically, "Better Off Dead" features driving guitar riffs, pounding drums, and melodic vocals from lead singer Greg Graffin. The band's signature harmonies and catchy hooks are present throughout the song, creating a sense of urgency and intensity. One notable aspect of the track is its powerful and emotive chorus, which serves as a rallying cry for those who feel lost or disconnected from society. The song's raw energy and emotional depth have made it a fan favorite and a staple in Bad Religion's live performances. Overall, "Better Off Dead" is a standout track that showcases Bad Religion's ability to blend punk rock aggression with thought-provoking lyrics. Its themes of disillusionment and existential angst resonate with listeners, making it a timeless and impactful song in the band's discography.

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A Walk

"A Walk" by Bad Religion is a track from their album "No Substance," released in 1998. The song has a fast-paced punk rock sound with catchy guitar riffs and energetic drumming. The lyrics of the song touch on the theme of disillusionment and the struggle to find meaning in a world filled with chaos and uncertainty. The track opens with a driving guitar riff and pounding drums, setting the tone for the rest of the song. Lead singer Greg Graffin's vocals are dynamic and passionate, conveying a sense of urgency and frustration. The chorus is anthemic and powerful, with the band chanting "I'm just a walkin' in the rain / A walkin' in the rain." One notable fact about "A Walk" is that it showcases Bad Religion's signature blend of melodic punk rock and thought-provoking lyrics. The band is known for their intelligent and introspective songwriting, and this track is no exception. Overall, "A Walk" is a standout track that captures the essence of Bad Religion's sound and message.

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You Are (The Government)

"You Are (The Government)" is a politically charged punk rock track by the American band Bad Religion. The song is featured on their fourth studio album, "Suffer," released in 1988. The theme of the song revolves around criticizing the government and its role in society. The lyrics address issues such as corruption, power dynamics, and the impact of political decisions on the general population. The band's frontman, Greg Graffin, delivers the vocals with a sense of urgency and defiance, adding to the rebellious nature of the song. Musically, "You Are (The Government)" features fast-paced drumming, aggressive guitar riffs, and energetic vocals. The band's signature harmonies are also present, creating a powerful and anthemic sound that is synonymous with Bad Religion's style. One notable fact about the song is its lasting relevance and impact. Despite being released over three decades ago, "You Are (The Government)" still resonates with listeners today, especially during times of political unrest and social change. The track serves as a reminder of the band's commitment to speaking out against injustice and holding those in power accountable. Overall, "You Are (The Government)" is a powerful and thought-provoking punk rock anthem that continues to inspire and provoke listeners with its bold lyrics and energetic sound.

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Anesthesia

"Anesthesia" by Bad Religion is a track off their 2010 album "The Dissent of Man." The song explores the theme of feeling numb and disconnected in a world filled with chaos and confusion. The lyrics describe a sense of detachment and disorientation, as the protagonist searches for a way to escape the overwhelming noise and turmoil of modern society. Musically, "Anesthesia" features the band's signature fast-paced punk rock sound, with driving guitar riffs and powerful drumming. The energetic tempo and aggressive vocals convey a sense of urgency and frustration, mirroring the song's themes of alienation and disillusionment. One notable aspect of "Anesthesia" is its raw and visceral emotion, as the band channels their anger and disillusionment into a cathartic musical expression. The song's intense energy and biting lyrics make it a standout track on the album, showcasing Bad Religion's ability to address social and political issues with a potent blend of passion and intelligence. Overall, "Anesthesia" is a powerful and thought-provoking song that captures the band's punk rock ethos and serves as a rallying cry for those who feel overwhelmed by the chaos and confusion of the modern world.

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Atheist Peace

"Atheist Peace" is a song by the punk rock band Bad Religion, from their 2002 album "The Process of Belief". The song addresses the idea of finding peace and purpose in life without the need for religion or belief in a higher power. The lyrics touch on the struggles of living in a world where religious conflicts and dogma often overshadow logic and reason. Musically, "Atheist Peace" features the band's signature fast-paced punk rock sound, with driving guitar riffs and powerful drumming. The song's catchy melody and anthemic chorus make it a standout track on the album. One notable fact about "Atheist Peace" is that it was released as a single and received positive reviews for its thought-provoking lyrics and energetic performance. The song has become a fan favorite and is often performed live by the band during their concerts. Overall, "Atheist Peace" is a powerful and introspective song that challenges listeners to think critically about their beliefs and the role of religion in society. It showcases Bad Religion's ability to address complex issues in a straightforward and impactful way through their music.

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Flat Earth Society

"Flat Earth Society" by Bad Religion is a punk rock song that delves into the concept of willful ignorance and the rejection of scientific facts in favor of unfounded beliefs. The lyrics criticize those who deny evidence-based knowledge and instead choose to subscribe to conspiracy theories. The song challenges the idea of blindly following misguided beliefs and encourages listeners to think critically and question the information they are presented with. Musically, "Flat Earth Society" features energetic guitar riffs, fast-paced drumming, and powerful vocals that capture the urgency and intensity of the lyrics. The driving beat and catchy melody make it a standout track on the album. Notable for its thought-provoking lyrics and powerful sound, "Flat Earth Society" showcases Bad Religion's signature blend of punk rock aggression and intellectual depth. The song serves as a reminder to stay informed, question the status quo, and reject ignorance in all its forms.

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Recipe for Hate

"Recipe for Hate" is a track by the American punk rock band Bad Religion, released in 1993 as the title track of their seventh studio album. The song is known for its aggressive and hard-hitting sound, typical of the band's signature style. The theme of "Recipe for Hate" revolves around the destructive power of hatred and intolerance in society. The lyrics criticize the negative impact of prejudice, bigotry, and discrimination, highlighting the toxic effects they have on individuals and communities. The song urges listeners to recognize the dangers of hate and work towards building a more inclusive and accepting world. Musically, "Recipe for Hate" features fast-paced guitar riffs, pounding drums, and powerful vocals from lead singer Greg Graffin. The song's intense energy and raw emotion contribute to its impactful message, making it a standout track on the album. One notable fact about "Recipe for Hate" is that it was one of Bad Religion's first songs to incorporate more melodic elements into their punk rock sound. This experimentation with their musical style helped the band reach a wider audience and solidify their reputation as one of the most influential punk bands of the 1990s. Overall, "Recipe for Hate" is a powerful and thought-provoking track that addresses important social issues while showcasing Bad Religion's musical talent and creativity. It remains a fan favorite and a staple in the band's live performances.

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Automatic Man

"Automatic Man" by Bad Religion is a track from their eighth studio album, "No Substance," released in 1998. The song explores the theme of conformity and the loss of individuality in a society that values materialism and consumerism. The composition of the song features fast-paced punk rock instrumentation with driving guitar riffs and pounding drums, characteristic of Bad Religion's signature sound. The aggressive vocals of lead singer Greg Graffin add to the intensity of the track, as he delivers lyrics that criticize the idea of blindly following societal norms without questioning their validity. One notable fact about "Automatic Man" is that it showcases Bad Religion's ability to combine powerful music with thought-provoking lyrics that challenge listeners to reflect on their own beliefs and values. The band's social and political commentary is a recurring theme throughout their discography, and "Automatic Man" is no exception, serving as a reminder to resist conformity and think for oneself.

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Against the Grain

"Against the Grain" by Bad Religion is a punk rock anthem that addresses the band's disillusionment with mainstream society and conformity. The song's theme revolves around going against the norm and staying true to oneself, even if it means going against the grain. The composition of the track is fast-paced and energetic, with aggressive guitar riffs and driving drum beats that perfectly complement the rebellious lyrics. The vocals are raw and passionate, adding to the overall intensity of the song. One notable fact about "Against the Grain" is that it was the title track of Bad Religion's fifth studio album, released in 1990. The album was a critical and commercial success, solidifying the band's place in the punk rock scene. The song has since become a fan favorite and a staple in their live performances. Overall, "Against the Grain" is a powerful and empowering song that encourages listeners to stand up for what they believe in and not be afraid to go against the grain. With its catchy melody and thought-provoking lyrics, it continues to resonate with fans of punk rock music.

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Atomic Garden

"Atomic Garden" is a track by American punk rock band Bad Religion, released on their 1992 album "Generator." The song discusses the destructive nature of humanity and the consequences of nuclear warfare. The lyrics criticize society's reliance on technology and the potential for it to lead to catastrophic consequences. Musically, "Atomic Garden" features fast-paced drumming, energetic guitar riffs, and powerful vocals by lead singer Greg Graffin. The song showcases Bad Religion's signature blend of punk rock and melodic hooks, creating a dynamic and impactful sound that captures the urgency of the lyrics. One notable fact about "Atomic Garden" is that it was inspired by the band's concerns about the environment and the dangers of nuclear proliferation. The song's powerful message resonated with fans and critics alike, making it a standout track on the album. Overall, "Atomic Garden" is a thought-provoking and intense song that highlights Bad Religion's ability to combine meaningful lyrics with energetic punk rock music. It remains a fan favorite and a staple in the band's live performances.

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Best for You

"Best for You" is a track by the punk rock band Bad Religion, featured on their album "Suffer" released in 1988. The song carries a fast-paced and energetic tempo, characteristic of the band's signature sound. Thematically, "Best for You" explores the idea of conformity and societal pressure to fit in. The lyrics delve into the struggle of staying true to oneself and resisting the urge to conform to society's expectations. The band's frontman, Greg Graffin, delivers powerful vocals that convey a sense of frustration and defiance. Musically, the track is driven by aggressive guitar riffs and pounding drums, creating a sense of urgency and intensity. The band's tight harmonies and catchy melodies make "Best for You" a standout track on the album. Notable for its thought-provoking lyrics and high-energy performance, "Best for You" showcases Bad Religion's ability to blend punk rock with insightful social commentary. The song remains a fan favorite and a staple in the band's live performances.

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God's Love

"God's Love" by Bad Religion is a track from their 1990 album "Against the Grain". The song explores the concept of God's love in a critical and questioning manner, challenging the traditional beliefs surrounding religion and faith. The lyrics touch on themes of hypocrisy, suffering, and the struggle to find meaning in a world filled with injustice and pain. Musically, the song is characterized by fast-paced punk rock instrumentation, with driving drum beats, aggressive guitar riffs, and melodic vocal harmonies. The band's signature harmonies and catchy hooks add to the overall intensity and power of the track. One notable aspect of "God's Love" is the thought-provoking lyrics, which reflect the band's intellectual and socially conscious approach to punk rock. The song's message is conveyed with a sense of urgency and passion, making it a standout track in Bad Religion's discography. Overall, "God's Love" is a powerful and thought-provoking song that challenges conventional beliefs and encourages listeners to question their own perceptions of faith and spirituality. With its raw energy and critical lyrics, the track showcases Bad Religion's ability to tackle complex themes with honesty and conviction.

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I Love My Computer

"I Love My Computer" is a track by the punk rock band Bad Religion, included in their 2000 album "The New America." The song explores the relationship between humans and technology, specifically the increasing dependence on computers in modern society. The composition of the track features fast-paced guitar riffs, driving drum beats, and melodic vocal harmonies characteristic of Bad Religion's punk sound. The lyrics reflect on the way technology has infiltrated every aspect of our lives, from work to personal relationships, and the mixed feelings that come with this dependence. One notable fact about the song is its satirical take on the idea of loving a computer as if it were a romantic partner. The band uses this metaphor to highlight the ways in which technology has become intertwined with our identities and daily routines. Overall, "I Love My Computer" is a thought-provoking and energetic track that critiques society's reliance on technology while showcasing Bad Religion's signature punk rock sound.

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All There Is

"All There Is" by Bad Religion is a powerful and introspective track that delves into themes of existentialism and the search for meaning in a seemingly chaotic world. The song explores the idea that life is ultimately finite, and that we must make the most of what we have in the present moment. Musically, "All There Is" features driving punk rock instrumentation with melodic guitar riffs and energetic drumming. The vocals are raw and emotive, conveying a sense of urgency and passion in the lyrics. One notable fact about the song is that it was released on Bad Religion's 2004 album "The Empire Strikes First", which received critical acclaim for its social and political commentary. "All There Is" stands out as a standout track on the album, showcasing the band's ability to blend thought-provoking lyrics with catchy melodies. Overall, "All There Is" is a thought-provoking and emotionally charged track that resonates with listeners who are grappling with the complexities of existence. It serves as a reminder to live in the moment and appreciate all that we have, as there is no guarantee of what the future may hold.

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Incomplete

"Incomplete" by Bad Religion is a track from their 1994 album "Stranger Than Fiction." The song addresses the feeling of emptiness and dissatisfaction that can come from living in a world filled with chaos and confusion. The lyrics explore themes of disillusionment, alienation, and the search for meaning in a society that often feels fragmented and incomplete. Musically, the song features fast-paced punk rock instrumentation with driving guitars and energetic drumming. The band's signature harmonized vocal delivery adds a sense of urgency and intensity to the track. The song's catchy melody and anthemic chorus make it a standout on the album. One notable fact about "Incomplete" is that it was released as a single and received positive reviews from critics and fans alike. The song's raw energy and thought-provoking lyrics have made it a fan favorite at Bad Religion concerts. Overall, "Incomplete" is a powerful and introspective track that captures the band's unique blend of punk rock and social commentary.

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Give You Nothing

"Give You Nothing" is a fast-paced punk rock track by the American band Bad Religion. The song is featured on the band's second studio album, "Into the Unknown," released in 1983. The theme of the song revolves around frustration and disillusionment with society, as the lyrics express feelings of anger and resentment towards those who take advantage of others without giving anything in return. The band's signature vocal harmonies and energetic guitar riffs create a sense of urgency and intensity throughout the track. One notable fact about "Give You Nothing" is that it marks a departure from Bad Religion's usual hardcore punk sound, as the album "Into the Unknown" experimented with progressive rock elements. Despite the mixed reviews the album received, the song remains a fan favorite for its raw energy and powerful message. Overall, "Give You Nothing" is a powerful and hard-hitting track that showcases Bad Religion's ability to combine thought-provoking lyrics with high-energy music.

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1000 More Fools

"1000 More Fools" is a track by the American punk rock band Bad Religion, featured on their 1988 album "Suffer." The song's lyrics focus on the idea of societal ignorance and the consequences of blind faith and conformity. It reflects on the disillusionment and frustration that comes with realizing the limitations of human intelligence and the tendency for people to follow the crowd without questioning their beliefs. Musically, the track is characterized by fast-paced drumming, aggressive guitar riffs, and melodic vocal harmonies. The energetic tempo and driving rhythm create a sense of urgency that complements the song's themes of disillusionment and discontent. One notable fact about "1000 More Fools" is that it showcases Bad Religion's trademark blend of punk rock aggression and thought-provoking lyrics. The band is known for their intelligent and socially conscious songwriting, and this track is a prime example of their ability to address complex issues within the confines of a high-energy punk rock song. Overall, "1000 More Fools" is a powerful and thought-provoking track that showcases Bad Religion's unique blend of musical talent and social commentary. It remains a standout song in the band's discography and continues to resonate with listeners who appreciate punk rock music with a message.

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Faith Alone

"Faith Alone" is a song by the punk rock band Bad Religion, featured on their album "Against the Grain" released in 1990. The track is known for its fast-paced, energetic punk sound and thought-provoking lyrics. The theme of "Faith Alone" revolves around the dangers of blindly following faith without questioning or critical thinking. The song criticizes the idea of relying solely on faith without evidence or reason, highlighting the importance of skepticism and rationality. Musically, the song features driving guitars, pounding drums, and melodic hooks that are characteristic of Bad Religion's signature punk rock sound. The vocal delivery by lead singer Greg Graffin is powerful and intense, conveying the urgency of the song's message. "Faith Alone" is notable for its intelligent lyrics and social commentary, which are a trademark of Bad Religion's music. The band is known for addressing political and philosophical themes in their songs, and "Faith Alone" is no exception. Overall, "Faith Alone" is a standout track that showcases Bad Religion's talent for blending catchy melodies with deep, thought-provoking lyrics. It remains a fan favorite and a staple of the band's live performances.

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Leave Mine to Me

"Leave Mine to Me" is a track by the punk rock band Bad Religion, featured on their sixth studio album, "Stranger Than Fiction," released in 1994. The song is a fast-paced, energetic punk rock anthem that addresses the theme of individualism and autonomy. The lyrics speak to the idea of self-reliance and not relying on others to dictate one's actions or beliefs. Musically, the song features driving guitar riffs, pounding drums, and powerful vocals by lead singer Greg Graffin. The composition is typical of Bad Religion's signature sound, with catchy melodies and thought-provoking lyrics. The band's tight musicianship and cohesive sound are evident throughout the track, showcasing their years of experience and talent. "Leave Mine to Me" stands out as a standout track on "Stranger Than Fiction," with its memorable chorus and rebellious attitude. The song captures the essence of punk rock with its raw energy and powerful message, making it a fan favorite at live performances. Overall, "Leave Mine to Me" is a compelling and dynamic track that exemplifies Bad Religion's unique style and impactful lyrics.

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Broken

"Broken" by Bad Religion is a powerful punk rock track that addresses the theme of personal struggles and overcoming obstacles. The song's lyrics reflect on the feeling of being broken and defeated, but also convey a sense of resilience and determination to rise above one's challenges. The composition of "Broken" features fast-paced guitar riffs, energetic drumming, and intense vocals that capture the raw emotion and energy of the band's punk rock sound. The driving rhythm and aggressive instrumentation help to convey the urgency and intensity of the song's message. One notable fact about "Broken" is that it was released as a single from Bad Religion's 1994 album "Stranger Than Fiction," which is considered one of the band's most successful and critically acclaimed albums. The song's powerful lyrics and dynamic musical arrangement have resonated with fans and critics alike, making it a standout track in Bad Religion's extensive discography. Overall, "Broken" is a standout track that showcases Bad Religion's ability to blend hard-hitting punk rock with introspective lyrics, creating a powerful and impactful listening experience for fans of the genre.

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Honest Goodbye

"Honest Goodbye" by Bad Religion is a track that is featured on their 2002 album "The Process of Belief." The song explores the theme of acceptance and moving on from a relationship that has run its course. It reflects on the bittersweet feelings of letting go and saying goodbye to someone who was once important. Musically, "Honest Goodbye" is a fast-paced punk rock song with powerful guitar riffs and driving drum beats. The energetic tempo and raw vocals contribute to the emotional intensity of the song, capturing the conflicting emotions of heartbreak and liberation. One notable fact about "Honest Goodbye" is that it showcases Bad Religion's signature sound of politically charged lyrics and catchy melodies. The band's ability to blend thought-provoking themes with high-energy music is evident in this track, making it a standout piece in their discography. Overall, "Honest Goodbye" is a poignant and anthemic song that resonates with listeners who have experienced the pain of letting go and moving on. Its relatable lyrics and powerful instrumentation make it a memorable track in Bad Religion's repertoire.

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The Empire Strikes First

"The Empire Strikes First" is a track by the punk rock band Bad Religion, featured on their 2004 album of the same name. The song addresses political and social issues, particularly critiquing the actions of powerful governments and corporations. The lyrics convey a sense of urgency and rebellion, with a call to arms for listeners to resist oppressive forces and stand up for what is right. Musically, the track features fast-paced drumming, distorted guitars, and aggressive vocals that are characteristic of Bad Religion's signature sound. The band's tight harmonies and catchy melodies add to the overall impact of the song. The composition is dynamic and energetic, with a driving rhythm that propels the message of defiance and resistance. One notable aspect of "The Empire Strikes First" is its powerful and thought-provoking lyrics, which reflect the band's longstanding commitment to social and political activism. The song's title is a play on the Star Wars film franchise, referencing the idea of a powerful entity striking back against dissent. Overall, "The Empire Strikes First" is a standout track that showcases Bad Religion's talent for blending punk rock with meaningful and impactful messaging.

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21st Century Digital Boy

"21st Century Digital Boy" by Bad Religion is a punk rock anthem that addresses the disconnect and alienation experienced in the modern digital age. The song explores themes of technology, consumerism, and the pressures of conforming to societal norms. The track features fast-paced guitars, pounding drums, and powerful vocals that reflect the band's signature sound. The lyrics are thought-provoking and introspective, questioning the impact of technology on human relationships and personal identity. One notable fact about the song is that it was released in 1990 on Bad Religion's album "Against the Grain" and remains one of their most popular and enduring tracks. The song's catchy melody and powerful message have resonated with fans for decades, solidifying its status as a punk rock classic. Overall, "21st Century Digital Boy" is a high-energy and thought-provoking track that continues to captivate listeners with its raw emotion and social commentary.

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No Direction

"No Direction" by Bad Religion is a track from their sixth studio album, "No Control," released in 1989. The song is a fast-paced punk rock anthem that is just under two minutes long. The theme of the song revolves around the feeling of being lost and directionless in life. The lyrics touch on the struggles of trying to find meaning and purpose in a world that often feels chaotic and overwhelming. The chorus repeats the line "No direction" emphasizing the sense of confusion and aimlessness. Musically, "No Direction" is characterized by its aggressive guitar riffs, pounding drums, and Greg Graffin's distinctive vocals. The energy and intensity of the song capture the urgency and frustration of the lyrics. The fast tempo and raw sound are signature elements of Bad Religion's punk rock style. As one of the standout tracks on the album, "No Direction" has become a fan favorite and a staple in Bad Religion's live performances. It's a powerful and relatable song that resonates with listeners who may be grappling with their own sense of purpose and direction in life.

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Epiphany

"Epiphany" by Bad Religion is a track that appears on their 2002 album "The Process of Belief." The song is a powerful and introspective look at the concept of epiphany, or a sudden realization or understanding of something. The lyrics delve into themes of self-discovery, personal growth, and the search for meaning in life. Musically, "Epiphany" is a fast-paced punk rock song with driving guitars, pounding drums, and melodic vocal harmonies. The song features Bad Religion's signature blend of catchy hooks and thought-provoking lyrics, making it a standout track on the album. One notable fact about "Epiphany" is that it was the first single released from "The Process of Belief" and received critical acclaim for its raw energy and emotional depth. The song showcases Bad Religion's ability to combine intelligent lyrics with high-energy punk rock, creating a powerful and memorable listening experience for fans of the band.

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Tiny Voices

"Tiny Voices" is a track by the punk rock band Bad Religion, released on their 1996 album "The Gray Race." The song addresses the theme of individuality and the power of small, often overlooked voices in society. The lyrics emphasize the importance of standing up for one's beliefs and not being afraid to speak out against injustice, even when it may seem like one's voice is insignificant. Musically, "Tiny Voices" features the band's signature fast-paced punk rock sound, with driving guitars and energetic drumming. The song showcases Bad Religion's tight harmonies and melodic hooks, while still maintaining a sense of urgency and intensity. One notable fact about "Tiny Voices" is that it was included in the soundtrack for the popular video game "Tony Hawk's Pro Skater 2," introducing the band to a new generation of fans. The song has since become a fan favorite and a staple of Bad Religion's live performances. Overall, "Tiny Voices" is a powerful and anthemic punk rock track that encourages listeners to find strength in their own voices and stand up for what they believe in.

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