Do They Owe Us a Living?
"Do They Owe Us a Living?" is a punk rock anthem by the British band Crass. Released in 1978 on their debut album "The Feeding of the 5000," the song is a scathing critique of capitalism, consumerism, and the government. The track opens with a powerful, driving guitar riff and pounding drums, setting the tone for the angry and confrontational lyrics. Lead vocalist Steve Ignorant delivers the lyrics with raw passion, questioning the societal norms and expectations placed on individuals to work hard and conform to the system. The chorus, with its repeated refrain of "Do they owe us a living? Of course they do!" is a call to arms for listeners to question the status quo and demand a better, more equitable society. The song's aggressive energy and rebellious spirit make it a rallying cry for disaffected youth and anyone who feels marginalized or oppressed by the powers that be. Notable for its DIY ethos, Crass was known for their uncompromising political stance and refusal to conform to mainstream standards. "Do They Owe Us a Living?" is a prime example of their uncompromising approach to music and activism, and remains a powerful and relevant statement against injustice and inequality.
Banned From The Roxy
"Banned From The Roxy" is a track by the British anarcho-punk band Crass, released on their 1979 debut album "The Feeding of the 5000". The song is a fierce critique of the commercialization and censorship of punk music, particularly in relation to the Roxy Club in London where the band had been banned from performing. The lyrics of the song address the punk scene's growing popularity and commodification, as well as the perceived hypocrisy of those who claim to support punk values while simultaneously censoring and restricting the music. The band calls out the commercial interests that seek to profit off of punk while stifling its message of anti-authoritarianism and rebellion. Musically, "Banned From The Roxy" is characterized by its raw, aggressive sound, with driving guitar riffs and intense vocals. The song's energy and urgency reflect the band's anger and frustration with the state of the punk scene at the time. Notably, Crass were known for their DIY ethos and uncompromising political stance, which they expressed through their music as well as their artwork and live performances. "Banned From The Roxy" is a prime example of the band's confrontational style and uncompromising message, making it a standout track in their discography.
Punk Is Dead
"Punk Is Dead" is a track by the British anarcho-punk band Crass, released in 1978 on their debut album "The Feeding of the 5000." The song addresses the commercialization and co-option of punk rock, criticizing the mainstream music industry for diluting and exploiting the original ethos of punk. The composition of "Punk Is Dead" is characterized by its raw and aggressive sound, with driving guitar riffs, pounding drums, and searing vocals. The lyrics are delivered with a sense of urgency and defiance, reflecting the band's uncompromising stance against the commodification of punk culture. Notable for its confrontational and provocative nature, "Punk Is Dead" sparked controversy and backlash from both the punk scene and the music industry. Crass used the song as a platform to challenge the status quo and advocate for radical social change, embodying the DIY ethos and political activism that defined the band's music and message. Overall, "Punk Is Dead" remains a powerful and relevant critique of the commercialization of punk rock, serving as a rallying cry for those who reject conformity and seek to uphold the true spirit of punk as a vehicle for rebellion and social justice.
Bata Motel
"Bata Motel" is a track by the British punk rock band Crass. The song is known for its raw and aggressive sound, typical of the band's style. The lyrics of the song criticize the consumerist society and the dehumanization that comes with it. The title itself refers to the Bata shoe company, a symbol of capitalism and exploitation. The composition of the song is fast-paced, with a driving drum beat and distorted guitars creating a sense of urgency and anger. The vocals are delivered in a confrontational manner, reflecting the band's rebellious attitude towards authority and the status quo. One notable fact about "Bata Motel" is that it was released as part of Crass's debut album, "The Feeding of the 5000," in 1978. The album was controversial for its anti-establishment themes and DIY production, which set it apart from mainstream punk bands at the time. "Bata Motel" remains a powerful and thought-provoking track that continues to resonate with listeners who are critical of the capitalist system.
Reject of Society
"Reject of Society" is a track by the British punk band Crass, known for their politically charged lyrics and DIY ethos. The song is featured on their 1982 album "Christ – The Album". The theme of "Reject of Society" centers around the band's disdain for societal norms and the oppressive systems that govern society. The lyrics criticize the conformity and complacency of the masses, urging listeners to reject the status quo and fight against injustice. Musically, the track is characterized by its aggressive, fast-paced punk sound with raw vocals and powerful guitar riffs. The energy and intensity of the music mirror the rebellious spirit of the lyrics, creating a sense of urgency and defiance. Notable facts about "Reject of Society" include its inclusion on Crass's seminal album "Christ – The Album", which is considered a landmark in the punk genre. The album as a whole showcases the band's uncompromising stance on political and social issues, making it a significant work in the punk movement. Overall, "Reject of Society" is a powerful and provocative track that encapsulates Crass's radical ethos and commitment to challenging the status quo through their music.
End Result
"End Result" is a track by the British anarcho-punk band Crass, released in 1982 on their album "Penis Envy". The song is characterized by its aggressive and raw sound, typical of the punk genre, with driving drums and distorted guitars. Thematically, "End Result" addresses the destructive nature of war and violence, criticizing the societal structures that perpetuate such conflicts. The lyrics speak out against the senseless loss of life and the manipulation of individuals for political gain. The composition of the song features urgent vocals by lead singer Eve Libertine, accompanied by Steve Ignorant's powerful guitar riffs and Penny Rimbaud's frenetic drumming. The repetitive chorus of "The end result" reinforces the bleak message of the song, emphasizing the futility of war and violence. "End Result" is a standout track on "Penis Envy" for its intensity and unapologetic political message. It remains a powerful anthem for anti-war and anti-violence movements, showcasing Crass's commitment to challenging societal norms and advocating for radical change.
General Bacardi
"General Bacardi" by Crass is a powerful and politically charged track that addresses the issue of consumerism and the manipulation of society by corporations. The song criticizes the control that companies like Bacardi have over individuals, urging listeners to resist being brainwashed by corporate propaganda. Musically, "General Bacardi" features a fast-paced punk rock sound with aggressive vocals and gritty guitar riffs. The intense energy of the song mirrors the urgency of its message, creating a sense of rebellion and defiance. One notable fact about "General Bacardi" is that it was released as part of Crass's debut album, "The Feeding of the 5000," in 1978. The album was a groundbreaking work in the punk rock genre, known for its radical politics and anti-establishment themes. "General Bacardi" remains a standout track on the album, capturing the raw energy and uncompromising spirit of Crass's music. Overall, "General Bacardi" is a fierce and uncompromising protest song that challenges listeners to question the influence of corporations in their lives and to fight against the forces of exploitation and manipulation.
Asylum
"Asylum" is a track by the English punk rock band Crass, released in 1981 on their album "Penis Envy." The song addresses the mistreatment and neglect of individuals in mental health institutions, highlighting the oppressive nature of these facilities and the lack of proper care for those struggling with mental health issues. Musically, "Asylum" features a raw and aggressive punk sound, characterized by its fast-paced drumming, distorted guitars, and confrontational vocals. The band's DIY ethos is evident in the production of the track, with its lo-fi quality and minimalist approach. One of the most notable aspects of "Asylum" is its powerful and politically charged lyrics, which condemn the dehumanizing treatment of patients in psychiatric hospitals and call for a more compassionate and humane approach to mental health care. The song reflects Crass's commitment to addressing social and political issues through their music, serving as a rallying cry for social change and resistance against oppressive systems. Overall, "Asylum" is a potent and uncompromising punk anthem that remains relevant in its critique of the mental health system and the need for greater empathy and support for those struggling with mental illness.
So What
"So What" is a song by the British anarcho-punk band Crass, released in 1978 on their debut album "The Feeding of the 5000." The song is a fast-paced, aggressive punk track that clocks in at just over one minute in length. The theme of "So What" revolves around the idea of challenging societal norms and questioning authority. The lyrics are confrontational and rebellious, with the band expressing defiance towards the status quo and advocating for individual freedom. The chorus of the song repeats the phrase "So what?" as a defiant response to those who would try to control or oppress them. Musically, "So What" features raw, distorted guitars, pounding drums, and shouted vocals. The production is intentionally lo-fi, adding to the raw and aggressive feel of the song. Notably, "So What" caused controversy upon its release due to its explicit lyrics and confrontational attitude. The song was banned by the BBC and faced accusations of being obscene. However, Crass stood by their message of anti-authoritarianism and continued to perform the song live. Overall, "So What" is a powerful and uncompromising punk anthem that remains a classic in the punk rock genre. Its rebellious spirit and unapologetic attitude have solidified its place as a standout track in Crass's discography.
They've Got a Bomb
"They've Got a Bomb" is a track by the English anarcho-punk band Crass, released on their 1981 album "Penis Envy." The song serves as a scathing commentary on the dangers of militarism and nuclear weapons, criticizing the arms race and the destructive power of governments. The composition of the song is characterized by its raw, aggressive sound, featuring driving drums, distorted guitars, and confrontational vocals. The lyrics are delivered in a spoken-word style, with lead vocalist Eve Libertine delivering powerful lines condemning the actions of those in power. Notable for its political message and uncompromising stance against war and violence, "They've Got a Bomb" showcases Crass's commitment to using their music as a platform for social and political activism. The track remains a powerful reminder of the devastating consequences of militarism and the urgent need for peace and disarmament.
Poison in a Pretty Pill
"Poison in a Pretty Pill" is a song by the British punk rock band Crass, known for their politically charged lyrics and DIY ethos. The track is featured on their seminal album "Penis Envy," released in 1981. The theme of "Poison in a Pretty Pill" revolves around the dangers of consumerism and the manipulation of society by those in power. The lyrics criticize the pharmaceutical industry for profiting off of people's suffering and promoting a culture of dependency on medication. Musically, the song is characterized by its aggressive and raw sound, with driving guitar riffs and pounding drums. The vocals are delivered with intensity and urgency, adding to the confrontational nature of the track. One notable aspect of "Poison in a Pretty Pill" is its use of spoken word samples, which are interspersed throughout the song to emphasize the message of the lyrics. These samples add a layer of complexity to the track and reinforce Crass's reputation for pushing boundaries and challenging societal norms. Overall, "Poison in a Pretty Pill" is a powerful and thought-provoking song that reflects Crass's commitment to addressing social and political issues through their music. With its uncompromising lyrics and raw energy, the track remains a standout in the band's discography and a testament to their influence on the punk rock genre.
G's Song
"G's Song" by Crass is a track from their 1980 album "Stations of the Crass." The song is a haunting and powerful piece that reflects on the struggles and hardships of life, particularly for those living in poverty and facing societal injustices. The composition of the song is minimalistic, with a slow and melancholic melody played on a piano. The vocals are raw and emotive, with lead singer Steve Ignorant delivering the lyrics with passion and intensity. The lyrics speak of the pain and suffering of marginalized individuals, touching on themes of poverty, oppression, and despair. One notable fact about "G's Song" is that it showcases Crass's ability to use music as a tool for social commentary and activism. The band was known for their politically charged lyrics and commitment to speaking out against injustice, and this song is a powerful example of their dedication to using music as a platform for social change. Overall, "G's Song" is a poignant and thought-provoking track that serves as a reminder of the struggles faced by those on the margins of society. Its haunting melody and heartfelt lyrics make it a standout piece in Crass's discography, and a testament to the band's unwavering commitment to speaking truth to power.
Securicor
"Securicor" is a track by the British anarcho-punk band Crass, released on their 1981 album "Penis Envy." The song addresses the theme of security and surveillance, critiquing the role of private security companies like Securicor in maintaining social control. Musically, "Securicor" features a raw and aggressive punk sound, with driving rhythms and intense vocals by lead singer Eve Libertine. The song is characterized by its confrontational lyrics and powerful delivery, reflecting Crass's signature style of political punk rock. Notable for its provocative and controversial content, "Securicor" challenges listeners to think critically about issues of power, authority, and resistance. The song's urgent energy and rebellious spirit make it a standout track in Crass's discography, showcasing the band's commitment to challenging the status quo and speaking truth to power.
Major General Despair
"Major General Despair" is a track by the British anarcho-punk band Crass, released on their album "Christ - The Album" in 1982. The song is a scathing critique of war, militarism, and the power structures that perpetuate violence and oppression. The composition of the song is characterized by its intense, fast-paced punk rock sound, with driving guitar riffs and pounding drums. The lyrics are delivered with a sense of urgency and anger, reflecting the band's revolutionary ethos and commitment to social change. One notable aspect of "Major General Despair" is its use of spoken word samples, including excerpts from speeches by political figures and news broadcasts. These samples add depth to the song's message and provide a context for the band's anti-authoritarian stance. Overall, "Major General Despair" is a powerful and provocative track that remains relevant in today's world, where issues of war, inequality, and injustice continue to plague society. Crass's uncompromising lyrics and aggressive sound make this song a standout in their discography and a rallying cry for those who seek to challenge the status quo.
Women
"Women" by Crass is a powerful and politically charged punk rock track that addresses the issues of sexism and misogyny in society. The song criticizes the objectification and mistreatment of women, calling for gender equality and respect for women's rights. Musically, "Women" features aggressive and raw vocals by lead singer Eve Libertine, accompanied by a fast-paced and intense instrumental arrangement. The band's signature punk sound is evident in the track, with distorted guitars and pounding drums driving the message home. Notable for its confrontational lyrics and unapologetic attitude, "Women" is a rallying cry for feminist empowerment and social change. Crass was known for their outspoken activism and anarchist beliefs, and this song reflects their commitment to challenging the status quo and fighting for a more just and equitable world. Overall, "Women" is a powerful and thought-provoking track that continues to resonate with listeners today, highlighting the ongoing struggle for gender equality and the need to confront and address systemic sexism and oppression.
Sucks
"Sucks" by Crass is a track that reflects the band's strong political and anti-establishment views. The song criticizes the capitalist system, consumer culture, and the societal structures that oppress and exploit individuals. The lyrics are delivered with powerful and aggressive vocals, accompanied by fast-paced punk rock instrumentation. The composition of the song is raw and intense, with distorted guitars, driving drums, and shouted vocals. The band's DIY ethos is evident in the production of the track, which has a lo-fi quality that adds to its rebellious and punk aesthetic. One notable fact about "Sucks" is that it was released as part of Crass's album "Stations of the Crass" in 1979. The album was a landmark in the punk rock genre, known for its uncompromising political messages and confrontational sound. "Sucks" stands out as one of the standout tracks on the album, showcasing Crass's commitment to challenging the status quo and speaking out against injustice.
Fight War, Not Wars
"Fight War, Not Wars" by Crass is a powerful anti-war anthem that was released in 1980 on their album "Stations of the Crass." The song's theme is a call to action against the senseless violence and destruction caused by war, urging people to stand up against militarism and seek peaceful solutions to conflicts. The composition of the song is characterized by its fast-paced punk rock sound, with aggressive guitar riffs, pounding drums, and raw vocals by lead singer Steve Ignorant. The lyrics are blunt and direct, conveying a sense of urgency and a strong message of resistance. One notable fact about "Fight War, Not Wars" is that it became a rallying cry for the peace movement and an anthem for pacifists around the world. The song's message of non-violence and anti-war sentiment struck a chord with listeners who were disillusioned by the ongoing conflicts and wars of the time. Overall, "Fight War, Not Wars" is a timeless protest song that continues to resonate with audiences today, serving as a reminder of the importance of fighting for peace and rejecting the destructive nature of war.
Sentiment
"Sentiment" by Crass is a track that delves into the theme of emotional vulnerability and the struggle to maintain a sense of authenticity in a world that often prioritizes conformity and numbness. The song reflects on the pressures of societal expectations and the difficulty of expressing genuine feelings in a world that values surface-level interactions. Musically, "Sentiment" features a raw and aggressive punk sound, characteristic of Crass' signature style. The track is driven by fast-paced drumming, gritty guitar riffs, and intense vocal delivery. The lyrics are delivered with a sense of urgency and passion, adding to the overall intensity of the song. One notable aspect of "Sentiment" is the band's use of spoken word passages, which serve to emphasize the song's message and add a layer of depth to the track. These spoken word segments provide a contrast to the more aggressive sections of the song, creating a dynamic and engaging listening experience. Overall, "Sentiment" is a powerful and thought-provoking track that showcases Crass' ability to address complex emotional themes within the context of their punk sound. The song's raw energy and honest lyrics make it a standout track in the band's discography.
What a Shame
"What a Shame" by Crass is a powerful punk rock track that was released on their album "Penis Envy" in 1981. The song addresses the issue of domestic violence and the societal tendency to turn a blind eye to such abuse. The lyrics criticize the normalization of violence within relationships and call for a change in attitudes towards this issue. Musically, "What a Shame" features aggressive guitar riffs, pounding drums, and intense vocals that convey a sense of urgency and anger. The raw energy of the song adds to its impact, making it a standout track on the album. Notable facts about "What a Shame" include its controversial subject matter and the band's fearless approach to addressing social and political issues. Crass were known for their outspoken activism and their music served as a platform for raising awareness about important issues such as feminism, anti-war sentiments, and animal rights. Overall, "What a Shame" is a hard-hitting track that showcases Crass's boldness and commitment to using music as a tool for social change.
Angels
"Angels" is a track by the English anarcho-punk band Crass, released on their album "Penis Envy" in 1981. The song features haunting, atmospheric music with spoken word vocals that discuss themes of love, loss, and the struggle for personal freedom. The composition of "Angels" is characterized by its minimalist instrumentation, with slow, droning guitar chords and sparse, eerie electronic effects creating a sense of unease and introspection. The vocals, delivered by Eve Libertine and Joy De Vivre, are spoken in a somber, almost hypnotic tone, adding to the song's haunting atmosphere. The lyrics of "Angels" explore the complexities of human relationships and the inner turmoil that can arise from love and loss. The song delves into themes of vulnerability, emotional pain, and the search for solace in a world filled with chaos and uncertainty. One notable fact about "Angels" is that it showcases Crass's experimental approach to punk music, incorporating elements of ambient music and spoken word poetry to create a unique and atmospheric sound. The song stands out as a departure from the band's more aggressive, politically charged tracks, showcasing their versatility and willingness to explore new musical territories. Overall, "Angels" is a powerful and haunting track that delves into the depths of human emotion and the struggle for personal liberation. Its atmospheric music and introspective lyrics make it a standout track in Crass's discography, demonstrating their ability to push the boundaries of punk music and create music that is both thought-provoking and emotionally resonant.
Smother Love
"Smother Love" is a track by the British anarcho-punk band Crass, released on their 1981 album "Penis Envy." The song is known for its intense and provocative lyrics that explore themes of power dynamics, control, and abuse within relationships. The composition of "Smother Love" is characterized by its raw and aggressive sound, featuring distorted guitars, pounding drums, and lead vocalist Eve Libertine's impassioned delivery. The song's chaotic and frenetic energy mirrors the intense emotions and turmoil present in the lyrics. One notable aspect of "Smother Love" is its confrontational and controversial nature. The lyrics depict a disturbing and abusive relationship, with lines such as "I'll smother you in kisses, I'll smother you with love" conveying a sense of suffocation and control. The song serves as a critique of toxic relationships and the ways in which power can be wielded as a form of manipulation and domination. Overall, "Smother Love" is a powerful and thought-provoking track that showcases Crass's commitment to addressing challenging and uncomfortable subjects through their music. Its provocative lyrics and aggressive sound make it a standout track in the band's discography, highlighting their willingness to push boundaries and challenge societal norms.
Big A Little A
"Big A Little A" by Crass is a punk rock anthem that was released in 1983 as part of their album "Penis Envy." The song's theme revolves around the band's anarchist beliefs and their disdain for authority and conformity. The lyrics criticize societal norms and challenge listeners to question the status quo. Musically, "Big A Little A" is characterized by its fast-paced tempo, aggressive guitar riffs, and raw vocal delivery by lead singer Steve Ignorant. The song's energy and intensity capture the rebellious spirit of punk rock and serve as a call to action for listeners to resist oppression and fight for freedom. One notable fact about "Big A Little A" is that it was one of Crass's most popular and influential songs, helping to cement their reputation as one of the most iconic punk bands of the era. The track's powerful message and confrontational style continue to resonate with fans of punk rock and anarchist movements around the world.
You Pay
"You Pay" by Crass is a song that addresses the idea of consumerism and the exploitation of workers by corporations. The lyrics criticize the capitalist system and the way it prioritizes profit over the well-being of individuals. The song calls for listeners to be aware of the ways in which they are being taken advantage of by those in power. Musically, "You Pay" is a fast-paced punk track with aggressive vocals and a raw, energetic sound. The instrumentation features distorted guitars, pounding drums, and shouted vocals that convey a sense of urgency and anger. The song's repetitive chorus of "You pay, you pay, you pay" drives home the message of the lyrics and adds to the overall intensity of the track. One notable fact about "You Pay" is that it was released as part of Crass's debut album, "The Feeding of the 5000," in 1978. The album was highly controversial at the time for its explicit anti-establishment messages and DIY punk ethos. Crass was known for their radical politics and uncompromising stance on issues such as war, capitalism, and animal rights, and "You Pay" is a prime example of their confrontational and provocative style. Overall, "You Pay" is a powerful and incisive critique of the capitalist system and remains a potent anthem for those who are disillusioned with the status quo and seeking change.
Systemic Death
"Systematic Death" is a powerful track by the English punk rock band Crass, known for their politically charged lyrics and confrontational style. The song, released in 1982 on their album "Penis Envy," tackles themes of societal oppression, corruption, and the dehumanizing effects of capitalism. Musically, "Systematic Death" is characterized by its driving rhythm, aggressive guitar riffs, and intense vocals. The song's raw energy and urgency reflect the band's anger and frustration with the state of the world at the time. The lyrics are delivered with a sense of urgency and defiance, calling out the injustices and inequalities perpetuated by the system. One notable aspect of "Systematic Death" is its use of samples and sound effects, creating a chaotic and unsettling atmosphere that enhances the song's message of disarray and disillusionment with the status quo. The track's harsh and abrasive sound serves as a call to action for listeners to question authority and resist oppression. Overall, "Systematic Death" is a powerful and thought-provoking track that embodies Crass's ethos of challenging the establishment and advocating for social change. Its uncompromising lyrics and aggressive sound make it a standout piece in the band's discography, showcasing their unapologetic commitment to speaking truth to power.
White Punks on Hope
"White Punks on Hope" is a track by the English anarcho-punk band Crass, released on their album "Penis Envy" in 1981. The song's theme revolves around the disillusionment and dissatisfaction with the punk movement, particularly the commercialization and commodification of punk culture. The composition of the song is characterized by its fast-paced, aggressive musical style, featuring raw and chaotic instrumentation. The lyrics are delivered with a sense of urgency and anger, reflecting the band's anarchist and anti-establishment beliefs. The repetitive chorus of "White punks on hope, there's no future" serves as a powerful statement on the perceived futility of the punk movement. Notable facts about the track include its controversial and provocative lyrics, as well as its critical commentary on the punk subculture. Crass was known for their confrontational and uncompromising approach to music, and "White Punks on Hope" is a prime example of their uncompromising political stance. The song remains a classic in the punk genre, beloved by fans for its rebellious spirit and uncompromising attitude.
You've Got Big Hands
"You've Got Big Hands" is a track by the English anarcho-punk band Crass. The song is featured on their album "Penis Envy," which was released in 1981. The theme of the song revolves around gender stereotypes and the challenges faced by women in a patriarchal society. The lyrics criticize the objectification of women and the societal expectations placed on them. The title itself, "You've Got Big Hands," can be seen as a metaphor for the physical and emotional power dynamics between men and women. Musically, the track features a raw and aggressive sound characteristic of Crass's punk style. The driving drums and distorted guitars create a sense of urgency and rebellion, perfectly complementing the powerful lyrics. Notable facts about the song include its bold and confrontational lyrics, which were considered controversial at the time of its release. Crass was known for their outspoken political views and uncompromising stance on social issues, and "You've Got Big Hands" is a prime example of their fearless approach to punk rock. Overall, the track stands as a powerful and thought-provoking commentary on gender inequality and societal norms.
Dry Weather
"Dry Weather" by Crass is a track that is characterized by its raw and aggressive punk sound. The song addresses the issue of societal apathy and indifference towards suffering and injustice. The lyrics are a scathing critique of the status quo and the oppressive systems that perpetuate inequality and exploitation. Musically, "Dry Weather" features driving drums, distorted guitars, and intense vocals that convey a sense of urgency and anger. The track is marked by its fast tempo and relentless energy, creating a sense of chaos and rebellion. One notable fact about "Dry Weather" is that it was released as part of the band's debut album, "The Feeding of the 5000," in 1978. Crass was known for their confrontational and politically charged lyrics, and "Dry Weather" is no exception, as it calls out societal complacency and challenges listeners to take a stand against injustice. Overall, "Dry Weather" is a powerful and provocative track that showcases Crass's uncompromising approach to punk music and their commitment to speaking truth to power.
Health Surface
"Health Surface" is a track by the influential anarcho-punk band Crass. The song is known for its raw and intense energy, with aggressive vocals and powerful instrumentation. The lyrics of the song discuss themes of societal decay, government corruption, and the struggles of marginalized communities. The composition of "Health Surface" is characterized by its fast-paced drumming, distorted guitars, and chaotic sound effects. The band's signature DIY punk aesthetic is evident in the raw production quality of the track, adding to its gritty and rebellious feel. One notable fact about "Health Surface" is that it was released as part of Crass' seminal album "Penis Envy" in 1981. The album was a critical and commercial success, solidifying Crass as one of the most important punk bands of the era. The track "Health Surface" continues to be a fan favorite and a powerful anthem for those fighting against injustice and oppression.
Mother Earth
"Mother Earth" by Crass is a powerful and politically charged track that addresses the urgent need for environmental preservation and social change. The song emphasizes the destructive impact of human activity on the planet and calls for a return to a more harmonious relationship with the Earth. The composition of the song is characterized by a driving punk rock sound, with aggressive vocals and a fast-paced rhythm. The lyrics are delivered with intensity and urgency, reflecting the sense of urgency felt by the band regarding the state of the environment. One notable fact about "Mother Earth" is that it was released in 1980 as part of Crass's album "Stations of the Crass," which was a seminal work in the punk rock genre. The album as a whole was known for its radical political messages and uncompromising stance on social issues, and "Mother Earth" is no exception. Overall, "Mother Earth" is a powerful and thought-provoking track that remains relevant today in its call for environmental awareness and activism. Its raw energy and passionate delivery make it a standout song in Crass's discography and a testament to the band's commitment to using their music as a tool for social change.
Darling
"Daring" by Crass is a powerful and politically charged punk rock track that addresses issues of love, relationships, and societal norms. The song is a critique of romantic ideals and traditional gender roles, calling into question the societal expectations placed on individuals in relationships. The lyrics challenge the listener to think critically about the ways in which love and romance are portrayed in popular culture and to consider alternative ways of forming connections with others. Musically, "Darling" features aggressive and raw instrumentation, with driving guitar riffs and pounding drums that create a sense of urgency and intensity. The vocals are delivered with passion and ferocity, adding to the song's confrontational and rebellious tone. The production is deliberately lo-fi, giving the track a gritty and unpolished feel that complements the band's DIY ethos. One notable fact about "Darling" is that it was released as part of Crass's debut album, "The Feeding of the 5000," in 1978. The album was a groundbreaking work that challenged the conventions of punk rock and pushed the boundaries of what was considered acceptable in music at the time. "Darling" stands out as one of the standout tracks on the album, showcasing Crass's unique blend of punk rock energy and radical political commentary.
Systematic Death
"Systematic Death" by Crass is a politically charged punk rock track that was released on their album "Stations of the Crass" in 1979. The song addresses the oppressive nature of government institutions and criticizes the systematic violence and control that they impose on society. The lyrics highlight themes of rebellion, resistance, and the struggle for freedom against oppressive systems. The composition of the song is aggressive and intense, with fast-paced drumming, distorted guitars, and shouted vocals. The raw energy and urgency of the music mirror the anger and frustration expressed in the lyrics. The repetitive chorus of "Systematic death / They've got a system for death" drives home the message of the song and emphasizes the bleak and oppressive reality that the band is railing against. One notable fact about "Systematic Death" is that it is considered a seminal track in the punk rock genre and is often cited as a classic example of Crass's confrontational and uncompromising approach to music and activism. The band's DIY ethos and commitment to political activism are evident in the song's lyrics and sound, making it a powerful and influential piece of music that continues to resonate with audiences to this day.
System
"System" by Crass is a powerful and politically charged track that addresses the oppressive nature of the societal system. The song is a scathing critique of capitalism, government, and the control mechanisms that dominate and manipulate people's lives. The composition of the track is characterized by its raw and aggressive sound, featuring heavy guitar riffs, pounding drums, and intense vocals. The lyrics are delivered with a sense of urgency and anger, reflecting the band's uncompromising stance against injustice and inequality. Notable for its confrontational and confrontational lyrics, "System" calls for resistance and rebellion against the status quo, urging listeners to question authority and stand up against oppression. The track serves as a rallying cry for social change and a reminder of the power of collective action. Overall, "System" is a powerful and thought-provoking track that encapsulates Crass's ethos of punk rock activism and serves as a call to arms for those who seek to challenge the systems of control that govern our society.
Where Next Columbus?
"Where Next Columbus?" is a track by the British punk rock band Crass, released on their album "Penny Rimbaud's Christ's Reality Asylum" in 1981. The song is a scathing critique of Christopher Columbus and the destructive impact of colonialism on indigenous peoples. The track features spoken word vocals by Penny Rimbaud, accompanied by a haunting and atmospheric musical backdrop. The composition of the song is minimalist, with sparse instrumentation that allows the powerful lyrics to take center stage. The lyrics of "Where Next Columbus?" condemn the violence, exploitation, and cultural erasure that accompanied Columbus's voyages to the Americas. The song challenges the glorification of Columbus as a hero and calls for a reexamination of history from the perspective of the oppressed. One notable fact about the track is that it was released by Crass, a band known for their politically charged lyrics and DIY ethos. "Where Next Columbus?" exemplifies the band's commitment to using music as a platform for social commentary and activism. Overall, "Where Next Columbus?" is a thought-provoking and powerful song that challenges listeners to confront the dark legacy of colonialism and imperialism.
Berketex Bride
"Berketex Bride" by Crass is a track from their album "Penis Envy," released in 1981. The song is a scathing critique of the wedding industry and the societal pressures placed on women to conform to traditional gender roles. The lyrics condemn the commodification of love and marriage, highlighting the superficiality and materialism that often accompany these institutions. Musically, "Berketex Bride" features a driving punk rock sound with aggressive vocals and a relentless rhythm section. The band's DIY ethos is evident in the raw and unpolished production, which adds to the urgency and intensity of the message being conveyed. One notable fact about the song is that the title refers to a now-defunct chain of bridal shops in the UK, further emphasizing the theme of consumerism and the exploitation of women in the wedding industry. Overall, "Berketex Bride" is a powerful and thought-provoking track that challenges societal norms and calls for greater awareness of the oppressive structures that shape our lives.
What the Fuck?
"What the Fuck?" is a track by the British anarcho-punk band Crass, featured on their album "Penis Envy" released in 1981. The song is known for its aggressive and confrontational style, typical of Crass's politically charged music. Thematically, "What the Fuck?" addresses the frustration and anger towards societal norms and injustices. The lyrics criticize authority figures, capitalism, and the state, calling for rebellion and resistance against oppressive systems. The song's title itself reflects the band's rebellious and uncompromising attitude. Musically, "What the Fuck?" features a fast-paced punk rock sound with heavy guitar riffs, pounding drums, and shouted vocals. The raw energy and intensity of the music complement the rebellious lyrics, creating a powerful and defiant anthem. Notable for their DIY ethos and uncompromising political stance, Crass was a prominent figure in the punk rock scene of the late 1970s and early 1980s. "What the Fuck?" is a prime example of their radical and provocative music, challenging listeners to question authority and fight against injustice.
Bloody Revolutions
"Bloody Revolutions" by Crass is a powerful punk rock anthem that tackles the themes of political corruption, social injustice, and the need for revolution. The song was released in 1980 on the album "Penis Envy" and quickly became one of Crass's most iconic tracks. The composition of the song features aggressive guitar riffs, pounding drums, and intense vocals delivered by lead singer Steve Ignorant. The lyrics of "Bloody Revolutions" are a scathing critique of the government and the ruling class, calling for an uprising against the oppressive systems in place. One of the most notable aspects of the song is its confrontational and unapologetic approach to addressing societal issues. Crass was known for their uncompromising stance on political activism and their willingness to challenge the status quo through their music. Overall, "Bloody Revolutions" is a blistering punk rock track that serves as a call to arms for those who are fed up with the injustices of the world. Its raw energy and radical message make it a timeless anthem for those fighting against oppression and seeking change.
Berkertex Bribe
"Berkertex Bribe" is a track by the British punk rock band Crass, featured on their debut album "The Feeding of the 5000" released in 1978. The song is a scathing critique of the fashion industry and its exploitation of workers and consumers. The composition of "Berkertex Bribe" is characterized by its fast-paced, aggressive punk sound with raw vocals and intense guitar riffs. The lyrics condemn the superficiality and greed of the fashion industry, highlighting the unethical practices of clothing manufacturers and the harmful effects of consumerism on society. One notable fact about the song is that it was banned by the BBC due to its controversial lyrics, which directly challenged the status quo and called for social change. Despite the censorship, "Berkertex Bribe" became a rallying cry for the punk movement and solidified Crass's reputation as outspoken and politically charged artists. Overall, "Berkertex Bribe" is a powerful and rebellious track that remains relevant today, serving as a reminder of the importance of challenging oppressive systems and fighting for justice and equality.
Heard Too Much About
"Heard Too Much About" is a track by the British punk rock band Crass, known for their politically charged lyrics and confrontational style. The song is featured on their 1981 album "Penis Envy" and stands out for its raw energy and aggressive sound. Thematically, "Heard Too Much About" addresses the overwhelming barrage of media and propaganda that bombards individuals on a daily basis. The lyrics criticize the manipulation of information and the distortion of truth by those in power, urging listeners to question what they are told and think for themselves. Musically, the track is characterized by its fast-paced drumming, distorted guitars, and powerful vocals by lead singer Steve Ignorant. The aggressive tone of the music complements the rebellious and defiant message of the lyrics, creating a sense of urgency and defiance. One notable fact about "Heard Too Much About" is that it showcases Crass's signature sound and uncompromising attitude towards social issues. The band was known for their anti-establishment stance and willingness to challenge authority through their music, and this track is a prime example of their bold and unapologetic approach. Overall, "Heard Too Much About" is a powerful and thought-provoking song that remains relevant in today's world, where the dissemination of information and control of narratives continue to be hotly debated topics.
Sentiment (White Feathers)
"Sentiment (White Feathers)" by Crass is a track that is part of their album "Feeding of the 5000." The song addresses the theme of pacifism and the futility of war. The lyrics are critical of the glorification of war and the blind patriotism that can lead to conflict. The composition of the track features a mix of spoken word vocals, punk rock instrumentation, and experimental sound effects. The driving bass line and fast-paced drums create a sense of urgency and rebellion, while the distorted guitars add an element of chaos to the music. One notable fact about the song is that it was released during the height of the Cold War, when tensions between the US and the Soviet Union were high. Crass used their platform to speak out against war and violence, advocating for peace and social justice. Overall, "Sentiment (White Feathers)" is a powerful and thought-provoking track that challenges listeners to think critically about the consequences of war and the importance of standing up against injustice.
Our Wedding
"Our Wedding" by Crass is a track that is part of their album "Penis Envy" released in 1981. The song explores the theme of marriage and the societal expectations and pressures that come with it. The composition of the track is characterized by its raw and aggressive sound, typical of Crass' punk rock style. The lyrics are delivered in a spoken word format over a backdrop of intense instrumentation, including powerful guitar riffs and pounding drums. Notable facts about the song include its provocative and confrontational lyrics, which criticize the institution of marriage and challenge traditional notions of love and commitment. The track also features a sample of a wedding ceremony, adding a satirical touch to the overall message of the song. Overall, "Our Wedding" is a powerful and thought-provoking track that showcases Crass' signature sound and unapologetic approach to addressing social and political issues.
Angela Rippon
"Angela Rippon" is a track by the British anarcho-punk band Crass, released in 1979 on their album "The Feeding of the 5000". The song is a scathing critique of media manipulation and the role of television in perpetuating social control and conformity. The composition of the song is characterized by its aggressive and raw punk sound, with driving guitar riffs, pounding drums, and shouted vocals. The lyrics of "Angela Rippon" challenge the mainstream media's portrayal of reality and call into question the ethics of the media industry. One notable fact about the song is its direct reference to British television presenter Angela Rippon, who was a prominent figure in the media landscape at the time of the song's release. By using Rippon's name in the title, Crass draws attention to the power and influence of media personalities in shaping public perception and controlling the narrative. Overall, "Angela Rippon" is a powerful and confrontational punk anthem that serves as a potent reminder of the need to question authority and challenge the status quo. Its fierce energy and unapologetic lyrics make it a standout track in Crass's discography.
Chairman of the Bored
"Chairman of the Bored" by Crass is a punk rock track that was released on their album "Feeding of the 5000" in 1978. The song's theme revolves around the idea of societal alienation and disillusionment, with the lyrics critiquing the monotony and conformity of everyday life. The title itself is a play on words, combining the concept of being bored with the imagery of a chairman who is in charge but ultimately unfulfilled. Musically, the song is characterized by its fast tempo, aggressive guitar riffs, and raw vocals. The band's DIY ethos is evident in the production, with a stripped-down sound that adds to the overall intensity of the track. The repetitive nature of the lyrics and the driving rhythm create a sense of urgency and frustration, mirroring the song's themes of restlessness and dissatisfaction. "Chairman of the Bored" is a standout track in Crass's discography, known for its powerful lyrics and energetic performance. It has since become a punk anthem, resonating with listeners who feel disillusioned with the status quo and yearn for something more meaningful. The song's message remains relevant today, serving as a reminder to question authority and challenge societal norms.
Contaminational Power
"Contaminational Power" is a track by the British punk rock band Crass, known for their politically charged lyrics and aggressive sound. The song, released in 1982 on their album "Christ: The Album", tackles the themes of environmental destruction, corporate greed, and the abuse of power. The composition of the song is characterized by its fast tempo, distorted guitars, and raw vocal delivery by lead singer Steve Ignorant. The lyrics are a scathing critique of the toxic influence of capitalism and industrialization on the planet, highlighting the devastating impact of pollution and exploitation on both people and the environment. One notable aspect of "Contaminational Power" is its use of samples and sound effects, including sirens, machinery, and distorted vocals, creating a chaotic and unsettling atmosphere that mirrors the song's themes of chaos and destruction. Overall, "Contaminational Power" is a powerful and confrontational track that remains relevant today, serving as a reminder of the urgent need for environmental activism and social change.
Tired
"Tired" by Crass is a powerful and emotive track that addresses the exhaustion and disillusionment that many people feel in the face of societal injustices and oppressive systems. The song's lyrics express a deep sense of weariness with the status quo and a desire for change. Musically, "Tired" features a raw and aggressive punk sound, with driving drums, distorted guitars, and intense vocals. The band's signature DIY aesthetic is evident in the lo-fi production quality, adding to the song's sense of urgency and authenticity. One notable fact about "Tired" is that it was released on Crass's seminal album, "The Feeding of the 5000," which is considered a landmark in the history of punk rock and anarchist music. The album as a whole is known for its radical political themes and confrontational approach, and "Tired" is no exception. Overall, "Tired" is a blistering and thought-provoking track that captures the frustration and anger of those who are tired of being oppressed and marginalized. Its unapologetic stance and passionate delivery make it a standout song in Crass's discography.
Fun Going On
"Fun Going On" is a track by the influential anarcho-punk band Crass, known for their politically charged and confrontational lyrics. The song was featured on their album "Penis Envy," released in 1981. The theme of "Fun Going On" revolves around the idea of breaking free from societal norms and expectations, and questioning the concept of fun and happiness in a world filled with oppression and injustice. The lyrics challenge the listener to think critically about the status quo and consider alternative ways of living. Musically, the track features a driving punk rock rhythm with intense vocals and aggressive guitar riffs. The band's signature DIY ethos is evident in the raw and unpolished sound of the song, which adds to its raw energy and urgency. One notable fact about "Fun Going On" is that it showcases Crass' uncompromising stance on political and social issues, as well as their willingness to push boundaries and challenge the mainstream. The band's confrontational style and provocative lyrics have made them a key figure in the punk rock scene and a symbol of resistance against authority.
Shaved Women
"Shaved Women" is a track by the influential anarcho-punk band Crass, featured on their 1979 album "Stations of the Crass." The song's theme revolves around challenging societal norms and expectations surrounding women's bodies and sexuality. It critiques the objectification and oppression of women in a patriarchal society, calling for empowerment and autonomy. Musically, "Shaved Women" is characterized by its raw and aggressive sound, typical of Crass's punk aesthetic. The track features fast-paced drumming, distorted guitars, and confrontational vocals that capture the band's rebellious spirit. The lyrics are delivered with intensity and urgency, adding to the song's powerful message. Notable for its provocative title and controversial subject matter, "Shaved Women" stands out as a bold statement against sexism and misogyny. Crass's fearless approach to addressing social issues through their music has cemented their legacy as one of the most iconic punk bands of all time.
Nagasaki Nightmare
"Nagasaki Nightmare" is a track by the British punk rock band Crass, released on their 1980 album "Stations of the Crass." The song's theme centers around the devastating atomic bombing of Nagasaki during World War II and the horrors of war in general. The composition of the song is characterized by its fast-paced, aggressive punk rock sound, with powerful vocals and intense instrumental backing. The lyrics are poignant and thought-provoking, painting a vivid picture of the destruction and suffering caused by war. One notable aspect of "Nagasaki Nightmare" is its anti-war message, which was a common theme in Crass's music. The band was known for their political activism and outspoken stance against war, capitalism, and authority. The song's powerful lyrics and raw energy make it a standout track in Crass's discography, showcasing their ability to blend punk rock with meaningful social commentary.
Have a Nice Day
"Have a Nice Day" by Crass is a punk rock track that was released in 1978 on their album "The Feeding of the 5000." The song is known for its aggressive and confrontational lyrics, which criticize the capitalist society and the government's control over the working class. The composition of the song is fast-paced and energetic, with driving guitar riffs and pounding drums that create a sense of urgency and rebellion. The vocals are delivered with a raw and intense passion, adding to the overall rebellious and anti-establishment vibe of the track. One notable fact about "Have a Nice Day" is that it was banned by the BBC for its explicit lyrics and political content. This censorship only added to the song's notoriety and solidified Crass's reputation as a controversial and outspoken punk band. Overall, "Have a Nice Day" is a powerful and politically charged punk anthem that continues to resonate with listeners who are critical of the status quo and eager to challenge societal norms.
Upright Citizen
"Upright Citizen" is a track by the iconic anarcho-punk band Crass, known for their politically charged lyrics and abrasive sound. The song is featured on their seminal album "Feeding of the 5000," released in 1978. Thematically, "Upright Citizen" tackles issues of conformity, consumerism, and the oppressive nature of authority. The lyrics criticize the notion of being a "good citizen" in a society that perpetuates inequality and injustice. The band's DIY ethos and anti-establishment message are prevalent throughout the track, urging listeners to question the status quo and resist societal norms. Musically, "Upright Citizen" is characterized by its fast-paced, aggressive punk sound. The raw energy of the vocals and the relentless drumming create a sense of urgency and rebellion that is synonymous with Crass's signature style. The cacophony of distorted guitars and clashing symbols adds to the chaotic atmosphere of the song, mirroring the band's disdain for conformity and complacency. Notable for its provocative and confrontational lyrics, "Upright Citizen" is a standout track that encapsulates Crass's uncompromising approach to punk rock. The band's commitment to social change and their willingness to challenge authority make this song a powerful statement against the injustices of the world.
Crutch of Society
"Crutch of Society" is a powerful track by the influential anarcho-punk band Crass. Released in 1978 on their debut album "The Feeding of the 5000," the song addresses the oppressive nature of societal norms and the ways in which individuals are controlled and manipulated by those in power. The composition of the song features intense, fast-paced punk rock instrumentation with aggressive vocals that convey a sense of urgency and rebellion. The lyrics challenge the status quo and call for listeners to question authority and think for themselves. One notable aspect of "Crutch of Society" is its raw and unapologetic approach to tackling political and social issues. The band's DIY ethos and anti-establishment message are reflected in the confrontational nature of the song, which seeks to inspire listeners to resist conformity and challenge oppressive systems. Overall, "Crutch of Society" is a seminal punk anthem that remains relevant today in its critique of the ways in which society can serve as a crutch that limits individual freedom and autonomy.
Crass