Do You Wanna Funk?
"Do You Wanna Funk?" is a classic dance track by American electronic music artist Patrick Cowley, featuring Sylvester on vocals. The song was released in 1982 and became a hit on the dance charts. The theme of the song revolves around having a good time and letting loose on the dance floor. With its infectious beat and catchy chorus, "Do You Wanna Funk?" is a quintessential disco anthem that still gets people moving today. The composition of the song is characterized by pulsating synthesizers, funky basslines, and a driving drum beat. Cowley's production is known for its futuristic sound and innovative use of electronic instruments, making him a pioneer in the genre of Hi-NRG dance music. One notable fact about "Do You Wanna Funk?" is that it was one of Cowley's most popular songs and helped solidify his reputation as a prominent figure in the disco and electronic music scene. The track has been remixed and covered by various artists over the years, further cementing its status as a dancefloor classic.
Menergy
"Menergy" is a high-energy dance track by American electronic music pioneer Patrick Cowley. Released in 1981, the song is a quintessential example of the Hi-NRG genre, characterized by its fast tempo, driving bassline, and pulsating synthesizers. The theme of "Menergy" revolves around the concept of male energy and the power of masculinity. The lyrics, though minimal, repeat the word "menergy" over and over, creating a sense of urgency and excitement. The song's infectious beat and catchy melody make it a favorite among fans of electronic dance music. Cowley's composition of "Menergy" showcases his innovative use of synthesizers and drum machines, creating a futuristic sound that was ahead of its time. The song's production is slick and polished, with layers of electronic sounds building to a euphoric climax. Notable for its influence on the Hi-NRG and Italo disco genres, "Menergy" remains a classic in the world of electronic dance music. Patrick Cowley's pioneering work continues to inspire artists and producers to this day, cementing his legacy as a trailblazer in the world of electronic music.
Surfside Sex
"Surfside Sex" by Patrick Cowley is a dynamic and energetic electronic track that showcases his signature style of Hi-NRG disco music. The song features pulsating synthesizers, driving beats, and infectious melodies that create a sense of euphoria and excitement. The theme of "Surfside Sex" is centered around the carefree and hedonistic atmosphere of California's surf culture in the 1980s. The title itself suggests a blend of sensuality and adventure, perfectly captured in the song's upbeat and playful vibe. The composition of the track is meticulously crafted, with layers of synths and drum machines building up to a climax that is both exhilarating and hypnotic. Cowley's production skills shine through in the seamless transitions and intricate arrangements that keep the listener engaged from start to finish. Notable facts about "Surfside Sex" include its influence on the Hi-NRG genre, as well as its impact on the LGBTQ+ community. Patrick Cowley was a pioneering figure in the electronic music scene, known for his innovative approach to production and his ability to push boundaries with his music. Overall, "Surfside Sex" is a timeless classic that continues to captivate listeners with its infectious energy and undeniable charm. It is a testament to Patrick Cowley's talent and creativity, cementing his legacy as one of the most influential electronic musicians of his time.
Megatron Man
"Megatron Man" is a high-energy electronic dance track by American musician and producer Patrick Cowley. Released in 1981, the song is a prime example of Cowley's pioneering work in the Hi-NRG genre, which was popular in gay clubs during the late 1970s and early 1980s. The track features a pulsating beat, catchy synth melodies, and Cowley's signature use of synthesizers and drum machines. "Megatron Man" is known for its futuristic sound and infectious energy, making it a favorite among fans of electronic music and disco. The theme of the song revolves around a powerful and dominant figure, the "Megatron Man," who exudes confidence and strength. The lyrics are minimal, with repetitive phrases like "Megatron Man" and "I'm a living dynamo" adding to the song's hypnotic and driving rhythm. Notable facts about "Megatron Man" include its influence on the Hi-NRG genre and its lasting impact on electronic dance music. Patrick Cowley's innovative production techniques and avant-garde approach to music have cemented his legacy as a pioneer in the electronic music scene. Overall, "Megatron Man" is a dynamic and captivating track that showcases Patrick Cowley's talent for creating infectious and innovative electronic music. With its pulsating beats and futuristic sound, the song continues to be a classic in the dance music world.
The Runner
"The Runner" is a track by American electronic music pioneer Patrick Cowley, released in 1982. The song is an energetic and pulsating disco anthem that showcases Cowley's signature synthesizer-driven sound. The theme of the song is one of perseverance and determination, as implied by the title "The Runner". The track features a driving beat, catchy melodies, and hypnotic synth lines that create a sense of urgency and movement. Cowley's use of repetitive loops and layers of sound give the song a futuristic and dynamic feel. One notable fact about "The Runner" is that it was one of Cowley's final releases before his untimely death in 1982 due to complications from AIDS. Cowley was a pioneering figure in the electronic music scene of the 1970s and 1980s, known for his innovative use of synthesizers and production techniques. His influence can be heard in the work of artists such as Giorgio Moroder and Daft Punk. Overall, "The Runner" is a testament to Cowley's talent and creativity, showcasing his ability to create infectious and forward-thinking dance music that still resonates with listeners today.
Somebody To Love Tonight
"Somebody To Love Tonight" is a disco track by American electronic music pioneer Patrick Cowley. Released in 1978, the song is a classic example of Cowley's signature style of pulsating synthesizers and infectious beats. The theme of the song revolves around the desire for companionship and love, with lyrics expressing the yearning for someone to share the night with. The upbeat tempo and catchy melody make it a perfect track for dancing and partying. Cowley's composition features his trademark use of synthesizers and electronic instruments, creating a futuristic and euphoric sound that was ahead of its time. The song's production is polished and dynamic, showcasing Cowley's talent for crafting engaging and innovative music. Notable facts about "Somebody To Love Tonight" include its influence on the disco and electronic music genres, as well as its enduring popularity among fans of dance music. The track has been remixed and sampled by numerous artists over the years, cementing its status as a timeless classic in the electronic music canon.
One Hot Afternoon
"One Hot Afternoon" is a track by Patrick Cowley, a pioneering electronic music artist known for his innovative work in the disco and Hi-NRG genres. The song, released in 1980, is a pulsating and energetic instrumental piece that captures the essence of a scorching summer day. The composition of "One Hot Afternoon" is characterized by Cowley's signature use of synthesizers and electronic beats, creating a hypnotic and infectious groove that is perfect for dancing. The track features a driving bassline, swirling arpeggios, and dynamic percussion elements that build and evolve throughout the song. The theme of "One Hot Afternoon" is evocative of a carefree and hedonistic summer vibe, with its upbeat tempo and infectious rhythm conjuring images of hot days spent lounging by the pool or dancing in the sun. The track exudes a sense of joy and freedom, inviting listeners to let loose and immerse themselves in the music. One notable fact about "One Hot Afternoon" is that it showcases Cowley's exceptional talent as a producer and composer, highlighting his ability to blend elements of disco, electronic, and dance music into a seamless and captivating sound. The track remains a classic in Cowley's discography and continues to be celebrated for its timeless appeal and infectious energy.
Mockingbird Dream
"Mockingbird Dream" is a track by American electronic music pioneer Patrick Cowley, known for his innovative and influential work in the disco and Hi-NRG genres in the 1970s and 1980s. The song was released posthumously in 2021 as part of the album "Some Funkettes," which features previously unreleased tracks from Cowley's archives. The track "Mockingbird Dream" is a mesmerizing and ethereal piece that showcases Cowley's signature blend of pulsating synths, hypnotic melodies, and intricate rhythms. The song exudes a dream-like quality, with its lush, atmospheric soundscapes and haunting vocals that seem to transport the listener to another realm. Thematically, "Mockingbird Dream" explores the concept of escapism and the power of music to transport us to a place of tranquility and serenity. The title itself evokes images of a peaceful and idyllic dreamscape, where the listener can temporarily escape from the stresses and anxieties of everyday life. Cowley's masterful production and composition skills shine through in "Mockingbird Dream," as he expertly layers different textures and sounds to create a rich and immersive sonic experience. The track is a testament to Cowley's enduring legacy as a visionary artist who pushed the boundaries of electronic music and left an indelible mark on the genre. Overall, "Mockingbird Dream" is a captivating and evocative piece that showcases Patrick Cowley's talent and creativity as a musician. The song is a testament to his unique artistic vision and his ability to create music that transcends time and space.
Zygote
"Zygote" is a mesmerizing electronic track by the iconic musician and producer Patrick Cowley. The song is part of Cowley's posthumous album "Muscle Up," released in 2015. The track features pulsating synths, hypnotic beats, and futuristic sounds that create a dark and atmospheric vibe. The theme of "Zygote" seems to revolve around the concept of creation and new beginnings, as a zygote is the initial stage of a developing organism. The music builds and evolves throughout the track, creating a sense of growth and transformation. Cowley's innovative use of synthesizers and electronic instruments showcases his pioneering approach to electronic music. One notable fact about "Zygote" is that it was created using Cowley's signature style of electronic music, which was ahead of its time in the 1980s. His influence on the electronic music scene is undeniable, and his work continues to inspire artists to this day. The track's intricate composition and intricate production make it a standout piece in Cowley's discography. Overall, "Zygote" is a captivating and experimental track that showcases Patrick Cowley's talent and creativity as a musician and producer. Its unique sound and futuristic vibe make it a must-listen for fans of electronic music.
Get a Little
"Get a Little" is a track by American electronic music pioneer Patrick Cowley, released in 1981. The song is a disco-infused electronic dance track that showcases Cowley's signature style of pulsating beats and hypnotic synthesizer melodies. The theme of "Get a Little" revolves around the idea of letting go and getting lost in the music, with lyrics that encourage listeners to dance and have a good time. The infectious groove of the track makes it a perfect anthem for the dance floor, with its high-energy rhythm and catchy hooks. Compositionally, "Get a Little" features Cowley's innovative use of synthesizers and drum machines, creating a futuristic and otherworldly sound that was ahead of its time. The track is a perfect example of Cowley's ability to blend elements of disco, Hi-NRG, and electronic music to create a unique and unforgettable sound. Notable facts about "Get a Little" include its influence on the electronic music scene of the 1980s, where Cowley was a key figure in the development of the genre. The track has since become a cult classic among fans of electronic music, and is still celebrated for its infectious energy and innovative production techniques. Overall, "Get a Little" is a standout track in Patrick Cowley's discography, showcasing his talent for creating dynamic and forward-thinking electronic music that continues to inspire artists to this day.
Big Shot
"Big Shot" is a track by American electronic music pioneer Patrick Cowley, released in 1979. The song is a prime example of Cowley's signature Hi-NRG disco sound, characterized by pulsating synthesizers, thumping basslines, and infectious grooves. The theme of "Big Shot" revolves around empowerment and confidence, with lyrics that speak of feeling like a big shot and being in control. The energetic and driving rhythm of the song perfectly complements this theme, creating a sense of empowerment and self-assuredness. The composition of "Big Shot" showcases Cowley's innovative production techniques, with layers of synthesizers and electronic elements creating a dense and dynamic sonic landscape. The track features a catchy melody, infectious hooks, and a relentless energy that keeps listeners moving on the dancefloor. Notable facts about "Big Shot" include its influence on the Hi-NRG and disco music scenes of the late 1970s and early 1980s. Patrick Cowley was a pioneer in the electronic music genre, blending elements of disco, funk, and synthpop to create a unique and groundbreaking sound. "Big Shot" is a testament to Cowley's talent and creativity, and continues to be a classic in the world of electronic dance music.
Hot Beach
"Hot Beach" is a track by American electronic music pioneer Patrick Cowley, known for his innovative contributions to the disco and Hi-NRG genres in the 1970s and 1980s. The song exudes a vibrant and energetic vibe that perfectly captures the essence of a sunny day at the beach. The composition of "Hot Beach" features pulsating synthesizers, infectious drum beats, and catchy melodies that create a sense of euphoria and excitement. The track is characterized by its driving rhythm and pulsating bassline, making it a perfect choice for dancing and partying. One notable fact about "Hot Beach" is that it showcases Cowley's unique production style, which blended elements of electronic music with disco and Hi-NRG influences. His use of synthesizers and drum machines helped to define the sound of the era and influenced many artists in the electronic music scene. Overall, "Hot Beach" is a dynamic and upbeat track that embodies the spirit of summer and celebration. Its infectious groove and catchy melodies make it a timeless classic that continues to be enjoyed by music lovers around the world.
Mutant Man
"Mutant Man" is a track by the electronic music pioneer Patrick Cowley, released in 1982. The song is a prime example of Cowley's innovative and experimental approach to electronic music, blending elements of disco, Hi-NRG, and synthpop to create a unique and futuristic sound. The theme of "Mutant Man" revolves around the idea of transformation and evolution, as the title suggests. The song's pulsating beats, swirling synths, and energetic rhythms evoke a sense of movement and progression, reflecting the concept of a mutant man continually evolving and changing. The composition of "Mutant Man" is characterized by Cowley's signature use of arpeggiated synths, driving basslines, and catchy melodies. The song features a dynamic structure, with various sections building and releasing tension to create a sense of excitement and energy. Notable facts about "Mutant Man" include its influence on the Hi-NRG genre and its lasting impact on electronic music as a whole. Cowley's innovative production techniques and forward-thinking approach to music have cemented his legacy as a pioneer in the electronic music world. Overall, "Mutant Man" is a standout track that showcases Patrick Cowley's talent for pushing boundaries and creating groundbreaking music that continues to inspire artists and listeners alike.
Take A Little Trip
"Take A Little Trip" is a track by Patrick Cowley, a pioneer in the electronic music genre known for his innovative disco and Hi-NRG sound. The song was released in 1982 as part of Cowley's album "Mind Warp". The track features a pulsating electronic beat, funky bassline, and catchy synth melodies that create a high-energy and infectious groove. The driving rhythm and hypnotic synths make it a perfect track for dancing and getting lost in the music. Thematically, "Take A Little Trip" embodies the spirit of escapism and adventure, encouraging listeners to let go of their inhibitions and take a journey through the music. The song's upbeat and euphoric atmosphere is sure to lift your spirits and transport you to a place of pure joy and freedom. One notable fact about Patrick Cowley is that he was a key figure in the underground gay club scene in San Francisco during the 1970s and 1980s. His music was groundbreaking for its fusion of disco and electronic elements, paving the way for future generations of electronic music producers. Overall, "Take A Little Trip" is a timeless classic that showcases Cowley's talent for creating vibrant and dynamic music that continues to inspire and captivate listeners to this day.
Menergy - Purple Disco Machine Remix
"Menergy - Purple Disco Machine Remix" is a vibrant and energetic track by the late American disco artist Patrick Cowley, remixed by the talented Purple Disco Machine. The original song was released in 1981 and became a hit in the underground gay club scene during the height of the disco era. The remix by Purple Disco Machine breathes new life into this classic track, infusing it with modern electronic beats and funky basslines. The song's theme revolves around the idea of "menergy," a term coined by Cowley that combines the words "men" and "energy" to represent the powerful and electrifying force that drives the nightlife and dance floor. The composition of the track is characterized by its pulsating rhythm, catchy melodies, and infectious vocals that encourage listeners to let loose and dance. The remix by Purple Disco Machine adds a contemporary touch to the song while still paying homage to Cowley's original vision. Overall, "Menergy - Purple Disco Machine Remix" is a perfect blend of past and present, showcasing the timeless appeal of disco music while also catering to modern tastes. It is a must-listen for fans of disco, dance, and electronic music alike.
Tech-No-Logical World
"Tech-No-Logical World" is a pioneering electronic track by American musician Patrick Cowley. Released in 1982, the song is a testament to Cowley's innovative approach to electronic music and his influence on the burgeoning techno and dance music scenes of the 1980s. The track features pulsating synthesizers, driving drum machines, and futuristic sound effects that create a hypnotic and otherworldly atmosphere. Cowley's use of repetitive rhythms and hypnotic melodies give the song a sense of urgency and movement, making it a staple in the underground club scene of the time. Thematically, "Tech-No-Logical World" explores the intersection of technology and human experience, reflecting Cowley's fascination with the possibilities of electronic music and its ability to transport listeners to a different reality. The song's title itself is a play on words, blending the words "technical" and "technological" to create a phrase that encapsulates the futuristic sound and feel of the track. Notable for its forward-thinking production techniques and infectious energy, "Tech-No-Logical World" remains a classic in the electronic music canon and a testament to Cowley's pioneering spirit. It continues to be celebrated by fans and musicians alike for its timeless appeal and influence on the evolution of electronic music.
Sea Hunt
"Sea Hunt" by Patrick Cowley is an electronic instrumental track that was released in 1981. The song is a pulsating and hypnotic piece that combines elements of disco, Hi-NRG, and synth-pop. The track opens with a thumping bassline and a catchy synth melody that sets the tone for the rest of the song. As the track progresses, Cowley's signature arpeggiated synths layer on top of each other, creating a sense of urgency and excitement. Thematically, "Sea Hunt" conjures images of underwater exploration and adventure. The title itself suggests a deep-sea diving expedition, and the music reflects this with its driving rhythm and immersive soundscapes. One notable fact about "Sea Hunt" is that it was inspired by the popular American TV show of the same name, which aired in the late 1950s and early 1960s. The show followed the adventures of a professional diver as he tackled various underwater challenges and mysteries. Cowley's track captures the spirit of this show with its dynamic and adventurous sound. Overall, "Sea Hunt" is a high-energy and captivating track that showcases Cowley's innovative approach to electronic music. Its infectious beats and futuristic sound make it a standout piece in Cowley's discography.
Mind Warp
"Mind Warp" is an electronic track by the legendary American musician and producer Patrick Cowley. Released in 1982, the song is a prime example of Cowley's pioneering work in the Hi-NRG and electro genres. The theme of "Mind Warp" revolves around the idea of escaping reality and entering into a trance-like state of mind. The pulsating synths and driving beats create a hypnotic and otherworldly atmosphere, perfectly capturing the essence of a mind-altering experience. The composition of the track features Cowley's signature use of synthesizers and drum machines, creating a futuristic and danceable sound that was ahead of its time. The intricate layering of electronic elements and the relentless energy of the track make it a standout in Cowley's extensive discography. Notable facts about "Mind Warp" include its influence on the electronic music scene of the 1980s and its enduring popularity among fans of the genre. The track has been sampled and remixed by various artists over the years, cementing its status as a classic in the world of electronic music. With its infectious groove and otherworldly vibe, "Mind Warp" remains a standout track in Patrick Cowley's impressive body of work.
Nightcrawler
"Nightcrawler" by Patrick Cowley is a hypnotic and pulsating electronic track that captures the essence of late-night city life. The song is characterized by its driving beat, dark synths, and eerie atmospherics that create a sense of mystery and tension. The composition of "Nightcrawler" is built around a thumping bassline and repetitive, hypnotic melodies that evoke a sense of urgency and restlessness. The song's relentless energy and propulsion make it a perfect soundtrack for a nighttime drive through the city streets or a late-night dance floor. One notable fact about "Nightcrawler" is that it was originally released in 1982 as part of Cowley's album "Mind Warp", which was a groundbreaking work in the electronic music genre. Cowley was a pioneering figure in the San Francisco disco and electronic music scene, known for his innovative use of synthesizers and drum machines. Overall, "Nightcrawler" is a timeless and evocative track that captures the essence of urban nightlife and the sense of adventure and danger that comes with it. It remains a classic in the electronic music canon and a testament to Cowley's enduring influence in the genre.
Thank God for Music
"Thank God for Music" is a track by the pioneering electronic music artist Patrick Cowley. Released in 1982, the song is a vibrant and infectious disco anthem that showcases Cowley's signature blend of pulsating synths, funky basslines, and driving beats. The theme of the song celebrates the power of music to uplift and inspire, with Cowley's infectious melodies and catchy hooks creating a euphoric atmosphere that is sure to get listeners on their feet and dancing. The composition of "Thank God for Music" is a masterclass in electronic music production, with Cowley's expert use of synthesizers and drum machines creating a rich and dynamic sonic landscape. The song's infectious groove and irresistible energy make it a standout track in Cowley's impressive discography. Notable facts about "Thank God for Music" include its enduring popularity among fans of disco and electronic music, as well as its influence on the development of dance music in the 1980s and beyond. Cowley's innovative approach to production and his unique sound have cemented his legacy as a true pioneer in the world of electronic music.
Primitive World
"Primitive World" by Patrick Cowley is a groundbreaking electronic dance track that was released in 1982. The song is characterized by its pulsating synth beats, hypnotic melodies, and futuristic soundscapes. The theme of the track revolves around the idea of a primitive world colliding with a technologically advanced one, creating a mesmerizing and otherworldly atmosphere. The composition of the song is heavily influenced by disco and Hi-NRG music, with Cowley's signature style of blending electronic elements with infectious grooves. Notable facts about "Primitive World" include its use of innovative production techniques, such as the intricate layering of synthesizers and drum machines to create a rich and dynamic sound. The track also showcases Cowley's talent for creating immersive and immersive sonic landscapes that transport listeners to a different dimension. Overall, "Primitive World" is a timeless electronic dance classic that continues to captivate audiences with its innovative sound and mesmerizing energy.
Right On Target
"Right On Target" is a high-energy electronic dance track by American electronic music pioneer Patrick Cowley. The song, released in 1982, is known for its pulsating bassline, catchy synth melodies, and driving disco beat. The composition of "Right On Target" showcases Cowley's signature style of blending elements of disco, Hi-NRG, and synthpop. The track features a dynamic arrangement with layers of electronic sounds and a relentless groove that keeps listeners moving on the dance floor. Thematically, "Right On Target" conveys a sense of urgency and determination, with the repetitive vocal refrain of "I'm right on target" driving home the message of focus and precision. The energetic and infectious nature of the song makes it a favorite among fans of electronic music and dance enthusiasts. Notable facts about "Right On Target" include its influence on the Hi-NRG and Italo disco genres, as well as its impact on the development of electronic dance music as a whole. The track remains a classic in Cowley's discography and continues to be celebrated for its innovative production and timeless appeal.
Invasion
"Invasion" is a high-energy electronic track by the late American musician Patrick Cowley. Released in 1982, the song is known for its pulsating beats, futuristic sounds, and infectious melodies. The theme of "Invasion" is fittingly extraterrestrial, with the music evoking a sense of otherworldly invasion and cosmic chaos. The track features a driving bassline, swirling synths, and robotic vocal samples that create a sense of urgency and tension. One notable aspect of "Invasion" is Cowley's innovative use of synthesizers and drum machines, which were cutting-edge technology at the time. Cowley was a pioneer in the electronic music scene, experimenting with new sounds and pushing the boundaries of what was possible with electronic music. Overall, "Invasion" is a standout track in Cowley's discography, showcasing his talent for creating immersive, forward-thinking electronic music. The song remains a cult classic among fans of electronic music and is a testament to Cowley's lasting influence on the genre.
Megatron Man - Radio Edit
"Megatron Man - Radio Edit" is a high-energy disco track by American electronic music pioneer Patrick Cowley. The song was released in 1981 and quickly became a dance floor anthem. The track features pulsating synthesizers, infectious beats, and Cowley's signature futuristic sound. The song's theme revolves around a powerful and confident persona, with lyrics that evoke a sense of strength and dominance. Notable for its innovative use of electronic instruments and Cowley's unique production techniques, "Megatron Man" showcases his ability to create dynamic and captivating dance music. The radio edit of the song condenses the original version into a more concise and radio-friendly format, making it accessible to a wider audience. Overall, "Megatron Man - Radio Edit" is a timeless classic that continues to be celebrated for its groundbreaking sound and infectious energy.
Seven Sacred Pools
"Seven Sacred Pools" is a mesmerizing electronic track by the legendary American musician and producer Patrick Cowley. Known for his pioneering work in the genre of Hi-NRG disco music, Cowley created this track in 1982 as part of his album "Mind Warp". The theme of "Seven Sacred Pools" revolves around a sense of transcendence and serenity, evoking images of natural beauty and spiritual exploration. The title itself suggests a mystical and sacred place, where one can find solace and enlightenment. The composition of the track is characterized by its pulsating synths, hypnotic rhythms, and ethereal melodies. Cowley's use of electronic instruments and production techniques creates a lush and immersive sonic landscape that transports the listener to another realm. Notable facts about "Seven Sacred Pools" include Cowley's innovative use of synthesizers and drum machines, which were cutting-edge technology at the time. The track also showcases Cowley's mastery of creating dynamic and emotionally resonant electronic music, cementing his legacy as a trailblazer in the genre. Overall, "Seven Sacred Pools" is a timeless and evocative piece of music that continues to captivate listeners with its ethereal beauty and emotional depth.
If You Feel It
"If You Feel It" is a dance track by American electronic music artist Patrick Cowley. Released in 1983, the song is a classic example of Cowley's signature hi-NRG sound that defined the disco and dance music scene of the 1980s. The track features pulsating synthesizers, driving beats, and catchy melodies that create an infectious and energetic vibe. Cowley's use of electronic instruments and production techniques give the song a futuristic and otherworldly feel, making it a standout in the electronic music genre. Thematically, "If You Feel It" is a celebratory anthem about letting go and immersing oneself in the music and the moment. The lyrics encourage listeners to surrender to the rhythm and let their inhibitions go, creating a sense of liberation and euphoria on the dance floor. One notable fact about the track is that it showcases Cowley's innovative approach to electronic music production. Cowley was a pioneer in the use of synthesizers and drum machines, pushing the boundaries of what was possible in electronic music at the time. Overall, "If You Feel It" is a dynamic and captivating dance track that captures the essence of 1980s disco and electronic music. Its pulsating beats, catchy melodies, and infectious energy make it a timeless classic that continues to be celebrated by fans of electronic music to this day.
I Wanna Take You Home
"I Wanna Take You Home" by Patrick Cowley is a dance track that was released in 1983. The song is a part of the album "Mind Warp" and features a pulsating beat with catchy synthesizer melodies. The theme of the song revolves around desire and longing, with the lyrics expressing a desire to take someone home and be intimate with them. The upbeat tempo and electronic elements of the composition create a sense of urgency and excitement, making it a popular choice for dance floors in the 80s. Patrick Cowley was a pioneering figure in the electronic music scene, known for his innovative use of synthesizers and drum machines. He was a key figure in the development of Hi-NRG music, a genre characterized by its fast tempo and energetic sound. "I Wanna Take You Home" showcases Cowley's talent for creating infectious dance tracks that are both catchy and danceable. The song remains a classic in the electronic music genre and a testament to Cowley's influential contributions to the music industry.
Jungle Orchids
"Jungle Orchids" is a mesmerizing instrumental track by the late electronic music pioneer Patrick Cowley. Released in 1984, the song is a perfect example of Cowley's signature blend of disco, Hi-NRG, and synthpop. The track begins with a pulsating bassline that sets the tone for the rest of the song. As the song progresses, layers of lush synthesizers and rhythmic beats are added, creating a rich and immersive sonic landscape. The ethereal melodies and hypnotic rhythms evoke a sense of mystery and adventure, like wandering through a dense jungle filled with exotic orchids. One of the most striking elements of "Jungle Orchids" is Cowley's masterful use of electronic instrumentation. The way he manipulates synthesizers to create intricate textures and dynamic soundscapes is truly innovative. His attention to detail and meticulous production techniques shine through in every aspect of the song. Overall, "Jungle Orchids" is a captivating and evocative piece of music that showcases Patrick Cowley's talent as a composer and producer. It's a testament to his influence on the electronic music genre and remains a timeless classic that continues to enchant listeners to this day.
School Daze
"School Daze" is a track by the renowned electronic music producer Patrick Cowley. Released in 1981, the song is a vibrant and energetic piece that showcases Cowley's signature synth-driven sound. The theme of "School Daze" revolves around the excitement and nostalgia of youth, capturing the carefree spirit of school days and the sense of freedom that comes with it. The pulsating beats and infectious melodies create a sense of euphoria, making it a favorite among disco and electronic music fans. The composition of the track is characterized by Cowley's use of synthesizers and drum machines, creating a futuristic and danceable sound that was ahead of its time. The driving bassline and catchy hooks make "School Daze" a perfect track for the dance floor, with its infectious grooves and infectious energy. Notable facts about "School Daze" include its influence on the electronic music scene of the 1980s, as well as its enduring popularity among fans of disco and dance music. The track has been remixed and sampled by various artists over the years, solidifying its place as a classic in the electronic music genre. With its infectious energy and nostalgic vibes, "School Daze" remains a timeless and iconic track in Patrick Cowley's discography.
Do You Wanna Funk
"Do You Wanna Funk" is a classic dance track by American musician Patrick Cowley, featuring Sylvester on vocals. The song was released in 1982 and became a hit in the underground dance scene. The theme of the song is about having a good time and letting loose on the dance floor. The lyrics invite the listener to "do you wanna funk, won't you tell me now?" creating a playful and energetic atmosphere. The composition of the track is characterized by a pulsating disco beat, catchy synthesizer melodies, and Sylvester's powerful vocals. The combination of Cowley's electronic production and Sylvester's soulful singing creates a dynamic and infectious groove that is perfect for dancing. Notable facts about "Do You Wanna Funk" include its influence on the Hi-NRG genre and its enduring popularity in the LGBTQ+ community. The song has been remixed and sampled by various artists over the years, solidifying its status as a dance floor classic. Overall, "Do You Wanna Funk" is a timeless disco anthem that continues to inspire people to get up and dance. Its infectious energy and catchy hooks make it a must-have for any party playlist.
Pagan Rhythms
"Pagan Rhythms" is a track by the American electronic music composer Patrick Cowley. Released in 1982, the song is a prime example of Cowley's signature style of pulsating synthesizers and hypnotic beats. The track features a driving bassline, ethereal melodies, and intricate percussion patterns that create a sense of urgency and intensity. The title "Pagan Rhythms" hints at the primal and ritualistic nature of the music, evoking images of ancient ceremonies and mystical experiences. One of the most notable aspects of the song is Cowley's innovative use of synthesizers, which were cutting-edge technology at the time. He was known for pushing the boundaries of electronic music and experimenting with new sounds and textures. Overall, "Pagan Rhythms" is a dynamic and captivating track that showcases Cowley's talent for blending danceable rhythms with otherworldly atmospheres. It remains a classic of the electronic music genre and a testament to Cowley's pioneering contributions to the music industry.
He's Like You
"He's Like You" is a track by Patrick Cowley, a pioneering electronic music producer and artist known for his innovative work in the disco and Hi-NRG genres. Released in 1981, the song is a prime example of Cowley's signature sound, characterized by pulsating synthesizers, driving rhythms, and hypnotic melodies. The theme of "He's Like You" revolves around desire, longing, and the search for connection. The lyrics, although sparse, convey a sense of yearning and passion, underscored by the infectious energy of the music. Cowley's production is masterful, blending elements of disco, electronic, and funk to create a dynamic and immersive sonic experience. One notable fact about "He's Like You" is its use of the iconic Oberheim OB-X synthesizer, which Cowley was known for incorporating into his music. The rich textures and lush tones of the OB-X contribute to the song's lush and atmospheric quality, adding depth and dimension to the overall composition. Overall, "He's Like You" is a standout track in Patrick Cowley's discography, showcasing his talent for crafting compelling and evocative electronic music that continues to resonate with listeners today.
Furlough
"Furlough" is a track by American electronic music producer Patrick Cowley. Released in 1982, the song is a part of his album "Mind Warp" which was one of the last projects he worked on before his untimely death due to AIDS in 1982. The track has a hypnotic and pulsating beat, typical of Cowley's signature Hi-NRG sound. It features a blend of electronic synthesizers, drum machines, and other futuristic sounds that were ahead of their time. "Furlough" has a dark and mysterious vibe to it, with layers of synthesizers creating an atmospheric and immersive listening experience. The theme of the track is open to interpretation, but the title "Furlough" likely refers to a temporary leave of absence from work or duty. The music itself evokes a sense of escape and freedom, with its driving rhythm and ethereal melodies taking the listener on a sonic journey. One notable fact about "Furlough" is that it showcases Cowley's innovative approach to electronic music production. He was known for pushing boundaries and experimenting with new sounds, and this track is a prime example of his creative vision. Overall, "Furlough" is a standout track in Patrick Cowley's discography, showcasing his talent for creating immersive and captivating electronic music that continues to inspire listeners and artists to this day.
Love Come Set Me Free
"Love Come Set Me Free" is a track by the late American electronic music pioneer, Patrick Cowley. Released in 1982, the song is a prime example of Cowley's signature Hi-NRG disco sound. The track features pulsating synthesizers, driving basslines, and infectious rhythms that are characteristic of Cowley's music. The song's theme revolves around love and liberation, with the lyrics expressing a desire for freedom and release from emotional constraints. One notable aspect of "Love Come Set Me Free" is Cowley's use of innovative production techniques, such as his utilization of a Roland TR-808 drum machine, which was groundbreaking at the time. The track's hypnotic groove and futuristic soundscapes showcase Cowley's talent for pushing the boundaries of electronic music. Overall, "Love Come Set Me Free" is a dancefloor anthem that captures the essence of the 1980s disco era while also showcasing Cowley's unique artistic vision. The track remains a classic in the electronic music genre and continues to be celebrated by fans and critics alike for its infectious energy and timeless appeal.
Journey Home
"Journey Home" by Patrick Cowley is an electronic instrumental track that features pulsating synthesizers, driving rhythms, and atmospheric textures. The song has a futuristic and cinematic feel, with its hypnotic melody and pulsating beats creating a sense of movement and progression. The theme of "Journey Home" is reflected in the title, evoking a sense of returning to a familiar place or finding one's way back to where they belong. The track's repetitive motifs and gradual build-up create a feeling of anticipation and resolution, making it a perfect soundtrack for a journey or adventure. Patrick Cowley, a pioneer of electronic music in the 1970s and 1980s, was known for blending disco, synthesizers, and experimental sounds to create innovative and groundbreaking music. "Journey Home" is a testament to his unique style and ability to create immersive and dynamic electronic compositions. Overall, "Journey Home" is a captivating and engaging track that showcases Patrick Cowley's talent for crafting intricate and emotive electronic music. Its blend of pulsating rhythms, ethereal melodies, and evocative atmosphere make it a standout piece in Cowley's discography.
Leather Bound
"Leather Bound" is a track by Patrick Cowley, a highly influential electronic music producer and synthesizer artist. The song is a pulsating and hypnotic instrumental piece that combines elements of disco, Hi-NRG, and electronic music. The composition of "Leather Bound" is characterized by its driving bassline, catchy melodies, and infectious rhythms. The track features Cowley's signature use of synthesizers and electronic effects, creating a futuristic and danceable sound. Thematically, "Leather Bound" evokes a sense of sensuality and hedonism, with its pulsating beats and hypnotic melodies creating a seductive and atmospheric mood. The title itself suggests a sense of luxury and indulgence, which is reflected in the lush and decadent soundscape of the song. Notable facts about "Leather Bound" include its status as a cult classic in electronic music circles, as well as its influence on the development of dance music in the 1980s. The track showcases Cowley's innovative production techniques and his ability to create immersive and dynamic soundscapes that continue to captivate listeners to this day.
Do You Wanna Funk? - Radio Edit
"Do You Wanna Funk? - Radio Edit" by Patrick Cowley is a classic dance track that was released in 1982. The song features Sylvester on vocals and is known for its upbeat tempo and infectious groove. The theme of the song revolves around the desire for a fun and carefree night out on the dance floor. The lyrics encourage listeners to let loose and enjoy themselves, embodying the spirit of 80s disco culture. The composition of the track is characterized by Cowley's signature electronic sound, with pulsating synths, funky basslines, and catchy melodies. The driving beat and energetic rhythm make it a perfect song for dancing and partying. Notable facts about Patrick Cowley include his pioneering work in electronic music and his influence on the disco genre. Cowley was a prominent figure in the San Francisco music scene and is credited with helping to shape the sound of 80s dance music. Overall, "Do You Wanna Funk? - Radio Edit" is a timeless dance classic that continues to be a favorite among fans of disco and electronic music. Its infectious energy and catchy hooks make it a must-listen for anyone looking to get their groove on.
Lift Off
"Lift Off" is a track by the American electronic music pioneer Patrick Cowley. Released in 1982, the song is a prime example of Cowley's innovative and futuristic sound, which was ahead of its time. The theme of "Lift Off" revolves around space and intergalactic travel, with pulsating synthesizers and soaring melodies that create a sense of propulsion and movement. The track captures the excitement and wonder of exploring the unknown reaches of the cosmos, with its hypnotic rhythms and otherworldly textures. One notable aspect of "Lift Off" is Cowley's use of pioneering electronic production techniques, such as the extensive use of synthesizers and drum machines. The song is a testament to Cowley's ability to push the boundaries of electronic music and create a unique sonic landscape that still resonates with listeners today. Overall, "Lift Off" is a timeless classic that showcases Patrick Cowley's visionary approach to electronic music and his ability to transport listeners to new and exciting sonic realms.
They Came At Night
"They Came At Night" is a track by American electronic music producer Patrick Cowley, released in 1983. The song is part of Cowley's album "Mind Warp" and showcases his signature blend of Hi-NRG and synth-pop music. The theme of "They Came At Night" is mysterious and haunting, with pulsating beats and eerie synthesizer melodies that create a sense of tension and suspense. The track evokes a feeling of being pursued or chased by an unseen force, making it a perfect soundtrack for a sci-fi or horror film. Composition-wise, "They Came At Night" features Cowley's trademark use of synthesizers and drum machines to create a driving and hypnotic rhythm. The song's production is slick and polished, with layers of electronic sounds that build to a crescendo, adding to the overall intensity of the track. One notable fact about "They Came At Night" is that it was one of Cowley's last works before his untimely death in 1982. Despite his short career, Cowley was a pioneer in the electronic music genre and his influence can still be heard in modern dance and electronic music. Overall, "They Came At Night" is a standout track in Patrick Cowley's discography, showcasing his talent for creating atmospheric and engaging electronic music that continues to captivate listeners to this day.
Pigfoot
"Pigfoot" is a track by American electronic music pioneer Patrick Cowley, known for his innovative contributions to the disco and Hi-NRG genres in the 1970s and 1980s. The song was released in 1979 as part of Cowley's album "Menergy." The theme of "Pigfoot" is a funky and energetic instrumental groove that combines elements of disco, funk, and electronic music. The track features a pulsating bassline, catchy synth melodies, and driving percussion that create a hypnotic and danceable rhythm. Cowley's signature use of synthesizers and drum machines gives the song a futuristic and avant-garde edge that was ahead of its time. One notable fact about "Pigfoot" is that it showcases Cowley's talent for blending different musical styles and pushing the boundaries of electronic music. His innovative production techniques and experimentation with sound have influenced countless artists in the electronic music scene. Overall, "Pigfoot" is a dynamic and infectious track that exemplifies Cowley's unique approach to music production and his lasting impact on the electronic music landscape.
Do You Wanna Funk? (feat. Sylvester)
"Do You Wanna Funk? (feat. Sylvester)" is a timeless disco track by Patrick Cowley, featuring the iconic vocals of Sylvester. Released in 1982, the song is a quintessential example of the high-energy, synth-driven sound that defined the dance music of the era. The track's theme is all about letting loose and having a good time on the dance floor. With its infectious beat and catchy chorus, "Do You Wanna Funk?" is guaranteed to get people moving and grooving. The composition of the song is characterized by pulsing basslines, vibrant synths, and funky guitar riffs that create a lively and dynamic atmosphere. Sylvester's powerful vocals soar over the music, adding a touch of soulfulness and drama to the track. One notable fact about "Do You Wanna Funk?" is that it was a pioneering LGBTQ anthem at a time when disco music was closely associated with the queer community. The collaboration between Patrick Cowley and Sylvester helped to break down barriers and bring visibility to LGBTQ artists in the music industry. Overall, "Do You Wanna Funk?" is a classic dance track that continues to be a favorite among disco enthusiasts and club-goers alike. Its infectious energy and timeless appeal make it a must-have for any party playlist.
Bore & Stroke
"Bore & Stroke" is a track by American electronic music pioneer Patrick Cowley. Released in 1981, the song is an instrumental piece that showcases Cowley's innovative use of synthesizers and drum machines. The track features a pulsating beat and hypnotic synth melodies that create a futuristic and captivating atmosphere. Cowley's meticulous attention to detail is evident in the intricate layering of sounds and textures throughout the song. Thematically, "Bore & Stroke" explores the concept of mechanical precision and efficiency, drawing parallels between the rhythmic cadence of the music and the repetitive motion of a machine. The title itself refers to the mechanics of an engine, emphasizing the mechanical nature of the composition. One notable fact about "Bore & Stroke" is that it was one of Cowley's last releases before his untimely death in 1982. Despite his relatively short career, Cowley's influence on electronic music has been profound, and his innovative approach to production continues to inspire artists to this day. Overall, "Bore & Stroke" is a testament to Patrick Cowley's groundbreaking work in the realm of electronic music, showcasing his unique blend of technical expertise and artistic vision.
Out Of Body
"Out Of Body" is a track by the late American electronic music pioneer Patrick Cowley, known for his influential work in the disco and Hi-NRG genres. This track is a standout from his 1981 album "Mind Warp", which showcases his innovative use of synthesizers and drum machines. The theme of "Out Of Body" is reflected in its title, as the music aims to transport listeners to a different realm through its hypnotic and pulsating beats. The composition features a driving bassline, ethereal synths, and rhythmic percussion that create a sense of movement and exploration. One notable fact about Patrick Cowley is his collaboration with iconic singer Sylvester, producing hits like "You Make Me Feel (Mighty Real)" and "Do You Wanna Funk". His music was ahead of its time and has since been celebrated for its futuristic sound and boundary-pushing experimentation. Overall, "Out Of Body" is a testament to Patrick Cowley's talent as a producer and his ability to create immersive and otherworldly electronic music that continues to captivate listeners to this day.
Primordial Landscape
"Primordial Landscape" is a track by the electronic music pioneer Patrick Cowley. The song, released in 1982, is a mesmerizing journey through a sonic landscape that is both haunting and ethereal. The composition of "Primordial Landscape" features Cowley's signature synthesizer sound, with pulsating rhythms and swirling melodies that create a sense of otherworldly beauty. The track is a perfect example of Cowley's ability to blend elements of disco, ambient, and experimental music into a unique and captivating sound. Thematically, "Primordial Landscape" evokes a sense of ancient mystery and primordial nature. The music conjures images of vast, untouched landscapes and ancient civilizations long forgotten. The track's hypnotic rhythms and swirling textures create a sense of timelessness and transcendence, inviting the listener to lose themselves in the music and explore the depths of their own imagination. One notable fact about "Primordial Landscape" is that it was one of the last tracks Cowley released before his untimely death in 1982. Despite his short career, Cowley left a lasting impact on the electronic music world, and "Primordial Landscape" remains a testament to his innovative spirit and visionary approach to music.
Lift-Off
"Lift-Off" is a dynamic electronic track by the influential American musician Patrick Cowley. The song was released in 1983 as part of his album "Mind Warp" which showcased his innovative and futuristic sound. The theme of "Lift-Off" can be described as otherworldly and spacey, with its pulsating synths, driving beats, and ethereal melodies creating a sense of movement and exploration. The track captures the essence of a futuristic journey through outer space, evoking a sense of wonder and excitement. The composition of "Lift-Off" is characterized by Cowley's signature blend of disco, Hi-NRG, and electronic music, creating a unique and captivating sound that was ahead of its time. The song features intricate layering of synths, arpeggiated sequences, and dynamic rhythms that build up to an exhilarating climax. Notable facts about "Lift-Off" include its influence on the electronic music scene of the 1980s, particularly in the Hi-NRG and Italo disco genres. Patrick Cowley was a pioneer in the use of synthesizers and electronic production techniques, and his work continues to inspire contemporary artists in the electronic music world. Overall, "Lift-Off" is a standout track that showcases Patrick Cowley's innovative approach to electronic music and his ability to create immersive and captivating sonic landscapes. The song remains a classic in the electronic music canon and a testament to Cowley's enduring legacy as a visionary musician.
Tides Of Man
"Tides of Man" is an instrumental track by the American electronic music artist Patrick Cowley. The song is a part of his album "School Daze", released in 1981. The track starts with a pulsating bassline and gradually builds up with layers of synthesizers and drum machines. The overall sound is characterized by a hypnotic and futuristic vibe, typical of Cowley's signature style of Hi-NRG and electronic music. The theme of "Tides of Man" is open to interpretation, as it is an instrumental piece without any lyrics. However, the title suggests a sense of movement and change, perhaps reflecting the ebb and flow of life or the shifting tides of emotion. Patrick Cowley was a pioneer in the electronic music scene of the 1980s, known for his innovative use of synthesizers and drum machines. He was a key figure in the development of Hi-NRG music, a high-energy genre that was popular in clubs and dance floors during that era. Overall, "Tides of Man" is a captivating and dynamic track that showcases Cowley's talent for creating immersive and engaging electronic music. It remains a standout piece in his discography and a testament to his enduring influence in the electronic music industry.
Cat's Eye
"Cat's Eye" by Patrick Cowley is an instrumental electronic track that was released in 1981 as part of his album "Mind Warp". The song features a pulsating synthesizer melody that creates a hypnotic and futuristic atmosphere. The theme of the track is mysterious and otherworldly, evoking images of a dark alleyway at night or a neon-lit cityscape. The title "Cat's Eye" suggests a sense of watchfulness and curiosity, as if the listener is being observed by unseen eyes in the darkness. The composition of the track is characterized by its repetitive bassline and driving beat, combined with Cowley's signature use of arpeggiated synthesizers and swirling sound effects. The overall sound is reminiscent of the electronic music of the 1980s, with a distinctive retro-futuristic vibe. Notable facts about "Cat's Eye" include its influence on the electronic music scene of the time, as well as its lasting impact on the genre. Patrick Cowley was a pioneer in the field of electronic music, and his innovative sound continues to inspire artists to this day. Overall, "Cat's Eye" is a captivating and atmospheric track that showcases Cowley's talent for creating immersive and dynamic electronic music.
Cycle Tuff
"Cycle Tuff" is a track by American electronic music producer Patrick Cowley, known for his pioneering work in the disco and Hi-NRG genres. Released in 1981, the song is a high-energy instrumental piece that showcases Cowley's signature blend of pulsating synthesizers and driving rhythms. The composition of "Cycle Tuff" features a relentless bassline, aggressive drum patterns, and layers of swirling synths that create a sense of urgency and excitement. The track has a futuristic and almost dystopian feel to it, reflecting the electronic soundscapes that were popular in the early 1980s. One notable aspect of "Cycle Tuff" is Cowley's use of innovative production techniques, such as his use of the iconic Oberheim OB-X synthesizer, which was cutting-edge technology at the time. The song also showcases Cowley's ability to create dynamic and engaging arrangements that draw the listener in and keep them hooked from start to finish. Overall, "Cycle Tuff" is a prime example of Cowley's groundbreaking work in electronic music and remains a classic in the genre to this day. Its infectious energy and futuristic sound make it a standout track in Cowley's discography and a must-listen for fans of electronic music.
Deep Inside You
"Deep Inside You" is a track by American electronic music producer and synthesizer pioneer Patrick Cowley. Released in 1983, the song is a part of Cowley's album "Mind Warp" and is considered one of his most iconic works. The track features a pulsating electronic beat, hypnotic synths, and Cowley's signature futuristic soundscapes. The song's theme revolves around exploring inner emotions and desires, with its title suggesting a journey into the depths of one's psyche. The repetitive nature of the track creates a sense of trance-like immersion, drawing the listener deeper into the music. Notable for its innovative use of synthesizers and drum machines, "Deep Inside You" showcases Cowley's talent for creating immersive and atmospheric electronic music. The track's driving rhythm and haunting melodies have made it a favorite among fans of electronic music and have solidified Cowley's reputation as a pioneering figure in the genre. Overall, "Deep Inside You" is a mesmerizing and captivating track that showcases Patrick Cowley's unique blend of electronic sounds and emotional depth. Its timeless appeal continues to resonate with listeners decades after its release, cementing its status as a classic in the electronic music genre.
Going Home
"Going Home" by Patrick Cowley is an electronic instrumental track that was released in 1982. The song has a dreamy and ethereal feel, with pulsating synths and a hypnotic beat that carries the listener on a journey through space and time. The track features Cowley's signature synth-driven sound, with layers of electronic textures creating a lush and immersive atmosphere. The composition is repetitive yet dynamic, building in intensity as it progresses and evoking a sense of longing and nostalgia. The theme of "Going Home" is open to interpretation, but many listeners have described it as a sonic representation of a journey towards a place of comfort and familiarity. The title suggests a sense of returning to one's roots or finding solace in a familiar place, and the music reflects this sentiment with its soothing and introspective vibe. Notable facts about "Going Home" include its influence on the electronic music scene of the 1980s and its lasting impact on the genre. Patrick Cowley was a pioneering figure in the development of Hi-NRG and electronic dance music, and his innovative production techniques and distinctive sound have earned him a place in the pantheon of electronic music legends. Overall, "Going Home" is a timeless and evocative track that showcases Cowley's talent for creating immersive and emotionally resonant electronic music. Its ethereal beauty and hypnotic rhythms make it a standout piece in Cowley's discography and a beloved track for fans of electronic music.
Patrick Cowley