Wild in the Streets
"Wild in the Streets" is a punk rock anthem by the American band Circle Jerks. The song was released as the title track of their second studio album in 1982. The theme of the song revolves around the rebellious youth culture of the 1980s, with lyrics that speak to the frustration and energy of young people who feel disenfranchised by society. The chorus, "Wild in the streets, we're running free, ain't nobody stopping me," captures the spirit of youthful defiance and the desire for freedom. Musically, "Wild in the Streets" is fast-paced and energetic, featuring aggressive guitar riffs, pounding drums, and raw vocals. The song's intensity and catchy melody make it a staple of punk rock playlists and live performances. Notable facts about "Wild in the Streets" include its inclusion in various punk rock compilations and its popularity among fans of the genre. The song's rebellious lyrics and high-energy sound have made it a classic in the punk rock canon, cementing Circle Jerks' status as influential figures in the genre.
Live Fast Die Young
"Live Fast Die Young" by Circle Jerks is a fast-paced punk rock anthem that captures the rebellious and nihilistic spirit of the genre. The song's theme revolves around living life to the fullest without fear of consequences or mortality. The lyrics reflect a sense of urgency and a desire to make the most of the present moment, even if it means risking it all. Musically, the track is characterized by its driving bassline, pounding drums, and aggressive guitar riffs. The raw energy and intensity of the instrumentation perfectly complement the defiant attitude of the lyrics, creating a powerful and electrifying listening experience. One notable fact about "Live Fast Die Young" is that it was released as a single in 1980 and quickly became a fan favorite at Circle Jerks' live shows. The song's catchy chorus and infectious energy helped solidify the band's reputation as one of the pioneers of the hardcore punk movement. Overall, "Live Fast Die Young" is a high-octane punk rock anthem that encapsulates the reckless and fearless spirit of youth. Its raw power and unapologetic attitude make it a standout track in Circle Jerks' discography and a timeless classic in the punk rock genre.
World Up My Ass
"World Up My Ass" is a track by the American punk rock band Circle Jerks. Released in 1980, the song is known for its fast-paced tempo, aggressive guitar riffs, and raw, gritty vocals. The lyrics of "World Up My Ass" convey a sense of frustration and disillusionment with the world around the singer. The protagonist expresses feelings of being overwhelmed and suffocated by the negativity and chaos of the world, hence the title of the song. The lyrics are delivered with a sense of urgency and intensity, reflecting the band's signature punk rock style. Musically, "World Up My Ass" features a driving drum beat, distorted guitars, and a relentless energy that propels the song forward. The band's tight instrumentation and raw energy create a sense of urgency and intensity that is characteristic of their early punk sound. Notable for its confrontational lyrics and aggressive sound, "World Up My Ass" is a standout track in Circle Jerks' discography and remains a fan favorite among punk rock enthusiasts. The song's rebellious spirit and unapologetic attitude have solidified its place as a classic punk anthem.
Beverly Hills
"Beverly Hills" by Circle Jerks is a punk rock song that was released in 1983 on their album "Golden Shower of Hits." The track is known for its fast-paced tempo, aggressive guitar riffs, and energetic vocals. The lyrics of the song satirize the affluent lifestyle of Beverly Hills and criticize the superficiality and materialism of the wealthy elite. The song opens with the line "Beverly Hills, Century City, everything's so nice and pretty" setting the tone for the rest of the track. The lyrics go on to mock the extravagance of Beverly Hills, with lines like "You're so cool, you're so cool, fuck you!" and "Beverly Hills, shopping carts full of money." The song is a scathing critique of the excess and privilege associated with the famous neighborhood. Musically, "Beverly Hills" features fast-paced drums, aggressive guitar riffs, and intense vocals by lead singer Keith Morris. The track is characterized by its raw, energetic sound and rebellious attitude, which are hallmarks of the punk rock genre. Overall, "Beverly Hills" is a powerful and biting commentary on wealth and privilege, delivered with the intensity and ferocity that Circle Jerks are known for. The song remains a classic in the punk rock genre and continues to resonate with listeners who appreciate its rebellious spirit and social commentary.
I Just Want Some Skank
"I Just Want Some Skank" is a fast-paced punk rock track by the American band Circle Jerks. The song, released in 1980 as part of their debut album "Group Sex," is known for its raw energy and aggressive sound. The theme of the song revolves around frustration and a desire for rebellion against societal norms. The lyrics express a sense of urgency and a longing for something more in life, encapsulating the punk ethos of nonconformity and anti-establishment sentiment. Musically, "I Just Want Some Skank" features driving guitar riffs, pounding drums, and intense vocals by lead singer Keith Morris. The song's catchy chorus and infectious energy make it a standout track in the punk rock genre. Notable for its provocative title and rebellious attitude, "I Just Want Some Skank" has become a staple in the punk rock scene and a fan favorite at Circle Jerks' live performances. The song's fast tempo and aggressive tone capture the band's signature sound and cement their status as influential figures in the punk rock movement.
Back Against the Wall
"Back Against the Wall" by Circle Jerks is a punk rock anthem that captures the band's signature aggressive sound. The song's theme revolves around feeling trapped and helpless, with the lyrics painting a picture of someone who is backed into a corner and fighting against the odds. The track features fast-paced guitar riffs, pounding drums, and gritty vocals that convey a sense of urgency and defiance. The composition is straightforward and raw, with a sense of chaos and rebellion that is characteristic of the punk rock genre. Notable facts about "Back Against the Wall" include its inclusion on Circle Jerks' influential album "Wild in the Streets" released in 1982. The song has become a staple of the band's live performances and is often cited as one of their most popular tracks. Overall, "Back Against the Wall" is a high-energy punk rock anthem that captures the spirit of defiance and rebellion that has made Circle Jerks a legendary band in the punk rock scene.
Red Tape
"Red Tape" by Circle Jerks is a high-energy punk rock track that captures the band's signature aggressive sound. The song's theme revolves around the frustrations and limitations imposed by bureaucracy and authority figures. It criticizes the red tape and regulations that hinder personal freedom and creativity. The lyrics are delivered with intensity and urgency, reflecting the band's rebellious attitude. Musically, "Red Tape" features fast-paced drumming, driving guitar riffs, and powerful vocals. The instrumentation is raw and unapologetic, creating a sense of urgency and chaos that perfectly complements the song's theme. One notable fact about "Red Tape" is that it has become a staple in Circle Jerks' live performances and is often cited as one of the band's most popular songs. Its raw energy and powerful message continue to resonate with fans of punk rock music. Overall, "Red Tape" is a standout track that showcases Circle Jerks' unapologetic attitude and rebellious spirit.
Wasted
"Wasted" by Circle Jerks is a fast-paced punk rock anthem that captures the reckless abandon of youth and the consequences of living a hedonistic lifestyle. The song's theme revolves around the idea of wasting one's life away through excessive partying, substance abuse, and self-destructive behavior. The composition of "Wasted" is characterized by its raw energy, aggressive guitar riffs, pounding drums, and Keith Morris' gritty vocals. The song's high tempo and frenetic pace mirror the chaotic and chaotic lifestyle it depicts. Notable for its catchy chorus and rebellious lyrics, "Wasted" became one of Circle Jerks' most popular tracks and a staple of their live performances. The song's anthemic quality and relatable subject matter have resonated with fans of punk rock for decades, solidifying its status as a classic in the genre. Overall, "Wasted" is a powerful and unapologetic punk rock anthem that captures the essence of youth rebellion and the consequences of living life on the edge. With its infectious energy and rebellious spirit, the song remains a timeless favorite among fans of punk music.
Operation
"Operation" by Circle Jerks is a fast-paced punk rock track that is known for its intense energy and aggressive sound. The song features driving guitar riffs, pounding drums, and powerful vocals by lead singer Keith Morris. The lyrics of "Operation" touch on themes of rebellion, anti-authoritarianism, and resistance against societal norms. The song's message is one of defiance and standing up against oppression and control. The composition of "Operation" is characterized by its raw and unpolished sound, typical of punk rock music. The band's tight musicianship and Morris's distinctive vocal delivery add to the song's intensity and sense of urgency. Notable facts about the track include its inclusion on Circle Jerks' seminal album "Group Sex," released in 1980. "Operation" is considered a classic in the punk rock genre and has been praised for its powerful lyrics and high-energy performance. Overall, "Operation" is a standout track that encapsulates the rebellious spirit of punk rock music and remains a favorite among fans of the genre.
Don't Care
"Don't Care" by Circle Jerks is a punk rock anthem that captures the rebellious spirit and nonchalant attitude of the band. The song's theme revolves around the idea of not caring about societal norms, expectations, or criticism. It embodies a sense of defiance and independence, with lyrics that speak to the desire to live life on one's own terms. The composition of the track is fast-paced and energetic, featuring aggressive guitar riffs, pounding drums, and raw, intense vocals from lead singer Keith Morris. The band's signature sound is characterized by their aggressive, high-energy approach to punk rock, and "Don't Care" is a prime example of this style. One notable fact about the song is that it was released on the band's debut album, "Group Sex," in 1980. The album is considered a classic in the punk rock genre and has had a lasting influence on subsequent generations of punk bands. "Don't Care" remains a fan favorite and a staple of Circle Jerks' live performances, showcasing the band's raw energy and uncompromising attitude.
Group Sex
"Group Sex" is a punk rock song by the American band Circle Jerks. The track was released on their debut album of the same name in 1980. The song is known for its fast-paced tempo, aggressive vocals, and raw energy. The theme of "Group Sex" revolves around the chaotic and rebellious nature of punk culture. The lyrics describe a wild party atmosphere where anything goes, with references to group sex and other taboo subjects. The song's rebellious and provocative lyrics were controversial at the time of its release, but also served to solidify Circle Jerks' reputation as boundary-pushing punk rockers. Musically, "Group Sex" features driving guitar riffs, pounding drums, and intense vocals from lead singer Keith Morris. The band's tight musicianship and frenetic energy add to the song's overall intensity and power. The track is a classic example of the hardcore punk sound that Circle Jerks are known for, with its aggressive attitude and fast-paced instrumentation. "Group Sex" remains a fan favorite and a staple in Circle Jerks' live shows. The song's rebellious spirit and high-energy performance make it a standout track in the band's discography. Overall, "Group Sex" is a fierce and unapologetic punk anthem that showcases Circle Jerks' raw talent and fearless attitude.
Paid Vacation
"Paid Vacation" by Circle Jerks is a fast-paced punk rock track that delivers a scathing critique of modern society and the concept of a "paid vacation." The song's lyrics highlight the monotony and dissatisfaction of working life, questioning the value of material possessions and the pursuit of wealth. The band's raw and aggressive sound, characterized by blistering guitar riffs and frenetic drumming, perfectly complements the rebellious and anti-establishment message of the song. Notable for its energetic and intense performance, "Paid Vacation" captures the essence of the punk rock movement with its raw, unapologetic attitude and confrontational lyrics. The song's driving rhythm and infectious energy make it a favorite among fans of hardcore punk music, and it remains a staple in Circle Jerks' live performances to this day. Overall, "Paid Vacation" is a powerful and thought-provoking anthem that challenges listeners to question the status quo and embrace their rebellious spirit. With its impactful lyrics and high-energy instrumentation, the track stands as a testament to Circle Jerks' enduring influence in the punk rock genre.
What's Your Problem
"What's Your Problem" is a high-energy punk rock track by the American band Circle Jerks. Released in 1980 as part of their debut album "Group Sex," the song is a perfect example of the band's raw and aggressive sound. The theme of the song revolves around frustration and rebellion, with lyrics that express a sense of defiance and defiance towards authority figures. The fast-paced tempo, distorted guitars, and aggressive vocals all contribute to the rebellious nature of the track. The composition of "What's Your Problem" is relatively simple, with a driving drum beat and catchy guitar riffs that create a sense of urgency and intensity. The vocals, delivered by lead singer Keith Morris, are filled with attitude and defiance, adding to the overall rebellious tone of the song. One notable fact about "What's Your Problem" is that it has become a staple in the punk rock scene and is often cited as one of Circle Jerks' most iconic tracks. The song's high-energy performance and rebellious lyrics have made it a favorite among fans of the genre, and it continues to be a popular choice for live performances by the band.
Behind the Door
"Behind the Door" is a track by the punk rock band Circle Jerks. The song is known for its fast-paced and energetic style, typical of the band's hardcore punk sound. The lyrics of the song touch on themes of rebellion, anger, and frustration, which are common themes in punk rock music. The composition of "Behind the Door" features intense drumming, aggressive guitar riffs, and gritty vocals from lead singer Keith Morris. The song is characterized by its raw and aggressive sound, which is a hallmark of the band's music. One notable fact about "Behind the Door" is that it was included on Circle Jerks' 1980 debut album, Group Sex. The album was a critical and commercial success, helping to solidify the band's reputation as pioneers of the hardcore punk scene. Overall, "Behind the Door" is a powerful and intense track that captures the rebellious spirit of punk rock. Its fast pace and aggressive sound make it a standout song in Circle Jerks' discography.
Leave Me Alone
"Leave Me Alone" by Circle Jerks is a fast-paced punk rock track that was released on their album "Group Sex" in 1980. The song's theme revolves around the feelings of frustration and alienation, with the narrator expressing a desire to be left alone and not bothered by others. The lyrics convey a sense of rebelliousness and defiance against societal norms. Musically, "Leave Me Alone" features aggressive guitar riffs, pounding drums, and energetic vocals by lead singer Keith Morris. The song's composition is characterized by its raw and unapologetic sound, typical of the punk rock genre. The track clocks in at just under two minutes, packing a punch with its intense energy and attitude. Notable facts about "Leave Me Alone" include its status as a fan favorite among Circle Jerks' discography, often performed live at their concerts. The song's rebellious spirit and catchy hooks have made it a staple in punk rock playlists over the years. Its themes of individualism and standing up against conformity continue to resonate with listeners who appreciate the genre's ethos of defiance and nonconformity.
Question Authority
"Question Authority" is a track by the American punk rock band Circle Jerks, featured on their 1980 album "Group Sex". The song is a fast-paced, high-energy punk anthem that captures the spirit of rebellion and anti-authoritarianism that was prevalent in the punk scene of the late 1970s and early 1980s. The lyrics of "Question Authority" encourage listeners to challenge societal norms and question the legitimacy of authority figures. The band's lead vocalist, Keith Morris, delivers the lyrics with raw intensity, urging the listener to think for themselves and not blindly follow orders. Musically, the track is characterized by its driving guitar riffs, pounding drums, and aggressive vocals. The fast tempo and frenetic energy of the song make it a standout track on the album, showcasing the band's knack for creating catchy, yet politically charged punk rock anthems. "Question Authority" is a prime example of Circle Jerks' signature sound and their ability to deliver powerful, thought-provoking messages through their music. The song remains a fan favorite and a staple of the punk rock genre, resonating with audiences who share the band's anti-establishment sentiments.
Stars and Stripes
"Stars and Stripes" by Circle Jerks is a punk rock anthem that tackles the theme of disillusionment with the American dream and the hypocrisy of the government. The song criticizes the United States for its oppressive policies and the way it mistreats its citizens. The composition of the track is fast-paced and energetic, with aggressive guitar riffs and pounding drums that drive the song forward. Lead singer Keith Morris delivers the lyrics with raw intensity, expressing his anger and frustration towards the powers that be. One notable fact about "Stars and Stripes" is that it was released in 1982 on Circle Jerks' album "Wild in the Streets," during a time of political unrest and social upheaval in the United States. The song resonated with many listeners who shared similar feelings of discontent and rebellion against the status quo. Overall, "Stars and Stripes" is a powerful and impactful punk rock anthem that continues to be relevant today, as it addresses issues of social injustice and political corruption that are still prevalent in American society.
When The Shit Hits The Fan
"When The Shit Hits The Fan" is a classic punk rock track by the American band Circle Jerks. The song was released on their debut album, "Group Sex," in 1980. The theme of the song revolves around chaos, rebellion, and the feeling of being fed up with the state of the world. The lyrics express frustration with society and a desire to break free from the constraints and expectations placed upon individuals. The title itself suggests a sense of impending disaster or confrontation, capturing the raw energy and intensity of the punk rock genre. Musically, "When The Shit Hits The Fan" is a fast-paced and high-energy track with aggressive guitar riffs, pounding drums, and powerful vocals. The song's driving rhythm and catchy chorus make it a favorite among fans of punk rock music. Notable for its rebellious and unapologetic attitude, "When The Shit Hits The Fan" has become a staple in the punk rock scene and is often cited as one of Circle Jerks' most iconic songs. Its raw and uncompromising sound continues to resonate with listeners who appreciate the genre's anti-establishment ethos and straightforward approach to music.
Letter Bomb
"Letter Bomb" is a fast-paced punk rock track by the band Circle Jerks. The song features aggressive guitar riffs, pounding drums, and raw vocals that capture the band's signature sound. Thematically, "Letter Bomb" addresses the idea of rebellion and resistance against authority. The lyrics speak to the frustration and anger felt by many individuals who feel marginalized or oppressed by those in power. The song's message is delivered with a sense of urgency and defiance, urging listeners to take action and speak out against injustice. The composition of "Letter Bomb" is tight and energetic, with driving rhythms and intense instrumentation that create a sense of urgency and chaos. The band's tight musicianship and raw energy are on full display in this track, showcasing their ability to create powerful and memorable punk rock anthems. Notable facts about "Letter Bomb" include its inclusion on the band's iconic album "Group Sex", which is considered a classic in the punk rock genre. The song has been praised for its aggressive and confrontational lyrics, as well as its high-energy performance that captures the spirit of rebellion and defiance that defines the punk rock movement. Overall, "Letter Bomb" is a standout track that showcases the Circle Jerks' raw talent and uncompromising attitude.
In Your Eyes
"In Your Eyes" by Circle Jerks is a high-energy punk rock track that was released on their album "Group Sex" in 1980. The song features fast-paced guitar riffs, aggressive drumming, and raw, intense vocals by lead singer Keith Morris. The theme of the song revolves around the idea of rebellion and breaking free from societal norms. The lyrics speak to feelings of frustration and anger towards authority figures and the status quo. The repetitive chorus, where Morris defiantly shouts "In your eyes, I'm just a number," captures the sense of defiance and resistance that is prevalent throughout the song. The composition of "In Your Eyes" is typical of the punk rock genre, with short, punchy verses and a catchy chorus that is easy to sing along to. The driving rhythm and aggressive tone of the song make it a standout track on the album, and a favorite among fans of punk rock music. One notable fact about "In Your Eyes" is that it showcases the Circle Jerks' signature sound, which is characterized by fast tempos, aggressive vocals, and politically charged lyrics. The band's influence on the punk rock scene of the 1980s is undeniable, and "In Your Eyes" remains a classic example of their raw and uncompromising style.
86'd (Good As Gone)
'86'd (Good As Gone)' is a track by the American punk rock band Circle Jerks, featured on their album "Group Sex" released in 1980. The song is a fast-paced, energetic punk anthem that captures the raw and rebellious spirit of the band. The theme of the song revolves around the idea of being kicked out or removed from a situation, whether it be a relationship, a job, or society in general. The lyrics convey a sense of defiance and liberation, with lines like "I'm 86'd, good as gone, I'm on my way and I won't be long." Musically, '86'd (Good As Gone)' features fast, aggressive guitar riffs, pounding drums, and intense vocals by lead singer Keith Morris. The song's high energy and driving tempo make it a classic punk rock anthem that is sure to get listeners pumped up and ready to rebel against the status quo. Notable facts about the song include its influence on the punk rock scene in the 1980s, as well as its enduring popularity among fans of the genre. '86'd (Good As Gone)' is considered one of the standout tracks on "Group Sex" and remains a staple in Circle Jerks' live performances to this day.
Coup D'Etat
"Coup D'Etat" by Circle Jerks is a high-energy punk rock track that was released on their album of the same name in 1983. The song clocks in at just under two minutes and features aggressive guitar riffs, pounding drums, and raw, snarling vocals from lead singer Keith Morris. Thematically, "Coup D'Etat" addresses political corruption and the abuse of power. The lyrics speak to a sense of disillusionment with authority figures and a call to action for rebellion against oppressive systems. The title itself, which translates to "overthrow" in French, further emphasizes the revolutionary sentiment of the song. The composition of "Coup D'Etat" is fast-paced and relentless, with driving rhythms and an urgent sense of urgency. The band's tight musicianship and Morris' impassioned delivery contribute to the song's intense and powerful impact. Notable facts about "Coup D'Etat" include its inclusion on several punk rock compilation albums, solidifying its status as a classic within the genre. The song has also been covered by various punk bands over the years, further solidifying its influence and enduring appeal in the punk rock community. Overall, "Coup D'Etat" is a standout track in Circle Jerks' discography, showcasing their signature blend of aggression, rebellion, and social commentary.
Meet the Press
"Meet the Press" by Circle Jerks is a fast-paced punk rock track that captures the energy and aggression of the band's music. The song's theme revolves around criticizing the media and its portrayal of current events, with lyrics that question the integrity and honesty of news outlets. The composition of the track features driving guitar riffs, pounding drums, and intense vocals that convey a sense of urgency and rebellion. Notable for its raw and unapologetic approach, "Meet the Press" showcases the band's signature sound and attitude. With its catchy hooks and powerful delivery, the song has become a fan favorite and a staple in Circle Jerks' live performances. Overall, "Meet the Press" is a powerful and hard-hitting track that encapsulates the spirit of punk rock music and the band's rebellious ethos.
Moral Majority
"Moral Majority" is a track by the American punk rock band Circle Jerks. The song was released in 1983 on their album "Golden Shower of Hits". The theme of the song revolves around criticizing the conservative Christian political organization Moral Majority, which was influential in the United States during the 1980s. The lyrics sarcastically mock the organization's moralistic views and its attempts to impose its beliefs on society. Musically, "Moral Majority" is characterized by fast-paced, aggressive punk rock instrumentation. The song features driving guitar riffs, pounding drums, and energetic vocals by lead singer Keith Morris. The raw and intense sound of the track perfectly complements the rebellious and defiant attitude of the lyrics. Notable facts about "Moral Majority" include its impact as a protest song against conservative social and political movements. The track reflects the band's punk ethos of challenging authority and questioning mainstream values. Circle Jerks' fearless approach to addressing controversial topics through their music helped solidify their reputation as one of the pioneering bands of the punk rock genre.
Trapped
"Trapped" by Circle Jerks is a high-energy punk rock track that captures the band's signature aggressive sound. The song's theme revolves around feeling stuck in a situation or trapped in a cycle of negativity. Lead vocalist Keith Morris delivers raw and intense vocals, expressing frustration and defiance in the face of adversity. The composition of the song features fast-paced guitar riffs and pounding drums, creating a sense of urgency and chaos. The band's tight musicianship and relentless energy drive the song forward, making it a standout track in their discography. Notable facts about "Trapped" include its inclusion on Circle Jerks' debut album, "Group Sex," released in 1980. The song has become a fan favorite and a staple in the band's live performances. With its powerful lyrics and aggressive musical style, "Trapped" remains a standout track that showcases Circle Jerks' influential role in the punk rock scene.
Murder the Disturbed
"Murder the Disturbed" is a punk rock track by the American band Circle Jerks, known for their aggressive and energetic sound. The song, which appears on their album "Group Sex" released in 1980, features fast-paced guitar riffs, pounding drums, and intense vocals. Thematically, "Murder the Disturbed" explores feelings of frustration and rebellion against societal norms. The lyrics convey a sense of anger and defiance, with lines like "I kill what I want to kill, I do what I want to do" reflecting a sense of empowerment and disregard for authority. The composition of the song is characterized by its raw and unapologetic energy, with a driving rhythm that propels the track forward. The guitar work is sharp and aggressive, adding to the overall intensity of the music. The vocals, delivered with a sense of urgency and passion, further enhance the rebellious tone of the song. Notable for its confrontational lyrics and powerful instrumentation, "Murder the Disturbed" is a standout track in Circle Jerks' discography, showcasing their signature sound and attitude. It remains a fan favorite among punk rock enthusiasts for its raw energy and rebellious spirit.
Deny Everything
"Deny Everything" is a punk rock anthem by the American band Circle Jerks. The song, released in 1980 as part of their debut album "Group Sex," is characterized by its fast-paced tempo, aggressive guitar riffs, and raw vocals. The theme of the song revolves around rebellion, defiance, and nonconformity. The lyrics urge listeners to reject authority, question societal norms, and stand up against oppression. The chorus, which repeats the phrase "Deny everything," encapsulates the band's ethos of challenging the status quo and refusing to accept the limitations imposed by others. Musically, "Deny Everything" features a driving rhythm section that propels the song forward, while the guitar work adds a sense of urgency and intensity. The vocal delivery by lead singer Keith Morris is filled with energy and passion, reflecting the band's punk rock roots and DIY ethos. One notable fact about "Deny Everything" is its enduring popularity among punk rock fans. The song has been covered by numerous bands and continues to be a staple of Circle Jerks' live performances. Its rebellious spirit and anthemic chorus have made it a favorite among fans of the genre, cementing its status as a classic punk rock anthem.
Under The Gun
"Under The Gun" is a high-energy punk rock track by the American band Circle Jerks. The song was released as part of their album "Golden Shower of Hits" in 1983. Thematically, "Under The Gun" explores the feeling of being under pressure and constantly on edge. The lyrics express a sense of urgency and anxiety, reflecting the fast-paced and intense nature of punk rock music. Musically, the song features fast-paced drumming, aggressive guitar riffs, and energetic vocals by lead singer Keith Morris. The raw and gritty sound of the track is characteristic of the punk rock genre, with its driving rhythm and rebellious attitude. Notable facts about "Under The Gun" include its popularity among fans of punk rock music and its status as a classic track in the Circle Jerks discography. The song's intense energy and powerful lyrics have made it a staple in the band's live performances and a fan favorite for many years.
Political Stu
"Political Stu" is a fast-paced punk rock track by the American band Circle Jerks. The song is featured on their 1985 album "Wonderful," which was released on the label Combat Records. The track is known for its energetic and aggressive sound, typical of the punk genre. The theme of "Political Stu" revolves around political activism and rebellion against the establishment. The lyrics criticize the government and societal norms, encouraging listeners to question authority and think for themselves. The song's message is delivered with a sense of urgency and defiance, characteristic of punk music. Musically, "Political Stu" features driving drum beats, distorted guitars, and raw vocals. The fast tempo and intense energy of the track create a sense of chaos and rebellion, perfectly complementing the rebellious lyrics. The song is relatively short, clocking in at under two minutes, but manages to pack a punch with its powerful instrumentation and passionate delivery. "Political Stu" is a standout track on the "Wonderful" album, showcasing Circle Jerks' signature punk sound and rebellious attitude. The song remains a fan favorite and a staple of the band's live performances, resonating with listeners who share the band's anti-establishment sentiments.
Forced Labor
"Forced Labor" is a punk rock track by the American band Circle Jerks, released in 1982 on their album "Wild in the Streets." The song is characterized by its fast tempo, aggressive guitar riffs, and intense vocals by lead singer Keith Morris. The theme of "Forced Labor" revolves around the struggles of the working class and the feeling of being trapped in a job or system that is oppressive and exhausting. The lyrics paint a bleak picture of the daily grind and the frustrations that come with feeling powerless in the face of authority. The composition of the track is straightforward and raw, typical of the punk rock genre. The driving drumbeat and distorted guitars create a sense of urgency and rebellion, reflecting the band's anti-establishment attitude. One notable fact about "Forced Labor" is its lasting impact on the punk rock scene. The song's powerful message and energetic performance have solidified its status as a classic in the genre, resonating with fans of punk music for decades. It remains a staple in Circle Jerks' live performances and is often cited as one of their standout tracks.
Just Like Me
"Just Like Me" is a punk rock song by the American band Circle Jerks. The track is featured on their album "Group Sex," which was released in 1980. The song is known for its fast-paced tempo, aggressive guitar riffs, and raw energy. The theme of "Just Like Me" revolves around feelings of alienation and frustration with society. The lyrics express a sense of anger and defiance towards conformity and authority. The singer expresses a desire to break free from societal norms and expectations, emphasizing the importance of individuality and self-expression. The composition of the song is characterized by its high-energy punk rock sound. The fast tempo, distorted guitar tones, and pounding drums create a sense of urgency and intensity. The vocals are delivered with a raw and passionate delivery, adding to the rebellious spirit of the track. One notable fact about "Just Like Me" is that it has become a staple in the punk rock genre and is considered a classic by fans of the band and the genre as a whole. The song's powerful lyrics and energetic instrumentation have made it a favorite among punk rock enthusiasts for decades. Overall, "Just Like Me" is a standout track that captures the raw energy and rebellious spirit of punk rock music.
Defamation Innuendo
"Defamation Innuendo" is a track by the American punk rock band Circle Jerks, originally released on their album "Wild in the Streets" in 1982. The song is a fast-paced, high-energy punk anthem that clocks in at just under two minutes. Thematically, "Defamation Innuendo" addresses the dangers of spreading rumors and lies about others, highlighting the destructive power of gossip and slander. The lyrics convey a sense of frustration and anger towards those who engage in such behavior, with frontman Keith Morris delivering the vocals with his signature raw and aggressive style. Musically, the song features driving guitar riffs, pounding drums, and a relentless energy that is characteristic of the Circle Jerks' sound. The band's tight musicianship and intense performance make "Defamation Innuendo" a standout track on the album, showcasing their ability to create catchy, hard-hitting punk rock. Overall, "Defamation Innuendo" is a powerful and exhilarating punk rock track that captures the spirit of rebellion and defiance that is synonymous with the Circle Jerks. Its message about the destructive nature of gossip and lies still resonates today, making it a timeless and relevant piece of music in the punk rock genre.
Parade Of The Horribles
"Parade of the Horribles" is a punk rock track by the American band Circle Jerks, released on their 1982 album "Wild in the Streets". The song is characterized by its fast-paced tempo, aggressive guitar riffs, and raw vocals. The theme of the song revolves around societal issues and political commentary, with lyrics that criticize the corruption and ugliness of the world. The title "Parade of the Horribles" suggests a procession of negative and unpleasant aspects of society, making a statement about the dark side of humanity. The composition of the song is typical of punk rock, with a simple yet powerful structure that emphasizes energy and attitude. The driving rhythm section propels the song forward, while the gritty guitar work adds a sense of urgency and rebellion. Lead vocalist Keith Morris delivers the lyrics with a sense of anger and defiance, capturing the rebellious spirit of punk music. "Parade of the Horribles" is a standout track on "Wild in the Streets", showcasing Circle Jerks' signature sound and confrontational lyrical style. The song remains a fan favorite and a staple of the band's live performances, resonating with audiences for its unapologetic attitude and social commentary.
Put a Little Love in Your Heart
"Put a Little Love in Your Heart" is a punk rock cover originally written by Jackie DeShannon, but it was later covered by the Circle Jerks. The song was released in 1984 and is known for its high energy and fast-paced tempo. The theme of the song is centered around spreading love and positivity in a world filled with negativity and hatred. The lyrics encourage listeners to show compassion and kindness towards others, even in the face of adversity. The composition of the song features aggressive guitar riffs, pounding drums, and raw vocals that are characteristic of the Circle Jerks' punk rock sound. The band's signature fast-paced style adds a sense of urgency to the message of love and unity in the song. One notable fact about the Circle Jerks' cover of "Put a Little Love in Your Heart" is that it showcases the band's ability to take a more mainstream pop song and infuse it with their own punk rock edge. This juxtaposition of sweet, heartfelt lyrics with aggressive punk instrumentation creates a unique and powerful listening experience for fans of the band.
Rock House
"Rock House" by Circle Jerks is a high-energy punk rock track that captures the band's signature aggressive and raw sound. The song features fast-paced drumming, distorted guitars, and intense vocals that create a sense of urgency and rebellion. Thematically, "Rock House" explores the idea of breaking free from societal norms and expectations. The lyrics speak to the frustration and anger felt by the band members, as they reject conformity and embrace their individuality. The track embodies the punk ethos of nonconformity and rebellion against authority. The composition of "Rock House" is fast-paced and relentless, with driving rhythms and powerful guitar riffs that propel the song forward. The vocals are delivered with a sense of urgency and intensity, adding to the overall rebellious tone of the track. One notable fact about "Rock House" is that it was released on the band's debut album, "Group Sex," in 1980. The album was highly influential in the punk rock scene and helped to establish Circle Jerks as a prominent band in the genre. Overall, "Rock House" is a powerful and energetic punk rock track that encapsulates the rebellious spirit of Circle Jerks. With its intense instrumentation and defiant lyrics, the song remains a standout in the band's discography.
Product Of My Environment
"Product Of My Environment" is a punk rock track by the American band Circle Jerks. The song was released on their debut album, Group Sex, in 1980. The theme of the song revolves around societal influences and how they shape individuals. The lyrics discuss the idea that one's environment, upbringing, and experiences contribute to who they become. The song reflects on how external factors can impact a person's behavior and outlook on life. Musically, "Product Of My Environment" is fast-paced and energetic, characteristic of punk rock music. The song features aggressive guitar riffs, pounding drums, and raw vocals that convey a sense of urgency and rebellion. One notable aspect of the track is its raw and unapologetic attitude, which is a common characteristic of Circle Jerks' music. The band's confrontational and outspoken lyrics, coupled with their intense musical style, have made them a prominent figure in the punk rock scene. Overall, "Product Of My Environment" is a powerful and hard-hitting track that encapsulates the spirit of punk rock music. Its themes of individuality, rebellion, and social commentary make it a standout song in Circle Jerks' discography.
Junk Mail
"Junk Mail" is a fast-paced punk rock track by the American band Circle Jerks. The song is featured on their album "Group Sex," released in 1980. The theme of "Junk Mail" revolves around the annoyance and frustration of receiving unwanted and unsolicited mail, a relatable topic for many. The lyrics express disdain for the constant bombardment of advertisements and promotional material that clutter mailboxes. Musically, "Junk Mail" is characterized by its energetic and aggressive sound, typical of the punk genre. The driving drumbeat, distorted guitar riffs, and raw vocals create a sense of urgency and rebellion. The song is short and to the point, clocking in at just over a minute long. One notable fact about "Junk Mail" is that it showcases the Circle Jerks' signature style of fast-paced, in-your-face punk rock. The band's influential sound and rebellious attitude have made them a staple in the punk music scene. "Junk Mail" is a standout track that captures the band's raw energy and DIY ethos.
Making the Bombs
'Making the Bombs' by Circle Jerks is a fast-paced punk rock track that addresses the destructive nature of war and the military industrial complex. The song's lyrics criticize the government's involvement in creating weapons of mass destruction and the devastating consequences that result from these actions. Musically, 'Making the Bombs' features aggressive guitar riffs, pounding drums, and intense vocals by lead singer Keith Morris. The song's high energy and raw intensity capture the urgency and anger behind the message of the lyrics. One notable fact about 'Making the Bombs' is that it was released on Circle Jerks' debut album, Group Sex, in 1980. The album is considered a classic in the punk rock genre and has influenced countless bands in the years since its release. Overall, 'Making the Bombs' is a powerful and thought-provoking track that showcases Circle Jerks' signature sound and confrontational lyrics. It remains a relevant and important song that speaks to the horrors of war and the need for peace.
Bad Words
"Bad Words" by Circle Jerks is a high-energy punk rock track that is known for its aggressive and rebellious lyrics. The song revolves around the theme of defiance and breaking societal norms, with the band expressing their disdain for authority figures and societal expectations. The composition of the song is fast-paced and raw, with driving guitar riffs and pounding drums that create a sense of urgency and intensity. Lead singer Keith Morris delivers the vocals with a sense of anger and frustration, adding to the rebellious atmosphere of the track. One notable fact about "Bad Words" is that it was released on the band's debut album, Group Sex, in 1980. The album was a landmark release in the punk rock scene and helped solidify Circle Jerks as one of the leading bands of the genre. Overall, "Bad Words" is a powerful and defiant punk rock anthem that showcases the band's raw energy and rebellious spirit. It remains a fan-favorite track among Circle Jerks' discography and is a testament to the band's influence on the punk rock genre.
Red Blanket Room
"Red Blanket Room" by Circle Jerks is a high-energy punk rock track that showcases the band's signature raw and aggressive sound. The song features fast-paced guitar riffs, pounding drums, and intense vocals that convey a sense of urgency and rebellion. Lyrically, "Red Blanket Room" explores themes of frustration, anger, and disillusionment with society. The lyrics touch on topics such as political corruption, social injustice, and the struggles of everyday life. The song's intense and confrontational tone reflects the band's punk ethos and their desire to challenge the status quo. The composition of "Red Blanket Room" is characterized by its fast tempo, distorted guitars, and hard-hitting rhythm section. The song's catchy hooks and infectious energy make it a standout track in Circle Jerks' discography. Notable facts about "Red Blanket Room" include its inclusion on the band's seminal album "Group Sex," which is considered a classic in the punk rock genre. The song's rebellious spirit and fierce attitude have made it a fan favorite and a staple of Circle Jerks' live performances. Overall, "Red Blanket Room" is a powerful and defiant punk anthem that continues to resonate with listeners who appreciate its unapologetic attitude and aggressive sound.
High Price On Our Heads
"High Price On Our Heads" by Circle Jerks is a fast-paced punk rock track that captures the raw energy and rebellious spirit of the band. The song's theme revolves around the idea of societal pressures and the consequences of living a rebellious lifestyle. The lyrics touch on topics such as addiction, alienation, and feeling like a target in a world that doesn't understand or accept you. Musically, the song features driving guitar riffs, pounding drums, and aggressive vocals from lead singer Keith Morris. The band's signature sound, characterized by fast tempos and intense energy, is on full display in this track. The frenetic pace of the song mirrors the urgency of the lyrics, creating a sense of chaos and defiance. One notable fact about "High Price On Our Heads" is that it was released on the band's debut album, "Group Sex," in 1980. The album is considered a classic in the punk rock genre and helped solidify Circle Jerks' place in the punk rock pantheon. The song's raw intensity and confrontational lyrics have made it a fan favorite and a staple of the band's live performances. Overall, "High Price On Our Heads" is a powerful and unapologetic punk rock anthem that continues to resonate with listeners who identify with its themes of rebellion and nonconformity.
Wonderful
"Wonderful" by Circle Jerks is a fast-paced punk rock song that captures the raw energy and rebellious spirit of the band. The track's theme revolves around the frustration and disillusionment with the world, as the lyrics express a sense of anger and dissatisfaction with society. The composition of the song is characterized by its driving guitar riffs, pounding drums, and aggressive vocals by lead singer Keith Morris. The band's signature sound is showcased in this track, with its fast tempo and intense delivery that is sure to get listeners pumped up. Notable facts about "Wonderful" include its inclusion on the band's critically acclaimed album "Group Sex," which is considered a classic in the punk rock genre. The song's lyrics resonate with the punk ethos of rebellion and nonconformity, making it a standout track in the Circle Jerks' discography. Overall, "Wonderful" is a powerful and energetic punk rock anthem that captures the essence of the band's rebellious spirit and attitude towards the world.
Beat Me Senseless
"Beat Me Senseless" is a high-energy punk rock track by the American band Circle Jerks. The song, released in 1995 on their album "Oddities, Abnormalities and Curiosities," is a raw and aggressive anthem that captures the band's signature sound and attitude. The theme of "Beat Me Senseless" revolves around rebellion, defiance, and a general rejection of authority. The lyrics depict a feeling of frustration and anger towards societal norms and expectations, with the protagonist expressing a desire to be pushed to their limits and challenged in order to break free from conformity. Musically, the song features fast-paced drumming, distorted guitars, and intense vocals by frontman Keith Morris. The driving rhythm and chaotic energy of the instrumentation perfectly complement the rebellious spirit of the lyrics, creating a powerful and engaging listening experience. One notable fact about "Beat Me Senseless" is its status as a standout track in Circle Jerks' discography, known for its anthemic quality and memorable hooks. The song has become a fan favorite at the band's live shows, where it incites mosh pits and crowd sing-alongs. Its enduring popularity speaks to the timeless appeal of Circle Jerks' music and their ability to capture the angst and energy of punk rock.
Rats Of Reality
"Rats of Reality" is a high-energy punk rock track by the American band Circle Jerks. The song is known for its fast tempo, aggressive guitar riffs, and powerful vocals by lead singer Keith Morris. Thematically, "Rats of Reality" addresses the harsh realities of life and society, focusing on themes of disillusionment, frustration, and rebellion. The lyrics speak to the struggles of everyday life, the feeling of being trapped in a system, and the desire to break free from societal norms. The composition of the song is characterized by its raw energy and intense instrumentation. The driving drumbeat and distorted guitars create a sense of urgency and aggression, perfectly complementing the rebellious lyrics and Morris's powerful vocal delivery. "Rats of Reality" is a standout track in Circle Jerks' discography, known for its raw intensity and uncompromising attitude. The song remains a fan favorite and a staple of the band's live performances, showcasing their signature punk sound and rebellious spirit.
I Wanna Destroy You
"I Wanna Destroy You" is a punk rock track by the band Circle Jerks, released on their album "Group Sex" in 1980. The song is known for its aggressive and rebellious lyrics, expressing a desire to break free from societal constraints and norms. The composition of the song is fast-paced and energetic, featuring driving guitar riffs and raw vocals by lead singer Keith Morris. The track captures the raw energy and attitude of the punk rock movement, with its loud and abrasive sound. The lyrics of "I Wanna Destroy You" touch on themes of frustration, disillusionment, and a desire for liberation. The song's rebellious spirit and anti-establishment message resonated with the punk rock scene of the time, making it a standout track on the album. One notable fact about the song is that it has been covered by several other punk bands over the years, further cementing its status as a classic punk anthem. "I Wanna Destroy You" remains a powerful and influential track in the punk rock genre, showcasing the Circle Jerks' raw and unapologetic approach to music.
Mrs. Jones
"Mrs. Jones" is a track by the American punk rock band Circle Jerks, featured on their album "Group Sex" released in 1980. The song is characterized by its fast tempo, aggressive guitar riffs, and raw vocals, typical of the band's energetic and rebellious style. The lyrics of "Mrs. Jones" tell the story of a young man who is involved in a taboo relationship with an older woman, Mrs. Jones. The song explores themes of forbidden love, societal expectations, and rebellion against authority. The lyrics are delivered with a sense of urgency and defiance, reflecting the band's punk ethos. Musically, "Mrs. Jones" features a driving rhythm section, distorted guitars, and catchy hooks that make it a standout track on the album. The song's fast pace and intense energy capture the band's signature sound and attitude. Notable for its provocative lyrics and intense musical style, "Mrs. Jones" remains a fan favorite and a standout track in Circle Jerks' discography. The song showcases the band's ability to blend aggression with melody and deliver a powerful message with a punk rock edge.
Killing for Jesus
"Killing for Jesus" by Circle Jerks is a fast-paced punk rock track that delves into the dark and controversial topic of religious extremism. The song's lyrics explore the idea of individuals committing violent acts in the name of religion, specifically referencing Christianity with the mention of Jesus. The composition of the track is characterized by aggressive guitar riffs, pounding drums, and energetic vocals from lead singer Keith Morris. The raw and intense sound of the music mirrors the intensity of the song's subject matter, creating a sense of urgency and rebellion. One notable fact about "Killing for Jesus" is that it was released on Circle Jerks' album Group Sex in 1980, during a time when punk rock was becoming increasingly popular and influential. The song's provocative lyrics and powerful sound helped solidify Circle Jerks' reputation as one of the pioneering bands of the punk rock scene. Overall, "Killing for Jesus" is a powerful and thought-provoking track that challenges listeners to confront the dark side of religious fanaticism. Its energetic music and bold lyrics make it a standout song in Circle Jerks' discography.
The Crowd
"The Crowd" by Circle Jerks is a fast-paced punk rock anthem that captures the energy and rebellious spirit of the band. The song's lyrics speak to the feeling of being lost in a sea of people, feeling disconnected and disillusioned with society. The chorus, with its repeated refrain of "I hate the crowd," conveys a sense of frustration and alienation. Musically, "The Crowd" is characterized by its aggressive guitar riffs, driving bassline, and pounding drums. The raw, gritty sound of the band's performance adds to the intensity of the song, creating a sense of urgency and defiance. Notable for its energetic live performances, "The Crowd" has become a fan favorite and a staple of Circle Jerks' setlists. The song's rebellious attitude and unapologetic lyrics have resonated with audiences for decades, making it a standout track in the punk rock genre. With its raw energy and powerful message, "The Crowd" remains a classic punk anthem that continues to inspire and provoke listeners.
Love Kills
"Love Kills" by Circle Jerks is a punk rock track that delves into the destructive nature of love. The lyrics touch upon themes of heartbreak, betrayal, and the consequences of falling for someone who ultimately brings pain and suffering. The song's aggressive and energetic composition perfectly captures the raw emotions expressed in the lyrics, with fast-paced drumming, distorted guitars, and intense vocals that convey a sense of urgency and frustration. One notable fact about "Love Kills" is that it was included on the band's debut album, "Group Sex," which was released in 1980. The album is considered a classic in the punk rock genre and helped solidify Circle Jerks' reputation as one of the pioneering bands in the Southern California punk scene. The song's catchy chorus and memorable guitar riffs have made it a fan favorite and a staple in the band's live performances. Overall, "Love Kills" is a powerful and impactful punk rock anthem that resonates with listeners who have experienced the pain and turmoil of a tumultuous relationship. Its raw energy and relatable lyrics make it a standout track in Circle Jerks' discography and a must-listen for fans of punk rock music.
All Wound Up
"All Wound Up" is a track by the American punk rock band Circle Jerks, included in their debut album "Group Sex" released in 1980. The song is characterized by its fast-paced and energetic tempo, aggressive guitar riffs, and raw, rebellious vocals. The theme of "All Wound Up" revolves around feelings of frustration, anger, and alienation, which are common themes in punk rock music. The lyrics express a sense of being overwhelmed and trapped in a cycle of chaos and confusion, with lines like "All wound up, can't unwind, feel like I'm losing my mind." The composition of the song is straightforward and to the point, with a driving rhythm section and a catchy, memorable chorus that invites listeners to shout along. The guitar work is sharp and abrasive, adding to the overall intensity of the track. One notable fact about "All Wound Up" is that it showcases the Circle Jerks' signature sound and attitude, which helped to establish them as one of the pioneering bands in the hardcore punk scene of the 1980s. The song's raw energy and unapologetic lyrics continue to resonate with fans of punk rock music to this day.
Circle Jerks